Smashing Pumpkins performed their Siamese Dream favorite “Quiet” for the first time since 1994 during the band’s headlining gig Friday at Chicago’s Riot Fest, their first pandemic-era concert.
While “Quiet” was a setlist staple during the Smashing Pumpkins’ Siamese Dream-era concerts, Billy Corgan, James Iha, Jimmy Chamberlin and company last played the song together in September 1994, the last date of that year’s nomadic Lollapalooza tour; it’s unclear what inspired to band to dust off “Quiet” after giving it the silent treatment for 27 years.
The semi-reunited Smashing Pumpkins...
While “Quiet” was a setlist staple during the Smashing Pumpkins’ Siamese Dream-era concerts, Billy Corgan, James Iha, Jimmy Chamberlin and company last played the song together in September 1994, the last date of that year’s nomadic Lollapalooza tour; it’s unclear what inspired to band to dust off “Quiet” after giving it the silent treatment for 27 years.
The semi-reunited Smashing Pumpkins...
- 9/18/2021
- by Daniel Kreps
- Rollingstone.com
When Michael Rapaport signed on to play shoe mogul Steve Madden in a TV project based on Madden’s life, the pair soon realized they had a lot in common — and began trading ideas on how to actually get into business together. That has led to the formation of 212Works, a new production company that Rapaport and Madden have launched to develop film, TV and digital projects.
“We met and hit it off,” Rapaport says. “I have a lot of respect for what he accomplished in business. But getting to know him, I think we’re on the same page about creating content. And I find him very inspiring.”
Madden returns the compliment, noting that he’s been a fan of Rapaport going back to films like “Zebrahead” and “True Romance.” “Turn on the TV and he’s in every movie,” Madden says. “And he has a second life as a basketball fanatic extraordinaire.
“We met and hit it off,” Rapaport says. “I have a lot of respect for what he accomplished in business. But getting to know him, I think we’re on the same page about creating content. And I find him very inspiring.”
Madden returns the compliment, noting that he’s been a fan of Rapaport going back to films like “Zebrahead” and “True Romance.” “Turn on the TV and he’s in every movie,” Madden says. “And he has a second life as a basketball fanatic extraordinaire.
- 8/25/2021
- by Michael Schneider
- Variety Film + TV
The Smashing Pumpkins have released another pair of new songs, “Purple Blood” and “Dulcet in E,” from their upcoming album, Cyr, out November 27th.
“Purple Blood” boasts a classic Pumpkins feel, with Billy Corgan lacing his vocals over a big guitar crunch, heavy drums, and some moody atmospheric synth textures. But as the song moves forward, a lighter edge creeps in, and by the end, Corgan is crooning over an acoustic guitar backed by soft choral harmonies.
“Dulcet in E,” meanwhile, is a rich, tender tune that’s grandiose like so many Smashing Pumpkins songs,...
“Purple Blood” boasts a classic Pumpkins feel, with Billy Corgan lacing his vocals over a big guitar crunch, heavy drums, and some moody atmospheric synth textures. But as the song moves forward, a lighter edge creeps in, and by the end, Corgan is crooning over an acoustic guitar backed by soft choral harmonies.
“Dulcet in E,” meanwhile, is a rich, tender tune that’s grandiose like so many Smashing Pumpkins songs,...
- 11/20/2020
- by Jon Blistein
- Rollingstone.com
The Smashing Pumpkins have paired their latest single “Wyttch,” off their upcoming double-album Cyr, with a new video.
Following the gothic spaghetti Western video for “Ramona,” the Charlotte Kemp Muhl-directed “Wyttch” is a more homespun affair, with costumed revelers — including a Nosferatu-like Billy Corgan — grooving to the Pumpkins’ moody Cyr track.
The “Wyttch” video continues the Smashing Pumpkins’ steady stream of Cyr activity prior to the album’s November 27th release, including “Anno Satana” and “Birch Grove,” “Confessions of a Dopamine Addict,” and “Wrath,” as well as the...
Following the gothic spaghetti Western video for “Ramona,” the Charlotte Kemp Muhl-directed “Wyttch” is a more homespun affair, with costumed revelers — including a Nosferatu-like Billy Corgan — grooving to the Pumpkins’ moody Cyr track.
