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  • This is one of the few films by Van Damme that stand out in my mind when I think of his 'career highlights'. All of his films are formulaic actioners, but Lionheart is one of his better films. His character is more layered here, which makes this more of a drama than most of his others. We as the audience can feel for his character and, as a result, root for him as he tries to evade his past and help what family he has left. A nice little action film, with Van Damme forced to act a little here. For his capabilities, he is convincing as Lyon. Harrison Page is very good in the film as the ex-street fighter turned confidant, and almost steals the show. A highlight of Van Damme's career.

    *** out of **** stars.
  • johnnyboyz13 June 2002
    Van Damme is at his best here, it's a good film that moves at a steady pace and is almost like a Rocky/Street Fighter type film. The characters are played well and the right actors and actresses are picked for the right roles. Van Damme's trainer is great and the silent Van Damme is defiantly the best. The plot also unwinds at the right times and at the right pace. You should give this film a go.
  • Nice movie considered to be probably Van Damme's best of his first and best period from his film debut No retreat , no surrender . Here Van Damme is a French Legionnaire who deserts from foreign Legion in Africa to come to America where his drug-dealing brother has been torched by competitors . Soon after, he hits the streets and realising that his struggle skills are the only way to help his brother's wife : Lisa Pelikan and little girl daughter , as he relunctantly ties in with hustler Harrison Page to compete in violent combats promoted by an egoistic woman : Deborah Rennard who changes the tables when he fails to succumb to her advances . As many fights ensue until an exciting , touching and thrilling finale. Honor or revenge, he has no choice...When the streets are jungle...they can only be one King. Too tough to die.

    Fine flick with more than a semblance of an enjoyable and agreeable story without being excessively silly , including thrills , chills, and spectacular kickboxing mayhem in smoky backstret rooms . In spite of its violence, and adding some wholly as well as corny moments , this is an acceptable yarn with interesting storyline enhanced by sentimental and feeling touches and full of freshness. Jean Claude Van Damme is pretty well as a brave hero showing his gentle side , a deserter who learns his brother has been hassled, as he attempts to help his family by illegal fighting . Support cast is charming , such as : Harrison Page as a black street drifter, gorgeous Deborah Rennard as the predatory , illegal-fight promoter who turns against him , Brian Thompson as tough henchman, and Lisa Pelikan as the good widow with a daughter, Ashley Johnson. And brief appearances from Jeff Speakman , fighter Billy Blanks as a legionnaire and producer Lawrence Bender .

    The motion picture was well and decently directed by Sheldon Lettich. He is a craftsman who has written/produced/directed some nice films, most of them starred by Jean Claude Van Damme as "The Order, Double impact , Hard Corps, and Lionheart" , or performed by other hunk men as Daniel Bernhart : "Perfect Day" , Dolph Lundgren : "List Patrol" , or , Mark Dacascos : "Only the Strong". Rating 6.5/10. Better than average action picture. The flick will appeal to Jean Claude Van Damme fans.
  • Lionheart is clealry one of the best movies Van Damme made in his early days. The film had good fight scenes and a nice plot. Harrison Page as Van Damme's boy provides a lot of good one-liners and Van Damme kicks a lot of ass. I give it *** out of ****.
  • I know this movie as "A.W.O.L Absent Without Leave" but I have also seen it called Wrong Bet and Lionheart. This was one of the first movies I saw in 1990 knowing who Jean Claude Van Damme was, after previously seeing "Blood Sport" and "Kickboxer". Along with those two this helped set him on the road to stardom. Watching it today, I still think it is one of his best performances and best movies in general. Sure it's cheaply made and some of the acting is a bit dodgy but it's a lot of fun.

    Plot In A Paragraph: Leon Gaultier is a deserter from the Foreign Legion arriving in New York . He finds his brother at death's door in L.A and his sister-in-law without the money needed to pay for medical care for her husband and to maintain her child. To earn the money needed, Gaultier decides to take part in some very dangerous under ground fights.

