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  • ...that's what "Falling from Grace" is about. Released in 1992, John (Cougar) Mellencamp plays a country star, Bud, who tries to come home to Indiana, bringing his tall blond wife (Mariel Hemingway) and daughter. Unfortunately, his dad's a total jerk (Claude Akins) and his high school sweetheart (Kay Lenz) is married to his brother and having an affair with someone linked to both. It seems like the star just wants to take a break from the show business and hang with his buds and family, like in the old days, but melancholy settles in and temptation strikes.

    Wow, after seeing this my wife and I gave thanks for our dysfunctional families -- we never knew we had it so good!

    This is a solid drama by first-and-only-time director Mellencamp. All the main players noted above do fine in their roles, but some of the side players are flat and unconvincing, like the bearded guy who works for Bud.

    The first time I saw this movie I thought it was an okay drama, but I felt it was dragged down by the country star's mopiness, which is fundamental to the story -- I understand -- but it's still frustrating for the viewer. A couple of the key characters are a turn-off as well, but isn't this the way it is in real life? Noted critic Roger Ebert gave "Falling from Grace" his top rating and Gene Siskel also praised it, but Leonard Martin rated it a BOMB in his guide. The critics on Sneak Previews also dogged it. This just goes to show that "Falling from Grace" is a love-or-hate-it piece.

    While I'm somewhere in the middle, I enjoyed it a lot more on my second viewing and therefore lean toward the 'love it' side. It's a low-budget film that is better on repeat viewings. I Like the Seymour, Indiana, locations, which is John's actual hometown. The situations reflect real-life and there are some thematic gems to mine, like "the sins of the father" and the negative domino effect of unfaithfulness. I also like the way the movie ends.

    Speaking of which, Bud's wife, Alice, shares a great line: "You can't have some secret world in your mind and another one on the street." Chew on that.

    The film runs 100 minutes.

    GRADE: B
  • This is a reasonably strong directorial debut for rocker Mellencamp, who also gives a good lead performance. In fact, the whole cast is quite effective, and the story moves along at an appropriate pace. Personally, I found the final scenes to be rather weak compared to the rest of the film, but even with the poor ending, I still found this to be a solid effort and a generally good movie.
  • I watched this movie because Richard Roeper said that it was a "hidden gem" and that he had offered a "money back guarantee" to anyone who didn't like the movie. He said this on an episode of "At the Movies" where Mellencamp was the guest reviewer.

    Anyway...I'm not going to demand my money back from Roeper, but I thought the movie was only so-so. I agree with others who thought the beginning was much stronger than the end. I also thought that the movie didn't adequately resolve the (admittedly difficult) problem of how to convey the numbing boredom of small-town life without itself being boring.

    Some good moments, but overall too clichéd and too pat an ending. I do agree that it was WONDERFUL to see the great Claude Akins and Dub Taylor.
  • Celebrity singers have always had a tough time breaking into the movies (the cinema is littered with failed attempts), and one can go on and on speculating why John Mellencamp never made it big as an actor. Instead of taking small parts in heartfelt projects, Mellencamp dives right in playing the lead in "Falling From Grace", which he also directed, and the results are as awkward and unbecoming as that title. Story of a famous singer returning to his hometown in the sticks, opening up old family wounds, boasts a screenplay by Larry McMurtry, but the meandering film goes nowhere slowly. The decent supporting cast includes quirky Kay Lenz (whom it's always nice to see), although its Mariel Hemingway and Claude Akins who share the only really strong scene in the picture. As for John's acting, he doesn't look particularly comfortable, despite apparent efforts to make him look at home; he seems to be ducking the camera most of the time, and he never connects with the audience. *1/2 from ****
  • This one was OK, more on the lines of a good made for TV movie than anything else. It was great to see Dub Taylor and Claude Akins working together one last time, though I got a kick outta their being father/son, Dub was born in '07 and Sheriff Lobo there 11 years lator.

    Wonder what they thought about being directed by a rock singer? Oh well.

    The film is okay for what it is, Mellencamp plays himself(gone country), not too terribly but is def. no actor. He hangs around the small town homestead, gets in a bar fight with Sheriff Lobo(dad), shoots of a gun or three, messes around with old flame Kay Lenz and drives wife Mariel Hemingway nuts. He talks about coming back to stay and his cronies say 'go back, you don't belong here, you got out, we don't want you here', more or less.

    And there is a stunt involving riding in a cage of sorts in the back of a truck, kicking it off the back and watching Mellencamp go richocheting around the pavement behind said truck, caught in the bashed in cage and brush. He winds up in the hospital.

    Some critics loved this-Siskel and Ebert, for example, and Peter Travers of Rolling Stone. Boston Globe thought it was okay too. Lyons, Medved and Maltin all hated it.

