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  • Warning: Spoilers
    'Red October' did for modern submarine warfare what 'Das Boot' did for WWII. It took a concept that is inconceivable to most people (living in a boat underwater with people trying to blow you up) and brought it up close and personal. The resulting suspense and excitement for this type of film is always extremely entertaining and this film delivers nicely.

    Tom Clancy's thrilling novel converts well to the big screen. Clancy is a master of making improbable tales of international intrigue seem plausible. This story of a Soviet sub commander who is trying to defect to the U. S. adds a unique twist to the suspense normally associated with submarine films.

    John McTiernan, who is building an enormous reputation in the action/adventure genre did a fabulous job as director. This film focused less on the submarine and its crew than its cousin 'Das Boot', and more on the international intrigue angle. McTiernan is very effective in keeping up the pace and giving the viewer riveting suspense as smart torpedos chase subs through the murky deep.

    As always, Sean Connery was powerful as the defecting captain, determined not to allow this first strike weapon to start a nuclear holocaust. Connery gave his character both a conscience and a ruthless commitment, stopping at nothing to reach his goal.

    Alec Baldwin turns in one of his better performances as Jack Ryan. Unlike Harrison Ford who made Ryan into an action hero in other Tom Clancy adaptations, Baldwin seemed better cast as the CIA nerd who was thrust into a field situation without any real experience. In this way, I felt he was a better representation of the character as Clancy originally wrote him.

    This is a highly entertaining and engrossing film that will keep most action and suspense viewers on the edge of their seats. I rated it a 9/10.
  • This film is written as great as a great book. Many of the dialogues have deeper meanings. There's a lot of political stuff in this film, which is very well presented. The music score is fantastic. The editing is top notch. The cast is perfect - Sean Connery, Sam Neill, Alec Baldwin, Tim Curry and many more fantastic actors. The thriller aspect of this film is superb, it's a very gripping and supense movie.

    I loved this experience of a film.
  • Warning: Spoilers
    Tom Clancy is a gearhead whose books I find nearly impossible to get into. So it's a surprise to find one of his novels, adapted on screen, is not only good but as enjoyable and riveting as is "The Hunt For Red October."

    Sean Connery plays a Soviet sub skipper, Marko Ramius, who at the height of the Cold War is put at the helm of his navy's most advanced creation, the Red October, a nuclear-missile carrier with a propulsion system that enables it to elude sonar. After he puts out to sea, Ramius has a letter delivered to a senior Soviet official that sends the U.S.S.R. into panic mode. The U.S. wonders why. Has Ramius gone nuts? Will the U.S. be able to stop him before he has the ability to park his missiles along the Eastern Seaboard? Or is CIA analyst Jack Ryan (Alec Baldwin) correct in suggesting another reason for Ramius's aberrant behavior?

    Some have speculated this story is not completely fictional. Watching this film, it's easy to understand why. "The Hunt For Red October," on screen, moves with uncommon verity for a spy yarn. With a zest for detail and the human equation, director John McTiernan examines the inner workings not only of the Red October but of the subs, ships, and helicopters chasing it as well as the corridors of power where the fate of the Red October and perhaps the world must be decided. You get the feeling at times you are not just watching an ace popcorn thriller but sitting in on some undocumented bit of history.

    The movie's chief strengths are its moody lighting, its unrelenting pace, and especially its deep bench of acting talent. Connery suggests a note of uncertainty to Ramius that keeps the audience on its toes. For the longest time, we don't know what he's up to. Baldwin plays Ryan in a very realistic way that establishes his basically gentle, bookish nature but underscores the depths of his heroism as he pursues an increasingly dangerous path no one else believes in. Scott Glenn is terrific as a crusty U.S. sub commander, while Stellan Skarsgard glowers effectively in-between cigarette puffs as a cagey Soviet. Richard Jordan, in one of his last roles, steals every scene he's in as the National Security Adviser.

    There's a nice bit of business between Ryan and Jordan's Jeffrey Pelt where Ryan sticks his neck out and Pelt pounces, telling the analyst that if he believes Ramius is defecting, he should go out there and try to collect him. Pelt's no humanitarian, understand, he just wants to keep his options open: "Listen, I'm a politician, which means I'm a cheat and a liar, and when I'm not kissing babies I'm stealing their lollipops." That's the best thing about the movie. Even as it ups the ante on what's at stake, and feeds you with outlandish moments of humor and drama, the motivations of the characters, and their reactions to increasingly hypertense situations, are kept grounded in reality.

