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  • This was another winner in a fantastic year for movies: 1993. In fact, there were so many good movies in this year that films like this were buried.

    If you can just ignore the typically off-the-wall Hollywood version of death and heaven and just enjoy the wonderfully-sentimental and humorous fantasy- romance-drama story, you'll be very entertained.

    The story is nicely told, entertaining start-to-finish in its 103 minutes. It really takes off after Robert Downey Jr. has become an adult and the "spirits" return to him.

    As much humor as in here, in addition to fantasy and drama, the final 15-20 minutes are tear-jerking.
  • nifabs5 October 2003
    Robert Downey Jnr & the supporting talent have made this sheer magic and a thrill to relive whenever it's shown.

    The plots soars and soars and finally settles firmly in rediscovery. The four lost souls drift about not knowing their purpose though firmly tied to RDJ but they are without cause when they finally discover their unfulfilled purpose, they manage to use their their one earthly link to try and accomplish all they had unfinished on earth.

    Robert Downey Jnr sails ahead of the story and cast and it takes the wit, earthiness, sass and charm of Sizemore,Grodin,Woodward and Sedgwick respectively to keep up with him which they do without dominating or underplaying their roles.

    The underlying themes of repentance for Sizemore, personal victory for Grodin, rediscovery & bonding for Woodward and self forgiveness and sacrifice for Sedgwick are beautifully visited so much so that you're unaware of the depth till the the credits start rolling.

    The final scene was a fitting climax for this simple but deeply stirring movie.

    Never leave till tomorrow what you may able to do today,always live your dreams and follow your destiny but do so with your feet terra firma!!!

    Hearts And Souls scores soundly : 9/10
  • Warning: Spoilers
    Funny thing about Robert Downey, Jr. When he was younger I felt that he was one of the most gifted young actors around, particularly in light/sentimental comedies (e.g., "Only You", "Chances Are"). But, I was appalled by his personal behavior, particularly his drug addictions. Then he cleaned up his act, for which I admired him a great deal. But he seemed to lose the ability to play that very special kind of charming, romantic comedy. And frankly, I haven't been very impressed with most of the work he has done since. Ah well, such is life.

    This film has to be one of the most charming...well, it's not really a comedy at all (although it has its share of humor)...charming fantasies I've ever watched. Sentimental, humorous, even thought provoking. And Robert Downey, Jr. clearly steals the show...particularly in his performances when the other dead co-stars take over his body.

    That he so dominates the film is surprising since he is not in the first third of the film, and is acting with some very formidable performers. Charles Grodin plays, well, Charles Grodin here...but that's perfect for the part. Alfre Woodard is simply superb as the mother taken away from her children. Kyra Sedgwick is delightful as the young woman who made a bad decision romantically while still living. And Tom Sizemore is authentic as the Italian light thief. I give this praise while saying that I've never been a fan of either Sizemore or Sedgwick.

    It's rare that I give an "8", but this film sets a high for standard for adult fantasies. Bravo! Highly recommended!
  • This movie has it all. I loved it the first time I saw it and still do every time I see it. The casting was perfect and the actors all have a wonderful chemistry together. I will never get tired of watching certain scenes, like the (last) stamp scene with Milo, when Penny realizes who the cop is and when Thomas hugs the cop (hilarious!!), when Thomas sings finally, when Milo has to say goodbye, there are just so many great scenes in this movie. And Robert Downey, Jr. just does a tremendous job - he is so talented. When the four spirits enter his body (at different times), it's amazing how well he portrays each one with such accuracy (especially as Penny), like he's really that person. The humor never misses a beat. This movie will probably always be in my top 5!!
  • tabuno22 January 2019
    Warning: Spoilers
    7 August 2006. Warning: Spoilers. A somewhat uneven comedy with a much more dramatic beginning and a much funnier middle, and the traditional but solid ending. Robert Downey Jr. gets to mimic several known actors including Charles Grodin, Alfre Woodard, Kyra Sedgwick, and Tom Sizemore as their characters supposedly alternately inhabit his body. This movie begins with a much more somber tone becoming a comedy when Robert Downey is shown grown and encounters his companion spirits. The ending of the movie is nice and solid with little sappy or syrupy gushing ending, but a much more deliberative but emotionally satisfying resolution. This is a fun, literally "spirited" movie with heart and soul, about redemption and second chances. There are a few cheesy pieces in the movie, but overall it's a nice bit of comedic acting in an entertaining movie. Seven out of Ten Stars.
  • Warning: Spoilers
    Four different people are seen at the beginning of the story doing different things. There is Harrison, an aspiring singer, who gets paralyzed during his audition and walks out of the theater. We find Julia at the Purple Onion where her beau has come to propose, but she can't make up her mind and he leaves. Nurse Penny Washington is preparing to go to her midnight shift, not before putting her three children to bed. And finally, the punk Milo Peck is up to no good.

