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The Wedding Banquet

Original title: Xi yan
  • 19931993
  • RR
  • 1h 46m
IMDb RATING
7.6/10
15K
YOUR RATING
  • Cast & crew
  • User reviews
  • Trivia
  • IMDbPro
Winston Chao, May Chin, and Mitchell Lichtenstein in Xi yan (1993)
  • Comedy
  • Drama
  • Romance
To satisfy his nagging parents, a gay landlord and a female tenant agree to a marriage of convenience, but his parents arrive to visit and things get out of hand.To satisfy his nagging parents, a gay landlord and a female tenant agree to a marriage of convenience, but his parents arrive to visit and things get out of hand.To satisfy his nagging parents, a gay landlord and a female tenant agree to a marriage of convenience, but his parents arrive to visit and things get out of hand.
IMDb RATING
7.6/10
15K
YOUR RATING
  • Director
    • Ang Lee
  • Writers
    • Ang Lee
    • Neil Peng
    • James Schamus
  • Stars
    • Winston Chao
    • May Chin
    • Ah-Lei Gua
Top credits
  • Director
    • Ang Lee
  • Writers
    • Ang Lee
    • Neil Peng
    • James Schamus
  • Stars
    • Winston Chao
    • May Chin
    • Ah-Lei Gua
  • See production, box office & company info
    • 54User reviews
    • 39Critic reviews
  • See production, box office & company info
  • See more at IMDbPro
    • Nominated for 1 Oscar
      • 12 wins & 11 nominations total

    Videos1

    The Wedding Banquet
    Trailer 1:16
    The Wedding Banquet

    Photos44

    Winston Chao and May Chin in Xi yan (1993)
    Winston Chao, May Chin, and Mitchell Lichtenstein in Xi yan (1993)
    Winston Chao and May Chin in Xi yan (1993)
    Winston Chao, May Chin, and Mitchell Lichtenstein in Xi yan (1993)
    Xi yan (1993)
    Winston Chao, May Chin, and Mitchell Lichtenstein in Xi yan (1993)
    Winston Chao, May Chin, and Mitchell Lichtenstein in Xi yan (1993)
    Winston Chao, May Chin, and Mitchell Lichtenstein in Xi yan (1993)
    Winston Chao, May Chin, and Mitchell Lichtenstein in Xi yan (1993)
    Winston Chao, May Chin, and Mitchell Lichtenstein in Xi yan (1993)
    Winston Chao, May Chin, and Mitchell Lichtenstein in Xi yan (1993)
    Winston Chao, May Chin, and Mitchell Lichtenstein in Xi yan (1993)

    Top cast

    Edit
    Winston Chao
    Winston Chao
    • Wai-Tung Gaoas Wai-Tung Gao
    May Chin
    May Chin
    • Wei-Weias Wei-Wei
    Ah-Lei Gua
    Ah-Lei Gua
    • Mrs. Gaoas Mrs. Gao
    Sihung Lung
    Sihung Lung
    • Mr. Gaoas Mr. Gao
    Mitchell Lichtenstein
    Mitchell Lichtenstein
    • Simonas Simon
    Dion Birney
    • Andrewas Andrew
    Jeanne Kuo Chang
    • Wai-Tung's Secretaryas Wai-Tung's Secretary
    Paul Chen
    • Guestas Guest
    Chung-Wei Chou
    • Chefas Chef
    Yun Chung
    • Guestas Guest
    Ho-Mean Fu
    • Guestas Guest
    Michael Gaston
    Michael Gaston
    • Justice of the Peaceas Justice of the Peace
    Jeffrey Howard
    • Street Musicianas Street Musician
    Theresa Hou
    • Female Cashieras Female Cashier
    Yung-Teh Hsu
    • Bob Law, Wai-Tung's Old Friendas Bob Law, Wai-Tung's Old Friend
    Jean Hu
    • Guestas Guest
    Albert Huang
    • Guestas Guest
    Neal Huff
    Neal Huff
    • Steveas Steve
    • Director
      • Ang Lee
    • Writers
      • Ang Lee
      • Neil Peng
      • James Schamus
    • Production, box office & more at IMDbPro
    • All cast & crew

