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  • Deep in the icy heart of the tundra reside a rock band known as the Leningrad Cowboys. With their long winklepickers and impossibly high quiffs, they resemble something that crawled out of a radioactive Berlin sewer in the 1980's- and sound like it too. Their style of rock is not appreciated in their native land, except by the village idiot, Igor; whom they shun. Striving for success, they fly to America- carting their frozen guitarist with them, who succumbed to the tundra's biting nighttime temperatures. Travelling across the land of opportunity, the band play honky-tonks and bars, nightclubs and weddings, tracked by Igor all the way. Will the Cowboys find fame and fortune, or will their ballad end in misery?

    Written and directed by Aki Kaurismäki- and based on a story by Sakke Järvenpää, Kaurismäki and Mato Valtonen- 'Leningrad Cowboys Go America' is a musical-comedy-cum-road-movie as surreal as it is uproarious. Original and heart-warming, the film paints a whimsical portrait of life on the road as a stranger in a strange land as enthralling as Werner Herzog's 'Stroszek,' albeit less profound and more comedic. Kaurismäki's characters- especially the band manager Vladimir- are idiosyncratic fellows fond of beer and song, both of which they partake in frequently. Watching them on their odyssey is endlessly enjoyable, unexpected and entertaining.

    One of the most striking features of Kaurismäki's film is the use of music as a form of expression and communication. The Cowboys play a variety of songs, from traditional Russian folk tunes to rock classics, adapting their style and instruments to suit the different audiences and venues they encounter. The music not only showcases their versatile talent, but also reveals their emotions, aspirations and struggles. When they play 'Born to Be Wild' at a biker bar, for instance, they are expressing their rebellious spirit and desire for freedom. Counter that with their playing 'Knockin' on Heaven's Door' at a funeral, which conveys their grief and hope for redemption. The music also serves as a bridge between cultures, as the band and the Americans they encounter bond over their shared appreciation of music, despite language and cultural differences.

    Throughout 'Leningrad Cowboys Go America', composer Mauri Sumén's score works brilliantly, heightening the mood and atmosphere of each scene- whether comedic, dramatic or sentimental- whilst bolstering the ironic contrast between the band's musical style and the American landscape and culture they encounter. Just as eccentric as the Cowboys' appearance, Sumén's work is consummate and right in keeping with the film's quirky tone.

    As is Timo Salminen's cinematography, which captures the band's journey with a simple, minimalist style, making great use of static shots, natural lighting and muted colours. A frequent collaborator of Kaurismäki's, Salminen also creates a visual contrast between the band's eccentric appearance and the ordinary surroundings they encounter, as well as one between the vast, barren landscapes of Siberia and America with the cramped interiors of the musical venues and vehicles. Striking and memorable, 'Leningrad Cowboys Go America' contains visuals that continuously impress.

    As do the performances from the cast. Matti Pellonpää does particularly fine work as Vladimir the band manager, showcasing much depth of character and emotional perspicuity; making him feel real and multifaceted. Kari Väänänen also impresses as Igor and will surely have you laughing anytime he's on screen. As for the band themselves, whether performing musically or not, they're each and all odd and excellent. Furthermore, the cameo appearances by Richard Boes, Jim Jarmusch and Nicky Tesco are each commendable in their own way- with Tesco's being especially notable.

    A strange, surreal musical comedy, Aki Kaurismäki's 'Leningrad Cowboys Go America' is a whole lot of fun from start to finish. Featuring great music and a strong narrative criss-crossing America- as well as stunning cinematography from Timo Salminen- the film plays a little like a funny, musical 'The Straight Story,' or indeed 'Stroszek'. Well-acted and deftly directed, 'Leningrad Cowboys Go America' is a ballad you'll want to hear again.
  • Apollo-144 October 1999
    The most politically inclined and intellectual viewer would analyze this movie as a political satire, and they would be right. However, this movie is more enjoyable if seen as a road movie and a look at America through the eyes of a foreigner. Funny and poignant.
  • Warning: Spoilers
    A highly unlikely Russian rock group and their greedy jerk manager (ably played to the smarmy hilt by Matti Pellonpaa) travel to America seeking fame and fortune. While en route to a wedding gig in Mexico, they are pursued by village idiot Igor (a hysterical portrayal by Kari Vaahanen) who wishes to join the band.