    The ending comes off a bit pat, and the behavior of Capt. Ramius and his officers seems at times questionable, but the film doesn't slip in any discernible way, unless you're Russian and notice Connery's Lithuanian "brogue." In fact, it's a rare techno-thriller that not only holds up with repeat viewings, but manages to be even more exciting the more one understands what is going on.

    McTiernan is making a guy film here, but he does a nice job providing some brain food, too. Notice how the transition on having the Soviet characters speak Russian to English turns on the word "Armageddon," or the clever interplay between Ramius and his questioning crew. There's a lot going on here, and it makes the film worth treasuring.
  • Warning: Spoilers
    I was attached to the USS Portsmouth when this movie was made here in San Diego, at the Point Loma Submarine Base; some of my closest friends were cast as Soviet sailors in the movie. This movie is amazingly accurate on many levels (granted, there are goofs here and there...but nothing that a non-submarine sailor would be likely to catch). I actually had the pleasure of serving onboard two of the subs featured in this movie; the second one was the USS Blueback (SS 581), which was the last diesel submarine in our navy. The scene where the submarine flies out of the water is actually the Blueback, during an emergency surface; a little scary the first time I did it, but incredibly fun every other time I did it. This movie brings back so many memories, and I hope that everyone enjoyed it as much as I have.
  • After seeing this movie, you'll wonder how Hollywood manages to turn out so many junk-action movies, now that they've figured out the right formula. To be fair, the vast majority of action movies don't have the benefit of Tom Clancy's greatest novel (granted, 'Sum of All Fears' was a very, very close second, for me). High tension and realistic (emphasis on that last word) depictions of modern warfare make for an excellent story.

    Nonetheless, there are a few key qualities that shouldn't go unnoticed to today's directors. First (again) is the basis of a good plot that actually captures your attention, makes you think, and puts you on the edge of your seat. Second is the high caliber of actors: James Earl Jones, Alec Baldwin (I'm a Harrison Ford fan, but I still think Baldwin was far better for the role), and - last but certainly not least - Sean Connery. I'm sure this wasn't cheap, but when you look at the product produced by three of the best professional actors, it's worth every penny. Third, is the great music; nothing too over the top, but well-orchestrated, and featuring a great set of pieces by a Russian men's choir (hard to go wrong!). Lastly, the great use of special effects, from which George Lucas himself could use a clue or two: it smoothly supports, and doesn't take the place of or interfere with, the development of the plot.

    This is my #2 favorite movie of all-time, but you don't have to take my word for it. See it yourself! You'll be glad you did.
  • This movie never fails to entertain me. Smartly directed, well written, and acted it always brings a fresh newness no matter how many times I've seen it. It could have been the beginning of a franchise for Alec Baldwin. He is very much centered and controlled. Sean Connery is also standout.

    Could recommend this to anyone without hesitation. On DVD it's a visual feast. Just a great looking movie. Wish that all the other Clancy books had been adapted so well.
  • Just before Gorbachev's rise to power in the USSR, a notable naval commander (Connery) takes a technologically advanced submarine on its maiden voyage to conduct missile drills off of America's east coast. Something happens to draw the ire of the Soviet brass while a CIA analyst (Baldwin) believes the captain might be defecting. James Earl Jones, Sam Neill and Courtney B Vance are on hand.

    Based on the 1984 Tom Clancy novel, "The Hunt for Red October" (1990) is a well-done Cold War thriller and the first of currently five movies involving the character of Jack Ryan. The next two are "Patriot Games" (1992) and "Clear and Present Danger" (1994) featuring Harrison Ford in the role. Then Ben Affleck would take over for one installment, "The Sum of All Fears" (2002), before Chris Pine's "Jack Ryan: Shadow Recruit" (2014).

    To appreciate this movie, you have to be in the mood for military-oriented drama/suspense rooted in global politics and an all-male cast (except for a cameo by Gates McFadden). Like "Ice Station Zebra" (1968), the scenes mostly consist of men dialoguing & strategizing in the cramped quarters of submarines or vessels; as well as political rooms/offices. A saboteur is no doubt lurking nearby.

    The movie runs 2 hours, 15 minutes, and was shot in America, e.g. Port Valdez, Alaska (opening sequence); Lake James, North Carolina (closing scene); the state of Washington (Port Angeles & Keyport); naval bases in Los Angeles and Connecticut; USS Blueback; San Diego; as well as Liverpool, England (standing-in for Moscow).

    GRADE: B.
  • The best techno-thriller ever made, and the best of the Tom Clancy adapted-novel movies, 'The Hunt For Red October' is nearly perfect.

