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The New York Times
Flatliners is a stylish, eerie psychological horror film laced with wit, a movie that thrives on its characters' guilty secrets and succeeds on the strength of the director Joel Schumacher's flair for just this sort of smart, unpretentious entertainment.
Flatliners is a strikingly original, often brilliantly visualized film from director Joel Schumacher and writer Peter Filardi.
It's much to Schumacher's credit that Flatliners, for all of its crazy excess, does not turn into camp.
Flatliners is an original, intelligent thriller, well-directed by Joel Schumacher. I only wish it had been restructured so we didn't need to go through the same crisis so many times.
Flatliners is a heart-stopping, breathtakingly sumptuous haunted house of a movie.
The Seattle Times
Their performances lend the movie a touch of class, even if they can't make up for the superficial writing and Schumacher's anything-for-a-jolt direction.
TV Guide Magazine
The look is overpowering enough to delay--though not forever--examination of the plot, which has to pull a fast one at every turn to keep moving and which eventually makes a mockery of plausibility.
Los Angeles Times
If Flatliners is anything at all, it's watchable: aflame with Jan de Bont cinematography, deep-focus decor, an attractive cast. The movie's problem, like many others recently, is that it isn't any deeper, dramatically or psychologically, than its own trailer. It is the trailer: the long version.
You may go into Flatliners hoping for a psychedelic mindblower, but the film is about as exciting as staring at a lava lamp for two hours.
Far-fetched as the premise is, I was willing to give the film the benefit of the doubt for the sake of the impressive cast. But as Flatliners rolled along, its pretentiousness became increasingly toxic.
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