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  • Once again, this Sidaris film seems to have everything: a fit and quite believable as an agent Dona Speir, an incredibly adorable Hope Marie Carlton (on a scale of 1 to 10, her smile is a 12), a gorgeous Roberta Vasquez, international locations (Paris, Las Vegas, Texas, Hawaii, etc.), LOTS of explosions, outrageous gadgets, etc. The mix should have been explosively hot, but sadly it's only lukewarm. The execution of the formula is mechanical, as if Sidaris was simply ticking off action scenes from a list. There are very few funny lines (the best belongs to Speir: when she's accused of being jealous, she says "there is not a jealous bone in my body - check it out for yourself", and she disrobes!) and the one fight scene, involving Harold Diamond, is terrible. But to end this comment on a positive note, John Aprea gives a slick performance as the arch-villain of the story. (**)
  • While never having heard about this 1988 movie titled "Picasso Trigger" from writer and director Andy Sidaris, I opted to sit down and watch it here in 2022, as I had the opportunity to do so after having seen the 1988 movie "Hard Ticket to Hawaii".

    And I will say that "Picasso Trigger" definitely is right in the spirit and essence of the "Hard Ticket to Hawaii" movie, so if you enjoyed that one from Sidaris, then you will also enjoy this 1988 movie. I will admit that the movie was watchable enough for what it was, which is some typical late 1980s cheese, for better or worse.

    It was actually fun to see the majority of the cast from "Hard Ticket to Hawaii" return to reprise their roles and characters in "Picasso Trigger", so it made for some sense of continuity. It should also be said that the acting performances in "Picasso Trigger" were adequate enough.

    Visually then "Picasso Trigger" was an okay movie. I mean, it wasn't the best of special effects, and the usage of painfully obvious dummy stand-ins whenever an explosion was imminent was just hilarious.

    If you enjoy 1980s cheesy action flicks, then you will definitely enjoy "Picasso Trigger".

    My rating of "Picasso Trigger" lands on a five out of ten stars.
  • Just watching the credits for Sidaris' flicks reveals where he gets his cast. Everyone is from Playboy, Penthouse, or Playgirl. What the heck, everyone wants a chance to act. At least none of these folks gave Sidaris any headaches about doing nude scenes!

    The movies are popcorn, not meant to be taken to seriously. Just sit back and watch a bunch of occassionally naked women and guys kill some nefarious bad guys.
  • It's not his best work, but I still don't feel like I wasted my rental.

    It drags on in some parts, and most of the hand to hand fight scenes are really unconvincing.

    On the plus side, it has some tricks and twists that an audience member really wouldn't see coming.

    No Julie Strain, but Donna Spier and Roberta Velasquez look really good in most of their shots. :)

    Still, the nudity, while gratuitous, isn't very common in occurrence. The scenes where the characters are in swimsuits are nice, I guess. I have to admit they look pretty good.

    It really didn't flow very well, and it had some scenes that were just plain boring.

    Overall, I still like Sidaris' work, because it's the best you'll ever get in this kind of film work, I think, but he's done better.
  • This film essentially begins with an international crime lord known as "Picasso Trigger" (John Aprea) being assassinated in Paris by a colleague named "Miguel Ortiz" (Rodrigo Obregon) who wants to take over his underworld empire. Not only that, but Miguel is equally determined to kill everyone who anything to do with the death of his brother some time before. To that extent, one of his first attempts is against both "Donna" (Dona Speir) and "Taryn" (Hope Marie Carlton) were vacationing on a boat just off the coast of Maui. Fortunately, as luck would have it, the two of them had just gone snorkeling just minutes before a remote-controlled airplane bomb slams into their boat and blowing it up. Meanwhile, in Las Vegas, a colleague of Miguel by the name of "Mr. Schiavo" (Nicholas Georgiade) has also targeted several agents who have been investigating his white-slavery racket as well. To that effect, with so many of his agents being either killed or narrowly escaping assassination attempts, the man in charge of these agents by the name of "L. G. Abilene" (Guich Koock) decides to turn the tables and go after Miguel Ortiz. What he doesn't know, however, is that there is more to these assassination attempts than he realizes and there is one person within his agency that has a secret agenda of their own. Now, rather than reveal any more, I will just say that this sequel to "Hard Ticket to Hawaii" was, in my opinion, a little bit better than its predecessor as both the acting and the script showed a slight improvement. Likewise, the presence of several attractive actresses like Cynthia Bremhall (as "Edy"), Roberta Vasquez ("Pantera"), Kym Malin ("Kym") and the aforementioned Dona Speir and Hope Marie Carlton certainly didn't hurt either. On the other hand, much like the previous picture, the plot lacked depth and needed a lot more suspense or intrigue as the numerous action scenes were simply not sufficient to maintain interest for an extended period of time. At least, I didn't think so. Be that as it may, while this wasn't a bad action film by any means, it had its faults and I have rated it accordingly. Slightly below average.
  • I just had to comment on this film. To start, there is of course absolutely nothing special about this babes w/ guns flick to the countless others that Cinemax shows on their midnight line up. But what differentiates Picasso Trigger from most is the inventive weapons.