    Director John McTiernan successfully translates Tom Clancy's first book to the screen, taking his 'Die Hard' expertise to an even higher level of film art, and we get the privilege of climbing aboard a ride that begs to be ridden over and over again. McTiernan is (arguably) the all-time best action-thriller director, and this is his overall finest film.

    Red October is full of memorable scenes and lines, from the opening scenes to the closing credits.

    The cast is headlined by Sean Connery in one of his best and most memorable film roles.

    Alec Baldwin sails on Connery's wake, and similarly puts forth one of his best roles in film - no small feat is following in Harrison Fords footsteps as the original big screen Jack Ryan. Baldwin pulls it off, creating his own younger version of Jack Ryan that fits this story well.

    James Earl Jones is back in the role he seems born to play of Retired Vice Admiral / CIA Deputy Director James Greer - Hard to imagine anyone else in the part.

    Scott Glenn, Sam Neil, Courtney Vance, Richard Jordan and Fred Thompson all superb in critical supporting roles. If the entire ensemble cast didn't work synergestically in the close quarters setting inherent in submarines (most of the scenes were actually filmed aboard a sub), the movie would have sunk... It sailed perfectly, and bravo to all👏!

    Editing at large builds tension and keeps one on the edge-of-their-seat - both required elements in good thrillers. The superb sound editing sets a high bar for action-thrillers, and deserved its Oscar.

    Red October is right up there at the pinnacle of action-thrillers (along with McTiernan's Die Hard) - a true hall-of-fame action-thriller - this film adds the "thinking-man" element missing in Die Hard, resulting in more adult-palatable entertainment, and moves Red October to the top of the action-thriller genre list.

    Surely most reading this review have seen 'The Hunt For Red October' already, and can attest to its high entertainment-value...I envy those who are about to see it for the first time - climb aboard and enjoy the ride!
  • Warning: Spoilers
    A slow-burn submarine thriller, whose strongest component is its suspense and claustrophobia. This is largely due to the excellent set design and miniature prop work that really makes you feel like you're in a submarine in the middle of the ocean. The tight hallways and rooms within the submarines are what give the film this sense of claustrophobia, and both the Russian and American subs are stylized both in terms of design and lighting (i.e. the American USS Dallas sub has mainly blue lights and the Russian Red October sub has...well, red lights) Yeah, it's not overly subtle but its still a neat detail nonetheless. In terms of both the Russian and American 'sides', however, I liked the fact that neither the Americans nor the Russians are demonized, which I appreciated as we got to see both sides and see each's perspective (apart from maybe Skarsgård's character, who was just kinda...weirdly positioned as maniacal and insane). The aforementioned miniature work is also fantastic - if they were to do the film with CGI or another "non-practical" method instead, it wouldn't look nearly as good today. It's because of the detail in the miniatures and their believability that I became more engrossed in what was happening in the story. The characters within the story are also good...well, the main ones at least - some were tired cliches and pretty meh like the cranky old general at the War Room table who wants to stop those "damn Reds!". But for the most part, each main character is solidly built and decently performed. Not the best acting I've seen in my life, but more than passable.

    My only reservations about the film are some story beats, some of the other visual effects and the pacing. The rogue captain of the Red October, Sean Connery, has a scene with his second-in-command (played by Sam Neill) where he dies after getting shot by a KGB agent, with his final words being that he wishes he could have seen the state of Montana. This hearkens back to a previous scene where Sean Connery and Sam Neill are discussing what they're going to do once they defect to America, which, while watching the scene, almost instantly made me think, "Well, one of them is going to die..." and the whole reveal of the KGB agent being the cook that we saw earlier in the film is kinda lame, and doesn't really amount to much. They probably could have just had Sam Neill's character live, and cut out the secret KGB agent B-(or C-)plot entirely. After all, there's still the threat of the other Russian submarine attempting to destroy the Red October to prevent it from falling into American hands. In terms of the visual effects, most are good but the end scene where Ramius (Connery) and Jack Ryan (played by Alec Baldwin) are traveling on a boat was pretty obviously shot on some sort of blue-or-green screen. But it's a minor scene, so it's not that big of a deal. Finally, you might be put off by the pacing if you're expecting a more action-oriented film, which this really isn't as it's much more focused on building tension and dramatizing naval tactics and maneuvers - so bear that in mind.

    Overall: 7/10, very high 6 or low-mid 7
  • Let's talk about some of the things that make a movie a classic.

    Acting? Check. Just look at the stars.

    Script? Check. Based on book by Clancy back when people read books (and dinosaurs walked) and Clancy OWNED his niche.

    Cinematography? Direction? That it takes place on a sub means it is distinctive and memorable from the getgo. Something about the claustrophobia of a submarine reflected in the claustrophobia of a movie theatre.

