A lost and alone kitten joins a gang of dogs engaged in petty larceny in New York City.A lost and alone kitten joins a gang of dogs engaged in petty larceny in New York City.A lost and alone kitten joins a gang of dogs engaged in petty larceny in New York City.
- Awards
- 1 win & 2 nominations total
Joey Lawrence
- Oliver
- (voice)
Billy Joel
- Dodger
- (voice)
Cheech Marin
- Tito
- (voice)
Richard Mulligan
- Einstein
- (voice)
Roscoe Lee Browne
- Francis
- (voice)
Sheryl Lee Ralph
- Rita
- (voice)
Dom DeLuise
- Fagin
- (voice)
Taurean Blacque
- Roscoe
- (voice)
Carl Weintraub
- Desoto
- (voice)
Robert Loggia
- Sykes
- (voice)
Natalie Gregory
- Jenny
- (voice)
William Glover
- Winston
- (voice)
Bette Midler
- Georgette
- (voice)
Frank Welker
- Carlo
- (voice)
- …
Deborah Gates
- Additional Voice
- (voice)
- (as Debbie Gates)
Kal David
- Additional Voice
- (voice)
Featured reviews
Curiously endearing Disney animated feature inspired by "Oliver Twist", transposing the Dickensian favorite fairly successfully to a modern-day New York setting - with the villainous Bill Sykes as a mobster (flanked by a couple of vicious mastiffs). Stylistically, it lies somewhere between LADY AND THE TRAMP (1955) and the adult-oriented films of Ralph Bakshi (without the sex and violence, naturally); as such, it stands oddly alongside the studio's usual fare from this rather lame era - and its vitality can now be seen to have foreshadowed the renaissance in quality (and critical appraisal) which they witnessed soon after, beginning with THE LITTLE MERMAID (1989). The anthropomorphic characters (which generally swamp the humans - Fagin is very much a good guy here, if still pitiful) are quite nicely fitted to class stereotypes: hence, we get a Hispanic chihauha (with an eye for the ladies) and a posh bulldog, among others, while Dodger is basically an updated version of Tramp and Oliver himself a cute but very brave kitten. The familiar and involved plot is all but jettisoned (especially in its second half) in favor of boisterous action and character comedy, with a bouncy score and rapid pace to match. In the end, it proved surprisingly good - and, at just 74 minutes, short enough not to overstay its welcome.
This movie has an unmistakable 1980s vibe that gives it a certain charm. Viewers familiar with "Oliver Twist" will find it interesting how Dickens's story is adapted around dogs and their owners in modern-day New York City.
Billy Joel impresses as the voice of Dodger, a mutt with New York attitude. He's joined in the cast by Cheech Marin, Bette Midler, and Dom DeLuise (as a derelict Fagin).
The best character, in my mind, is the city itself. This is definitely a New York City movie, tapping into the city's personality and capturing many of the landmarks in the animation.
The movie has a visual aesthetic that is not quite like the style of other Disney films, which is kind of cool. There's some great character animation, such as with the imposing villain Sykes (Robert Loggia). CGI framework is used effectively throughout the film to animate cars and things.
OLIVER & COMPANY is definitely a product of its time: the late 1980s. The movie is dated by the clothing worn by the humans, the models of the cars, the music (smooth and synthesizery, with the main title song sung by Huey Lewis), the gritty urban look, and even the character designs (see the hot dog vendor or the hairspray-loving canine Rita).
In a superficial way, OLIVER & COMPANY reminds me of THE RESCUERS. Both have a unique aesthetic "feel" that strays from the classic Disney style and seems to capture the sensibilities of the times. OLIVER is as quintessentially 1988 as THE RESCUERS is 1977. (Both films also portray contemporary New York City, involve animals helping a cute little girl, and explore some dark and emotional territory.) OLIVER & COMPANY is dated, but gloriously so.
The next animated film released by Disney would be THE LITTLE MERMAID (1989), which launched the company's 1990s renaissance of timeless masterpieces, shaped by Alan Menken's Broadway-influenced musical direction. It's interesting to see the quaint, contemporary style of OLIVER, knowing that Disney would soon go off in a different direction.
With no nostalgic ties to this film, I can say that it's a decent flick, although it wouldn't crack even my top 20 Disney movies. Love the NYC stuff. Joel's "Why Should I Worry?" is a musical highlight. The story has a surprising emotional impact and the climax is both dark and exciting.