    Example #1: Attaching a bomb to a boomerang to blow up the bad guy.

    Example #2: Attaching a timed bomb to a remote control car to blow up the bad guy when the target is at grenade throwing distance.

    This is what makes movies like these great to watch. It just goes to prove really bad movies can be entertaining and stimulating.
  • Let's just cut to the chase straight away here and say upfront that the only sane reason to watch an Andy Sidaris film is to see beautiful playmates get naked and shoot guns. What other reason is there? This one has a convoluted plot-line that I quite honestly can't be bothered to describe. What I will say is that the story is not exactly its strong point. Needless to say, as per Sidaris other films, there are a lot of explosions and a lot of feeble gadgets. But the action scenes are so lacklustre that you will be hard pressed to care. Honestly, when you consider the awesome bevy of beautiful babes that Sidaris improbably had at his disposal, you can't help but wish the films had a little more imagination or life about them.

    This one is neither one of his best, nor is it one of his worst but it's pretty much essentially the same as all of them. The only true differentiating factor that I can ever discern is which ladies do we have and is there a lot of nudity? All other aspects merge into one as far as his filmography is concerned. This one's chief selling point is Dona Speir, who is very nice indeed. And, yes, she strips off a few times, along with several of her other female co-stars. So, consequently, the film does have some entertainment value. Other than that, it has quite a good title.
  • I have to agree with the previous comment, It was late and nothing else was on. I couldn't help but watch this horrible movie! It was unbelievably dated (which previously mentioned.. could not be helped) but MAN.. Was it horrible! It's like a car wreck. You know that you shouldn't watch but you cant help it! I live in Hawaii and this just makes me laugh! I love how the girls all try to be sexy and the soft core porn is hysterical. What cracks me up the most is that they are saying that they are on Maui.. when they are really on Oahu. The wardrobing is also another comedic factor. But then again.. that can't be fixed. I have no idea what they were thinking when this waste of time was made!
  • What were they thinking when they made this? I happened to roll over and was unable to sleep one night at about 2AM and this movie was playing on cable. It wasn't just awful because it was so dated (which of course can't be helped), but the acting was bad, the special effects, the score, the storyline -- need I go on? For as bad as it was though, I couldn't turn it off because I kept watching to see how bad it could get. The topper was when Steve Bond turned his crutch into a shotgun and then a missile launcher! And then the corny bad wrap-up scene. This movie is funny -- but not intentionally. Watch it only for laughs at how bad it is.
  • Andy Sidaris follows his usual formula with this mix of action, gorgeous scenery, and even more gorgeous women. The story deals with the title character, an international criminal played by handsome John Aprea. He's gunned down outside an art gallery by the goons of a crazed associate, Miguel Ortiz (Rodrigo Obregon). Then a team of government operatives, including Travis Abilene (amiable hunk Steve Bond), Donna (the delectable Dona Speir), and Taryn (lovely Hope Marie Carlton) spend their time trying to eliminate Ortiz and his henchmen.

    "Picasso Trigger" is fun, at least to a degree. It's never inspired, but it's reasonably rousing at times and even if the viewer is otherwise bored, they'll hopefully be preoccupied with ogling the female cast members. Naturally, they show off the goods when they get a chance. The acting is basically good enough for this sort of thing. The standout is veteran Aprea, who's a real smooth type. The gadgets designed by "Q" type character The Professor (Richard LePore) are cute, especially that killer crutch.

    The material is played with a degree of humour, with some choice bits of dialogue here and there. Things get a little annoying in the final minutes, with one "ending" after another, but the movie is overall a good little diversion.