    Most of important of all is the pacing. There are few films that I have seen this many times and the reason is that the story builds so beautifully. With such a great payoff. Story telling at its finest. So tricks, so attempt to sucker punch the viewer, not even any pretty girls to distract from the weak scenes. Because there are none.

    A classic. And under-rated.
  • frankde-jong19 November 2022
    "The hunt for Red October" has things in common with both "Das Boot" (1981, Wolfgang Petersen) and "Dr Strangelove" (1964, Stanley Kubrick"). In both cases however the comparison is unfavorable to "The hunt for Red October".

    Things in common with "Das Boot" because both films are situated on a submarine. The comparison is unfavorable because in the first place "Hunt for Red October" more frequently alternates between scenes in the submarine and on shore scenes. Therefore it less effectively conveys the feeling of claustrophobia than "Das Boot". In the second place a strong element of "Das Boot" was the alternation between action- and waiting sequences. "The hunt for Red October", as a more action oriented movie, misses this alternation.

    Things in common with "Dr Strangelove" because in both films there is a mad military officer intent on causing the Third World War. In "Dr Strangelove" the madman is American, in "The hunt for Red October" it is a Russian. In "Dr Strangelove" it is for sure that the officier is mad, in "The hunt for Red October" Marko Ramius (played by Sean Connery) leaves his Russian crewmembers, the American intelligence and the spectators in the dark until the very end. This keeps the tension high, but in comparison with "Dr Strangelove" the cynical Cold War humor is missing. On top of that, in spite of his reputation, is the performance of Sean Connery in my opinion inferior to that of Sterling Hayden in "Dr Strangelove".
  • It's almost 10 years now but I am still awed by the caliber of the film. McTiernan has made a moderately good book by Clancy into an outstanding political thriller.

    The complexity of the film is particularly challenging. Clancy plots are notorious for beginning with several different threads that interweave somewhere in the book. Screenwriter Larry Ferguson takes apart those threads and models a film based on dual protagonists, Connery and Baldwin. The myriad of supporting actors (including current TN Sen. Fred Thompson) that appear on screen subsequently all have distinct but nonetheless crucial roles to the plot.

    Baldwin, in what is and will probably be his career best role ever, shines as the intelligent and patriotic Jack Ryan, a thinking man's hero. Connery lends incredible presence, as usual, to his interpretation of Ramius.