    Whilst Van Damme is the star, Harrison Page steals the show as his friend/manager Joshua, I think he is fantastic. Having previously starred opposite Arnold Schwarzenegger and Sly Stallone, Brian Thompson stars opposite the new action star in the block (at the time) Deborah Rennard does a fine job as Cynthia.
  • When i saw this film i was just 15 and it touched me how Leon wanted to fight for his brothers wife and kid.The films fight scenes are well staged and when i watched the film again recently i was surprised by how much i enjoyed it.Thats the thing,its a really enjoyable film,you can harp on all day about how Van Damme isn't the worlds best actor,how the sound mix is wobbly and the film looks as though it has been churned out for TV but its a good story well executed and that is the long and short of it.Van Damme has gone on to make many a film in a similar vein but i felt it was on this production that he came off best.The trainer played by Harrison Page helps lift the film too. 8/10
  • (62%) Without doubt one of my favourite early(ish) Van Damme movies that is so much more like Street fighter the video game than the actual Street fighter film. This is nuts and bolts late 80's early 90's action B-movie fun right from the very beginning. Van Damme is on physical top form with some impressive moves from the many fights featured, the story is good simple action movie stuff, and even though this is clearly a lowish budgeted film it's always watchable and entertaining. Performance wise this isn't anything of course worth speaking of, but Harrison Page is good fun as the sleazy manager, while Deborah Rennard gets plenty of screen time wearing some of the periods' more curious fashions. Overall any true of Mr Damme should certainly check this out.
  • Prismark102 April 2015
    AWOL also known as Lionheart shows us Van Damme just on the cusp of hitting stardom. By this time he had a loyal following for what were low budget martial arts films that got a loyal following on VHS and did well in the fledgling satellite movie channels market.

    Lyon Gaultier (Van Damme) escapes his post in Djibouti with the French Foreign Legion when his brother is set on fire by drug dealers in LA. His brother's wife rebuffs him and and two agents are pursuing him to drag him back to the Foreign Legion.

    Once in the USA he stumbles into the underground fight scene which he quickly becomes successful at and soon enlists a street hustler as a manager, Joshua (Harrison Page) who gives him the nickname Lionheart.

    His success attracts the attention of a fight promoter Cynthia (Deborah Rennard) who gets Lyon for several no holds barred street fights. However it seems the real action is on the side bets and although he is her champion she is not averse to betting against him.

    Lyon in the meantime is trying to get money together for his sister in law and his niece for which Joshua is used to inform them that its proceeds from an insurance policy.

    The film has several good action sequences allowing Van Damme to display some of his signature moves. You have fight scenes set in an underground car park and more memorably in a half empty swimming pool. The combat scenes are well choreographed with even some humour thrown in in the final segment.

    The storyline is rather so-so and the script is just about passable. If in doubt the writers put some cursing in. Van Damme's acting would get better in time but here its still weak. You can see how even a few years later Dolph Lundgren would out-act him in Universal Soldier.

    Still there is enough fight scenes allowing Van Damme to excel at what he does best. Rennard best known for years as JR Ewing's loyal secretary Sly in Dallas provides sassiness as the scheming fight promoter.
  • Lionheart is one of Jean-Claude Van Damme's best films! Van Damme was good, classic 80s series Sledge Hammer star Harrison Page was very good.The Qissi brothers were very good and loved Abdel's character Attila!He is such a great one as I like many things about him!Brian Thompson was good as always Voyo Goric was here and look for Tony Halme AKA Ludvig Borga near the end in the big fight!The movie is never boring and boasts lots of action and great music by John Scott!If you like Van Damme and fighting films then check out Lionheart!
  • Warning: Spoilers
    I often find myself bemused by some real harsh reviews of the better Van Damme films since they always deliver what is expected. Why for instance would someone who has seen Kickboxer, Bloodsport or Timecop go into a viewing of Lionheart and expect it to be the Citizen Kane of kung fooery ?. Jean Claude Van Damme movies pretty much do what they say on the tin, along with Seagal, Norris, Sly and the big Austrian Oak, there is a market they have cornered, and although I wouldn't be so foolish as to say that all their respective output is viable quality entertainment, i do say however that in amongst the collective output are films that shine quite brightly, and sadly many viewers seem intent on ignoring the quality pop corners and collectively call the output garbage.