    Six out of 10.
  • Picasso Trigger, the third film in Andy Sidaris's Malibu Express series, is par for the course in terms of nudity and violence, with the obligatory big breasted babes disrobing at regular intervals to get fruity with the musclebound hunks, and lots of baddies being shot, blown up, or impaled. Luckily, this one proves to be slightly more entertaining than the last entry (Hard Ticket to Hawaii) thanks to Sidaris adopting a more deliberate Bond-style approach, one that comes complete with an international villain and silly gadgets (designed by 'Q'-alike boffin, The Professor) to go with the usual array of chase scenes, explosions and exotic locations.

    The plot (yes, there is a plot!) sees government agents Travis Abilene (Steve Bond), Jade (Harold Diamond), Donna (Dona Spier), Taryn (Hope Marie Carlton) and Edy (Cynthia Brimhall) joined by Paris operative Pantera (Roberta Vasquez) to bring to justice the gang who have been bumping off their colleagues. However, everything is not as it first seems, with Travis and Co. eventually discovering that they have been set up by bad guy Salazar AKA Picasso Trigger (John Aprea) to help him eliminate his competition.

    Picasso Trigger is no means a great film—Sidaris's direction still leaves a lot to be desired, the action scenes being far less thrilling than they are unintentionally amusing—but with plenty of sexy Playboy-standard babes getting naked, crap martial arts, a pointless sub-plot about snuff movies, crazy gimmicks such as an exploding boomerang (which would surely come back and blow YOU up?!?) and a rocket-launching crutch (programmed by pocket calculator), blatant product placement (even the local Hovercraft Hire company gets in on the action), and VERY LARGE CAPTIONS to let us know what day of the week it is, this is worth a go when you don't want to have to think very hard.
  • Warning: Spoilers
    After double agent Picasso Trigger (smoothly played with cool assurance by John Aprea) gets bumped off by treacherous arch drug smuggler Miguel Ortiz (a pleasingly slimy portrayal by Rodrigo Obregon), several federal agents are assigned by the agency they work for to bring Ortiz down. Writer/director Andy Sidaris maintains a quick pace throughout and delivers his usual enjoyable mixture of delicious babes in skimpy swimsuits or less (busty blonde knockout Dona Speir and mega cutie Hope Marie Carlton are mad hot as our sexy heroines while smoldering buxom brunette Roberta Vasquez contributes a memorably sultry turn as enticing femme fatale Pantera), an amusingly goofy sense of tongue-in-cheek humor, big splashy explosions, nifty James Bond-style gadgets (a deadly explosive boomerang, killer remote control toy car and airplane, etc.), a good deal of bloody violence, occasional bits of strenuous slow motion, a cool fierce martial arts fight, and globe-trotting international locations which add an impressively expansive scope to the picture. The acting from the attractive cast is passable at best, with Steve Bond likable enough as buff hunk Travis Abilene, Kym Malin simply adorable as sassy cowgirl dancer Kym, Cynthia Brimhall displaying real class as the elegant Edy Stark, and Harold Diamond providing suitably macho muscle as ace karate fighter Hondo. Howard Wexler's slick cinematography gives the movie a nice polished look while Gary Stockdale's lively score hits the stirring spot. A fun flick.
  • Dona Speir confessed in an interview (DVD bonus) she didn't understand the movie after reading the script and she figured it out only after she watched the final product 4 times. She isn't the only one, I suppose. I blame this confusion on the villain who keeps hidden most of the time so you wonder who's actually fighting whom and why. The killers' messages are quite poetic: "The ones with the flower have been scattered this hour", one writes to notify the others that his job his done. "I've got a black belt in shotgun", another lady says after she shot a kung fu fighter. The Dutch DVD I've got uses the tagline "Moorden is een vorm van kunst" ("Killing is an art form", I think it translates) - and these cynical tidbits just to demonstrate "Picasso Trigger" is somewhat more violent (and with less nudity) than other movies of the Lethal Ladies series. I loved the exploding boomerang as a weapon or when 1 of the heroes fires about 20 times at 1 bad guy and misses him every time. Playboy's Roberta Vasquez in her first appearance for Andy Sidaris slips into a pair of ripped jeans, showing beautiful legs, beautiful dark eyes, beautiful... everything! Note: this is the 3rd out of my 12 reviews for the works of Andy Sidaris, in chronological order.
  • ...then you'll love this movie. Seriously, take a bunch of drugs and see if you can make any sense out of this insane plot and absurd dialogue. It makes for a fun game. Add in that this movie had a budget of $10 (radio controlled cars and airplanes - probably purchased from Radio Shack - are about as high tech as these fourth rate James Bond-spy ripoffs gets) and it becomes a masterpiece of cinematic defilement.