    A pure masterpiece.
  • Warning: Spoilers
    The Hunt for Red October is a very interesting movie. Based on Tom Clancy's novel of the same name. It was directed by John McTiernan and about a Soviet submarine captain Marko Ramius (Sean Connery) that command Red October (октябрь) a new vessel that features a device call the caterpillar drive. The caterpillar drive rendering it undetectable to sonar. Ramius leaves port on orders to conduct exercises with the captain of submarine V.K. Konovalov, former student Captain Tupolev (Stellan Skarsgård). Instead of doing that, Ramius commands the crew to head toward America's east coast to conduct missile drills. The United States government officials think the Red October pose a threat, and sent the captain of the USS Dallas, Commander Bart Mancuso (Scott Glenn), to meet the enemy. CIA analyst Jack Ryan (Alex Baldwin) thinks other side, thinking that Ramius instead plans to defect with the new weapon. It becomes a race of time to stop all-out war as the clock ticks down in this Cold War drama. The movie unlike all other Tom Clancy's novels turn movies is pretty tame, as action goes along. It's more made out to be a smart strategy action movie than a mindless shoot it up film. The action is limited due to it being a submarine movie, but the film use slow tense motions like what Ramius is going to do, and what the other submariners are thinking of his action to build up suspense. Nobody knows for sure, what is going to happen. The torpedoes scenes were pretty mind blowing. The film is a bit dated, and some of the talking can be a bit boring, but the dialogue works for the film. Still, I can see every actor playing their parts even if the Russian accents is a bit mediocre. It's weird to see a Scotsman (Connery), Australian (Sam Neill), and English (Tim Curry) playing Soviets. It is better that they didn't use the Russian accent when speaking English too much. Couldn't they find any good Eastern actors for these roles, still! They did their part, but it's hard to think of these actors as Russians. The way, the actors go out of Russian to English, to Russian to English is a bit confusing. The film starts out in Russian, then switches to English in an early scene as the political officer reads the passage from the Bible. The switch occurs on the word "Armageddon", which is the same in both languages. I like the symbolism of that. Sean Connery and Scott Glenn are both commanding in their roles, as both had some submarining training before this film. I wouldn't change that. In my opinion, I would rather have the Harrison Ford's Jack Ryan than Alec Baldwin's. His Jack Ryan seems too wimpy for me and found him weak. Jack Ryan would go on to be the central characters of many of Clancy's later novels. One thing about the movie that I like is, how the screenwriters (Larry Ferguson & Donald Stewart) did an excellent job making a complex plot simple to follow. Tom Clancy is a great author, but one thing about his novels is how compound it can be. Being the first novel by Clancy adapted to the screen, it also serves as the best Tom Clancy's adaptation. The different between the book and the movie are somewhat wide. The biggest different is that in the book there was also a separate story involving a US spy in the Kremlin which doesn't occur in the film. The film also act more action to the film like the October has to avoid a torpedo and Ryan getting on aboard the USS Dallas that wasn't in the book. Those things work somewhat to me. It made the film interesting during the slow parts. The movie did lost it tensed Cold War feel, when the movie came out. By February 1990, just before the film's theatrical release, the Soviet government announced that the Communist Party was no longer completely in charge, effectively ending the Cold War. To compensate for the change in Russia's political climate, an on-screen crawl appears at the beginning of the film stating that it takes place in 1984 during the Cold War than 1990. The music written by Basil Poledouris was great has a Cold War theme, and bear similarity to Russian Army band songs. So it was a bit epic and scary at the same time. The movie could have better if only if the film had a larger budget. The underwater scenes model of the submarine look too much like models for me. I know they could had done better, because 4 years later, Crimson Tide (1994) came out with better effects. They could had use better use of the technology at the time to make the submarines look real than spending 20,000 dollars on Sean Connery's hairpiece. The movie did get some heat, as it did reveal some classified submarine technology at the time with the use of gravimetry as a method of silent navigation in US submarines. There are a lot of factual errors, and anachronisms to nitpick, but it doesn't bother me from the film too much. Overall: the film was pretty good. Still, the main crime committed against this film was the horrendous film-to-DVD transfer it got. Frankly, this film suffer from sheer graininess that hasn't been solve in its newest released. if you like submarine movies you will like this, as this movie has some depth to it.
  • Tony-21628 September 1999
    I can't believe that there is only one negative comment for this film. Anyone with a deeper knowledge of the subject will point out to you that the movie is greatly flawed, and at times hilarious at its portrayal of Russians. For example, singing the soviet national anthem on a sub is pure Hollywood. The political officer is not the second in command. The crew would not be so quick to cooperate with the captain. Plus if you knew some real history you'd know that something like this happened in 1975 only with a ship, and the captain wound up being shot by a firing squad. The guy wishing to live in Montana is simply ridiculous. Next we get the numerous technical problems, like there is no way a sub could do a turn in several seconds. Have you any idea how big these things are? It would take several seconds just to start its propellers rolling. I won't even get into the "caterpillar" drive's ridiculousness. Lets just say that even if it did exist it would not be any quieter then a propeller. Finally for a movie that seems to aim for accuracy, the Russian pronunciations in it are simply horrible. I know it might not matter much to most of you, but they should have at least tried to make it believable. This could go on forever, but I'll spare you. If you want a good believable sub movie, watch Das Boot.
  • Because of the intrigue this film offers, the circumstances involved tie up neatly in a very convincing way. Needing all of the variables to fall into place if his defection hopes to be successful, Soviet (although Lithuanian by birth) submarine Captain Ramius (Sean Connery) is a very worthy submarine captain. Never cracking under pressure and carrying out his duty professionally, Ramius is the perfect ally to the west in keeping the balance between the super powers in their military endeavours.

    Alec Baldwin is good as Jack Ryan. I wish he had stayed on as this character in 'Patriot Games' and 'Clear and Present Danger', because although I like Harrison Ford better as a movie star/actor, Baldwin just seemed better for this role. Too bad he left.

