Stormy Monday (1988)

R   |    |  Crime, Drama, Music

Stormy Monday (1988) Poster

A crooked American businessman tries to push the shady influential owner of a nightclub in Newcastle, England to sell him the club. The club's new employee and the American's ex lover fall in love and inadvertently stir the pot.




  • Tommy Lee Jones in Stormy Monday (1988)
  • Stormy Monday (1988)
  • Sean Bean in Stormy Monday (1988)
  • Tommy Lee Jones and Scott Hoxby in Stormy Monday (1988)
  • Sean Bean and Melanie Griffith in Stormy Monday (1988)
  • Sean Bean in Stormy Monday (1988)

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Reviews & Commentary

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User Reviews

24 January 2002 | GirlwonderReturns
| A movie in the best film noir tradition...
I really enjoyed this movie. I'm a big fan of film, but more than that, I'm a fan of actors. Strong acting, as far as I'm concerned, can redeem even the worst of movies (under the right circumstances) - and it's wonderful when the film itself is already good.

Such is the case with Stormy Monday, the directorial debut of Mike Figgis (who would later have great success with Leaving Las Vegas). The casting seems somewhat unusual, but in the end is quite effective. I have never been a big fan of either Melanie Griffith or Sting, and by contrast, have always enjoyed Tommy Lee Jones and Sean Bean, so I was unsure of what to expect. But all four impressed me greatly with their performances. This is a film which requires the use of one's senses - we see the hopeful expressions on Griffith's and Bean's faces when they meet for the first time; we hear the frustration in the voice of Jones' crooked businessman when he can't seem to get his way, and the resolve in the voice of Sting's jazz club owner when he refuses to give in to Jones.

The cinematography (by the excellent Roger Deakins) is classic film noir, and when combined with the wonderful jazz soundtrack, creates a moody atmosphere not often seen in 80's cinema. Overall, this is a success - dark, atmospheric, and absorbing, an actor's showcase and a film enthusiast's smorgasbord. There should be more like this one!

Critic Reviews

Box Office


$4,000,000 (estimated)

Opening Weekend USA:

$44,734 24 April 1988

Gross USA:


Cumulative Worldwide Gross:


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