    I sorta liked it, as a big Mellencamp fan-and will give it ** for Mellencamps decent direction and seeing Akins/Dub one last time. But the rest is only so so. Okay music too.
  • John Mellencamp debuts as star and director in this feature about a country-western star who returns to his home in Indiana. He's tired of the grind of performing, tired of Los Angeles, and hopes to reconnect with roots, but discovers that you can't go home again.

    It's a decent little movie, low-key in its performances, with Mellencamp working off a script by Larry McMurtry, and with a good cast that includes Mariel Hemingway, Dub Taylor, Kay Lenz and Claude Akins. Mellencamp doesn't sing, but he gives a solid performance.
  • jilliantindall2 September 2018
    1/10
    Laggy
    I love his music but this movie drug on and on and was extremely irritating. We really wanted to love this movie but just could not. The sound was uneven sometimes hurting my ears. There were bits and pieces of dramatic content that bordered on violence. This is not a love story in my opinion. It's drama and has dark elements which were unnerving. I cannot understand the good reviews. We watched it from beginning to end and felt that it was a complete waste of an afternoon. Perhaps it was the category of "romance" that threw me. I would have much rather watched some concert footage.
  • mossgrymk12 November 2021
    So so. Couple fine performances from Kay Lenz as a small town tramp and Claude Akins as the mother of all despicable dads helps to elevate this meandering, overly talky film (de rigeur when you ask a great novelist to write the screenplay) slightly above the mediocrity bar. Big problem for me is that I just never bought the basic premise, that a well known country singer would throw over a loving marriage and a successful career to go back home to Doak City Indiana and marry his jilted high school sweetheart. Second biggest problem was John Mellenkamp's dull acting which sure as hell isn't going to get un dull if you're directing yourself. Third biggest problem was scenarist and veteran Texan Larry McMurtry making his Indiana middle border folks sound like they all wandered in from Archer City. Give it a C plus. PS...Nice location shooting in Hoosier country and a good country soundtrack also aid in making the story somewhat digestible.
  • jizz_bucket21 September 2005
    I love John's work as a singer, but the movie was dull and 'no worth the time' to view.

    I thought he did an 'ok' job at acting his part. When he says, "your having an affair with the ol' man", to his co-star, I kinda chuckled at his facial movements... or lack thereof.

    I would suggest the movie if you like John's music but not as a Saturday night video.

    If you love his music, then the video has a little music from him in it, but not much.

    So so.. at best
  • Warning: Spoilers
    SPOILERS THROUGH:

    There aren't a lot of comments on this one. Actually I remember when this movie first came out and I saw the previews. I thought it was my kind of film then and so it was. This movie was really good and I thought Mellencamp was excellent. Falling from Grace was a very likable, enjoyable drama with a bittersweet nostalgic quality and was very moving. I also loved the music featured. The small town atmosphere and languid feel to the film were among it's strengths. It's a film you have to be in the mood for but it definitely sucks you in and is well worth seeing.

    The characters in the film are very realistic and complex, no cookie cutter characters here. What is good about the movie is there isn't much that feels forced, it plays out in a very natural way and even though Mellencamp is-well-Mellencamp(and famous household name rock star) it doesn't FEEL like your watching a famous rock star and it doesn't feel a movie-and that's a good thing.

    As is the case in these types of movies, it is nostalgic, poignant and may make one think about old times themselves. Like I said-this is kind of a movie one has to be in the right frame of mind to watch. It's also quite talky but since I frequently like talky movies I found that to be a good thing. And it still stays interesting. And I've no doubt country music purists and people who like movies that have that summery feel and sweet small town atmosphere will love this. I'm surprised it doesn't have more comments.

    I'd rate it at least a 7.5 and would say check it out, it's a good movie.
  • First of all, I think the casting and acting were excellent. The problem is the story. There is basically no story here worth telling and thus basically no movie here. Larry McMurtry has done Lonesome Dove and I can't fault the original, though it probably didn't need sequels. He did Hud with Paul Newman, which is one of my favorite movies. Mellencamp is supposed to be a country singer, but the only song I hear him sing is an old Buck Owens song. The movie makes a big deal out of chicken farming. Mellencamp's character has a good wife, and it's utterly stupid of him to stray from her. The incident with riding in the sliding cage is utterly stupid. Maybe people do that for fun in some parts of the country, but I never heard of it.
  • Despite being a lifelong Hoosier and having grown up on the rock music of the '80s, I have never been a John Mellencamp fan. But I liked the clips I saw of his 1992 movie "Falling from Grace" back around the time of its short and very small theatrical release. I missed it at the theaters but got the DVD recently. Having now watched it twice, I already rate it as one of my all time favorites and as real a movie as I've ever seen.