    The next thing we see is how these four board a bus whose driver, Hal, is preoccupied with a car moving alongside, where a couple is pawing one another. That the bus crashes, doesn't surprise us, since all is pointing out to an accident. The four people and the driver are seen floating toward heaven.

    At that precise moment, a couple is rushing to a hospital where the wife is going to deliver her baby, but they have no chance, the boy is born in the car and the four souls we saw floating before, return as it appears they are going to stay with this boy as his guardian angels. Julia, Harrison, Milo and Penny, are there for the duration, or at least that seems to be their purpose.

    The film changes to a grown up Thomas Reilly. He is in a strange relationship with the lovely Anne, a girl who can't figure Thomas out. The foursome, take turns in changing this young man's mind as they work on him to take charge of his life and get to be somebody. Each ghost can make him do things when they enter his soul. Unfortunately, Hal, the driver, has another idea in mind: he comes to collect the quartet one at a time to take them to bigger and better things.

    Ron Underwood, the director, working on the material George Hansen wrote, follows Hollywood's formula for "after life" movies. This film evokes other pictures of the genre, mainly, "Ghost", "Field of Dreams", "Heaven can Wait", and others that tackled the idea of what happens when mortals die. The film, as shown by comments in this forum, seems to be a favorite for a lot of fans that find the mere idea of the after life appealing.

    What Mr. Underwood got was a good ensemble for his quartet of angels: Kyra Sedgwick, Alfre Woodard, Charles Grodin and an excellent appearance by Tom Sizemore, an actor not seen often playing comedy. The wonderful Robert Downey Jr. appears as the grown up Thomas Reilly and does a wonderful job with the role. Elizabeth Shue plays his girlfriend, and David Paymer is seen as Hal, the distracted bus driver responsible for the tragedy that results as the basis of this comedy.

    The film is light and it will delight fans of the genre.
  • Four spirits don't know why they're inexplicably tied to a baby boy, born on the night they perished in a bus accident in 1959 San Francisco; jump ahead 30 years, and the ghosts learn the now-grown man may be able to help them redeem their collective pasts with a mix of mortal and supernatural help. Highly commercial fanciful-comedy is slick but not particularly hilarious or moving, mostly just busy--very busy--with little sub-plots swirling around and everybody chattering at once. Yet the casting here is fabulous, and each player gets a chance to shine: baritone Charles Grodin (seldom without his hat) missed his chance to give a public performance; mom Alfre Woodard lost touch with her children; waitress Kyra Sedgwick left her beau hanging; and Tom Sizemore, in the film's best plot, is a thief anxious to return some valuable stamps. In the center of the happy chaos is Robert Downey, Jr., not the most subtle actor around but certainly nimble enough to tackle this physical role (he reminds one of Steve Martin in "All of Me", but this is a better picture). Good-looking, cheerful, satisfying movie doesn't have the time nor the room to flesh out a romantic sidebar with Elisabeth Shue, but that's OK because the spirits are the stars this time around. *** from ****
  • Robert Downey Jr. is wonderful as the man who became the medium for 4 people who died in a bus accident at the same moment the hero was born. As a child these "friends" were known only to him, eventually leading to psychiatric evaluations because parents, teachers et al insisted something had to be wrong with this child. While still a small child, the "spirits" decide it's time for him to be "without his special fiends"...until at about age 30 they suddenly make contact again. They need a favor; 4 favors. Each one of the foursome died before they could take care of some important unfinished business. In order to go to Heaven and rest in peace, their "little friend" would need to allow each of them to enter his body (since they are only souls) to accomplish their missions.