The “Wyttch” video continues the Smashing Pumpkins’ steady stream of Cyr activity prior to the album’s November 27th release, including “Anno Satana” and “Birch Grove,” “Confessions of a Dopamine Addict,” and “Wrath,” as well as the...
- 11/13/2020
- by Daniel Kreps
- Rollingstone.com
Smashing Pumpkins continue to roll out new songs from their upcoming double album, Cyr. Their latest offerings are “Ramona” and “Wyttch.”
The accompanying video for “Ramona” stars founding members Billy Corgan, James Iha, and Jimmy Chamberlin, alongside guitarist Jeff Schroeder. The Linda Strawberry-directed clip recalls Sergio Leone spaghetti Westerns of yore — with a gothic twist.
The release of “Ramona” and “Wyttch” follow the band’s steady stream of sharing Cyr singles before its release, including “Anno Satana” and “Birch Grove,” “Confessions of a Dopamine Addict” and “Wrath,” as well...
The accompanying video for “Ramona” stars founding members Billy Corgan, James Iha, and Jimmy Chamberlin, alongside guitarist Jeff Schroeder. The Linda Strawberry-directed clip recalls Sergio Leone spaghetti Westerns of yore — with a gothic twist.
The release of “Ramona” and “Wyttch” follow the band’s steady stream of sharing Cyr singles before its release, including “Anno Satana” and “Birch Grove,” “Confessions of a Dopamine Addict” and “Wrath,” as well...
- 10/30/2020
- by Althea Legaspi
- Rollingstone.com
Smashing Pumpkins continue to reveal songs from their upcoming double album, Cyr. They released two new singles, “Anno Satana” and “Birch Grove,” at midnight on Thursday alongside the third episode of the band’s five-part animated series, In Ashes.
“Anno Satana” serves as the soundtrack to the third episode of the In Ashes series, which was created and written by frontman Billy Corgan. In the clip, entitled “I’m in Love With Your God,” two of the series’ main characters happen upon what appears to be a cult-style ritual taking place in the woods.
“Anno Satana” serves as the soundtrack to the third episode of the In Ashes series, which was created and written by frontman Billy Corgan. In the clip, entitled “I’m in Love With Your God,” two of the series’ main characters happen upon what appears to be a cult-style ritual taking place in the woods.
- 10/9/2020
- by Althea Legaspi
- Rollingstone.com
Smashing Pumpkins have dropped two new songs from their upcoming double album, Cyr. Produced by frontman Billy Corgan, “Confessions of a Dopamine Addict” and “Wrath” follow the previously released title track and “The Colour of Love.” The two new singles arrive ahead of the band’s new five-part animated series, In Ashes.
The second episode of In Ashes, which is called “Inspirations, Aspirations,” will also serve as the video for “Confessions of a Dopamine Addict.” “Love is easy, whichever way you start/Take the diamonds, slice it through your hearts,...
The second episode of In Ashes, which is called “Inspirations, Aspirations,” will also serve as the video for “Confessions of a Dopamine Addict.” “Love is easy, whichever way you start/Take the diamonds, slice it through your hearts,...
- 9/25/2020
- by Althea Legaspi
- Rollingstone.com
After recently unveiling a pair of new songs, the Smashing Pumpkins have announced their new double album Cyr, due out November 27th.
The LP features 20 tracks, including the title track “Cyr” and “The Colour of Love,” and was recorded in the band’s native Chicago with Billy Corgan serving as producer. Cyr is available to preorder digitally now.
“Cyr is dystopic folly,” Corgan previously said in a statement, “one soul against the world sort of stuff, set against a backdrop of shifting loyalties and sped-up time. To me it stands...
The LP features 20 tracks, including the title track “Cyr” and “The Colour of Love,” and was recorded in the band’s native Chicago with Billy Corgan serving as producer. Cyr is available to preorder digitally now.
“Cyr is dystopic folly,” Corgan previously said in a statement, “one soul against the world sort of stuff, set against a backdrop of shifting loyalties and sped-up time. To me it stands...
- 9/18/2020
- by Daniel Kreps
- Rollingstone.com
Following a mysterious countdown, Smashing Pumpkins have unleashed two tracks, “Cyr” and “The Colour of Love,” from the semi-reunited band’s upcoming album and follow-up to 2018’s Shiny and Oh So Bright, Vol. 1 / LP: No Past. No Future. No Sun.