    Director John McTiernan uses a smooth pace and lets the screenplay speak louder than his role as the man in charge of it all and the film's photography is tense along with the editing and sound. An Oscar winner for sound effects editing, 'The Hunt for Red October' will put a submarine in your living room if you have the DVD 5.1. surround sound. It's positively realistic!
  • Don't get me wrong, this is actually a very good movie. And this is coming from a 16 year old schoolgirl! It is fast paced, not too long, and while the story is a bit confusing sometimes, it is one of the few movies that maintains our attention all the way through. Director John McTiernon ensures that the tension rarely slips, and is fairly faithful to the novel, which needs a great deal of understanding especially in the descriptions of the submarines. Though some of the characters especially Dr Petrov have a more significant role in the book. Speaking of the character, many said that 43-year old Tim Curry of Clue fame, looked young and that it was insane casting. He was only in 15 minutes of the movie, but he is so important, and I was impressed by the depth of Curry's performance, it's different to any other role he's played, and how the character turned out in general. As well as the submarine and the odd visuals, the music was phenomenal as well as the look of the film and the sound, with a conveniently Russian feel to it. It was also very musical with what was going on. The acting is what holds the film together, with a charismatic performance from Sean Connery,(in one of his best post-Bond roles) and a career best from Alec Baldwin. Sam Neill also gives a moving performance, as well as the ever-excellent James Earl Jones, who is in my sister's favourite film the Lion King. I recommend this movie highly, if you're a fan of Tom Clancy. I'm not, but I enjoyed it, because I like films that are tense and I like a lot of the actors in the film. 8.5/10. Bethany Cox
  • This movie is so Underrated!!! I don't know why this movie got mixed reviews back then but it's a pretty Good film. John Mctiernan direction is Awesome as always. Sean Connery, Sam Neil And Alec Baldwin are Excellent in their Roles. This Movie takes itself seriously and doesn't bore you with Heavy Exposition or Dumb Action Sequences. It knows what its genre is. My only Issue with this movie is its abrupt ending. It could have been better. 9/10 for me!
  • elshikh414 February 2010
    Warning: Spoilers
    I remember when it first came out, one critic in one magazine was praising it as not another good thriller but as The Thriller, The Great Movie, etc. etc!

    I was too young to catch it in the movies. And I didn't find it at any video store either. So I waited to watch it through TV. And since days, it finally happened; I got to watch the masterpiece that I read about. However, I found nothing but a well-made propaganda through a well-made thriller.

    For sure, it's attractive and solid. The thing about (Tom Clancy)'s work in movies is that it manufactures a hard conflict between great powers, shows the different reactions, pants with parallel marathons, and throws right in the middle a noble hero who had to face all the parties that don't understand his good aim, or understand it and block his efforts since they have another, mostly evil, agenda. So there are international serious matters happening, a kind of intelligence's games but it isn't James Bond's nonsense, and along with the well-knit suspense, and the good action, it manages to make a political satire as well. Ahh, sorry. Cancel the "political satire" here, since it doesn't totally exist!

    (The Hunt for Red October) is pure propaganda work from start to finish. Actually, America is shown as the definite promise land. There is nothing slightly wrong with its leaders or men. And anyone but them is whether a deranged, helpless, or naive (the patriotic Russians; namely the enemy). Or a sophisticated genius (the submarine's generals); simply because wanting desperately to be under the wings of Uncle Sam!

    It has classy talents which played perfect role in delivering the hot time. Most importantly; the meticulous detailing of the hunt. That itself was rare. That realm's niceties weren't well-studied, as this, much before. The sharp cinematography and editing. And (Connery) in that black suit, white lofty wig, playing a Soviet commander with unforgettable Scottish accent!! All leaded by (John McTiernan) in his first finest hour; ok, I love the guy to the extent of believing that he'll someday come back to his super "hunts" again!

    I think it's near to flawless, if we're not talking about (Alec Baldwin)'s flat face and performance. And if you think that he's the worst (Jack Ryan). Then you have never watched (Ben Affleck) yet! (Baldwin) got the looks but not the depth. But here it wasn't about acting. It was a contest of which charisma would win in this ocean of chases. And (Baldwin) wasn't that effective to follow, especially when Mr. (Connery) is around.

    It's smart deal, where the best about it is that it's a pro movie before being the propaganda that it is. So it's so watchable, not too common, Hollywood fare. But still the problem remains in me; I just don't fully enjoy these long and expensive touristic advertisements for "America is The Best"!

    As a (Jack Ryan) movie, I liked (Clear and Present Danger - 1994) more. The world was gray there, not too radiantly white, red and blue!
  • Yes, it sounds like a weird combination. A submarine movie with exciting action. Still "The Hunt for Red October" is a movie filled with some superb underwater action sequence's that were brilliantly directed by action movie veteran John McTiernan. The underwater finale is really 'edge-of-your-seat' stuff!

    With this movie McTiernan shows once more that he is the best action movie director alive, along with James Cameron. Still the movie has more to offer than just action. The story is also what makes this an excellent political thriller, making this movie perfectly watchable for both the action movie lovers and those of political thrillers. Of all the Tom Clancy novel movies this is my personal favorite and best so far.

    The cast consists out of some big names. Connery is great as Russian submarine captain who talks Russian with a Scotish accent. Alec Baldwin is a wonderful Jack Ryan. Other actors that stood out to me were; Sam Neill, Tim Curry, Stellan Skarsgård, Jeffrey Jones and Scott Glenn. Only too bad about the Beaumont character, that was just annoying and unnecessary.