    The 4 scenarios are beautiful expressions of love and kindness, and although disrupting the young man's (love) life immensely, in the end he too is richer from the turbulence's. -- This is a wonderful fantasy, a big winner with romantic movie lovers. I have watched this film several times and will enjoy it again and again. The widescreen DVD version is particularly enjoyable. This is a sparkling gem of a movie!
  • In this film, you have four very different characters including a single African American mother, Penny Washington, played by the fabulous Alfre Woodard, a country girl, Julia, who comes to the city to find herself and has to choose a life between being with her beloved boyfriend and his 75 acres in the country played by Kyra Sedgwick, Harrison, a classically trained singer who fails to sing at auditions because of his fear of failure played nicely by Charles Grodin, and criminal Milo Peck who wants to correct one of his stolen properties to it's rightful owner. They all board a bus driven by David Paymer and the bus crashes killing all of them while at the same time there is a baby boy, Thomas Riley, born into the world. The boy spends his early years talking and playing with the walls but he really is playing with the spirits who talk and interact with him. They don't know why they are with them. After thirty years, they have to go to their next assignment but they have make amends. First, they have to convince Thomas Riley played by Robert Downey Jr. as an adult that he's not going crazy or seeing things but they are actually real.
  • In 1959, in San Francisco, the telephone operator Penny Washington (Alfre Woodard) leaves her three children to work in her night shift. The shy singer Harrison Winslow (Charles Grodin) is afraid of the stage and quits his audition. The waitress Julia (Kyra Sedgwick) is proposed by her boyfriend and she does not accept; then she regrets and leaves her job to seek him out. The smalltime thief Milo Peck (Tom Sizemore) tries to retrieve a valuable collection of stamps that he had stolen from a boy. They embark in a bus and the driver Hal (David Paymer) distracts while driving and has a serious accident, and driver and passengers die. Meanwhile, Frank Reilly (Bill Calvert) is driving his pregnant wife Eva Reilly (Lisa Lucas) to the hospital. Frank successfully escapes from the bus but Eva is nervous and delivers her baby in the car. The souls of the four passengers become the guardian angels and the invisible friends of the boy Thomas Reilly. Seven years later, Penny, Julia, Harrison and Milo conclude that they are harming the boy and they decide to become invisible also to him.

    Thirty and something years later, Hal returns with his bus to take them four and the quartet learns that they had all those years to resolve the issues of their lives. They ask Hal to stall and give some more time for them to resolve their unfinished lives and they decide to come back to Thomas (Robert Downey Jr.), who is now a tough businessman and indecisive in his relationship with girlfriend Anne (Elisabeth Shue), and ask him to help them to resolve their issues and become free souls. In the end, Thomas also becomes a better man.

    "Heart and Souls" is one of the most adorable films of the 90's. The writer uses the central idea of the successful "Ghost" (1990) to make a witty and delightful comedy, with state-of-art special effects in 1993.

    Kyra Sedgwick, Tom Sizemore, Alfre Woodard, Charles Grodin and Robert Downey Jr. show an amazing chemistry and they really seem to have fun while shooting this film. Kyra Sedgwick shows a beautiful smile and Robert Downey Jr. is hilarious. The cameo of B.B. King is a plus that gives the status of cult to this film. The message in the end is very nice and I do not recall how many times I have seen "Heart and Souls" on VHS in the 90's. Yesterday I saw it on DVD for the first time and I only regret that there are no extras, only the film. My vote is nine.

    Title (Brazil): "Morrendo e Aprendendo" ("Dying and Learning")
  • sol-10 February 2017
    Drawn to the soul of a newly born baby, four acquaintances in limbo who died in a bus crash gradually realise their true purpose in this quirky and unusual blend of comedy and fantasy elements. The film takes a long time to warm up with seventeen minutes elapsing before the crash; the movie also turns a tad too sentimental for its own good towards the end. The vast majority of 'Heart and Souls' though is highly captivating stuff with the film achieving much comedic mileage from the newborn's shenanigans when primary school aged and when, as an adult, the foursome discover that they can possess his body. While a funnier film could have easily been carved from the dear departed possessing his body as a child, Robert Downey Jr. admittedly hits the nail on the head, perfectly capturing the characteristics of all four when they at various points possess him. Tom Sizemore additionally brings large doses of comedy as the loudest and most outspoken dear departed soul, constantly dragged along the ground as the foursome find themselves unable to stay more than a few metres away from the newborn. Some have questioned the theological aspects of the film with the notion of being able stall or procrastinate their souls passing on certainly coming off as awkward at best, but this is a highly enjoyable film if one does not think about it too much. Particularly appealing is the camaraderie that develops between the highly diverse characters who in their everyday lives would have probably never ever spoken to one another.
  • We open up the film with an introduction to Thomas Riley's soon-to-be-parents preparing for going into labour. We are then introduced to Harrison (Charles Grodin; Beethoven), a singer who has the heart and wisdom, but gets stage fright because he can't handle crowds.