Billy Joel impresses as the voice of Dodger, a mutt with New York attitude. He's joined in the cast by Cheech Marin, Bette Midler, and Dom DeLuise (as a derelict Fagin).
The best character, in my mind, is the city itself. This is definitely a New York City movie, tapping into the city's personality and capturing many of the landmarks in the animation.
The movie has a visual aesthetic that is not quite like the style of other Disney films, which is kind of cool. There's some great character animation, such as with the imposing villain Sykes (Robert Loggia). CGI framework is used effectively throughout the film to animate cars and things.
OLIVER & COMPANY is definitely a product of its time: the late 1980s. The movie is dated by the clothing worn by the humans, the models of the cars, the music (smooth and synthesizery, with the main title song sung by Huey Lewis), the gritty urban look, and even the character designs (see the hot dog vendor or the hairspray-loving canine Rita).
In a superficial way, OLIVER & COMPANY reminds me of THE RESCUERS. Both have a unique aesthetic "feel" that strays from the classic Disney style and seems to capture the sensibilities of the times. OLIVER is as quintessentially 1988 as THE RESCUERS is 1977. (Both films also portray contemporary New York City, involve animals helping a cute little girl, and explore some dark and emotional territory.) OLIVER & COMPANY is dated, but gloriously so.
The next animated film released by Disney would be THE LITTLE MERMAID (1989), which launched the company's 1990s renaissance of timeless masterpieces, shaped by Alan Menken's Broadway-influenced musical direction. It's interesting to see the quaint, contemporary style of OLIVER, knowing that Disney would soon go off in a different direction.
With no nostalgic ties to this film, I can say that it's a decent flick, although it wouldn't crack even my top 20 Disney movies. Love the NYC stuff. Joel's "Why Should I Worry?" is a musical highlight. The story has a surprising emotional impact and the climax is both dark and exciting.
Inspired by the timeless Charles Dickens novel , "Oliver Twist" , Oliver & Company is the thrilling animated classic full of action , friendship , courage , and heart that starts when Oliver , the orphaned kitten , is befriended by Dodger , the cool dog from a New York pack of pickpocket pooches. Soon , Oliver is lovingly adopted by Jenny , a lonely little rich girl , until tough-guy Sykes and his Doberman sidekicks , Desoto and Roscoe , try to keep Jenny and Oliver apart. Now it's up to Oliver, Dodger , and all his colorful , street-smart canine pals to outwit the villains and rescue the girl in an electrifying chase that will leave you breathless!Filled with laughter , loyalty , and great music by Billy Joel , Huey Lewis , and Bette Midler. Oliver and Company is family fun you'll love watching over and over again!
9/10
9/10
"Oliver and Company" is a wonderful and fun adventure! Despite a by-the-numbers plot, the film does its best to provide the fun and adventure that it can. Adding to the fun and adventure is the animation and, especially, the really charming animals. Come on, who does not want an Oliver toy!
OK, I've seen this movie for the first time when I was 6 years old... This movie was actually made in 1988, the year I was born I haven't seen it in 11 years, and now I'm 17 I love this movie even more then I did before!
The songs are lovely, and the story is really heartwarming!! The dutch version of this movie is just as funny as the English is! My favorite character is Dodger, because he's the "cool street dog" and Oliver is just cute!!
I know I'm a real Disney freak and this movie really belongs to one of my favorites!!!
The songs are lovely, and the story is really heartwarming!! The dutch version of this movie is just as funny as the English is! My favorite character is Dodger, because he's the "cool street dog" and Oliver is just cute!!
I know I'm a real Disney freak and this movie really belongs to one of my favorites!!!
Did you know
- TriviaAnimators shot photos of New York streets as reference, using cameras set eighteen inches off the ground to get a dog's point of view.
- GoofsThe Brooklyn Bridge does not have subway tracks.
- Alternate versionsThe original 1988 theatrical release used the original 1985 Walt Disney Pictures logo while further releases from the 1996 theatrical releases onward use the 1990 variant of the logo.
- ConnectionsEdited into Doggiewoggiez! Poochiewoochiez! (2012)
- SoundtracksOnce Upon a Time in New York City
Music by Barry Mann
Lyrics by Howard Ashman
Produced by Stewart Levine
Performed by Huey Lewis
- How long is Oliver & Company?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Oliver y su pandilla
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $31,000,000 (estimated)
- Gross US & Canada
- $74,151,346
- Opening weekend US & Canada
- $4,022,752
- Nov 20, 1988
- Gross worldwide
- $74,151,346
- Runtime1 hour 14 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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