The Godfather Part III

I was extremely excited to see the new cut of The Godfather Part III. I bought a digital copy. As I was seeing the movie, I could barely notice any changes.

By the trailer of this movies, I was led to believe that Sofia Coppola's role was going to be drastically cut; that was not the case. As you probably now, her acting has been the biggest point of contention against Part III.

After the movie ended, I felt that I was cheated. The differences in The Godfather Part III and The Godfather Coda are just too small to make a big deal out of them. I was expecting to see a big improvement that take this movie closer to the level of the first two parts, but was very disappointed.

¿Why there is not The Godfather CODA as an standalone tittle in this platform?

Such as Justice League and Zack Snyder's Justice League. There is no big difference between the two, but Coda was generally received better.

Personally, I prefer Coda and I think it gives a more proper ending to one of the best movie trilogies of all time. Giving emphasis on the metaphorical dead of Michael Corleone, instead of his physical one.

While I still prefer the original ending, this version is better overall and make us wonder what would've been of it if they gave Coppola the time he demanded to make a better film...

Definitely not my favorite of the 3 but it's hard when the first 2 were just that good. It still portrays well, from my historical knowledge, much of the struggle of the mob families to legitimize their business dealings and try to enjoy life in the later age of the mafia in America. Al Pacino performs brilliantly and I enjoyed Joe Mantegna in his roll. Definitely worth the watch if you were a fan of the previous 2 films.

The Godfather: Part III is a good movie with a reasonably well developed plot and a terrific cast. It certainly stands out on its own, Al Pacino shines as Michael Corleone here, being his first time playing the character in 16 years, it is as if he never left the role. Francis Ford Coppola's direction is still on point, though the writing may not feel as passionate, he still manages to bring the world to life in s splendid manner, the only way he knows how.

The dialogue and overall story is far less inspired than the previous two, it never manages to make much of an impact. Having no Vito Corleone in this one was a big loss, I understand that his story came to a close in the second film, but he was the heart and soul, as well as the highlight, of these movies, there was a gaping whole without him. I was not a fan of Andy Garcia's character, merely a repeat of the same type of role Pacino had in the first Godfather, but never as effective. While its flawed and certainly not a pleasing finale to the trilogy, The Godfather: Part III is still a must watch for fans of the first two, you might as well form your own opinion of it.

Michael Corleone confesses his sins while trying to legitimize his business to keep his family safe as he ages.

Best Performance: Al Pacino / Worst Performance: Sofia Coppola

I stayed away from this film for a long time, doing a dumb thing: listening to the well-known film critics.

When I finally got around to it, I was very surprised. It was a good film. Not great, not intense as the first two Godfather flicks, but definitely a lot better than advertised.

Many people said this was filled with anti-Roman Catholic propaganda, but I didn't it find that way. Yes, the "Vatican bank," whatever that is, was portrayed as not on the up-and-up, but it was a little confusing to follow, maybe too confusing to get offended! Actually, there were some positive things, religious-wise, with Al Pacino's character, who sought forgiveness for his past sins and made a few very profound statements such as, "What good is confession if it isn't followed by repentance?"

Anyway, Pacino's acting talents are the main attraction in the lower-key, more cerebral Godfather film. There isn't that much action but when it occurs, it's pretty violent. As with the other two films in the series, it's nicely photographed with a lot of nice brown tints.

Finally, director-writer Francis Ford Coppola took a lot of flak for putting his daughter in such an important role but I thought she (Sofia Coppola) was fine and - like this film - unfairly criticized.