    Writer/director Aki Kaurismaki relates the engaging story at a steady pace, adroitly crafts and maintains a deliciously dry'n'deadpan tone throughout, and shows a genuine disarming affection for both its colorful idiosyncratic characters and the more flaky'n'seedy aspects of American culture. With their pointy shoes, stoic demeanors, and ridiculously massive unicorn hairstyles, the titular rock'n'roll group make for a likeable and amusing bunch of oddballs. Moreover, the scenes with the Leningrad Cowboys performing live in various sordid venues are a hoot, with the sequence in which they win over a hostile crowd in a sleazy biker bar with a fiery rendition of "Born To Be Wild" rating as a definite gut-busting highlight. A quirky delight.
  • This is the funniest rock `n roll polka road movie ever made! Although based around an actual band of Finnish descent (who still get airplay on MTV Europe), it sees our heroes come from the Tundra Wasteland to America, seeking fame and fortune. Not having much luck in their homeland with their unique style of folk pop, the band are advised to conquer the US ("go to America" says the guy, "they buy any old s**t there"), being exploited constantly by their greedy manager Vladimir. They "learn" rock `n roll, drink beer, go to jail, beg on the streets and play seedy pubs. Not exactly the American dream. And the most eyecatching piece, has to be those massive quiffs and even bigger winklepicker shoes!

    The dialogue is funny, but its not this that makes you laugh. Just one look at the band will have you rolling. And if you can`t speak Finnish, don`t worry. The director cleverly overcomes this, by getting the band to learn English on the plane to America! And if you`re not tapping along to their rendition of "Born To Be Wild" at the end of the movie, you`ll be humming that "polka" music for a long time to come.
  • conannz16 January 2023
    Just re-watched this after about 30 years. I remember liking it the first time around and it still works all these years later. Very little actually happens apart from the haircuts and the costumes. The band is so terrible they are actually good. In fairness to them they can actually play quite well although it is difficult to say at times.

    The visual joke of having 8 or 9 band members in a kind of Spinal Tap meets the Blues Brothers and out performs both of them by doing very little is exactly the point. This film could be a really long episode of Seinfield. It is absurd, minimalist and highly entertaining.

    I am a fan of deadpan humour and I can see why Jim Jarmusch was in the film and friends with the director. It shares certain stylistic tendencies with Stranger Than Paradise which predated in by a few years. The version I just watched was dubbed in Italian and it didn't make any difference. It is visually so smart that you don't need to know any of the dialogue really. A minimalist classic in my view.
  • My wife Irene, and myself, (Robert Morris) owned "The Lonesome Bar" in Memphis where part of the movie was shot. This is where they performed "Rock And Roll Is Here To Stay" and my buddy, George Kunkle played the banjo and sang one of his songs. The barber was Bill Robertson, who was a real barber next door to the bar. He passed away shortly after the film came out, but it allowed him to sing in a international film.

    The whole cast and crew was wonderful! We played pool and got drunk every night after shooting. One night we sat on the curb out front and took turns picking and singing our favorite songs. That was a experience I will never forget.

    We hope you like the movie, as we will never forget it.

    Colonel Robert morris
  • edward_tan7 February 2000
    Saw this without knowing what to expect and after watching it, I thought it was about the problems faced by foreign film makers in America. Then I read somewhere that the show was actually describing something rather political and so now I am totally confused.

