Two best friends living on the streets of Portland as hustlers embark on a journey of self discovery and find their relationship stumbling along the way.Two best friends living on the streets of Portland as hustlers embark on a journey of self discovery and find their relationship stumbling along the way.Two best friends living on the streets of Portland as hustlers embark on a journey of self discovery and find their relationship stumbling along the way.
- Awards
- 10 wins & 9 nominations total
- Denise
- (as Jessie Thomas)
- Coverboy
- (as Matt Ebert)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
"My Own Private Idaho" is a poetic and bittersweet road movie, and Van Sant's masterpiece. Here in Brazil it received a bad title, "Garotos de Programa" (literally, "Rent Boys"). Yes, the main characters are rent boys, but this is not what defines them. "My Own Private Idaho" (what a beautiful title!) mostly deals with loneliness, virile sexuality and friendship, and paternity. It's much more than "a film about rent boys". Besides, by watching it my contemporaries will realize that Keanu Reeves isn't Neo from "The Matrix", but a versatile actor; and, perhaps, they'd discover that friendship - and romantic love - between two men can be truly sincere. 10/10.
This is a haunting and very sad tale about friendship and finding a home. The performances, especially Phoenix and Udo Kier and Van Sant's dream-like direction are what you remember. "My Own Private Idaho" may be a flawed film, but in my opinion, it is one of the very best of the '90's.
The film follows Mark Waters (River Phoenix) an aimless, misguided young man who hustles on the streets and is yearning to find his way in life. His best friend is Scott Favor (Keanu Reeves), who is also a young man and and a hustler, but who instead is running away from his life in the hope of finding something better. Scott comes from a lot of wealth but chooses not to live that lifestyle because when he's this young and wild, he just doesn't believe that its right for him.
However the film is centered around Mark, who is played with such brutal honestly by the late River Phoenix. River is completely dedicated to the character and brings a wonderful vulnerability to a lost soul and it makes him relatable. We watch him go from scene to scene, leaving us as unaware of his future as he is. We watch him make many mistakes and we want him to better himself but such a task is not easy. Because that's the way life is.
Mark hustles because its just who he is. We don't know how he got here, but we know that he has fallen into this lifestyle and it has consumed him. He needs the money. All of his friends are hustlers, too. He has dreams but its tough to say if he ever truly wants to leave the lifestyle. It seems that getting clients and often falling asleep during it (due to him being narcoleptic) doesn't seem to take as much of a toll on him as does his thoughts about his mother, or his feelings for his best friend.
Gus Van Sant crafts a very fine film here that focuses on such a lifestyle that we're not exposed to in our every day lives and turns it into something we can all relate to. It all comes back to that road, the road that we're all on. Does it really end? Probably not. Much like in the way that Mark is shown standing on that road, staring out into the nothingness. Its really about our lives. We live and we're happy, and we're sad, and we're lonely, and we're lost, and we've found ourselves, all of these things happen on the very same road that never ends.
Storyline
Did you know
- TriviaThe scene with all the boys on the cover of the porno magazines coming to life and interacting was not done with any computers. At the time of production, CGI was still a very expensive tool. The individual pieces were filmed with the actors standing behind large pieces of plexi-glass, with the mock-magazine cover on front. Later, optical effects, similar to those used in matte painting, were used to composite them together on the "magazine rack".
- GoofsAt the campfire scene, whenever the camera shows Scott, Mike's hands are hanged to each other, but whenever the camera shows Mike, he is playing with piece of wood.
- Quotes
Scott Favor: I only have sex with a guy for money.
Mike Waters: Yeah, I know.
Scott Favor: And two guys can't love each other.
Mike Waters: Yeah.
Mike Waters: Well, I don't know. I mean... I mean, for me, I could love someone even if I, you know, wasn't paid for it... I love you, and... you don't pay me.
Scott Favor: Mike...
Mike Waters: I really wanna kiss you, man... Well goodnight, man... I love you though... You know that... I do love you.
- ConnectionsEdited into The Phoenix Portal (2005)
- SoundtracksCattle Call
Words and Music by Tex Owens
Performed by Eddy Arnold
Courtesy of Forster Music Publishing and the RCA Records label of BMG Music
Details
- Release date
- Country of origin
- Languages
- Also known as
- Los dueños de la noche
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $2,500,000 (estimated)
- Gross US & Canada
- $6,401,336
- Gross worldwide
- $6,407,821
- Runtime1 hour 44 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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