    "Falling from Grace" stars Mellencamp – who also directed - as music superstar Bud Parks. Along with his wife, Alice (played by Mariel Hemingway), and their approximately eight-year old daughter, Terri Jo (Melissa Ann Hackman), Bud flies from Los Angeles to his fictional hometown, Doak City, Indiana, for his paternal grandfather's 80th birthday. Grandpa Parks (Dub Taylor), who remains girl crazy despite his age and the accompanying ailments, and being married, provides some early comic relief with his crude but jolly personality. But the movie quickly becomes very serious and stays so almost the entire rest of the way.

    Bud receives a hero's welcome from family and fans. But what is supposed to be just a three day visit of fun turns into something much more. The night of the party, his high school sweetheart and now sister-in-law, P.J. (Kay Lenz), invites him out on a walk, which is met with curious suspicion by his father, Speck (Claude Aikins). During the walk, P.J. says she has sex with Speck, which is met with shock and disapproval by Bud.

    Speck, a successful poultry farmer, is shown early on to be a chauvinistic and dominating womanizer. He fathered an illegitimate son but his wife, Marian (Joanne Jacobson), stayed with him. Speck refers to himself as a sire and the women who bore his children as fillies. And as the movie progresses, he's continually revealed to be even more dominating, violent, exploitive and shameless.

    Bud and Alice seem to have a good marriage and she is clearly very devoted to him. But shortly after learning of P.J.'s affair with Speck, Bud has sex with her, too. P.J. seems to view her sexual encounters as conquests and take pride in simultaneously having three Parks men as lovers. She also seems to view her promiscuity, and the need to keep it secret, as a source of excitement for a housewife and mother who resides in what she considers to be a boring town.

    Soon, the three days turn into several weeks. Bud's feelings of both love and lust for P.J. are rekindled and he neglects Alice. And, already disillusioned by the music business and thinking about leaving it, he realizes that he's a small town man at heart and wants to stay in Doak City, where many of his relatives still reside. His anger toward his father – over Speck's affair with P.J., sexual advance at Alice and lack of fatherly support over the years - also escalates.

    Meanwhile, California bred Alice continues to love her husband but quickly becomes tired of small town life and his neglect. She suspects that he's cheating on her, which he doesn't deny. She decides to return to California with Terri Jo.

    Shortly after Alice leaves, Bud tries to get P.J. back as the woman of his life. She reveals that she wanted that many years earlier but that he wouldn't make a commitment and it's too late now.

    In response, Bud turns to the wild and reckless ways of his youth. And, as is often the case because of bad old human nature, it takes a traumatic and humbling experience to remind him what's most important in his life.

    One mistake that rock star movies often make is turning the movie into little more than a music video. "Falling from Grace" completely avoids that trap. Throughout the movie, Bud is never shown in concert. And only in one brief scene on his father's porch is he shown playing guitar. And most of the music in the movie is performed by other artists. If you saw this movie and didn't know who Mellencamp was, you'd probably guess that he's a regular actor, not a musician.

    Furthermore, a vast majority of the situations in the movie could easily happen to anyone in mid-America, not just someone famous. As I wrote above, this is as real a movie as I've ever seen. Every word of Larry McMurtry's screenplay, every character, every situation is completely believable and brought out to the fullest by Mellencamp's uncompromising direction.

    Some might downplay Mellencamp's performance, saying that he is largely playing himself. And, indeed, he and Bud are very similar. Both are crass, cynical, modestly educated but very street smart, and bluntly honest. Two differences are that Bud is less arrogant – perhaps the result of having such a dominating father – and much better about signing autographs than is Mellencamp.

    Still, even with the similarities, Mellencamp is outstanding in his role as is most of the cast. In particular, Aikins is chilling as the predator behind the smile is gradually revealed.

    And to top it off, small town Indiana culture is portrayed with absolute perfection, right down to every detail – the accents, figures of speech, personalities, values, scenery and more. This movie was filmed in Seymour, Indiana, Mellencamp's hometown. I grew up in Madison, a similar town just 43 miles away. Every character in the movie reminds me strongly of people who I knew during my childhood.

    Those who aren't very experienced with Indiana culture probably won't appreciate "Falling from Grace" stylistically as much as I do. But anyone with much life experience should appreciate it substantively. What a shame that this movie has gotten so little publicity over the years and that it didn't start a big movie career for Mellencamp. It's a buried treasure worth searching for. 9/10.
  • SnoopyStyle28 October 2021
    Rock star Bud Parks (John Mellencamp) and his wife Alice (Mariel Hemingway) return home to reconnect with his family. Most of them work for him. Old flame P. J. Parks (Kay Lenz) is married to Parker and having a fling with his father Speck. Family dysfunction abounds.