    For example: one gadget is a bomb on a boomerang. But when Secret Agent Busty McBlonde throws it at the bad guy, it doesn't, say, fly off in one direction and whip around to hit the villain from behind as boomerangs tend to do. No, the boomerang rockets straight at the villain like a baseball, hits him square in the face, and then explodes into an enormous fireball. So it's basically a grenade.

    Anyways, the cast probably had a lot of orgies during the shooting of this film.

    Also, anyone who doesn't recognize how truly dumb/insane this movie is should never be trusted to have children.
  • Warning: Spoilers
    This is a typical low budget cheap special effects 1980's action movie
  • Warning: Spoilers
    This is not the thinking man's spy film. In fact, it is obvious that in spite of the Picasso reference, little brain was put in the script outside the ingenious way that people are killed, rather humorous in spite of the violent methods. The third part of a trio of spy films, it starts with the murder of the star of the previous films and moves on to the attempted assassinations of a bunch of blonde bimbo spies who speak as if they stepped out of some 1950's high school bad girl film. The only actor I was familiar with is the ironically named 80's soap hunk Steve Bond ("General Hospital") who is a Robert Scorpio/James Bond like agent living the high life, but in spite of top billing is off screen for quite a bit. But when he is on screen, it's impossible not to be mesmerized by his aqua blue eyes.

    As for the female spies, there was one rule of thumb in their casting: a toned and tanned body with plenty of cleavage. The only thing missing is a staple in their navel. "I had rug burns for a week", showing that their mind isn't always on her mission, that is unless that's how she makes love. It's hard not to think of rather blue jokes in regards to the excessive sexuality, because the humor is very much indeed filled with innuendos (and outuendos) and over the top in the sexual freedoms of the female characters. The plot is completely unimportant, but the scenery and action and campy dialog does make it a fun bad movie. You'll certainly not be bored, but you will be more intrigued by how unbelievably ridiculous it is.
  • 1st watched 4/2/2021 - 3 out of 10 (Dir- Andy Sidaris): Fair thriller from Andy Sidaris about a supposed assassination of a man in France penned the "Picasso Trigger." The Agency(as they are called in this movie) gets involved when Picasso's people start to hunt down federal agents supposedly for revenge against the killing. There is your usual boobs and un-spectacular action and slow beginning like most Sidaris films with this one having Dona Speir and Steve Bond being the main agents. Many others get involved as well throughout as the bad guys seem to want everyone taken out. I have to admit for awhile it was hard to tell the bad folks from the good ones, which to me was a downfall in the direction. Sidaris throws in a strange twist in the end to make the movie last longer that doesn't seem feasible(but he has done this before). I really don't have much else to say about this movie. In some ways, the plot was complex, but the pace was so slow that the viewer loses interest pretty early on if it wasn't for some pretty women there to distract. I have to say Dona Speir looked her best and acted her best compared to the other Sidaris films she has been in, but this wasn't enough to win me over. This is another one for the Sidaris bucket of bad films that just doesn't cut it.
  • Warning: Spoilers
    Drug lord Miguel Ortiz thanks his business partner Salazar for his help, but right after, Salazar is gunned down at an art gallery. Soon after, Ortiz has his men bumping off DEA agents, and plans to then murder civilians, all of whom were involved in the death of his brother. Luckily, 3 of the good guys targetted AREN'T killed, and one of them, cowboy "L. G.", gets in touch with his "Agency" friends and gathers them together for a massive assault to "arrest" (or, just plain KILL OFF) all the bad guys involved. Along the way, we have the usual helicopters, fast cars, speed boats, motorcycles, martial arts fights, high-powered guns, gimmicky exposives... oh yeah, and HOT NAKED BABES. All in beautiful, gorgeous, STUNNINGLY-photographed locations. Writer & director Andy Sidaris is on the loose again!

    The 5th (yeah, 5th!) of Sidaris' sexy action flicks brings back several cast members from both HARD TICKET TO HAWAII (1987) and SEVEN (1979), the latter of which was apparently a victim of some legal rights problems for decades, and so never included in Sidaris sets or reissued on disc until 2018! But it's my FAVORITE of his films, so I was thrilled to see not only "Cowboy" / "L. G." (Guich Koock ) and "The Professor" (Richard LePore) return from that film, but also the near-identical fight scene and method of killing used wherein a drug boss is shoved thru a high window out of a tall office building!