“Cyr is dystopic folly,” Billy Corgan said in a statement, “one soul against the world sort of stuff, set against a backdrop of shifting loyalties and sped up time. To me it stands as both hopeful and dismissive of what is and isn’t possible with faith.”
The band, during lockdown,...
“Cyr is dystopic folly,” Billy Corgan said in a statement, “one soul against the world sort of stuff, set against a backdrop of shifting loyalties and sped up time. To me it stands as both hopeful and dismissive of what is and isn’t possible with faith.”
The band, during lockdown,...
- 8/28/2020
- by Daniel Kreps
- Rollingstone.com
The 50th Anniversary of the signing of the Civil Rights Act is this July 2nd, two days before Independence Day commemorating the adoption of the Declaration of Independence on July 4, 1776, declaring independence of the United States of America from the Kingdom of Great Britain (now officially known as the United Kingdom).
As an independent nation we went our own way even when The Slavery Abolition Act throughout the British Colonies was passed in 1833. Cynically one might say their act was motivated less by altruism than by what had become political and economic realities. However, the abolitionists on both sides of the sea saw it the same way that those of us with eyes are seeing the issues of economic inequality today. It is immoral and unjust that one human should own another, whether in slavery, in economic servitude or in sexual servitude.
However, fifty years ago, such unequal and inhuman treatment of fellow human beings was still being justified and upheld by a powerful elite, and it took almost super-human fortitude for those opposed to persevere to break the stranglehold of that group. As a young girl, a “Freedom Rider” came and spoke to my class at Temple Isaiah Religious School in West L.A. and I was inspired to do all I could for the ongoing fight for civil rights, which of course changed the world for everyone – from it came “women’s lib” and Glbt’s fight for equality (Stonewall was 40 years ago June 29). And yet, the economically poor African American and Latino populations are still objects of discrimination today. The repeal of the Voting Rights Act of 1965 in the South freeing nine states, mostly in the South, to change their election laws without advance federal approval is seeing discrimination at the polls reasserting itself.
This January when I saw “Freedom Summer” directed by Stanley Nelson in Sundance, I felt inspired once again to do something!
But, all I can do is write and so I take pen to hand and invite others to be aware and to act wherever they are.
At the 2nd Louisiana International Film Festival this spring, “Freedom Summer” won the Best Documentary Award and it will open in conjunction with the 50th anniversary of the Civil Rights Act.
The Louisiana Ff parenthetically has two cineastes, well-known to all of us film folks, as Artistic Directors: Jeff “The Dude” Dowd and Dan Ireland.
Read: New Louisiana Film Festival to Launch With Dan Ireland & Jeff "The Dude" Dowd as Artistic Directors
Jeff could be subject of a book, but for now, suffice it to say Jeff Dowd ("Zebrahead") is famously the inspiration for the Dude in the Coen Bros.' "The Big Lebowski,"
Dan Ireland on the other hand, is the subject of this blog because he has done something beyond just showing a great film. Dan, a man of action, also co-founded the Seattle Film Festival with Darryl MacDonald who is Director of the Palm Springs Int’l Film Festival. The Seattle Film Festival just had its own anniversary of 40 years and it featured a retrospective of some of Dan’s 22 films which he has exec produced, produced or directed.
And now, he has produced a new film, a short film called “Hate From A Distance” which will be the center piece of a special event this Wednesday, July 2nd, on the 50th Anniversary of the Civil Rights Act at The Museum of Tolerance in Beverly Hills
The film is an adaptation of a short story inspired by Civil Rights in America, set in Savannah, Georgia in 1963, told through the innocent eyes of an eleven-year old boy who is witness to the bitterness and hatred his father has for an African American dairy farmer living on the other side of a fence, separating physically and racially the very state of America during a most disgraceful and turbulent period in history.
The film was made and dedicated to the memory of and the 50th anniversary of The Civil Rights Act and as a voice that though we live by the Act, there is so much more that needs to be done to establish unity and equal rights in this country and the world.
Seen through the innocent eyes of eleven-year-old Danny Baker, racial tensions run rampant and deep in 1963 rural Georgia. Danny’s father Ned and neighbor Clyde Fellow, once childhood friends, are now divided over a land dispute in an era of inequality. Ned’s escalating anger, fueled by his own distorted righteousness, ultimately destroys his family and tears the community apart.