    Still, I find the show largely entertaining and very amusing. The story is about this Rock and Roll Band, the Leningrad Cowboys and how they head to America in search of fame and fortune. What happens is pretty predictable but the quirks and eccentric cast help to propel the camp to a higher level.
  • This is without question one of the greatest rock and roll movies ever made. It's sort of THE BLUES BROTHERS meets STROSZEK with some MOSCOW ON THE HUDSON thrown in. Aki Kaurismaki has to be admired for making this gutsy and crazy film. There is not much of the European "art film" here, nor is there any real serious social commentary or aesthetic stunts underneath the comedy here either. There is also no condescension toward America or Americans. In fact there is a wide-eyed, dreamy fondness for America, especially its messy landscapes that hug the interstates and its simple, likable working-classes (but definitely not its prick cops). Here we get to meet the immensely likable dreams, music and attire of the Leningrad Cowboys, the misunderstood, maligned, salt of the earth band that comes to America to live out its rock and roll dream. Personally, I simply admire the actors for driving around the American South wearing those fantastic mullet pompadour quiffs and pointy shoes. That takes guts.

    Kaurismaki has a special fondness for characters with big dreams but little or misunderstood talent, who can scrape up just enough cash just get by. Here, as in his another of his great comedies, LA VIE DE BOHEME, there are some characters who are unambiguously untalented (in LENINGRAD COWBOYS: the singers; in LA VIE DE BOHEME: the composer) and there are some characters who have some or much, but quirky, or misunderstood talent (in LENINGRAD COWBOYS: the band; in LA VIE DE BOHEME: the painter). All of the performers and artists are immensely likable and amusing and their patrons and audience are just as suspect as they are in their taste, but great to be around nonetheless. Moreover, their detractors are cold, a-hole jerks.

    Jim Jarmusch makes a funny cameo as a used car salesman. Matti Pellonpää, probably Kaurismaki's favorite actor, is hilarious as Vladimir, the band's beer slugging, tyrannical manager. I love the scene early in the film where he meets with the New York "cousin" of the Finnish talent scout (who also, by the way, has a "cousin" in Mexico). When the New York band booker tells Vladimir that he needs to hear the band play, Vladimir says, "Is that necessary?"

    Anyone who loves rock and roll comedies, weird hairstyles and movies about little people with big dreams need to see this film. If you like Kaurismaki films then you may or may not like this film, depending on how square you are. I say check it out. I think it's one of the funniest films I've ever seen. But then again I have had some crazy hairstyles too.
  • Reminiscent of some of the best Eastern European comedies, this absurdist Finnish look at the foibles of both Communist and capitalist attempts at reality is not going to change your life, but it is an enjoyable way to spend 79 minutes. A rousing oompah band from a small Eastern European village travel to America to find their fortune. They all have hairdos like Buddy Holly on acid and wear the pointiest-toed shoes you've ever seen. In New York City they buy an old Cadillac and get a gig to play a wedding in Mexico. On the trip there they also travel through rock, blues, country, and mariachi, and meet people almost as strange as themselves. Most memorable moment: Igor, the village idiot, catching up to the band out in the middle of the Texas countryside, carrying a very large fish.
  • This is not so much a movie as it is a test of your campiness quotient. The CQ has a mean of 100. If you fall below 85, you live in a really sad world and as you advance above 100 you are able to extract the comical and farcical aspects of life with increasing ingenuity. After auditioning for a Russian apparatchick (who listens stony-faced to their music, then says "no good - try the US" and departs) the band departs for the US. As they travel from New York to the South, the music changes through a range of pop/rock genres. As another reviewer noted, the music is far more enjoyable than it has a right to be and the dead-pan stoicism of the characters is a hoot. From Steppenwolf to Mariachi music, you will hear and see it all. Try the movie again a year later and it will be even more enjoyable because now you can attend to the hilarious detail which you have missed first time around.
  • The Finnish auteur Aki Kaurismäki has essentially made the same kind of film over and over again: against a muted colour palette, Finnish actors recite their lines with the most robotic of deadpan delivery. Though these films are set in the present day, at some point an oldies band will appear on a stage playing rockabilly, Finnish tangos or other music of the 1950s. Already these elements add up to something absurd, but with 1989's LENINGRAD COWBOYS GO America Kaurismäki produced possibly his most absurd film yet.

