Satisfaction

Most of it was filmed in Isle of Palms, S.C. I should know, not only was I there, but I was in the movie......

So this is not one of the best movies from the '80s, but it made a big impact on me because of Julia Roberts. I thought she was so cool, and I copied a lot of my fashion styles after her character in the movie (big hair and all). Being a child of the '80s I've been slowly collecting many of the classic comedies, and this one has been on my list for a while. So when I discovered last month that it was finally coming out on DVD and at a great price, I pre-ordered my copy. It has some really good moments and good one-liners, like when Julia Roberts' character, Daryle is told by one of the preppy guys she's seeing "You're different from the other girls", she responds "I can work really hard to be the same", or when Daryle is explaining to Billy that getting married is a natural thing, Billy responds "Dying is natural too, but you don't see people rushing to do that". So if you want to take a trip back to the '80s or if you're a Julia Roberts fan, this movie is for you.

Justine Bateman was probably the primary pull, or point of interest for me - from 'Family Ties'. I saw this movie when I was younger (high school perhaps). I even made several attempts to locate/purchase the soundtrack. To this day, I still sing their version of 'Iko Iko'. I had no clue who Julia Roberts was at this time - but her character did stick with me. This movie is fun to go back and watch now, with all of its cast who have gone on to further their careers.

The rock-loving teens in this movie don't seem to know anything about making music. We get no information about their musical backgrounds, and their idea of jamming is to feign a version of "Iko Iko" while driving in their stolen van (I say 'feign' because the sound of their unison vocals is distinctly studio-enhanced). There's one guy in the otherwise all-girl band, and they make him sleep behind a sheet--out of modesty?--and yet the girls themselves are sexually active and think nothing of having sex in that van until the damn thing just about topples over. The movie wants to have it both ways: be a modern look at streetwise teens and yet also be an old-fashioned musical. Justine Bateman works hard in the leading role, but she seems to suffocate under the plastic handling; newcomer Julia Roberts shows off a nice sense of sarcastic humor, but the movie is an underachiever, with oldies-rock tunes given '80s makeovers that wouldn't pass muster on Star Search. ** from ****

If you've always suspected that combining elements from "Times Square" (1980), "Josie and the Pussycats" (2001), and "Summer of '42" (1971) would be an extremely bad idea, look no further than "Satisfaction" for confirmation. Although "Times Square" fans (the film from which "Satisfaction" steals the most) will frequently cringe during the viewing experience, the fusion of these three films is not a totally bad idea.

It did give Trini Alvarado, eight years later, a chance to play the tough girl Nicky Marotta part, the character she played against in "Times Square". Although she plays her less like Robin Johnson did and more like Tara Reid's Cybil in "Girl" (1998). An underrated actress, Alvarado carries too much baggage (nice girl type-casting and too sweet a face) into this role to even begin to sell it. A much better idea that might have saved the film would have been for her and co-star Justin Bateman to switch parts. Bateman is capable of looking mean and is really too limited as an actress for a part with the degree of dimensionality of Jennie Lee.

I've never quite grasped the popularity of Julia Roberts but for her mega-fans "Satisfaction" is a must see. The script doesn't give her much to work with but it is an opportunity to see her when she was this young. Of course there is some retrospective perverse amusement to be had at the idea of Roberts and Liam Neeson playing second banana's to the talent challenged Bateman,

Britta Phillips' career rocketed forward from this film with 65 episodes as the voice of the title character in "Jem and the Holograms". Nice voice, excellent casting choice, and a cute performance; she and Chris Nash at least manage to give a fair amount of authenticity to the production.

Director Joan Freeman of Streetwalkin' (1985) fame has never done another feature; after these casting decisions it is not hard to figure out why. Maybe she is just another innocent victim of an Aaron Spelling production, she clearly was not a budding Allan Moyle. Likewise Screenwriter Charles Purpura; although his script is no worse than a lot of stuff currently getting feature treatment and the outdated slang no doubt sounded less lame in 1988.

Although full of terrible music (covers of classic rock tunes performed slightly worse than when arranged for your high school band's halftime show) the film did connect with its primary target audience, discontented teenage girls who were not so disillusioned that they could not still get off on an identification jag with a group of squeaky clean girl rockers. Those looking for a more real "growing up is painful " experience should stick with "Times Square" and the more recent "Pretty Persuasion".

Then again, what do I know? I'm only a child.

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