Sleepwalkers (1992)

R   |    |  Horror


Sleepwalkers (1992) Poster

A mother-and-son team of strange supernatural creatures move to a small town to seek out a young virgin to feed on.


5.3/10
19,010

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  • Alice Krige and Mädchen Amick in Sleepwalkers (1992)
  • Mick Garris in Sleepwalkers (1992)
  • Ron Perlman and Jim Haynie in Sleepwalkers (1992)
  • Dan Martin in Sleepwalkers (1992)
  • Alice Krige in Sleepwalkers (1992)
  • Mädchen Amick in Sleepwalkers (1992)

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Awards

5 wins.

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User Reviews


6 February 2007 | gavin6942
7
| As Much as I Want to Hate This Film, I Love It
A shape shifting young man (Brian Krause) and his mother (known as "sleepwalkers" for some reason) arrive in a new town. But the mother (Alice Krige) needs to feed, so her son Charles must find him a pure young woman. But who will he love more, his mother or the beautiful Tanya Robertson (Madchen Amick)? "Sleepwalkers" is a film that has a special place in my heart. I saw it repeatedly on television as a teenager watching our local horror host, Ned the Dead. And while I never thought it was great, I found it entertaining. I place it in the same category as "Maximum Overdrive" -- cheesy and fun, though by no means a great film. And look at the cameos in this film! Mike Mayo tears this film apart, calling it "arguably King's worst film". He says the "script meanders through pointless chitchat scenes." Director Mick Garris "doesn't know how to photograph" and throws in "close-ups of knees." Wow. He has nothing nice to say about this film, giving it a dismal 0 on his one through four scale. I must beg to differ with Mike on this one.

First of all, King's worst film is "Langoliers". Second, I did not notice these pointless chitchat scenes he speaks of. Some of the plot is a bit loose, but nothing is completely pointless. I furthermore do not recall any shots of knees, though if the knees belonged to the beautiful Madchen Amick I think this is forgivable. Mick Garris has made many a bad film, this is true. And "Sleepwalkers" is by no means a masterpiece. But I think to lay down such heavy scorn is misplaced and really ignores the "fun factor" of this picture.

Oddly enough, Howard Maxford, whom I almost never agree with, seems to get this one. He calls the film "silly but quite lively" and points out the "nifty effects" and "gag cameos" (Stephen King, Clive Barker, Joe Dante, Tobe Hooper and John Landis). And there you go -- recognition of the fun this film was and still is.

Ron Perlman ("Hellboy", "Pro-Life") plays a cop and doesn't get nearly enough screen time. Not sure what else to say about that. Clearly they did not foresee the star power in Perlman.

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