    As the film opens, "somewhere in the tundra", we meet the Leningrad Cowboys, an extravagantly quiffed Russian band with no following besides the mute village idiot, Igor, and one of their members froze to death the previous night when he stayed outside rehearsing. Unable to make it in their home country, this Russian band -- which is in fact played by Finnish actors who could never pass as Russians -- sets out for America with their fallen bandmate in a coffin. After they arrive in New York, they are booked for a wedding in Mexico, necessitating a cross-country drive where they perform in a series of shabby bars across the Deep South. They are led by their manager Vladimir (Matti Pellonpää), who spends their meagre earnings on luxury for himself while starving the band. Unbeknownst to them, the village idiot Igor, who aspires to be one of them, has arrived in the United States too in pursuit.

    The America shown in this film is much like in the early work of Kaurismäki's fellow filmmaker Jim Jarmusch (and indeed Jarmusch makes a cameo as a used car salesman and Kaurismäki borrows elements of Jarmusch's film MYSTERY TRAIN that was being shot at the same time in Memphis). The films the glamorous locations seen in Hollywood films for a backdrop of overgrown vacant lots, rusting junkyards and small-town bars full of lower-class drunks. The film is a series of vignettes preceded by title cards, and in each one the band is in a different place than in the last as they work their way towards Mexico. Kaurismäki pays homage to the American blues and rockabilly tradition by casting Duke Robillard and Colonel Robert Morris in small parts.

    In this era when goofy humour that evokes laughs but has little re-watch value is instantly available on the web, LENINGRAD COWBOYS GO America no longer feels like such the essential viewing that critics in decades past called it. Nonetheless, if you are a fan of Kaurismäki's aesthetics, you'll probably enjoy seeing it once.
  • I just saw Leningrad Cowboys for the third time and think it is a perfect film. Whatever else it may be about, it is a quest into the heart of rock and roll. The Cowboys start in New York playing their soulful/klezmerish immigrant blues on a seedy rooftop, then reel back through the roots of the genre--Memphis, Natchez, New Orleans, Honky Tonk and Biker Bars, road house and funeral...to their destination in Mexico where their Finnish filtered rock returns to its original sound, converging on the joyous soulful wedding as they back up a singer whose classic Indian features are not that different from some of the singers'... The esthetic is stylish and dead pan. The cinematography is actually quite beautiful, lyric of industrial decay. If you like Jarmusch (who does a spot as a car salesman) you'll like this movie. The pacing did not seem slow to me at all--but that may just be a sign of my age. The form is a series of theatrical skits and blackouts, and the tension of many scenes owes more to mime or comedia than MTV. I think my favorite is one involving the village idiot and a shoe that is not the one he wants. Poignant and hysterical at the same time. Oh, and maybe his treck with what looks to be a 50lb catfish... If you have a chance to see it, go. It is hilarious and sweet and utterly unlike anything else you've ever seen.
  • Has anyone ever heard of a Finnish rock band called Leningrad Cowboys? No? Then here's a great chance of catching up with a piece of music history. Jokes apart, this is a very clever and funny film chronicling the Cowboys'slow, excruciating journey towards success.

    It all begins in the Siberian countryside, where the musicians are trying to impress a potential producer. Sadly (for them), this guy states the obvious about their work: "It's sh*t". Hence the guys'need to go somewhere else. More precisely, the USA. Led by the ruthless manager Vladimir (Matti Pellonpää), the Cowboys try to export their music and look (Pulp Fiction-style suits, absurdly long tufts and matching boots). Not an easy task, as their efforts are way too unconventional for the yanks. "You know Mexico? Go there. My cousin's getting married. He could need people like you". And so the journey continues in a second-choice car (don't miss Jim Jarmusch's cameo as the salesman) and under miserable circumstances. Only Vladimir seems to be enjoying himself. The other band-members have to cope with his dictatorial manners. Well, except for one Cowboy (Silu Seppälä) "travelling" on the car roof (you see, he froze to death at the beginning of the film), and Igor (Kari Väänänen), the village idiot who's following the group in the desperate hope of joining them (he was rejected because his hair isn't long enough).