    The phenomenal cinematography was done by Jan de Bont. The likewise phenomenal music was composed by Basil Poledouris who's name I can't still spell right without having to look it up. Poledouris truly is a criminally underrated composer and with this movie he once again delivers a true masterpiece.

    It's the combination of all these great things that make "The Hunt for Red October" a brilliant and tad underrated movie, that is perfectly watchable for a wide range of people.

    9/10

    http://bobafett1138.blogspot.com/
  • As regards to the film adaptation of Tom Clancy's 'The Hunt For Red October', it represents itself as a flawed, but competent Cold War thriller that both thought provokes, and stimulates the viewer with well directed action scenes thanks to the production guidance of the venerable John McTiernan of Die Hard fame.

    However, as a viewer who represents the minority of voters who have actually read the novel and now viewed the motion picture, I am left feeling slightly disappointed that the film's producers chose to allow the film to pursue its own path in storyline, rather that following the firmly trodden tracks of Clancy's brilliant novel.

    For instance, in the film adaptation the United States Navy steal most of the limelight in the pursuit and rescue of the crew of the Red October, whereas in the novel it is in fact the Royal Navy's aircraft carrier - HMS Invincible - that undertakes the pursuit at the request of the United States Government. Numerous different characters have therefore had to be created and/or altered in order to be compatible to an American audience.

    It is this act of plot devolution by the film's producers that I cannot forgive and therefore cannot enjoy this movie as much as I would have with a bit more British involvement, rather than having to endure the usual American all-singing all-dancing, save the world jingoism that you get in this slightly average film adaptation of the brilliant Clancy novel.

    If you are going to do something, it pays to do it properly I'm afraid. This film just turns out to be another American focused jingoistic yarn, equalling the likes of Air Force One (1997), which I despise.

    6/10.
  • Soviet Submarine Captain Marko Ramius takes heads for The coast of Maine in his undetectable Submarine, his aim, defection. Assigned to sort out the delicate situation is Jack Ryan.

    I have just finished Tom Clancy's fantastic novel, and I wanted to see the film while the story was so fresh in my mind. A writer with an almost perfect ability to write captivating political/military thrillers, this remains one of his best.

    Despite being a fairly long film, it moves on fairly quickly, it is very well paced, and packed full of atmosphere. It truly is a remarkable game of chess, an almost mirror image of the cold war itself, with one side trying hard to counter the other.

    It's tense, it's gripping, there is a real feeling of claustrophobia in that Submarine. Production values are truly great, it is still a fantastic looking film, the team clearly went to great lengths to achieve real accuracy.

    There are some very meaningful moments, I particularly enjoyed the scenes where Captain Borodin and Ramius discuss their view of The American dream, it's a great scene.

    Powerhouse performances from Sean Connery and Alec Baldwin, the pair are terrific, Baldwin takes some beating as Ryan. A tremendous supporting cast with Sam Neill, Joss Ackland and Tim Curry to name but a few.

    I think Das Boot remains my all time favourite Submarine movie, but this is not too far behind it.

    A War with no battles.

    9/10.
  • Warning: Spoilers
    Jack Ryan's first entry with lots of action , tension and high-tech thriller. This exciting picture deal with an atomic underwater sub and the problems originated for the crew defection to West. Russians make a new atomic submarine that sails silent due to a revolutionary propulsion system . Sub skipper named Marko Ramius (Sean Connery ) defects, aim of taking it to the United States to avoid the Russians from utilizing the sub to wreak atomic war against the U.S.A . Jack Ryan (Alec Baldwin), a CIA high officer is assigned by his superiors (James Earl Jones , Richard Jordan ) to solve the risked complications . Ryan get involved in the tangled chase of the Russian's newest high-tech atomic submarine that runs silent across oceans.