    Lionheart is one such film that is sadly undervalued across this site.

    Lyon Gaultier is serving in the Foreign Legion when he hears that his brother has been fatally set on fire during a drug deal gone wrong, his superiors in the Legion are less than sympathetic to his request to leave the service to visit his dying brother, in fact they choose to punish him by way of getting his mind right, Gaultier is having none of it and deserts. On arriving in America, skint and with no home to call his home, Gaultier spies a bare knuckle contest and sees this as an opportunity to make some cash to hopefully get to L.A. to see his brother, this brings him attention from Cynthia, a glamorous pimp of underground no holds barred fights. Along with his self appointed manager, Joshua Eldridge, they agree to fight for Cynthia's syndicate as long as Lyon needs the money. Sadly Gaultier's brother dies and leaves his woman and child with a ream of debts and the prospect of being homeless, this drives Gaultier on as he desperately wants to help the pair of them out, but hot on his tail is the Foreign Legion heavies who are intent on bringing him back to serve his time in the service, can Lyon complete all he hopes to achieve before being taken away ?.

    Containing great fight sequences and beating a true emotional heart, Lionheart more than fulfills the genre viewers needs, 7/10.
  • "Lionheart" is mostly routine genre fare: a series of mildly spectacular (if thoroughly predictable) fight scenes, linked together by a tiresome (if honest) "emotional" plot. However, I've always found Van Damme much more likable than most of his "antagonists", mostly because the violence in his movies never goes over-the-top, and his likability makes this humdrum picture acceptable.
  • Warning: Spoilers
    One thing about this movie is the plot. Basically Lionheart is fighting to raise money for his dead brothers wife and kid. There's not much to the plot but its rare.

    The fight scenes are OK. The best is the fight at the end.(man did Lionheart go off) What establishes Lionheart is his character: he's a rough survivor but he's caring.

    In this film there's are no shootouts, sex scenes or explosions. Thats what separates it from most Van Damme movies. But there is a graphic scene of a man being set on fire SO BE WARNED.

    The end is sad in happy kind of way.

    This is definitely a must see.
  • quaid8222 October 2006
    Warning: Spoilers
    We know Van Damme can kick ass but was he able to act? I Quaid82 think that Lionheart proves to be Van Damme's first real acting job.Van Damme always had a way of mixing his emotion with his action scenes.Most of his most memorable movies are the ones where he not only kicked ass but did a decent acting job.I like this one because of the obvious but also looking back,it had a heart.Sheldon lettich is great for JC, he also directed Van Damme's other hit Double impact and The Order which is, so far his best direct to video release.Sheldon loves to use slow motion and back then it was accepted more in these kind of fight sequences.I Think that the supporting cast was great,Brian Thompson is good and the scene where the bad guy gets of the plane with his cat is too funny.The fight scenes are classic JC and the fact that it took place in the U.S only continued to solidify him as an action ICON.
  • Foreign Legionnaire Lyon Gaultier (Jean-Claude Van Damme) in Djibouti receives news of his dying brother. His heartless commander punishes him and he battles his way out of the base. He's a deserter hunted by the French government. He's a stowaway on a ship to America. He is surprised to find himself in NY. Joshua introduces him to underground fighting to pay for the trip to his brother's family in LA. By the time he reaches LA, his brother is already dead. His sister-in-law and her daughter are left with large medical bills. Cynthia runs the fights and he returns to the fights.

    The story is pretty clunky. The writing is at a high school level. The dialog is pretty bad. The acting is pretty bad, too. Van Damme may actually be one of the better actors in this thing. Ashley Johnson gets her debut movie role and she's probably the best actor in the whole movie. This needs to kill it in the fights but they don't stand out. There is a fun one with a Scot in a kilt but it's not really enough. The fights are mostly edited poorly and lacks excitement or fun. The final fight could be good but it's put together weakly.
  • Before we head off down critical trail, lets be charitable. This is a Van Damme flick - more or less its own genre, certainly sufficiently signposted for the unwary to avoid if this is not their comfort zone. Now I have to admit to a certain bias - we have almost every film Van Damme has ever made, and for the most part, on simply an entertainment scale, Jean Claude delivers the goods. (Even as late as REPLICANT)

    This offering - known pretty much EVERYWHERE but the US as WRONG BET (By far the better title when you watch it) is value for money. You wanna see classical acting? go study Laurence Olivier's HENRY V. You fancy mind bending sci-fi...hell, Kubrick's 2001 ain't never gonna be topped. You want to laugh yourself senseless? go watch a Renny Harlin flick...but you want to see some serious hurting on screen...let Van Damme loose.