    This is the acting and directorial debut of music star John Mellencamp. His acting is fine but he's not necessarily winning any awards. He could do well as a villain. His directing is a bit messy. He needs to do a better job introducing the family members. It's still pretty good for a first timer. The story has some solid dysfunctions. It's overall a good debut effort.
  • This was a po' boys "Pure Country". Looks like Mellencamp decided to make a movie around the time his buddy George Strait did. The result, unfortunately, was a boring look at small town America where the folks act a lot like their big city brethren. It was just a big yawn concerning husband and wife problems, with Mellencamp continually pushing his lank hair off his rather apish forehead. The boy needs to stick with what he is good at, whatever that is - it sure isn't singing.
  • John Mellencamp's directorial and acting debut is a surprising success. From the first moments of the film, the down-to-earth nature of the material and setting are unmistakable. If you didn't know better, you'd think you were in Indiana living with the Parks family. Dialog is the most realistic I think I've ever heard, and the interactions among the Park family evoke images of the quintessential Midwestern family. The film's only flaw is in Mellencamp himself. While he does an admirable job with direction, his acting leaves a bit to be desired. He never seems to be comfortable with his stance or arm motions, an obvious sign of a novice performer.

    Fortunately, the crystal clear emotions of the characters, and the simple but powerful story help keep the viewer engrossed. Larry McMurtry's screenplay, and the wonderful supporting cast, continually remind us of the real emotions here: family allegiance, a desire to go home, and lost love. Falling From Grace makes you wonder whether you can really ever go home.
  • Falling From Grace (1992)

    *** (out of 4)

    Rocker John Mellencamp made his directorial debut here in this laid back but to the point family drama. In the film Mellencamp plays a man who left his small town to become a rock star and millionaire. He marries a L.A. woman (Mariel Hemingway) but when he goes back to his small Indiana town he gets caught up in his families drama as well as starts an affair with his old love who just happens to be married to his brother as well as having an affair with his father. I love the music of Mellencamp and was even lucky enough to meet him one day but I really wasn't expecting too much out of this film. As it started off I was a bit worried that we've seen this story countless times before and we have but the film kept growing on me to the point where I really enjoyed it. Mellencamp does a good job at playing himself, the laid back, rebel rocker we've all seen on TV. The supporting cast is very good as well and they help pull off the familiar storyline. Mellencamp's direction is also pretty good as he seems right at home shooting this in the hometown he grew up. He also adds one song to the soundtrack, which was very good. If you're a fan of Mellencamp then you'll probably enjoy this more than others.
  • I too thought this movie was a very good product considering it was Mellancamps acting and directorial debut! One thing I thought interesting that no one has commented on was John's inclusion of people close to him. Toby Meyers, one guitarist from his band, played the part of Luke. Larry Crane, another guitarist from John's earlier days, played the part of Ramey. I thought Larry appeared much more comfortable and natural in front of the camera that John did.

    Also, one point I am not sure of was the woman who played John's grandmother, their interaction seemed very natural so I assumed she was his real grandmother!
  • This is more than a "hidden gem", this is The Most Under-Rated Movie Ever Made. In fact, it's a perfect film. The story is deep. The acting is real. Real accents, too! The scenes are authentic. There is drama and violence and you can't predict what's going to happen. The star/director does not portray himself as a brilliant misunderstood genius, and instead drags us step by step through a magnificent meltdown. A real fall from grace. There is nothing wrong with this movie. It cannot be improved upon. It is a movie that will touch the heart of anyone who has watched someone self-destruct, or has experienced self-destructive episodes. In short, this is a movie for all young men or anyone who knows one. I do not give 10/10 to many films (just 32 films out of the 4797 I have rated) but this one deserves it. It's a great movie! It's The Most Under-Rated Movie Ever Made.
  • A fine supporting cast gives Mellencamp's directorial debut a boost here. Claude Akins shows us one more time how to turn 15 minutes of on screen time into a memorable performance. Kay Lenz and Mariel Hemingway turned in creditable performances, too. "Grandma" was my favorite newcomer. All in all, the kind of small indie movie that grows on you. I'll probably watch it a few more times.
  • I don't care about the negative reviews.. Everyone is a critic as they say. This is not a bad movie at all. I enjoyed it and will watch it again.. I just like to watch and listen to John..LOL..

    Yes he was uncomfortable, he is not an actor and does not want to be one. Not only did he play in this movie, he directed and produced it..Could you? And if you did do you think your first time would be a block buster? Obviously he had his reason for doing this project, and I find it very obvious as to what he was trying to say at the time.. Don't forget it was 1992 and he had just gotten a divorce for not being there when he should and drove his wife away. I think he did a fine job!