The satiric half-hour adventures of a working-class family in the misfit city of Springfield.The satiric half-hour adventures of a working-class family in the misfit city of Springfield.The satiric half-hour adventures of a working-class family in the misfit city of Springfield.
- Won 37 Primetime Emmys
- 187 wins & 373 nominations total
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Summary
Reviewers say 'The Simpsons' is celebrated for its groundbreaking satire, clever writing, and iconic characters. Early seasons are praised for sharp wit and social commentary. However, later seasons face criticism for repetitive humor and character inconsistencies. Changes in writing staff and creative direction are noted as reasons for the decline. Despite this, the show remains a cultural phenomenon with lasting impact.
Featured reviews
The Simpsons is a show that has sustained ten years of constant humor. The stories have gradually become better and the second fiddle characters were getting more screen time which translates into a much more realized show. The pop culture references abound and delight those who can pick them out. My personal favorite is the Citizen Kane references in the episode called "Rosebud." Plus, anything with C. Montgomery Burns is hysterical. The guest stars aren't there as a "special appearance" touted by the networks. They actually work into the storyline, and that makes it all the more enjoyable. Where else can you see The Moody Blues acting like thugs in a Vegas casino?
I was hesitant to give this the rating I did, but from reading other audience reviews, my review actually will come across as far more... lenient. What can I say that hasn't been said already, the golden age of The Simpsons (seasons 3-8) is flawless television. Going through it again, it was awe inspiring to me how they manage to structure joke upon joke upon joke upon joke, something that must've been a complete breath of fresh air considering the boring, lifeless, milk-toast excuses for comedy shows that were coming around at that time. Yeah, those ones using canned laughter which relied completely on actors and people being loud as an excuse to be funny with a roaring laughter every 5 seconds spoon feeding the audience of when to laugh, with an exception of Seinfeld these were just boring shows for boring people, The Simpsons was intelligent, heart felt, structured and most of all... FUNNY.
However, all good things must come to an end. In an ideal scenario, The Simpsons ended on season 10 and season 9 didn't include the infamous 'The Principal and The Pauper', it lives its legacy as one of the greatest TV shows of all time and is passed down from generation to generation. Sure, the season 9 and 10 weren't golden age material, they were still solid entries in The Simpsons canon but then from season 11, things started to drastically change, we were getting episodes which would've been some of the weaker episodes in a golden age era season that were the best episodes of the season they were actually in. Sure, season 13 was pretty good but the show was tanking in quality almost directly after, pretty much season 14 onwards was terrible (not to mention the really bland movie). Now we're on the 31st season, the show is just completely unwatchable, the best episodes are mediocre and boring and the worst episodes are... 'Lisa Goes Gaga' (if you know what I mean). The show, at this point, is almost completely unrecognisable, a mere slight resemblance of what it once was (even the animation sucks nowadays), that's why it's so damn difficult to rate this show, at the same time it's one of my favourite and least favourite shows, the show should've ended 20 years ago, you can't keep lightning in a bottle for that long, it's not a show that is relevant to today's cultural landscape, it would be so much more respected if it had ended on its 10th season. That's why I can't in good conscience rate this show the 9 or 10/10 that I want to... but the only reason I'm giving it a 7 over a 5 is because even though there is more bad than good of The Simpsons (more signals for it to just end), the golden age is some of the best television to have ever been constructed and cannot be ignored.
Here's how I'd rate the seasons: Season 1 - 8/10 Season 2 - 8/10 Season 3 - 9/10 Season 4 - 9/10 Season 5 - 10/10 Season 6 - 10/10 (best season) Season 7 - 9/10 Season 8 - 8/10 Season 9 - 8/10 Season 10 - 7/10 Season 11 - 6/10 Season 12 - 6/10 Season 13 - 7/10 Season 14 - 5/10 Season 15 - 4/10 Season 16 - 5/10 Season 17 - 4/10 Season 18 - 4/10 Season 19 - 4/10 Season 20 - 6/10 Season 21 onward - 2/10
However, all good things must come to an end. In an ideal scenario, The Simpsons ended on season 10 and season 9 didn't include the infamous 'The Principal and The Pauper', it lives its legacy as one of the greatest TV shows of all time and is passed down from generation to generation. Sure, the season 9 and 10 weren't golden age material, they were still solid entries in The Simpsons canon but then from season 11, things started to drastically change, we were getting episodes which would've been some of the weaker episodes in a golden age era season that were the best episodes of the season they were actually in. Sure, season 13 was pretty good but the show was tanking in quality almost directly after, pretty much season 14 onwards was terrible (not to mention the really bland movie). Now we're on the 31st season, the show is just completely unwatchable, the best episodes are mediocre and boring and the worst episodes are... 'Lisa Goes Gaga' (if you know what I mean). The show, at this point, is almost completely unrecognisable, a mere slight resemblance of what it once was (even the animation sucks nowadays), that's why it's so damn difficult to rate this show, at the same time it's one of my favourite and least favourite shows, the show should've ended 20 years ago, you can't keep lightning in a bottle for that long, it's not a show that is relevant to today's cultural landscape, it would be so much more respected if it had ended on its 10th season. That's why I can't in good conscience rate this show the 9 or 10/10 that I want to... but the only reason I'm giving it a 7 over a 5 is because even though there is more bad than good of The Simpsons (more signals for it to just end), the golden age is some of the best television to have ever been constructed and cannot be ignored.
