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  • ...but sadly, nothing more than that. For a comedy, it would sure need some laughs, and maybe the directing is not on a level, but hey,...there is one sexy scene (in the shower), which is not ordinary for this family type of comedy, and believe me, it gives that special touch to a movie, therefore you can say is O.K. ;))

    4 out of 10 (thanks to shower scene)
  • blurnieghey30 June 2022
    So, I had to do a double take and confirm that this, in fact, did come out in 1990 and I was kind of hoping I might find some info on here as to why this movie plays out like it was filmed in 1975 but no such luck. It's kind of an odd movie and really not all that good, but it does have some heart and I get a feeling that someone cared and put some effort into it, such as it is, and that scores points with me and helps make it watchable. Overall, I'd describe it as pretty corny stuff that could earn itself a G-rating with lame humor that falls flat and an attempt (albeit failed) of a feel-good, light-hearted vibe, but then they toss in some nudity for no good reason (which in my book is the BEST reason) that shatters the whole family friendly vibe I thought they were trying to craft, making the film all that more baffling. The soundtrack ties into the whole Class Of 1975 feel the whole affair gives off and sounds like it was taken from some sort of made-for-TV movie from 1973 or so and stands out like as sore thumb, given that this came out in 1990. Overall, this is watchable due to the shear weirdness and off-kilter vibe of the affair, but it can get on your nerves if you're not in the mood for inept, stupid junk. Fans of obscure, weird movies might get something out of this and it will probably piss off anyone else.
  • Jeff loves detective stories and movies. At the start of this film, he is watching a movie on TV and moving his lips along with dialogue that he knows so well. His mother Gracie and his sister Emily are doing a magic trick, but not particularly well.

    Jeff's father, who co-owned a detective agency with his brother Ben, has left, and the family needs money. The decision is made that Jeff will get his father's share of the business, though Jeff is only a teenager and can't really work on cases. He does dress the part--meaning like the 1940s movie detectives--even to do office work. Unfortunately for Carl, there aren't enough detectives to go around, and he gets paired up with Jeff on Jeff's first case.

    Jeff's second case involves the beautiful fur saleslady Rita. The scenes with Jeff and Rita together are the best in the movie, especially since they are on the run from bumbling cops most of the time.

    Jay Underwood was very appealing, especially when he would narrate the movie in a film noir style, with the old style music, often putting on his hat to do this, and sometimes even taking off the hat when he finished. One time, Carl even handed the hat to Jeff for him to do this.

    It was nice to see Arlene Golonka again. She was still attractive and bubbly, and somewhat scatterbrained. And I have to mention Gino Conforti, who worked on the sign on the detective agency's door. He considered himself to be an artist, and he had little patience with anyone who disagreed with or criticized him.

    I liked the wild and zany comedy, the silly action scenes, and the older styles of music. One scene even resembled silent movies, with music from that era the only sound. I'm not that familiar with the comic timing in these old movies but I believe that style of comedy was used in the scene.

    This was a lot of fun.
  • My review was written in June 1990 after watching the movie on Academy video cassette.

    "The Gumshoe Kid", alternately titled "The Detective Kid", is a charming little comedy that pays homage to the private eye genre. Currently available at video stores, the film had a brief theatrical run in Albuquerque in February.

    Jay Underwood, performing with the self-assurance of a younger Tom Hanks, carries the picture as a guy obsessed with Bogart who gets a job in Vince Edwards' agency through the efforts of his mom Arlene Golonka. Finally assigned to a field case in surveillance, he's thrown together with femme fatale Tracy Scoggins.

    The two of them are on the lam for the rest of the film after Scoggins' boyfriend is nabbed by persons unknown. Helmer Joe Manduke maintains a lighthearted mood, giving both principal players a chance to let their hair down engagingly en route to a friendly finish.

    This is breezy, light entertainment that seems out of step in today's cinema but enjoyable nonetheless. Solid supporting turns, notably by Gino Conforti as an uppity sign painter and cute Pamela Springsteen as Edwards' ditzy secretary, make for a winning package.