“ Hate from a Distance” reflects the injustices of a painful chapter of American history while honoring and 50th anniversary (July 2, 1964) of the Civil Rights Act abolishing segregation.
The film had its world premiere Saturday June 7th in a retrospective of Dan's history with “The Whole Wide World”, at Seattle Int’l Film Festival.
It will show again this Wednesday at The Museum of Tolerance in Beverly Hills. The 19 minute screening will be followed by an introduction of the cast and a brief panel discussion and audience Q&A with Dr. Robert and Helen Singleton, Freedom Riders, activists and educators, Dr. Max Felker-Kantor, USC graduate with PhD in History (emphasis on race, civil rights and social movements) and moderated by journalist-author-activist David Ehrenstein. David is an American critic who focuses primarily on Lgbtq issues in cinema. Ehrenstein was born in New York City. His father was a secular Jew with Polish ancestors, and his mother was of African-American and Irish descent.[1] His mother raised him in her religion, Roman Catholicism. Among those invited are educators, students, members of organizations such as Aclu , NAACP , U.S. Commission on Civil Rights, journalists and activists.
Writer/Producer Dennis Yares's grandparents left Poland prior to the German occupation and most remaining relatives perished under Nazi regime. He was born in Israel and moved to N.Y. as a young boy. He made his professional reputation as an art gallerist, in addition, he also wrote the screen adaptation of E.L. Doctorow's classic short story, “Jolene”, which was directed by Dan Ireland.
He wrote a short story as one of his collection of 52 stories and when he realized it was the 50th anniversary this year. He and Dan as the director, stepped up and co-produced the film in the spring - in three weeks.
It features a score by composer Harry Gregson-Williams and Tom Howe, who will also attend the screening.
The short will also qualify for Academy Award consideration after having a short commercial run.
As an independent nation we went our own way even when The Slavery Abolition Act throughout the British Colonies was passed in 1833. Cynically one might say their act was motivated less by altruism than by what had become political and economic realities. However, the abolitionists on both sides of the sea saw it the same way that those of us with eyes are seeing the issues of economic inequality today. It is immoral and unjust that one human should own another, whether in slavery, in economic servitude or in sexual servitude.
However, fifty years ago, such unequal and inhuman treatment of fellow human beings was still being justified and upheld by a powerful elite, and it took almost super-human fortitude for those opposed to persevere to break the stranglehold of that group. As a young girl, a “Freedom Rider” came and spoke to my class at Temple Isaiah Religious School in West L.A. and I was inspired to do all I could for the ongoing fight for civil rights, which of course changed the world for everyone – from it came “women’s lib” and Glbt’s fight for equality (Stonewall was 40 years ago June 29). And yet, the economically poor African American and Latino populations are still objects of discrimination today. The repeal of the Voting Rights Act of 1965 in the South freeing nine states, mostly in the South, to change their election laws without advance federal approval is seeing discrimination at the polls reasserting itself.
This January when I saw “Freedom Summer” directed by Stanley Nelson in Sundance, I felt inspired once again to do something!
But, all I can do is write and so I take pen to hand and invite others to be aware and to act wherever they are.
At the 2nd Louisiana International Film Festival this spring, “Freedom Summer” won the Best Documentary Award and it will open in conjunction with the 50th anniversary of the Civil Rights Act.
The Louisiana Ff parenthetically has two cineastes, well-known to all of us film folks, as Artistic Directors: Jeff “The Dude” Dowd and Dan Ireland.
Read: New Louisiana Film Festival to Launch With Dan Ireland & Jeff "The Dude" Dowd as Artistic Directors
Jeff could be subject of a book, but for now, suffice it to say Jeff Dowd ("Zebrahead") is famously the inspiration for the Dude in the Coen Bros.' "The Big Lebowski,"
Dan Ireland on the other hand, is the subject of this blog because he has done something beyond just showing a great film. Dan, a man of action, also co-founded the Seattle Film Festival with Darryl MacDonald who is Director of the Palm Springs Int’l Film Festival. The Seattle Film Festival just had its own anniversary of 40 years and it featured a retrospective of some of Dan’s 22 films which he has exec produced, produced or directed.
