11 February 1999 | Doctor_Bombay
It just gets better and better.
Some David Mamet films have incredible notoriety amongst the literate set (Glengarry Glen Ross, Oleanna, House of Games). His 2 Oscar noms (Wag the Dog, The Verdict) as well as his non-nominated script for The Untouchables have him firmly established with Hollywood's power base as well.
For my money, the oft-overlooked Homicide is a true Mamet gem--startling in its genius.
Put simply, Homicide is a revealing look at a man's journey into himself. Many will be distracted by the subject matter and tune out, but try to hang on.
Joe Mantegna's Bobby Gold is a tough cop who denies his Jewish lineage, until a low priority murder investigation into an aged Holocast survivor forces him to re-evaluate his entire existence. The resulting destruction of the man is cruel and never-ending,
William H. Macy, an until-now bit player, gets a well-deserved promotion to #2 man among the strong supporting cast as Gold's partner and sounding board.
The intricacies of the plot, the subtleties of the subtext, as well as the perfunctory Mamet attention to detail may mean a second, or third look is necessary for the viewer to get straight with what's going on------- but take the time, if you can, it just keeps getting better and better.