    We then meet Penny (Alfre Woodard; The Forgotten), a mom, struggling to find time to spend valued time with her kids between working. Following Penny is Julie (Kyra Sedgwick; "The Closer") who is working as a waitress but desperately loves her boyfriend, but passes on the chance to run away with him.

    Harrison gets stage fright in his audition, Penny goes off for work, and Julie goes after her boyfriend to tell him that she is on board. They all get on the same bus, as we are introduced to Milo. Milo (Tom Sizemore: Saving Private Ryan), has stolen a kids stamps and got $50 for them, but at the thought of being a bad guy, Milo tries to steal them back. Milo fails and resorts to taking the bus along with Julie, Penny, and Harrison.

    The driver of the bus gets distracted and runs off the road and kills himself and all 4 passengers. When they rise above as souls, they are dragged to the new born baby, Thomas Riley. For 7 years, they hang with Thomas, but have no idea why. When his parents and social workers believe Thomas has mental problems, they go invisible on the kid.

    30 years pass and Thomas (Robert Downey Jr.; Kiss Kiss Bang Bang) is a grown man. Finally, the bus driver comes down to get them. When he arrives, the 4 souls aren't too happy to see him. He tells them what they were supposed to do. Using Thomas to complete their unfinished lives, one-by-one they all leave.

    The cast itself is A-list. And the story is simply an amazing fairy tale style. With the amount of comedy and emotion that was in this movie, if you don't laugh or cry, you may need to check yourself for a soul.

    There is a large "Walk Like A Man" and "Star Spangled Banner" musical number. It's a great family film. And even if you're not a kid, you'll love it as an adult and even the teens will too.

    Plus it has some really great acting and special effects. Nothing wrong about this one folks.
  • Pinky-65 December 1998
    Heart and Souls is about a boy with invisible friends that happen to be ghosts, who died at the moment he was born. Only he can see or hear them. This movie is quite good, and Downey, Jr. is lovable in it, as are his ghosts. Be warned, there is one scene that, if you don't like seeing little boys abandoned and bawling, you will sob your head off, like I did. Unfortunately, H&S ends extremely fast, on the plot pretense of a time limit, but you know the studio ordered it edited and to a shorter length, but it still is a lovely movie. Rent it one weekend, enjoy.
  • Being I am open minded to pretty much all kinds of movies. This movie had to be one of the worst films i ever seen. The question is WHY on earth would someone make a movie like this? Maybe, it was funny back in the day when it was made. But being 2002 its definitley outdated. And what exactly is it with the singing?? hello? Granted its a "clean film" without the sex, violence, and F-bombs that plague over 80% of movies today, but it is really sad when I find and Adam Sandler movie funnier then this. Even the movie OSCAR (with Sly Stallone) was funnier then this piece of rubbish.
  • Heart and Souls would have to be the most heart-warming, funny, tear-jerking, feel-good movie of all time. I can't understand why no-one I know has heard of it till I rave about it and insist they watch it. After several viewings I feel that Julia, Harrison, Penny and Milo are people I know and care about, and as for Robert Downey Jr, every time I watch it I pray that he straightens out his own life, such a waste of talent to be in and out of jail. Heart and Souls ranks up there, for me, with Baghdad Cafe, Five Easy Pieces and Wings of Desire.
  • It's 1959 San Francisco. Penny Washington (Alfre Woodard) leaves her three children to work the night shift. Harrison Winslow (Charles Grodin) abandons his singing audition. Julia (Kyra Sedgwick) turns down her boyfriend's proposal. Petty thief Milo Peck (Tom Sizemore) tries to get back some stamps that he stole from a boy. They all get on the same bus that crashes into the Reillys on their way to the hospital. She is forced to give birth on the side of the road. The four bus passengers are stranded as ghosts in the world connected to baby Thomas Reilly. The kid gets in trouble and the ghosts agree to stay invisible for the good of Thomas. Thomas (Robert Downey Jr.) grows up to be a ruthless corporate banker. His girlfriend Anne (Elisabeth Shue) asks him to meet her parents. The bus driver comes back to pick them up. The ghosts are suppose to resolve their one issue but no angel came to explain it. So he gives them some additional time to finish.