And now, he has produced a new film, a short film called “Hate From A Distance” which will be the center piece of a special event this Wednesday, July 2nd, on the 50th Anniversary of the Civil Rights Act at The Museum of Tolerance in Beverly Hills
The film is an adaptation of a short story inspired by Civil Rights in America, set in Savannah, Georgia in 1963, told through the innocent eyes of an eleven-year old boy who is witness to the bitterness and hatred his father has for an African American dairy farmer living on the other side of a fence, separating physically and racially the very state of America during a most disgraceful and turbulent period in history.
The film was made and dedicated to the memory of and the 50th anniversary of The Civil Rights Act and as a voice that though we live by the Act, there is so much more that needs to be done to establish unity and equal rights in this country and the world.
Seen through the innocent eyes of eleven-year-old Danny Baker, racial tensions run rampant and deep in 1963 rural Georgia. Danny’s father Ned and neighbor Clyde Fellow, once childhood friends, are now divided over a land dispute in an era of inequality. Ned’s escalating anger, fueled by his own distorted righteousness, ultimately destroys his family and tears the community apart.
“ Hate from a Distance” reflects the injustices of a painful chapter of American history while honoring and 50th anniversary (July 2, 1964) of the Civil Rights Act abolishing segregation.
The film had its world premiere Saturday June 7th in a retrospective of Dan's history with “The Whole Wide World”, at Seattle Int’l Film Festival.
It will show again this Wednesday at The Museum of Tolerance in Beverly Hills. The 19 minute screening will be followed by an introduction of the cast and a brief panel discussion and audience Q&A with Dr. Robert and Helen Singleton, Freedom Riders, activists and educators, Dr. Max Felker-Kantor, USC graduate with PhD in History (emphasis on race, civil rights and social movements) and moderated by journalist-author-activist David Ehrenstein. David is an American critic who focuses primarily on Lgbtq issues in cinema. Ehrenstein was born in New York City. His father was a secular Jew with Polish ancestors, and his mother was of African-American and Irish descent.[1] His mother raised him in her religion, Roman Catholicism. Among those invited are educators, students, members of organizations such as Aclu , NAACP , U.S. Commission on Civil Rights, journalists and activists.
Writer/Producer Dennis Yares's grandparents left Poland prior to the German occupation and most remaining relatives perished under Nazi regime. He was born in Israel and moved to N.Y. as a young boy. He made his professional reputation as an art gallerist, in addition, he also wrote the screen adaptation of E.L. Doctorow's classic short story, “Jolene”, which was directed by Dan Ireland.
He wrote a short story as one of his collection of 52 stories and when he realized it was the 50th anniversary this year. He and Dan as the director, stepped up and co-produced the film in the spring - in three weeks.
It features a score by composer Harry Gregson-Williams and Tom Howe, who will also attend the screening.
The short will also qualify for Academy Award consideration after having a short commercial run.
- 7/1/2014
- by Sydney Levine
- Sydney's Buzz
The "Beasts of the Southern Wild" effect continues. The Louisiana International Film Festival will hold its inaugural event April 18-21 in Baton Rouge and New Orleans to celebrate indigenous and international films. Filmmaker Dan Ireland ("The Whole Wide World") and producer Jeff Dowd ("Zebrahead"), famously the inspiration for the Dude in the Coen Bros.' "The Big Lebowski," have been named co-artistic directors of the new fest. The first submission deadline is January 7 through WithoutABox.com. Liff also involves a mentorship program and will present a special photo and multimedia exhibition by civil rights movement photojournalist and author Bob Adelman. The launch comes at a time when Shreveport has become one of the highest-profile locations for outside-of-Hollywood film production. "We founded the Louisiana International Film Festival and Mentorship Program to act as a conduit for our state's...
- 12/5/2012
- by Jay A. Fernandez
- Indiewire
Arguably a natural progression from her freedom-focused 2004 directorial debut, The Colour Of Love, Maryam Keshavarz’s Circumstance is a political yet personal account of two young girls’ strongly frowned upon love and their longing for acceptance in a place where women are making significant progress in regards to wealth and stature.
A fascinating and often very fun insight into the lives of school friends Ati (Nikohl Boosheri) and Shireen (Sarah Kazemy), Circumstance has a lot to say about Iran’s corrupt use of influence and money, but this is woven in as an accepted part of everyday life instead of as a way to make a damning and shocking condemnation of the Iranian system.
