An introspective young woman's life is upturned by the arrival of her maladjusted sister.An introspective young woman's life is upturned by the arrival of her maladjusted sister.An introspective young woman's life is upturned by the arrival of her maladjusted sister.
While the film deals with these serious subjects, it is in no way (as far as I'm concerned) a depressing movie. It's filled with comedy, which has been called "black comedy", but in my view the comedy itself doesn't have any heavy, negative under tones. The actress who plays Sweetie is an established comedian and her comedic acting is hilarious and convincing. Sweetie freely expresses herself, in ways that might seem childish to some, but are secretly ways we might like to act if it were accepted. Her character tells us that it's possibly to be so free and unfettered and survive, up to a point.
I love the scene where Sweetie's new, wasted "talent manager" boyfriend is taken to a cafe, by Sweetie's father, in order to get rid of him. At the table Sweetie's father begins to talk about how Sweetie "was such a talented little girl". The boyfriend then spontaneously falls asleep (he has some kind of sleeping sickness). At this point the father tries to remove the boyfriend's coat, which is actually Louis's (Kay's husband), and which they have been trying to get him out of for a long time. The boyfriend, still asleep, then falls to the floor dragging the contents of the table top with him, and ends splayed out on the floor in a baroque mess.
There are numerous comedic scenes like the one above, that weave in and out of the movies' main issues (i.e. control of oneself). Dawn's boyfriend, like Dawn (Sweetie), lacks control over his expression, in this case his actual, physical body.
To add to these delights, the movie is beautifully, artfully photographed and the sets are also artistically satisfying. The soundtrack includes beautiful African gospel. All-in-all, if you're receptive to emotions and understanding them, this will probably be one of the best movies you'll ever see.
- Mar 29, 1999