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Javier Bardem started in showbiz as a child actor in Spanish TV series “El pícaro” in 1974, landing his first recurring role at age 17 in 1986 in drama “Segunda enseñanza.” Hollywood success followed; he played Cuban poet and novelist Reinaldo Arenas in Julian Schnabel’s “Before Night Falls,” earning the first of three Oscar nominations. In buzzy Greenpeace documentary “Sanctuary,” which premiered in the official selection at the Toronto Film Festival, Bardem forgoes his dramatic chops to produce and narrate this nonfiction work about preserving marine life in the increasingly warming Antarctic.

This isn’t the typical film role you get offered. What led you here?

Greenpeace invited me to do this campaign. We’re trying to create the largest sea sanctuary in the world in the Antarctic Ocean. I didn’t blink; I said yes. They explained to me what exactly they’re looking to achieve and why. At that table...

Lyon, France – Javier Bardem charmed his audience at a masterclass during the Lumière Film Festival on Monday, eliciting laughter with stories of his youth, learning English by way of AC/DC, his famous family and expounding on the talent, compassion and genius of the filmmakers with whom he has worked, among them Bigas Luna, Julian Schnabel, the Coen brothers and Woody Allen.

Bardem reiterated his support for Allen, who directed the Oscar-winning Spanish actor in 2008’s “Vicky Cristina Barcelona,” saying he would work with him again at a day’s notice.

“He’s a genius,” Bardem said, adding that in this time of the Me Too movement, “I would work with him tomorrow.” He stressed that Allen’s legal status today has not changed since the last they worked together in 2007 and noted that the director had never been found guilty of any crime. “Today, 11 years later, it is the same accusation.

A new video looks beyond Fincher at the Evil Men Do

Sin, as defined by most major religions and moral institutions, is as old as man. It is inherent to our nature, because ultimately sin is self-serving, and at the end of the day we are all self-serving creatures. Wrath, pride, sloth, lust, envy, gluttony, greed — as opposed to the Ten Commandments of Christianity which include distinct acts like adultery and murder, the seven deadly sins are things of which most all of us are guilty of multiple times over. We’ve all committed them, even on a minor scale. Ever think someone has a nicer car than you? Envy. Ever gotten a touch of road rage? Wrath. Ever hit the snooze button more than once? Sloth.

These are petty examples to be sure, but they illustrate how commonplace the seven deadly sins are in our daily lives, and thus they prove why the seven deadly sins...

Madrid - Acclaimed Spanish director, Josep Joan Bigas Luna, who discovered Javier Bardem and Penelope Cruz and cast them opposite each other 20 years ago in Jamon, Jamon died over the weekend at age 67. Bigas Luna, who died of cancer, was recognized as having an unfailing eye for discovering fresh talent. He cast Bardem in 1990 in The Ages of Lulu, giving the future Oscar-winning actor his first break. "I don't know where to begin," Bardem said, adding that he owes Bigas Luna "the woman I love," and "a career that I never dreamed I could have.

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Spanish film director whose 'Iberian passion' trilogy began with Jamon Jamon

For 39 years, under General Francisco Franco's repressive regime, it was almost impossible for Spain to create a vibrant film industry and for talented film-makers to express themselves freely. However, after the death of the Generalissimo in 1975, there was a burst of creativity, with Pedro Almodóvar paving the way for directors such as Bigas Luna, who has died of cancer aged 67.

After some years as a conceptual artist who experimented with new audio-visual media, Luna became known internationally for his "Iberian passion" feature film trilogy: Jamon Jamon (1992), Golden Balls (1993) and The Tit and the Moon (1994), which explored the darkest depths of eroticism and stereotypical Spanish machismo. The first film introduced Penélope Cruz to audiences and launched Javier Bardem as the embodiment of the Spanish stud. "I owe my career to Bigas Luna," Bardem said in 2001.

In the trilogy, Luna,...

Madrid — Spaniard Josep Joan Bigas Luna was lauded as a brilliant and "truly special" filmmaker a day after his death, with some of the highest praise coming from actors Javier Bardem and Penelope Cruz, two stars whose film careers he launched.

Bigas Luna, 67, died Saturday in northeast Spain after a long battle with cancer.

The filmmaker was regarded as having had an excellent eye for spotting talent and a knack for stimulating on-screen chemistry between actors. His 1992 film "Jamon, Jamon" received unanimous praise as "a classic" in the Spanish press on Sunday,

The director discovered Cruz and Bardem, who married in 2010, as well as a giving early boosts to a host of other now well-known film muses, including Leonor Watling, Angela Molina, Francesca Neri and Valeria Marini.

Many of the roles in his films were explosively steamy, even erotic. Yet they often explored with great insight aspects of modern Spain's quirkiness.