    A lot of things happen in this film, some on the brink of credibility, and to reveal them in advance would be a serious offense on my behalf. Suffice to say that this is one of the funniest films ever made: after four movies in which he dealt with various sides of Finnish society, mostly poor, Aki Kaurismäki decided to tell a different kind of story, featuring the "worst rock band in the world" (their words, of course). The result is a wildly inventive, often politically incorrect, always hilarious musical comedy.

    Trust me: this is one odyssey worth watching.
  • at first i thought what is this? then you let the leningrad cowboys take you along and the movie just gets better. the music is an obvious highlight all through the movie but that is just one of many. it is the costumes and hairstyles that make this movie perfect. the lost cousin is a brilliant plot twist and picks the music up and the viewer as well. keep an eye on the bass player, that is all i will say about him. a genuinely funny movie that is so far left of centre it is unbelievable, but when you watch the movie, no, this is all very believable. watch it as many times as you can. i was the only person to rent it from the video shop so they sold it to me cheap. the best buy i ever made.
  • Siberian rock band Leningrad Cowboys go to the USA in pursuit of fame.

    After the film was released, the fictional band transformed into a real band, complete with ludicrous hairstyles. This seems to be something that happens... if I am not mistaken, Spinal Tap also ended up touring following the popularity of their film.

    American director Jim Jarmusch has a cameo as a car dealer. The film also includes cameos by blues guitarist Duke Robillard and American Rockabilly Hall of Famer, Colonel Robert Morris, with his wife Irene. I recognized Jarmusch instantly, and he seems like the sort of person who would show up in these films. I cannot imagine anyone else who was so supportive and synonymous with independent film in the 1980s.
  • Aki Kaurismäki's entertaining film portrays the Leningrad Cowboys (a real-life Finnish rock band) as a down and out Russian rock band under the tutelage of a corrupt Russian manager (Matti Pelonpää) who takes them on a journey to America in search of success and money.

    Along the way the band hits all sorts of bumps in the road which often places them in ridiculous situations. Kaurismäki films in dark and tired looking locations and draws from American jazz traditions.

    The film is really a Finnish parody of the Soviet Union and the tired and stolid bureaucracy which dominated it. Take note of the proliferation of tractors in the opening scenes, suppossedly a symbol of the power and triumph of the workers state.

    Don't look for an overriding political message in the film however. It's best to sit back and enjoy the unusual style of Finnish humor and Kaurismäki's subtle approach to story-telling.
  • A family of ersatz, Eastern European musicians, with little talent beyond their 18-inch long pointed shoes and matching pompadours, tries to strike it rich in the New World, where anything goes, or so they hope. The episodic non-plot simply puts the unlikely ensemble in some equally unlikely settings (seedy urban truck stops, and so forth), and that, in or out of a nutshell, is the entire film.

