Three stories are connected by a Memphis hotel and the spirit of Elvis Presley.Three stories are connected by a Memphis hotel and the spirit of Elvis Presley.Three stories are connected by a Memphis hotel and the spirit of Elvis Presley.
Over the course of a single night in pale Memphis--the home of Sam Phillips' legendary Sun Studio--a vivid triptych of romantic Rock n' Roll pilgrimage; sad nostalgia; emotional Americana, and forgotten, decrepit places unfolds. Pivoting around the low-rent and almost dilapidated Arcade Hotel, the strange stories of four visitors unwittingly intertwine, as the aloof couple of Japanese teenagers--Mitsuko, who yearns to visit Graceland, and Jun, a sad-faced die-hard fan of Carl Perkins--arrive in the Tennessee ghost town, in "Far from Yokohama". Likewise, the recently widowed Italian, Luisa, who's come to town from Rome to take her deceased husband's body back to Italy, winds up in the same hotel, sharing a room with the garrulous Dee-Dee, in "Ghost". Then, elsewhere in the city during the same endless night, the neighbourhood's barber, Charlie, reluctantly goes on a boozy binge with the unemployed British immigrant, Johnny, and, eventually, they both end up in the Arcade, in "Lost in Space". Of course, the mystical aura of an eternal, 1956-handsome Elvis Presley haunts everything in this unforgettable night in Memphis. Is the King truly gone? —Nick Riganas
mystery train and all of jarmusch's films
jim jarmusch affects his viewers in curious ways. in mystery train, he presents a series of situations, sometimes filled with off-beat humor, sometimes filled with tenderness, and, in one instance, characterized by one violent moment. on the whole, every moment is affecting, every moment is moving. jarmusch sees the world with such sensitivity and humor, such affection; there is no place for cynics or satirists. jarmusch has never emphasized technical virtuosity. his virtuosity, rather, is his ability to place characters who he obviously cares for in situations which endear them to the audience, his ability to show, with simple gestures and moments (like mitzuko's unorthodox cigarette lighting technique) our beauty, humanity's beauty, is our idiosyncracy and differences. steven soderbergh states that technical perfection is not as important as cinematic energy. jarmusch films have energy; it quiet, polite, lovely energy, but energy nonetheless.
- Dec 10, 2001
Contribute to this page
Suggest an edit or add missing content