Here's how I'd rate the seasons: Season 1 - 8/10 Season 2 - 8/10 Season 3 - 9/10 Season 4 - 9/10 Season 5 - 10/10 Season 6 - 10/10 (best season) Season 7 - 9/10 Season 8 - 8/10 Season 9 - 8/10 Season 10 - 7/10 Season 11 - 6/10 Season 12 - 6/10 Season 13 - 7/10 Season 14 - 5/10 Season 15 - 4/10 Season 16 - 5/10 Season 17 - 4/10 Season 18 - 4/10 Season 19 - 4/10 Season 20 - 6/10 Season 21 onward - 2/10
Network: Fox; Genre: Animated Comedy, Parody, Satire; Content Rating: TV-PG (language, adult contend and animated nudity); Available: DVD and syndication everywhere; Perspective: Classic (star range: 1 - 5);
Seasons Reviewed: Season 12+
If someone had told me 10 years ago that I would one day be bored by 'The Simpsons', I would have called them crazy. But here we are and while 'The Simpsons' has become the longest running show on TV at the cost of its core integrity. "Simpsons" in its prime was the best things to grace the small screen. A funny, ground-breaking animated comedy with lightening-quick wit, insightful social and brilliantly integrated parody. It created its own universe with an entire town of original characters. Most importantly, it actually helped shape the sense of humor of an entire generation. That generation which has now grown up and is now creating animated shows in direct competition.
"Simpsons" is a pale shadow of its former greatness. It gradually slipping this way for several years, but it wasn't until the 2002 and 2003 seasons that the show really smashed up against the rocks for good. I used to delight in each new episode of "Simpsons". But now the show clunks along each week in what appears to be filling time. The free-wheeling gags it used to deliver with such ease are now weighted down by an unnecessary over importance on story. The show at its best may get off a funny, sharp one-liner every now and then. It's biggest asset currently is it's willingness and given latitude to slam its own network. I do delight in their "Joe Millionaire" on-air promo parodies or a recent episode where Homer calls to give the network an idea and the recording says something like "If you know of another network's reality show we can rip off, press 2..."
So what happened? There really is no one thing that can easily be pointed out to all the late-commers and say "this is what happened" - you have to have traced the history. The 'jump the shark' moment could have come as early as the infamous Frank Grimes episode where our vision of The Simpson family was suddenly turned into something to aspire to instead of parody. It could be the legion of big name celebrities forced into every episode. To bring down a show as great as this, it was a slow convergence of several things.
Watching it, 3 differences are evident on-screen at any given time: First, the stripping down most of the characters to 1-note cartoons. Notably, British favorite Homer Simpson going from child-like, hard-luck father to a rag-doll for wild animals to rip apart as each episode closes. I'm particularly appalled at its attempts to use Homer as a political mouthpiece. Did you know that a guy who once lit a Q-tip so he could see inside his brain has an active concern for global politics? Yeah, I didn't either.
Secondly, the classic Baby Boomer voice of the series has evaporated and was replaced with contemporary generation X and Y jokes. Now, it's the internet and Tony Hawke. The voice of the series used to be one of creator Matt Groening's, seen through the eyes of Homer and Marge. That voice has been lost as the show has turned into an assembly line institution, repackaged and been homogenized for the masses and a new generation of writers lead by Ian Maxton-Graham has come in to "keep it fresh".