    I am tiring of the incessant complaints that Van Damme can't act! Did he ever say he could? How many of his detractors could do any better? Could John Wayne? did anyone ever want to SEE him being anything BUT John Wayne? JCVD does a half decent job here I have to say and it strikes me as a case of "let him who is without sin" etc etc when it comes to assassinating his thespian talents.

    This film has plenty going for it......namely action, conviction and courage. In the genre in which it finds itself necessarily categorised, I believe a 7 is in order!
  • Let's call this, Wrong Bet, it sounds better. I've just watched this film again, after twenty years, and it ain't half a bad film, with some good performances, that of Lisa Pelikan, and Harrison Page. Wrong Bet's start, does seem familiar to a couple of other Van Damne flick early scenarios, as he again escapes the ugly foreign legion, and retreats to Los Angeles, amid some pit stops, as hearing his brother (involved in drug activities) is badly burnt. To help the widow and little Shirley Temple looking daughter, largely behind in rent, he partakes in underground fights, to earn some moolah. W.B has a pretty grounded story and straight forward plot and situations, where it veers more towards a drama, than the usual heavy action pics from our hunky lead. There is a quite a bit of action, but of course, it's mostly on the fighting ground, where the final fight, long and grueling, really has your attention, one of the best of it's time, where the opponent is a real beefcake of a fighter, those ones you really can't take as a human in these wrestler/kickboxer pics. This isn't a badly made film, where I was appreciative of those two performances, (Pelikan as the down on her luck widow) and Page as the limping ex fighter who partners up with Van Damne (dejavu of some other films of his, right?). But of course, the other standout is that of The Lady, the devious hot female fatale, running the underground fights, with her assistant (Cobra's Thompson- more human here). She takes VD under her wing, literally. This might not be the best one, for JCVD fans, who want to crave real action, amid explosions, and gunfire. But this movie does have heart, and quite a beautiful ending, but again, falls to average. Frequent graphic violence warning is an absolute joke.
  • Warning: Spoilers
    Lyon (1990) (alternately titled: Lionheart)

    Between 1979-2022, Jean-Claude Van Damme of martial arts fame, appeared in 76 feature films. In the early 1990s I watched a few of his films on rented VHS tapes. Nothing memorable. Good for an afternoon of nothingness.

    Very recently I watched this film because I am interested in learning how the French Foreign Legion (FFL) and natives in the Sahara Desert have been depicted by Hollywood on the big screen.

    This film starts off in LA where the brother of our hero, Lyon, is badly injured in a botched up drug deal and is screaming for Lyon from his hospital bed. The movie then shifts to a FFL base in the small Arab country of Djibouti, where Lyon is based. The base commander refuses to allow Lyon a leave, so he makes a spectacular escape and stows away on a ship departing Djibouti. Two other legionnaires in civvies are on his trail with orders to recapture him.

    That's all we see of Africa. Only minutes.

    After a long voyage our hero makes it to the USA, where most of the film's events play out.

    The injured brother perishes before Lyon can get to LA, leaving behind a widow (Deborah Rennard) and a little daughter. The widow is furious that Lyon did not make it to LA before his brother died and wants nothing to do with him although her debts are piling up.

    Lyon decides to earn money in no-holds-barred bare-knuckle street fighting and send it to his brother's widow. Lyon starts with small fry opponents and as his wins pile up his fame as a fighter grows. In the meantime he picks up a Black manager (Harrison Page). His opponents get tougher and tougher and his fights harder and harder; climaxing into being pitted against a brute of a man while nursing a bruised rib. Same basic formula used in "Rocky" (1976) and "The Karate Kid" (1984). The ending is a happy ending with Lyon winning the big showdown, reconciling with his brother's widow, and settling in with her and her daughter in LA. The two legionnaires on his trail witness Lyon's heroics and decide that he earned his freedom from the clutches of the FFL.

