Arnold is a gay man working as drag queen in 1971 NYC. He meets a handsome bisexual man.Arnold is a gay man working as drag queen in 1971 NYC. He meets a handsome bisexual man.Arnold is a gay man working as drag queen in 1971 NYC. He meets a handsome bisexual man.
- Awards
- 1 win & 3 nominations
Axel Lott
- Marina Del Rey
- (as Axel Vera)
Storyline
Did you know
- TriviaEstelle Getty originated the role of Ma Beckoff on Broadway. She was unavailable filming The Golden Girls (1985) as Sophia, Dorothy's mother, to reprise the part for the movie so Anne Bancroft was cast instead.
- GoofsArnold hires a car service to take him and Ma to the cemetery, and the car is seen waiting for them. But when Ma storms off and leaves in the car, it's not the same driver that brought them to the cemetery.
- SoundtracksDames
Music by Harry Warren
Lyrics by Al Dubin
Performed by Harvey Fierstein (uncredited), Ken Page (uncredited), Charles Pierce (uncredited), Axel Lott (uncredited), Nick Montgomery (uncredited), Robert Neary (uncredited), and Harriet C. Leider (uncredited)
© 1934 (renewed) Warner Bros. Inc. (ASCAP)
[Performed in the drag show during the opening credits; reprise in the first 1973 scene]
Featured review
A notable film on several levels. First, it was way ahead of America in being a relatively mainstream film that treated gay men as people of depth, value, humor and worth making a film about. (Although there is sad irony in the fact this huge hit play took so long to make it to the screen that AIDS had already totally altered the landscape by the time of its release. That's something the film only notes in the closing credits, and gives it a bit of a 'rose colored glasses' hue).
But beyond any politics or social significance this is also a very well acted, funny and moving look at one man, Arnold, (played by the unique and charismatic Harvey Firestein, who wrote the play and screenplay) as he looks for love – both romantic and familial in a sometimes very cold world. If Firestein's performance can occasionally feel theatrical, it's also entirely appropriate for the starting-to-age drag queen performer he plays. What's wonderful is how Firestein always keeps the humanity under Arnold's occasional flamboyance very alive, as does Anne Bancroft as his 'difficult' mother. Later in her career Bancroft could tend towards theatricality on screen as well, but she tones it down just enough to feel real here, and anyway, lets face it, next to a drag queen, who is more innately dramatic than a Jewish mother? (I grew up with one, trust me).
Matthew Broderick and Brian Kerwin also do very good work in support, Broderick as a sexy but understated young man totally at ease with his sexuality, and Kerwin as a confused bi- sexual trying to work out his. While never rising to the level of a great film (the direction is very straightforward and bland, there's almost a TV movie look to it, it never completely surpasses it's theatrical origins), it's certainly a good, touching, human, and important one – although to a generation growing up with the reality of gay marriage and deeper integration of gay people into society, some of the historical importance may be lost. But not the essential, timeless embrace of kindness, love, respect and understanding
But beyond any politics or social significance this is also a very well acted, funny and moving look at one man, Arnold, (played by the unique and charismatic Harvey Firestein, who wrote the play and screenplay) as he looks for love – both romantic and familial in a sometimes very cold world. If Firestein's performance can occasionally feel theatrical, it's also entirely appropriate for the starting-to-age drag queen performer he plays. What's wonderful is how Firestein always keeps the humanity under Arnold's occasional flamboyance very alive, as does Anne Bancroft as his 'difficult' mother. Later in her career Bancroft could tend towards theatricality on screen as well, but she tones it down just enough to feel real here, and anyway, lets face it, next to a drag queen, who is more innately dramatic than a Jewish mother? (I grew up with one, trust me).
Matthew Broderick and Brian Kerwin also do very good work in support, Broderick as a sexy but understated young man totally at ease with his sexuality, and Kerwin as a confused bi- sexual trying to work out his. While never rising to the level of a great film (the direction is very straightforward and bland, there's almost a TV movie look to it, it never completely surpasses it's theatrical origins), it's certainly a good, touching, human, and important one – although to a generation growing up with the reality of gay marriage and deeper integration of gay people into society, some of the historical importance may be lost. But not the essential, timeless embrace of kindness, love, respect and understanding
- runamokprods
- Dec 26, 2013
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Details
- Release date
- Country of origin
- Languages
- Also known as
- Das Kuckucksei
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $4,865,997
- Opening weekend US & Canada
- $70,022
- Dec 18, 1988
- Gross worldwide
- $4,870,903
- Runtime2 hours
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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