Thirdly, it has run out of creative juice. Anyone who has stuck with the show long enough can see it literally re-telling jokes and recycle previous story lines. When the recycling becomes too obvious or the episode makes no sense, they merely double back and declare it all a big self-parody. Not even Al Jean (architect of the show in its prime and the Larry David of "The Simpsons") can save it now.
Since the talented voice cast has remained the same low these many years, I put all the blame on this squarely with the Fox network who refused to let this show go out gracefully when Groening siphoned off his role to work on his dream project, the now far superior 'Futurama'. In Fox's race to claim this endurance record they have turned a once edgy and visionary show into an institution with an assembly line production and revolving door of writers to match any of the other lame shows on TV. Behind the scenes, maybe the condescending we-can-do-no-wrong attitude of Maxton-Graham has dealt the show its biggest death blow, while producer Mike Scully sat back and ineptly let Maxton-Graham run it into the ground.
In the end, the biggest blame may actually land with the "die-hard fans" that embolden the show by letting it get away with this junk. Yes, "The Simpsons" was ground-breaking and every adult animation in the future owns it a bit of gratitude, but blind loyalty to a show only for how it performed in the past isn't healthy.
Since it has hit long-running status the critical bandwagon jumping has begun and "Simpsons" is more popular than ever amongst critics that want to be on the inside of history. We've now reached a point where the bad episodes and bad entire seasons outweigh the good and that, I'm afraid, is going to be the sad legacy of "Simpsons" . A train-wreck of crass, childish humor, grainy animation, oddly misplaced satire and forced parodies of only the most obvious pop culture targets.
10 years ago I didn't know what I would do without "The Simpsons" but now, particularly with the emergence of satisfying new adult animated shows ('Futurama', 'Family Guy' and 'South Park'), living without it might be pretty good.
* * / 5
Seasons Reviewed: Season 12+
If someone had told me 10 years ago that I would one day be bored by 'The Simpsons', I would have called them crazy. But here we are and while 'The Simpsons' has become the longest running show on TV at the cost of its core integrity. "Simpsons" in its prime was the best things to grace the small screen. A funny, ground-breaking animated comedy with lightening-quick wit, insightful social and brilliantly integrated parody. It created its own universe with an entire town of original characters. Most importantly, it actually helped shape the sense of humor of an entire generation. That generation which has now grown up and is now creating animated shows in direct competition.
"Simpsons" is a pale shadow of its former greatness. It gradually slipping this way for several years, but it wasn't until the 2002 and 2003 seasons that the show really smashed up against the rocks for good. I used to delight in each new episode of "Simpsons". But now the show clunks along each week in what appears to be filling time. The free-wheeling gags it used to deliver with such ease are now weighted down by an unnecessary over importance on story. The show at its best may get off a funny, sharp one-liner every now and then. It's biggest asset currently is it's willingness and given latitude to slam its own network. I do delight in their "Joe Millionaire" on-air promo parodies or a recent episode where Homer calls to give the network an idea and the recording says something like "If you know of another network's reality show we can rip off, press 2..."
So what happened? There really is no one thing that can easily be pointed out to all the late-commers and say "this is what happened" - you have to have traced the history. The 'jump the shark' moment could have come as early as the infamous Frank Grimes episode where our vision of The Simpson family was suddenly turned into something to aspire to instead of parody. It could be the legion of big name celebrities forced into every episode. To bring down a show as great as this, it was a slow convergence of several things.
Watching it, 3 differences are evident on-screen at any given time: First, the stripping down most of the characters to 1-note cartoons. Notably, British favorite Homer Simpson going from child-like, hard-luck father to a rag-doll for wild animals to rip apart as each episode closes. I'm particularly appalled at its attempts to use Homer as a political mouthpiece. Did you know that a guy who once lit a Q-tip so he could see inside his brain has an active concern for global politics? Yeah, I didn't either.
Secondly, the classic Baby Boomer voice of the series has evaporated and was replaced with contemporary generation X and Y jokes. Now, it's the internet and Tony Hawke. The voice of the series used to be one of creator Matt Groening's, seen through the eyes of Homer and Marge. That voice has been lost as the show has turned into an assembly line institution, repackaged and been homogenized for the masses and a new generation of writers lead by Ian Maxton-Graham has come in to "keep it fresh".
Thirdly, it has run out of creative juice. Anyone who has stuck with the show long enough can see it literally re-telling jokes and recycle previous story lines. When the recycling becomes too obvious or the episode makes no sense, they merely double back and declare it all a big self-parody. Not even Al Jean (architect of the show in its prime and the Larry David of "The Simpsons") can save it now.