    RDJ gets to do some big time acting pretending to be the four other characters. There is just too many stories to go through. It's not as funny as it wants to be. The ghosts leaving one at a time makes it feel anti-climatic. The story feels like it's slowly fading away. It would be better if they have a ticking clock and the ghosts stick together for the whole movie. It's a good movie for RDJ fans.
  • Warning: Spoilers
    Back in 1959, Penny (Alfre Woodard) a hardworking single mother, a singer with stage fright named Harrison (Charles Grodin), the lovelorn Julia (Kyra Sedgwick) and a small-time con named Milo (Tom Sizemore) all die when their driver Hal (David Paymer) drives off an overpass. Meanwhile, Thomas Reilly (Robert Downey Jr.) is born at the same time as the four passengers' souls must stay on Earth and take on Thomas as their friend, which eventually makes him think that he's insane.

    Thirty-four years later, Hal returns to use his bus to take the four souls to heaven, as long as they finally achieve their goals. Penny must find out what happened to her kids, Harrison must sing in public, Julia must find her ex-boyfriend John and confess her feelings, and Milo must return the stamp book he stole. They need Thomas' help but now he's a driven banker who doesn't care about people and keeps himself closed off from his girlfriend Anne (Elisabeth Shue).

    Of course it all works out, but the real surprise is that director Ron Underwood was the first assistant director on Tourist Trap and would go on to make Tremors. This had four people working on the story -- Gregory and Erik Hansen (whose short film was adapted to make this full-length version) and S. S. Wilson and Brent Maddock, the team who wrote Tremors.

    I love that Julia is a waitress at The Purple Onion, a real San Francisco club where so many comedians performed. When Bob Newhart is seen on stage, that's his son Robert William Newhart.
  • I especially liked the roles of Penny Washington (Alfre Woodard) and Thomas at age 7 (Eric Lloyd). It was such a warm movie with so many endearing qualities that I was drawn to it and hooked once I saw it, so much that I watched it four times in two days. It's a "feel good" movie with no lag in action; all the actors portrayed their characters well.
  • capone66611 November 2010
    Heart and Souls

    Since kids can talk to ghosts, we should get them to ask our deceased relatives where they hid all of those rare silver dollars.

    Unfortunately, the lost souls haunting the little boy in this comedy are the ones who are asking him for salvation.

    Twenty-five years after the four spirits (Charles Grodin, Kyra Sedgwick, Tom Sizemore, Alfre Woodard) that were bound to him after they died in a bus crash disappeared, the now grown up and callous Thomas (Robert Downey Jr.) is surprised to find them asking for his help. In exchange, they assist him with wooing his frustrated girlfriend (Elisabeth Shue).

    While not enough time is spent on exploring each of the wannabe-angels unfinished business, Heart and Souls is ultimately an amusing anecdote about removing remorse from your eternal records.

    Furthermore, it exposes the prejudiced nature of the afterlife: Rich, white kids can afford to have multiple guardian angels. (Yellow Light)
  • Just call me a sentimental sap, but This one is one of my favorite movies. Robert Downey Jr., Alfre Woodard, Kyra Sedgwick, Charles Grodin, Elisabeth Shue, Tome Sizemore, Dave Paymer where all excellent! What a Great combination! I saw this movie before my youngest son was born and it made such a lasting impression on me that it caused me to make bedtime rituals with him (Prayer, and what he calls his Lu-Lu's (a song We made up)). I've seen this movie maybe a half dozen times and stop and wait any time I see that it's on TV. THis movie made me a Robert Downey Jr. fan, and it made me a little more sympathetic to his personal issues. I'm happy to see that he may have finally turned the corner on his recovery.
  • Warning: Spoilers
    As someone which had zero expectations towards this film, i found it to be somewhat impressive. It's not a comedy film nowhere near of the level of 'Groundhog Day', arguably the best comedy of that year, but still, it's a enjoyable film.