    First installment of the Agent Jack Ryan with lots of twists and turns , rattling action, suspense and intrigue . The yarn is interesting though based on fictitious deeds. There are suspense, thriller and action, but the scenario is mostly into submarines . Runtime film is overlong , the flick is slow moving but is interesting . Amount of minutes are superfluous ,it has half hour of excess, however the movie is quite agreeable . Extraordinary nail-biting scenes, specially when there happens the final battle on some amazing images. Sean Connery performance as sub admiral is excellent, he hands perfectly the role , Ford has gotten the best character as obstinate captain trying to defect to the West on his ship. Sam Neill acting as the second-in-command is first rate. And of course Alec Balwin is good as agent who must figure out the true motives for approaching the U.S. , this character results to be one of the his best films . This blockbuster is an excellent adaptation of the novel by Tom Clancy , companion to ¨ Clear and present danger¨ with Harrison Ford taking over the role of Ryan from Alec Baldwin and the second part ¨Patriot games¨ again with Ford , who's becoming the king of trilogies ; furthermore , the last entry titled ¨The sum of all fears¨ with Morgan Freeman and Ben Afleck as Jack Ryan . And it belongs to modern sub-genre about atomic submarines as ¨Red Crimson¨ with Denzel Washington and Gene Hackman and ¨K19 , the Widowmaker¨ with Liam Neeson and Harrison Ford. Interesting screenplay plenty of twists and thrills by Larry Ferguson . Spectacular musical score fitting to action and suspense by the maestro Jerry Golsmith. Colorful and atmospheric cinematography by Jan de Bont . This handsome picture is lavishly produced and masterfully directed by John McTiernan . He's an action expert director with hits, such as ¨ Predator, Die Hard , Warrior 13, Basic and Last days of Eden ¨ again with Sean Connery , and some flops , such as ¨Nomads , Thomas Crown and Rollerball¨. Rating : Above average, the flick will appeal to Sean Connery and Alec Baldwin fans .
  • Warning: Spoilers
    Rated PG

    Genre: Action/Adventure/Thriller

    Star Rating: ****1/2 out of 5

    Red October is a new Soviet Submarine. When the Americans are given photographs of it, they are extremely curious as to why is it so special. Jack Ryan (Alec Baldwin), a CIA analyst, consults with a friend, who deduces that it's equipped with a new engine that can make it run virtually silent and with such a device, they can position themselves on the outskirts of any coastal city and launch their missiles and not give their target any warning. Marko Ramius (Sean Connery) the sub's captain kills their political officer after they open their orders which basically has them conducting routine maneuvers but he kills him and burns their orders and replaces it. He then tells the crew that they are going to test their new engine by positioning themselves by New York and run missile drills. Ryan is then called by his boss to attend a briefing that concerns Red October. It is at this briefing that they discover that Ramius sent a letter to high ranking Soviet official, who after reading the letter went to meet with the Soviet Premier and it was shortly after that meeting that the Soviet navy was deployed to find Red October and sink it. Everyone assumes that Ramius has turned rogue but Ryan who once did research on Ramius assumes that he might be trying to defect. While everyone dismisses him, the National Security Adviser tells Ryan to go out there and find out for sure if he is right cause once Ramius is in position to fire his missiles they have take him out. Ryan reluctantly goes and is not use to fieldwork, is having a hard time coping with the sea. At the same time someone in the Red October crew knows that Ramius has deviated from his assignment and is doing what he can to stop him! Alec Baldwin and Sean Connery do a great job together in this movie! This movie got Oscar Award for Best Effects and Sound Effects Editing. I think this movie should of won an Oscar award for best picture and have Sean Connery for best actor and Alec Baldwin for supporting actor. I highly recommend this movie!

    BOTTOM LINE: FANTASTIC!
  • When I think of the ultimate submarine movie I still think of Das Boot. There really isn't another movie of this kind which is so able to keep me on the edge of my seat like that one. However, The Hunt for Red October certainly qualifies as an excellent second.

    It's a little bit difficult to compare both of course. Das Boot takes place in the second world war while this movie is situated in 1984, in the middle of the cold war crisis. And the time isn't the only difference, it's also impossible to compare both ships (and the room the actors had to do their job in). The room in the German U-boat was a lot smaller than in the Russian sub, giving the German actors less space to do their jobs.

    I can't compare the movie to the book, because I haven't read the book yet. What I can say is that the actors did a very good job. It really feels like you know what these men are going through. The same about the technical aspects. I don't know what a nuclear submarine should look like but it sure looked realistic enough to me. It helped me believing the story.

    All in all The Hunt for Red October is well worth a watch. It's a well acted and directed action thriller which may give you an insight on how the cold war could easily have turned into WWIII. I reward this movie with a 7.5/10.
  • Warning: Spoilers
    Poor taste and naive patriotism. Imagine American officer who is trying to defect and heroic cook who is trying his best to maintain military dignity and real patriotism. Imagine showing dumb American sailors. Just reverse every figure and you will find that this movie contains nothing. Primitive attempt to squeeze some adrenaline and some sympathy for a man who lost his dear wife. Tough American cowboys in uniforms and A. Baldwin as a sympathetic figure. Now tell me what is great about this movie except political correctness and cute poses of the leading actors. "I wanna go to Montana". this is exactly the thought that comes to mind instead of watching this cartoon of course. The only heroic figure is the cook, who fought to the end.
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