Since the talented voice cast has remained the same low these many years, I put all the blame on this squarely with the Fox network who refused to let this show go out gracefully when Groening siphoned off his role to work on his dream project, the now far superior 'Futurama'. In Fox's race to claim this endurance record they have turned a once edgy and visionary show into an institution with an assembly line production and revolving door of writers to match any of the other lame shows on TV. Behind the scenes, maybe the condescending we-can-do-no-wrong attitude of Maxton-Graham has dealt the show its biggest death blow, while producer Mike Scully sat back and ineptly let Maxton-Graham run it into the ground.
In the end, the biggest blame may actually land with the "die-hard fans" that embolden the show by letting it get away with this junk. Yes, "The Simpsons" was ground-breaking and every adult animation in the future owns it a bit of gratitude, but blind loyalty to a show only for how it performed in the past isn't healthy.
Since it has hit long-running status the critical bandwagon jumping has begun and "Simpsons" is more popular than ever amongst critics that want to be on the inside of history. We've now reached a point where the bad episodes and bad entire seasons outweigh the good and that, I'm afraid, is going to be the sad legacy of "Simpsons" . A train-wreck of crass, childish humor, grainy animation, oddly misplaced satire and forced parodies of only the most obvious pop culture targets.
10 years ago I didn't know what I would do without "The Simpsons" but now, particularly with the emergence of satisfying new adult animated shows ('Futurama', 'Family Guy' and 'South Park'), living without it might be pretty good.
* * / 5
No one, not even Matt Groening himself, could've imagined that The Simpsons would become as big as it did. Nor could anyone anticipate it could become so cultural. "D'oh" is in the dictionary, and it has spawned off several catch-phrases and one liners. Truly, The Simpsons is the biggest thing since Seinfeld! The first three seasons showed them as if they were an actual family. Like the kind of family you'd meet on the street (only a lot more dysfunctional). Homer trying to do the fatherly thing in each episode. Marge being the voice of reason all the time. Lisa and Bart with their sibling rivalry. These first three seasons are not usually sighted as being the best, but they are often brought up when one speaks of "The Best Episode Ever!" By Season four, the show took a turn for what may have been the best. It left it's more realistic roots and became more of a satire. With more zany antics and more clever, witty, and often times sophisticated humor, The Simpsons became the most popular family on television. Each episode still contained it's own merits, themes and messages. Seasons 4 to about 10 are often said to be the "Golden Age" of The Simpsons.
However, as the year 2000 came, fans began to see themselves divided. Those who stuck with the show since it came about in 1989 were quick to jump on how the show changed. The humor became more lurid and toilet like, with antics becoming heavily more unrealistic and zany (to the point where some even say it isn't funny... but stupid). Some characters becoming unrealistically stupid, and the show shifting gears from focusing on Bart to Homer... to everyone outside of the Simpson family. The show also began to see more cumbersome and meaningless plots. Plots that didn't focus on current issues, or that didn't seem to be as strong as older episodes. Despite this, new fans seem to have come about to replace then, and the show continues to remain at the top of its game, even today.
I'm sure you all know where I stand on that debate. Nine stars to nine fantastic seasons.
However, as the year 2000 came, fans began to see themselves divided. Those who stuck with the show since it came about in 1989 were quick to jump on how the show changed. The humor became more lurid and toilet like, with antics becoming heavily more unrealistic and zany (to the point where some even say it isn't funny... but stupid). Some characters becoming unrealistically stupid, and the show shifting gears from focusing on Bart to Homer... to everyone outside of the Simpson family. The show also began to see more cumbersome and meaningless plots. Plots that didn't focus on current issues, or that didn't seem to be as strong as older episodes. Despite this, new fans seem to have come about to replace then, and the show continues to remain at the top of its game, even today.
I'm sure you all know where I stand on that debate. Nine stars to nine fantastic seasons.
When I was 10, I adored the Simpsons, America's favourite dysfunctional family. Me and my brother and sisters watched it every day after school, and got a bagful of laughs. Two years ago though, I stopped watching it. Maybe I didn't find it as funny, creative or as original anymore. Well after seeing the Simpsons Movie, I decided to give the show another chance. And I am glad I did, because it is smart, creative, funny AND original. It is true that the show has been declining in written quality the past three years or so, but the more recent seasons are still watchable, thanks to the animation and the endearing characters.