For a film with little physical conflict, Keshavarz surprisingly maintains an underlying sense of threat and tension to proceedings, never letting you feel too safe in the girls’ happiness, displaying her more than adequate ability to balance fear with youthful bliss.
A fascinating and often very fun insight into the lives of school friends Ati (Nikohl Boosheri) and Shireen (Sarah Kazemy), Circumstance has a lot to say about Iran’s corrupt use of influence and money, but this is woven in as an accepted part of everyday life instead of as a way to make a damning and shocking condemnation of the Iranian system.
For a film with little physical conflict, Keshavarz surprisingly maintains an underlying sense of threat and tension to proceedings, never letting you feel too safe in the girls’ happiness, displaying her more than adequate ability to balance fear with youthful bliss.
- 9/27/2012
- by Emma Thrower
- HeyUGuys.co.uk
No need to tell you that there are a lot of Kickstarter campaigns for films nowadays, but, once in whilem there's one for a project that is too special and worthwhile to ignore. And one such project is for the the currently-in-post-production documentary El Sistema USA! Directed by Anthony Drazan, who directed the interracial romance drama Zebrahead back in the 90's that some of you may remember, and produced by Jamie Bernstein (the daughter of the legendary conductor Leonard Bernstein), the film chronicles the efforts by Stanford Thompson to start up an El Sistema music program in Philadelphia public schools, which he calls Play On Philly!, and the extraordinary positive...
- 8/1/2012
- by Sergio
- ShadowAndAct
It couldn't have been easy for Michael Rapaport. The actor who got his big break in urban crossover flicks like Zebrahead and later in Higher Learning, has spent the last few years chronicling the on again/off again friendship between the members of A Tribe Called Quest. It couldn't have been easy, because Rapaport is a New York native, raised on the sound of the Brooklyn rap quartet I like to...
- 7/7/2011
- by John Nolan
- Punch Drunk Critics
Michael Rapaport is an actor who has always been just a hair's breadth away from being unwatchable. Not that he's a bad actor per se, but I hated how he always tried so hard to make us believe just how hip hop he was. How much of a B-Boy he was. If you ever saw the underrated(even by me) 1992 film, Zebrahead, Rapaport wasn't that far off from being that guy in real life. But the truth is that...
- 5/25/2011
- by Travis Hopson
- Punch Drunk Critics
On the eve of the premiere for Michael Rapaport's documentary, "Beats, Rhymes & Life: The Travels of A Tribe Called Quest," tensions still seem thick between the group and the first time feature director. The ongoing public airing of disagreements began with a comment made by Q-Tip via twitter after an unofficial trailer leaked out in December -- at the time he said he was "not in support" of the documentary.
Rapaport dismissed the rapper's "little Twitter thing" as nerves, reminding everyone that Q-Tip was a producer on the doc and was surely still in support of it. But Q-Tip recently tweeted "The director of the film cannot speak to what is in my head about the documentary," according to MTV. "Nor can this director ever say I don't speak for the group. When I say I do then believe me I do," he continued. "Tribe is no different than any other collective.
Rapaport dismissed the rapper's "little Twitter thing" as nerves, reminding everyone that Q-Tip was a producer on the doc and was surely still in support of it. But Q-Tip recently tweeted "The director of the film cannot speak to what is in my head about the documentary," according to MTV. "Nor can this director ever say I don't speak for the group. When I say I do then believe me I do," he continued. "Tribe is no different than any other collective.
- 1/23/2011
- by Brandon Kim
- ifc.com
Michael Rapaport (Zebrahead, True Romance, Higher Learning, The Naked Man) stars as Les an underconfident and lonley "Metermaid". Les decides to take part in a medical trail for a drug named "special" which is meant to increase confidence, much in the way that modern antidepressants like Seroxat or Prozac are said to. Les how ever has a serious psychotic reaction to the drug, which is in its final stages of human testing before it goes public. Not long after ingesting the first dose Les an avid comic book fan begins to believe he is developing super powers. The first power that manifests itself is flight or more to the point the ability to hover. Les returns to the offices of the doctor running the trails and while discussing his new found hovering skills he notices the development of telekinesis. Though the Dr tells him to immediately cease taking the medication,...
- 10/7/2008
- by Leigh
- Latemag.com/film
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