A wealthy, self-absorbed, withering actress, Ruth Warren(Jessica Dublin) demands to be a guinea pig in an ongoing series of experiments she's been funding for three years. Dr. Gregory Ashton(John MacKay)has almost perfected a serum which can reverse the aging process, but still hasn't quite succeeded at synthesizing it without the need for cadavers' brain fluid. This breakthrough would provide Ruth with the youth that she desires, tiring of being stuck in an old body, longing to be beautiful again. Despite his warnings, Ruth insists on taking the serum, and Ashton reluctantly agrees..shortly afterward, the results are staggering. Looking as she did in her younger days, Ruth, now taking the alias of Elizabeth(Vivian Lanko), wishes to celebrate her new found freedom, but a price comes with this..the serum's not perfected and Elizabeth's body suffers monstrous side effects. Needing more and more of the serum to return to her human form, Elizabeth is building a tolerance and Ashton is running out of brain fluid needed to keep her from turning into a hideous carnivorous beast.
Superb ghastly monster design make-up enhances this Mad Scientist movie. The film has familiar traits that identify with other sci-fi horror films of the past in that a scientist will do whatever it takes to succeed, accepting bodies for his experiments without knowing how they were retrieved. After he discovers what Elizabeth has done, killing innocent victims for their brains, Ashton still forges ahead despite the fact that he understands what kind of monster he has created. Brian Thomas Jones(..also the director)and Simon Nuchtern develop back stories for their small cast..we see how each character longs for another. Elizabeth(..when young, beautiful, and full of life)devours men, and embraces night on the town, enjoying her supposed new lease on life. She's a selfish creature who is willing to commit murder in order to retain this youth she's been given, and Ashton struggles endlessly to discover that key element needed to perfect his breakthrough, knowing that if he doesn't, Elizabeth will continue to destroy innocent lives. Katell Pleven is Ashton's loyal, hard-working assistant, Dr. Stella Stone, who's in love with him. Her contributions have lent a great deal to Ashton's work, helping him strive to succeed while Dr. Germaine(Marcus Powell), a colleague of Gregory's father's, wishes for his experiments to cease..Germaine considers him an unethical scientist whose unorthodox theories are a threat to the medical community and will attempt to stop him in any way possible. James Hogue is Elizabeth's long-time butler, Wilhelm, who loves her with all his heart, and doggedly remains by her side, no matter what. While Elizabeth and Ashton have an affair, Stella and Wilhelm yearn for it to end(..the filmmakers establish fantasies where Stella and Wilhelm dream of embracing Gregory and Elizabeth).
But, these little stories serve as minor back ground to supply characterization within a monster movie where a creature kills to remain lovely and young while the scientist who made this happen suffers to solve the crisis, with a bureaucrat breathing down his neck, trying to find something to incriminate him. What Ashton doesn't know is that his security guard, Tony(Louis Homyak)is spying for Germaine, and this will cost both men dearly. Features some potent graphic violence as the monster goes on a rampage, removing brains from the heads of victims, when she isn't killing those who get in her way. As in most films regarding "dangerous" science, the scientist ultimately pays the price for attempting to alter with the life cycle as it has been, and those involved suffer the consequences as well. This was a nice surprise, thanks to an internet pal, I had the opportunity to see it. Yet another science fiction sleeper worth pursuing in the 80's which deals with the effects of attempting to change the way life works..the scientist and his patient, both hellbent on accomplishing the impossible, pursuing the seemingly unattainable achievement.