    The movie is action-packed and fast-moving. The fight scenes were well done. In fact, the entire production was a quality one; including acting, the sets, and cinematography. Certainly not a B-movie. In fact, it was a $6 million project that brought in over $7 million on its first weekend of release.
  • Warning: Spoilers
    Lionheart follows the basic plot of all Van Damme films. Our hero loses a family member in some horrible way, he must go AWOL or leave behind some responsibility and then must fight - even though he doesn't want to - before a big battle that redeems everything. My wife - having suffered through the makings of JCVD week where I've watched double-digit Van Damme films over several weeks of prep - remarked, "These are all the same movie. Everyone wants him to fight. He doesn't want to fight. We want to see him fight. He still doesn't want to fight. Then he fights and kicks everyone's ass. He should just fight." She gets it.

    You have to love a movie that starts with the main character's brother screwing up a cocaine deal and getting set ablaze. Then, we meet French Foreign Legionnaire Lyon Gaultier (Van Damme, but really, who else could that be?), who has gone AWOL when he learns that they've been keeping letters from home from him.

    For some reason, instead of just going to Los Angeles, Lyon starts in New York City, where he becomes a street fighter working with a man named Joshua (Harrison Page, who was Sledge Hammer's boss on that TV show).

    Soon, they meet "The Lady." Her real name is Cynthia (Deborah Rennard, Sylvia Lovegren from TV's Dallas) and she's the person running fistfights inside parking garages for the one percent rich. At this point, I started laughing as loudly as possible, because this movie has grown beyond ridiculous. That just means that I knew I had picked the right movie for a Saturday afternoon.

    As Lyon fights his way to Los Angeles, he learns that his brother is dead and his wife won't accept any help. She blames him for deserting the family and her husband turning to drugs. That just means that Joshua has to act as a life insurance agent and give her the money Lyon owns from fighting in the no holds barred fight circuit. This ends up upsetting Cynthia for some reason. Also, the French Foreign Legion catches up to our hero and breaks one of his ribs.

    Our hero must finally fight a dude named Attila, who kills all his opponents. Cynthia also meets with the French Foreign Legion and sells out our hero. Things get sad, when Joshua says that he bet against Lyon in the hopes that he could make some money for his family. But no worries - Van Damme kicks ass, gets court-martialed but still ends up staying in Los Angeles.

    This movie is all fights. And it also has Tae Bo® expert Billy Blanks battling JCVD. Also, for those of you who love pro wrestlers in movies - I'm speaking directly to my friend Paul Andolina here - Tony Halme, who was once Ludvig Borga and a member of Finnish Parliment, makes an appearance.

    Much like a 1970's grindhouse movies, it has plenty of titles: Full Contact, A.W.O.L Absent Without Leave, Wrong Bet and Leon.

    It's also the first appearance of Van Damme's naked booty on film. In an interview with Asian Movie Pulse, director Sheldon Lettich said, While we were filming the scene in Lionheart where he takes a shower in Cynthia's apartment, he (Van Damme) asked me if he might casually "drop his towel" and show off his butt for a brief moment. My reply was "Sure, if you're willing, why not? We can always use a different take later if we decide it's not a good idea." So we did one take where he casually lets the towel drop away, and then we later decided to go ahead and put that shot in the movie. Well, that became a very memorable moment for the ladies in the audience, and for the gay guys as well. Showing off his butt (clothed or unclothed) almost became a signature trademark of his after that."