    Of course, it's After Life's premise is very interesting, although with a strong inspiration in 'Ghost'. The first forty minutes and so are excellent and by far the best part in the film. The build-up was so interesting that i forgot the childish tones in the film. But unfortunately, the film goes downhill and it's climax really don't offers enough to the excellent build-up of the film. It's a question of action-reaction: If you creates a great conflict, you expect a great answer.

    Also, the cinematography was good, with a very good art design, notably using blue lightning everywhere adding an aureate feeling to it. Robert Downey Jr. don't did so much to the film,though. His acting was very below average. So, this film can be an interesting pass-time. But not recommended, unfortunately. 5.8/10
  • Two hearts, four souls, and second chances. Absolutely beautiful, uplifting, heart breaking movie. A must see! Great all around.
  • 1st watched 2/7/2002 - 4 out of 10(Dir-Ron Underwood): Sometimes funny but most of the time silly with not one but count them- four souls trapped down here to finish off some good work that needed to be done before they went to the afterlife(I think we've heard this before). The difference is that they had to manipulate and enter this one person's body and he(Downey Jr.) has to accomplish the good deeds. The best parts in this movie are when Downey Jr. is acting out the other character's and there is a funny scene that turns into a musical number using the song "Walk Like a Man." But besides this there isn't much else. Downey Jr. deserves better than this. None of his co-stars seem too into this picture and it shows in their performances. Granted what they have in a script doesn't help and the direction could have been better. This is yet another forgotten romantic-comedy that wastes it's talents.
  • tedg17 January 2010
    Warning: Spoilers
    My original comment on this was deleted. As with the characters in the movie, this gives me a second chance.

    I admit that I am an admirer of Downey. He is one of our few actors that can do what I call folded acting: a self-awareness that communicates itself. This is just a kind of language of mental mathematics — one that I believe makes people more susceptible to addictive behavior. This film was done right after the rather amazing "Chaplin," but before it was released. I think it is pretty effective writing and I will recommend it on that score.

    But there are two scenes that really worked for me. One is the setup, the other the payoff.

    The setup is the six year old Downey sings in the bathroom with his four ghost friends. It is 1965 and we are singing "walk like a man," already an iconic song. The walls reverberate like schoolboy toilet walls do — or used to when they were 100% tile and urinals were lined up. It has energy. The boy actor is terrific. The joke at the time is a nun looks in and sees and hears only the boy. Mildly funny. Mildly endearing.

    Now move forward to later when the adult Downey re-encounters the ghosts. He has just done something companionable and likes hanging out. They are crossing Post street in San Francisco — a regular street. They break out into this song. The whole thing lasts only a minute or so before being interrupted by an iconic bus to heaven. But watch the ensemble do their strutting to the song, just as if they were still stuck in 1963, when the song appeared... except for Downey. Look at what he does here, hands in pockets singing the lead. When I saw this in 1993, I knew this man would be important. This 20 or 30 seconds.

    It is because the context is all about inhabiting bodies and carrying selves. He does the "oh gosh, now I'm someone else," bit with awareness of both beings. In this scene, he is three persons: the child, the adult, the actor. He spoke about this at the time. Here you can see virtually everything he brought to "Tropic Thunder."

    Ted's Evaluation -- 3 of 3: Worth watching.
  • This fantasy romantic com kept me in splits. Wow! what a lovely feeling. I never even knew this movie existed until I read Downey's biography.

    Downey plays Thomas whose head is spins from the realization that he can see 4 souls around him. For him they are real but, not for others. This leads to comic & absurd situations. He realizes that to get things back to way there were, he's going to have to bend a little to make room for the souls around him . The movie is about how the souls fulfill their last unfinished business by using Thomas as their medium & how Thomas reconciles with his true love.

    This one should not have been a big deal for Downey to pull off. It's a fun movie with almost no costume change or change in his look. All he had to do was act and give his best and sure he did. His comic timing is terrific. It is a character-driven film about sacrifice, about making things right, to live life and find happiness.

    This one is a family movie, yes, you can watch it with no qualms! Message: Follow your heart and live your life.
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