    Returning from HARD TICKET are Dona Spier ("Donna"), the adorable Hope Marie Carlton ("Taryn"), Cynthis Brimhall ("Edy"), Patty Duffek ("Pattycakes"), Harold Diamond ("Jade"), Wolf Larson (golf pro "Jimmy-John Jackson"), and Andy Sidaris ("Whitey"). Several other actors return in different roles, including John Aprea (crime boss "Salazar", nick-named "Picasso Trigger"), Rodrigo Obregón (crime boss Miguel Ortiz), Nicholas Giorgiade (white slaver "Schiavo"), and John Brown (DEA agent "Juan", previously hired thug "Luke" in MALIBU EXPRESS). It's fun how Sidaris' films has a stock company of actors not unlike the Universal Rathbone Holmes films of the 1940s. New Playboy Playmate additions this time are Liv Lindeland ("Inga", the Professor's Swedish girlfriend), Kym Malin ("Kym", Pattykakes' dancing partner), and the incredibly-beautiful Roberta Vasquez ("Pantera", who says she was once in love with the film's hero Travis).

    Steve Bond is "Travis Abilene", and like Cody and Rowdy, CAN'T hit a moving target! The joke has gotten old and tired by here. Bond is all grown up since his appearance in TARZAN AND THE JUNGLE BOY (1966, released in 1968), and of all the guys in this film, I thought he was the only one who was, frankly, as hot-looking as the girls were. But his acting wasn't half as good as his 2 predecessors. I kept wishing Sidaris had brought back William Smith.

    I was somewhat surprised that neither Hope or Roberta ever showed their breasts in this film. Sidaris once hilariously said, comparing his films to the 007 series, "Our girls are prettier, and they show their stuff." But I guess Donna & Cynthia made up for it.

    I've repeatedly read this film's plot was "hard to follow". MAYBE. By halfway in, I was actually reminded of The Monkees' film HEAD (1968), in that both seemed to have a "stream-of-consciousness" feel about the way events played out. You MAY not know for sure what's going on at any given moment, but, keep watching, and it WILL all make sense as it goes.
  • Warning: Spoilers
    The third film in the long "babes with guns" series, has the buxom beauties of a government agency that at this point of the series hadn't been named, go after baddie Miguel Ortiz after he kills secret agent Picasso Trigger. A steady stream of bad acting, massive explosions and even more massive mammeries (but less nudity than most of the other films in the series). When it comes down to it Andy Sidaris's near-trademark mixture of boobs, bullets, and bad acting is not for everyone. You either enjoy the concoction or you don't. I'm more in the former than the latter as I see them as fairly innocent time-wasting eye candy. Just go with it and you'll enjoy to an extant. And while this one might not be his best film (that would be "Do or Die" in case you're wondering), it's still enjoyable if you just remember to turn your brain off at the door.

    My Grade: C+

    Eye Candy: Cynthia Brimhall, Hope Carlton, Patty Duffek, Kym Malin, and Don Spier all show various amounts of gratuitous skin.

    DVD Extras: Introduction with Andy and Julie Strain; Director's Commantary; 36 minute Behind the scenes featurette (featuring abundant nudity); Production Stills; Sndy Sidaris filmography; web-links; Theatrical Trailer; and Trailers for 11 other Sidaris films (all with abundant nudity)

    Easter Egg: There's one hidden in the main menu featuring a nearly fully nude Julie Strain goofing off.
  • Gorgeous brunette with wet-suit zipped way down her cleavage takes a spear gun bolt through her heart. As she's embracing a guy and about to stab him, another bikini clad woman shoots her in the back with the spear gun, and the bloody tip of the spear emerges from between her breasts.

    In an earlier scene, same girl is topless.

    They don't show that stuff anymore.

    Lot's of gorgeous women as always with Sidaris films

    Bare bosoms are out nowadays in movies accept in the home video only segment
  • Warning: Spoilers
    Killing is an art form. That's what the Professor - returning from Sidaris' film Seven - says before giving our heroes a ton of weapons. They're gonna need them after double agent Picasso Trigger is assassinated in Paris by even more duplicitous big bad Miguel Ortiz (Rodrigo Obregon, who shows up in plenty more Andy Sidaris films). Now, he's after anyone who worked for the Agency in the wake of his brother's death.

    Sadly, there's no Cody or Rowdy Abeline around. Travis, another relative, appears. However, Donna (Dona Speir), Taryn (Hope Marie Carlton) and Edy (Cynthia Brimhall) are back, joined by November 1984 Playmate of the Month Roberta Vasquez as Pantera, Guich Koock as L.G. Abilene, Bruce Penhall from CHiPs as Hondo, Patty Duffek as Pattycakes and Kym Malin as Kym (hey, they can't all be crazy names).