    And now you know the rest of the story.
  • Warning: Spoilers
    .... For all the wrong reasons

    I saw AWOL as it's known in Britain several years ago when it was broadcast on TV . Storywise it is - As you'd expect from a Jean Claude Van Damme star vehicle - very poor and threadbare . Van Damme is Lyon Gaultier a French foreign legion soldier who on finding his brother has been killed by gangsters flees to America to save his sister in law and nephew from a massive medical bill and becomes a bare knucklefighter

    It sounds rather tedious and it is but what made it so entertaining is the way the TV company censored all the swear words . This was very rare at the time of broadcast and is almost totally unknown on network television these days . I have never liked this type of censorship before but for AWOL it actually improved the movie . Check this sample of dialogue from one of the fighters : " Hey you're kind of pretty . I don't know whether to fight you or kiss you " If you've ever seen RAGING BULL you'll know what the original line was . If you've seen this version of AWOL you'll still know what the original line was because the actors continually mouth obscenties at one another and you can quite clearly see their dialogue doesn't match their mouth movement

    !!!!! SPOILER !!!!!

    And it's impossible to believe that such a violent foul mouthed movie can have such an upbeat happy ending but it does . After winning his final fight Lyon is arrested by his former CO and is driven away . The commanding officer turns to Lyon" Do you love her Gaultier ? " Lyon nods . The officer stops the car " Then go to her Gaultier " Lyon exits the car and runs into the arms of his sister in law which led me to think if their wasn't so much violence and bad language the producers could have easily marketed this as a family film
  • nagrain29 March 2018
    I grew up as a fan of JCVD but watching this over again now in my late 30's I've got to say this is truly a good movie with good musical scores to accompany the emotions. It's not easy to understand the efforts in fighting to keep a family above grounds especially if you haven't a family of your own to provide for. Lionheart helps us to remember that there is still beauty in life worth fighting for even when life isn't fair and fills up with such ugliness. It's what we make of it, either we hide away in the dark or run into the light even if it means going AWOL. This is truly a movie I would keep close to heart, to fight when that's all you can do to keep all that you have left.
  • Now this is just a pure stereotypical action film. If you don't like films which are just about fighting and not with an incredible storyline then this film is not for you! This film is Van Damme at his best! So if one night you don't know what to do and just fancy a film which is a bit of fun then go down to your local video rental shop and hire this video.

    I gave this film a 7/10.
  • He's the best Hollywood Actor for action movies in history !!! Just look at him in this movie!!
  • Lyonheart30 September 2005
    Lionheart (or A.W.O.L. - as i tend to refer to it) in my opinion is possibly Van-Dammes best film.... and yeah I'm biased! It has a very decent storyline which is realistic - especially as its set in America and features some well know actors such as Deborah Rennard, Brian Thompson and Harrison Page.

    film moments . . . the fight between Gauliter and Sonny is seriously intense and even though I've watched this film on numerous occasions since 1990 it still is a great scene to watch! favorite parts of the movie is where Gaultier is insubordinate to his Commanding Officer and also the bookie at the Attila fight... "One minute to post my friend" great stuff! and for those interested in purchasing a copy Viva Video Inc. have recently released Lionheart on VCD!
  • damianphelps1 September 2020
    Wrong Bet is the name of the movie as I knew it as a teen, its his great tag line in the film.

    Ordinary acting, basic plot, predictable.

    Great fights, good variety and delivered in a way that makes you invest in the outcome.

    This is part of the JCVD golden era (if that can be claimed) he delivered many films of similar quality that kept us all entertained. MUCH better than the equivalent junk that is presented as B - movie martial art entertainment now. Today all you need is some left over UFC fighters and a few boobjobs.

    Check it out
  • A soldier goes AWOL to visit his dying brother, not arriving in time he finds a gig street fighting to help support his brother's widow. However this is a very dirty business and the promoters are looking to screw him over and even worse the foreign legion are after him. Jean-Claude Van Damme's most enjoyable movies were Bloodsport and Kickboxer), so in 1991 the two plots were merged and Lionheart was born.(This also owes a lot to Charles Bronson's Hard Times) While Lionheart certainly has some good action sequences, there are just too many family scenes which crowd the air with needless sentiment. Worst of all the main villain is never pumped up to the threat he poses and it's all a little too formulaic to enjoy. However Harrison Page comes off well as Van Damme's trainer and once again those fights scenes are choreographed with style.

    * * out of 4 (Fair)
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