    It's certainly the most accessible effort yet from the prolific Finnish director Aki Kaurismaki, but this sort of deadpan irreverence can only be stretched so thin, and after a (short) while too much of the material is merely repetitive. Kaurismaki has often been called his country's answer to Jim Jarmusch (who appears here in a memorable cameo as a used car salesman), but on the evidence of this fitfully amusing one-joke novelty he may be embracing the comparison a bit too close.
  • One of my favourite films, ever. The idea of a dreadful Soviet rock band flogging their music around the USA appeals to me, especially as I liked the music that was supposed to be so dreadful. The humour is deadpan and droll, much like Kaurismaki himself. Also interesting for an outsiders look at America. Definitely up there in the Top Ten of Finnish Rock Band Road Movies!
  • Spangarang17 March 2005
    Leningrad Cowboys Go America is Finland meets the Blues Brothers with a bit of Monty Python thrown in. Very entertaining.My husband and I watched this movie last night as it was St. Urho's Day and we wanted to see something from Finland. Well, 90% of the movie is in English rather than Finnish, but that didn't matter. Basically, this crazy band of brothers finds that their music is not marketable in Finland, so they go to America. It's not really marketable their either, so they are sent to Mexico and play at a bunch of bars on the way there. They switch from oldies rock to country to modern rock along the way. Finally in Mexico they are accepted for music close to what they were playing in the first place. A bad manager, dead guitarist, outcast brother, and long lost cousin add to the fun. I would recommend it to anyone who likes bizarre comedy.
  • Cowznofski3 December 2006
    A number of years back, we hired, one at a time, a bunch of Russian guys. Generally one guy would know others back home who wanted jobs, and gradually we got a good group this way. These were a great group of guys and generally above average to stellar performers.

    But what was so amazing to me was that the social hierarchy depicted in Leningrad Cowboys Go America, i.e. the way Vladimir interacted with the rest of the group, was spot on - our guys interacted in much the same way. The ideals, Go America, get rich, were shared by all.

    I suppose the Finns, having some excellent knowledge of what their neighbor was all about, have the upper hand when it comes to excellent parody.

    This is a great film - if you've worked with Russians, or if you just want to know what these guys are doing dressed up like the Blues Brothers, have a look at this film.
  • This is one absurd and bizarre comedy full of extravagance, but a really funny one, as many Kaurismäki films are. It's not the kind of movie that will make you burst in laugther in every scene, but of the kind that will make you permanently giggle and, once in a while, all out laugh. The original aesthetics they chose for the starring band really helps to build the atmosphere of absurdity, accompanied with some social critique, which, coupled with the cinematographic aspects of it (the director really knows how to apply the rule "show, not tell" the appropriate way) make for a very interesting wath, although it may feel slow at times for people who aren't used to this kind of films. If you usually don't like absurdist humour, I wouldn't recommend this one to you, but, if you like Kaurismäki already or you are into that kind of humour, you should definetely watch it. By the way, I really loved that the fictional band ended up being a real one, since I strangely enjoyed the music they played during the film.
  • A great flic. A little slow at times, yet the pace seems to fit the bumbling antics of the Band.

    I found the second watch more appreciable, the bizarreness loses it's edge and you can see all of the absurd little details.

    Ignore the guy trashing it :)
  • I had fairly high hopes for this film, but it didn't even come close. Initially, the bizarre look of the band was worth a chuckle, and occasionally something silly would happen, but really, not much happens in this movie, and it's a blessing that the runtime was kept short. Even at a short length, this movie was frequently dull, and it was rarely enjoyable. If you're looking for something a little weird, this movie will do, but try something else if you actually want to laugh.
  • This used to be on tv constantly and I always saw it in pieces,I am glad i finally taped it because it is a great and original movie.Jim Jarmusch is funny as the carsalesmen and all the mangled covers are inspired(my favorites are "At the Hop","Born to be Wild"(the only good version even better than Steppenwolf,Who?)& The Country song I can't remember the title)I need to see Leningrad's meet Moses too! I rate this film up there with Rocknroll High School!
  • petri_torvinen3 January 2005
    10/10
    10/10
    It's a funny movie, providing some good laughs, a little weird, but a work of genius!

    Not very good actors, but it's what makes the movie so good, that it handles parody by doing it seriously!!

    Some weird scenes, but funny and good jokes, like the bar where it first stood "Singer wanted" and when the band was through with the gig, the sign said "Club Zchivago...for sale", one of the best jokes I've seen, but it's just me!

    The movie deserves the same acknowledge as "Blues Brothers"-movie, but unfortunately, finnish movies do not (except for the "Winterwar")
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