The show's animation is fantastic. In animated shows, I like animation that is colourful and fluid, and the animation in this show is exactly that. The theme tune is irresistibly catchy and the story lines are outstandingly good. Other than the voice acting what made the show so good was its writing. Not obnoxious or childish, but smart and most importantly funny. And the visual jokes are also impressive.
And the voice acting is exceptional bringing the dysfunctional family to life. Homer is a type of father figure who repeatedly lets down his family, has a love for doughnuts and beer and pretty much hates his job. Dan Castallenetta, a talented voice actor whom I fondly remember as Megavolt from Darkwing Duck, does a great job not only as Homer but as Grandpa and Krusty, not loud and abrasive at all but just right. Julie Kavner is also great as Marge, a caring matriarch who genuinely cares for her family. Nancy Cartwright is perfect as Bart, who is quite naughty and hates school, same with Yeardley Smith as studious Lisa. Plus Maggie is absolutely adorable.
Then there are the supporting characters. My favourite is Grandpa, he is absolutely hilarious. Hank Azaria is amusing as Moe and Chief Wiggum, and Harry Shearer is suitably chirpy as Ned and impresses equally with his monotonic drawls for Principal Skinner and Reverend Lovejoy. There are many memorable guest performances from various celebrities, and frequent appearances from Phil Hartmann and Tress MacNeille. My favourite is Kelsey Grammar as Sideshow Bob, a reprising villain I enjoy watching, sinister yet funny. All in all, despite the fact it isn't as enjoyable as it was, The Simpsons is still a great show. 9.5/10 Bethany Cox
The show's animation is fantastic. In animated shows, I like animation that is colourful and fluid, and the animation in this show is exactly that. The theme tune is irresistibly catchy and the story lines are outstandingly good. Other than the voice acting what made the show so good was its writing. Not obnoxious or childish, but smart and most importantly funny. And the visual jokes are also impressive.
And the voice acting is exceptional bringing the dysfunctional family to life. Homer is a type of father figure who repeatedly lets down his family, has a love for doughnuts and beer and pretty much hates his job. Dan Castallenetta, a talented voice actor whom I fondly remember as Megavolt from Darkwing Duck, does a great job not only as Homer but as Grandpa and Krusty, not loud and abrasive at all but just right. Julie Kavner is also great as Marge, a caring matriarch who genuinely cares for her family. Nancy Cartwright is perfect as Bart, who is quite naughty and hates school, same with Yeardley Smith as studious Lisa. Plus Maggie is absolutely adorable.
Then there are the supporting characters. My favourite is Grandpa, he is absolutely hilarious. Hank Azaria is amusing as Moe and Chief Wiggum, and Harry Shearer is suitably chirpy as Ned and impresses equally with his monotonic drawls for Principal Skinner and Reverend Lovejoy. There are many memorable guest performances from various celebrities, and frequent appearances from Phil Hartmann and Tress MacNeille. My favourite is Kelsey Grammar as Sideshow Bob, a reprising villain I enjoy watching, sinister yet funny. All in all, despite the fact it isn't as enjoyable as it was, The Simpsons is still a great show. 9.5/10 Bethany Cox
Deadly Dolls and Terrifying Toys
Deadly Dolls and Terrifying Toys
From a simple wind-up monkey to the high-tech terrors of M3GAN, these disturbing playthings left us with nightmares.
Storyline
Did you know
- TriviaAfter Phil Hartman was murdered, the various characters he played, such as lawyer Lionel Hutz and actor Troy McClure, were retired, rather than re-cast. However, they continued to appear silently in crowd scenes. Season ten, episode three, "Bart the Mother" (September 27, 1998) was his final voice performance.
- GoofsRalph Wiggum is in Bart's class in some episodes and Lisa's in others. The same can be said about a few other recurring students.
- Crazy creditsThere is one episode where Homer complains about how rich all the people listed in the closing credits (save for one) are. When the Gracie film logo comes up, Homer says, "Don't 'SSSHHH' me, you rich bastard!"
- Alternate versionsBeginning with the show's cable syndication run on FXX on August 21, 2014, new syndication masters have been created. Each episode has been restored to its full length, and is now presented in 16X9 high definition. In addition, credits for the Spanish SAP Translation have been added to the end credits of each episode.
- ConnectionsEdited into Springfield's Most Wanted (1995)
- SoundtracksThe Simpsons Theme
Written by Danny Elfman
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