    It's an Andy Sidaris film, so none of the good guys can shoot a gun to save their lives, there's a cane that shoots both shotgun and mortar rounds, exploding boomerangs and RC cars, as well as more showers than anyone has ever taken in 99 minutes.

    They don't make movies like this anymore. I'm not sure who else - other than probably me - wants to see James Bond-esque spy adventure with wacky gizmos while everyone is in Speedos and spandex. I know it's silly and yet I love this film as one does a childhood friend who has never grown up and moved out of their mother's house. Actually, more films today should look to be as entertaining as this.

    Plus, how great of a title is Picasso Trigger? It just begs you to watch whatever it is.
  • It's an average light entertainment action film with a lot of shooting and explosions. Some decent scenery, a generous helping of T&A. Not to mention ugly 80s hair and clothing styles. For about the first half it was getting on my nerves somewhat---it was just too mediocre, kind of bland---but then it somehow improved for me, becoming a slightly better movie in its second half. There is a plot twist that works fairly well. The film is nothing spectacular but it delivers enough entertainment that you might want to sit through it. It did feel like it was longer than its running time.
  • This absolute work of art, this brilliant IVORY COAST DIAMOND of a movie should be in the LOUVRE!!!
  • This has to be one of the dumbest movies ever filmed, and if I give it a barely acceptable rating (six out of ten) it's more for the nostalgia with which I now remember it, rather than for its filmic qualities, which are almost non-existent. The only thing I remember, and for which I forgive his unfortunate scenes of action, is the presence of several Playboy bunnies, who with problems try to act and give life to one-dimensional characters. Seeing the film again, almost thirty years later, the only possible defense to such a mess is the presence of Donna (Dona Spier), Taryn (Hope Marie Carlton), Edy (Cynthia Brimhall) and Panther (Roberta Vasquez), but I imagine that it would be difficult for someone today to invest their money in bringing together a group of women as little equipped for the performance as those mentioned.

    The bad acting direction as much as film seems almost amateur. Even a graduate of a film school would achieve better results, but I suppose in the eighties testosterone or a group of breasts and hips could replace any gray matter. Actually, the movie would hardly qualify with a two out of ten.
  • My review was written in May 1988 after watching the movie at a Times Square screening room.

    "Picasso Trigger" is a campy action picture jampacked with beautiful women and musclebound hunks. In regional release since February, pic is likely to arouse considerable interest in ancillary markets.

    Filmmakers Andy and Arlene Sidaris' gimmick is that all seven "Picasso" leading ladies are former Playboy magazine models. Dona Speir and Hope Marie Carltpon encore from the previous opus from the Sidarises: "Hard Ticket to Hawaii", as two government agents stationed in Molokai. They're called in to join the international team to stop Salaza, a/k/a/ Picasso Trigge (John Apriea), who's sent his henchmen to assassinate the agents who got his brother.

    Organized by L. G. Abilene (Guich Koock), who is one of the marked men, team is headed by Travis Abilene (former soap star Steve Bond) and includes a mothley group of figting experts (including Harold Diamond, antoher "Hard Ticket" alumnus) and bombshells (Cynthia Brimhall, Kym Malin, Patty Duffek). Also on board is the voluptuous but suspicious-looking foreign agent Pantera (Roberta Vasquez), who coincidentally was Travis' sweetheart in college.

    With many cute gadgets, inlcuding toy plane, car and dynamite-laden boomerange, injected into the action, the film plays firmly tongue-in-cheek as a omic strip approach to international intrigue. All the characters and thesps arfe larger than life, with silly bon mots peppering the dialog. Episodic format, with too much time addrfessed to side issues or rounding up the team, is a drawback.

    Acting is variable, with most of the cast used to posing rather than reading liens. Bond, recently miscast in a West German period piece "Silent Night", is convincing as the hero who can't shoot straight, allowing his lovely co-stars to assert themselves in the killing and self-defense departments. Speir and Carlton are enthusiastic, uninhibited heroines with newcomer Vasquez making a strong impression as the villainess.

    Playboy fans will be glad to see Liv Lindeland again, looking great and delivering a couple of funny lines (her film career peaked wih a character role in "Save the Tiger" 15 years back).

    Tech credits including numerous explosions ar fine, with atmospheric location photography in Hawaii, Texas and Louisiana.