Nightbreed (1990)

R   |    |  Action, Fantasy, Horror


Nightbreed (1990) Poster

A troubled young man is drawn to a mythical place called Midian where a variety of friendly monsters are hiding from humanity. Meanwhile, a sadistic serial killer is looking for a patsy.


6.6/10
17,989

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  • Craig Sheffer in Split Decisions (1988)
  • David Cronenberg in Nightbreed (1990)
  • Craig Sheffer and Anne Bobby in Nightbreed (1990)
  • Christine McCorkindale in Nightbreed (1990)
  • Oliver Parker and Nicholas Vince in Nightbreed (1990)
  • David Cronenberg and Craig Sheffer in Nightbreed (1990)

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Reviews & Commentary

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User Reviews


26 August 1999 | PatrickH-2
Absolutely Fascinating
Fascinating is an excellent word to describe NIGHTBREED: it doesn't necessarily mean it is good or bad, just interesting. Indeed, Im still not sure whether or not this film is good or bad.

On the credits side, the sets, costumes, make-up, special effects, even the matte paintings are gorgeous, grotesque, perfect for what is required. I was amazed that such fantastic production values could be found in a movie that on the surface seems so schlocky. There is such a wealth of imagination here that one can hardly take time out to think about the flaws. I was so amazed by the knock-out apocalyptic finale that I could barely think about how silly the context is (a bunch of redneck Canadians blow-torching a cemetary.)

he film's biggest flaw is it's sheer magnitude- there are SO many characters, plots, subtexts, overlays, and so on, that no really coherent or involving center emerges. It can be interpreted as: a story about how love conquers the supernatural (a la Dead Again), a Silence-of-the-lambs-like psychodrama about a serial killer; a dreamy horror flick reminiscent of Nightmare on Elm Street and especially Little Monsters; a Gilliam-inspired fantasy (the teeming underworld city is strongly reminiscent of Brazil and the Fortress of Ultimate Darkness in Time Bandits, while other parts are reminiscent of The Adventures of Baron Munchausen); a symbolic tale of racial tolerance; and on and on. So much happens, so many characters are involved, so many subtexts present themselves, its hard to know what is going on at all.

Still, one really does have to see the film to believe it. The underworld city is stunning, its atmosphere created perfectly by both the production design and a series of bizarre tableaux of its residents. It is a mark of Barker's screenwriting talent (so often evident in his other films if you can look beneath the shlock) that all the characters, even monsters seen only briefly, ring true in some strange way. The many stories are actually touching. Also, the ending is cleverly conceived; it doesnt go out of its way to leave the door open for a sequel, rather the open door is integral to the plot. I would love to see a follow-up just to know how Barker carries through the mythical aspects he introduces in this film's last part.

Perhaps the film could have been more focused, with fewer subsidiary characters; perhaps the completely inappropriate (but obviously intentional) humor could have been dropped; perhaps the entire serial-killer sub-plot could have been excised completely. In any case, this film is a knock-out.

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Did You Know?

Trivia

Anne Bobby sang "Johnny Get Angry" live.


Quotes

Dr. Philip K. Decker: Lie still... it's quicker this way


Goofs

For the 2014 release of the "Director's Cut" of the film, Doug Bradley re-recorded his dialogue as Lylesberg, as Morgan Creek originally had his lines dubbed over by a German actor for the theatrical release of the film in 1990, much to his and Director Clive Barker's dismay. The editors at Shout Factory missed an entire scene when restoring Bradley's voice for the new cut, and the unnamed second actor can still be heard.


Alternate Versions

After 2 differing work-prints of "Nightbreed" were discovered by Mark Miller from Seraphim film (Clive Barker's production company), he contacted Morgan Creek in the hope he could source the original negatives to restore the film to its original cut. After a few meetings with them, it became apparent they were not convinced of the commercial viability of 'Nightbreed', and the hope was lost - but not for long. Russell Cherrington, friend to Clive Barker, took it upon himself to restore the presumed lost extended cut, and created a composite cut combining these work-prints and the theatrical version from DVD, closely following the book 'Cabal' and the second draft of the screenplay. The outcome of this was 'The Cabal Cut' which contained over 45 minutes of extra footage, and restored the original ending. Morgan Creek have since given permission for screenings to be held worldwide, with a view for a future release on Bluray/DVD. Now in its 5th edit, The Cabal Cut runs 144 minutes.


Soundtracks

Home on the Range
(uncredited)
Lyrics by
Brewster M. Higley
Music by Daniel E. Kelley

Storyline

Plot Summary


Synopsis (WARNING: Spoilers)


Genres

Action | Fantasy | Horror

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