IMDb RATING
7.1/10
1.9K
YOUR RATING
A documentary about the experiences of black homosexual men living in the United States of America.A documentary about the experiences of black homosexual men living in the United States of America.A documentary about the experiences of black homosexual men living in the United States of America.
- Awards
- 5 wins total
Djola Bernard Branner
- Self
- (as Bernard Branner)
Storyline
Did you know
- TriviaIn 2022, the film was selected for preservation in the National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
- Quotes
Marlon Riggs: B.G.A. Black Gay Activist. 30-ish, well-read, sensitive, pro-feminist, seeks same for envelope licking, flyer distribution, banner assembly, demonstration companion, dialogical theorizing, good times and hot safe sex. I do not want to wed the movement, do you? End the silence, baby. We could make a serious revolution together.
- ConnectionsEdited from Eddie Murphy: Delirious (1983)
Featured review
"Black men loving black men is a revolutionary act." It is also a documentary act which is straightforward, polemic, complex, with heart, with gusto. With diction that fights affliction, this is its basic weapon of beauty, as if its undercurrent was "beauty is no booty for the enemy".
For me, a gay white male from Greece, this documentary, coming from my oblique point of view (oblique because being gay in Greece, despite its, rather ironic, pederastic tradition, is quite apart with the issues and the culture of the film, yet the sense of segregation and tradition rings familiar), descriptively it feels like a star-crossed breed of gospel and guerrilla video art.
Its veins are pounding deep; being a writer and translator, listening to such keen, sexy, visceral rhythms by the imposing figure of Essex Hemphill, was a revelation with an obsessive glow.
And Marlon Briggs' narration, spacious and incisive, unflinching and embracing, with an amazing sense of building-up, leaves me bewildered, more so for appearing somewhat tuned down at first.
For anyone liking the feeling of words doing as they want to do and as they have to do, as Gertrude Stein admirably put it, this is a definite watch.
For me, a gay white male from Greece, this documentary, coming from my oblique point of view (oblique because being gay in Greece, despite its, rather ironic, pederastic tradition, is quite apart with the issues and the culture of the film, yet the sense of segregation and tradition rings familiar), descriptively it feels like a star-crossed breed of gospel and guerrilla video art.
Its veins are pounding deep; being a writer and translator, listening to such keen, sexy, visceral rhythms by the imposing figure of Essex Hemphill, was a revelation with an obsessive glow.
And Marlon Briggs' narration, spacious and incisive, unflinching and embracing, with an amazing sense of building-up, leaves me bewildered, more so for appearing somewhat tuned down at first.
For anyone liking the feeling of words doing as they want to do and as they have to do, as Gertrude Stein admirably put it, this is a definite watch.
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