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    Storyline

    Edit
    Simon and Wei-Tung are a gay couple living together in Manhattan. To defer the suspicions of Wei-Tung's parents, Simon suggests a marriage of convenience between Wei-Tung and Wei-Wei, an immigrant in need of a green card. When Wei-Tung's parents come to America for the wedding, they insist upon an elaborate banquet, resulting in several complications. —Scott Renshaw <as.idc@forsythe.stanford.edu>
    • marriage of convenience
    • gay couple
    • gay son
    • marriage pressure
    • asian man white man relationship
    • 98 more
    • Plot summary
    • Add synopsis
    • Taglines
      • A little deception at the reception.
    • Genres
      • Comedy
      • Drama
      • Romance
    • Motion Picture Rating (MPAA)
      • Rated R for language
    • Parents guide

    Did you know

    Edit
    • Trivia
      This film has the highest cost-to-return ratio of 1993, earning $23.6 million from a budget of $1 million. This gave it a of 23.6 ratio, considerably higher than 1993's biggest money-maker "Jurassic Park" whose ratio was 13.8.
    • Goofs
      During the small family dinner to which Simon treats the newlyweds and Wei-Tung's parents, Simon can be seen to alternately hold chopsticks, a small bowl or nothing in his left hand, depending on the camera angle.
    • Quotes

      Wai-Tung Gao: I don't know, we should have moved you out.

      Simon: I'll survive.

      Wai-Tung Gao: Not if Wei Wei keeps cooking.

    • Connections
      Featured in At the Movies: The Fugitive/The Meteor Man/Manhattan Murder Mystery/The Secret Garden/The Wedding Banquet (1993)
    • Soundtracks
      The Wedding Banquet

    User reviews54

    Review
    Top review
    9/10
    Ang Lee's best movie so far
    The central character of "The Wedding Banquet" looks sullen through almost the entire movie. He knits his brow and ponders as if there were something troubling him to no end. At the very outset, it's quite clear what that is. Wai-Tung is gay, and he hasn't told his Taiwanese parents. He's annoyed with his mother's unwelcome attempts to match him with someone, so she can have what she wants: a grandchild. But he's afraid to tell her or his father why he is not interested. His mixed emotions have no place to go; so they sit on his face, incomplete and unexpressed, except as unresolved anger, much of it at himself. And it's fun to watch as he goes through the motions of pleasing family and lover and acquaintances to take his mind off his troubles.

    The script by director Ang Lee, and associates Neil Peng and James Schamus have written a crackerjack story full of things that never have hit the screen before. The wedding banquet itself is full of such insightful details about contemporary Chinese-American life and sentiment that there seems something accomplished that's new to the movies. When the wedding party invades the honeymoon suite, you feel like the writers have a firm grasp on the people they are presenting us, as if they know them, inside and out. I have seen five movies directed by Ang Lee, and this (and maybe his earlier "Pushing Hands") is the only one in which I felt he had a deep understanding of the characters, and for that matter, of human nature and human love.

    Filial piety may not be a new thing for the Chinese, and maybe that is why this movie feels rooted, grounded. Wai-Tung who is a successful businessman and landlord commands respect among his colleagues, but when he's with his parents, he's still their little boy. You laugh as this grown man walks with his father, head bowed, keeping exact pace, two steps back, and you realize the secret of the older man's hold on his imitator. Wai-Tung loves his parents, and he knows what they expect. He's ashamed that he doesn't want to fulfill their dreams, that he wants a life of his own, that he didn't turn out as they hoped. But he also cares about his lover Simon, and you know what has drawn them together is that they care about other people. (Simon is a physical therapist who likes lecturing his clients; Wai-Tung tries to appear in charge, but he always seems to be taken advantage of by the people around him.) This concern for others is what draws us to Wai-Tung, and when his parents appear, you know exactly why he's going along with deceiving them.

    Winston Chao is handsome and lithe, and he's good at playing a frazzled, bewildered, well-meaning lump. Yet he wouldn't be so likable, if it were not for the propinquity of Mitchell Lichtenstein who clearly has the expressiveness the movie needs. Although the movie comes dangerously close to being one about gay men in love who, in their most private moments, look like the most they do is shake hands, Lichtenstein ("Streamers") manages with the subtlest means to convey a sexual connection. The scene in which Simon presents a cell phone as a gift and carries on a conversation to test it affords Lichtenstein the chance to show what heat he can generate on the screen when he's called to do so. It makes evident how lucky a man Wai-Tung is, and why he'd allow himself to be emotionally torn for so long.

    But the most compelling performances here come from Sihung Lung (who played the unwanted father-in-law in "Pushing Hands") and Ah Lei Gua as Mr. and Mrs. Gao. Lung conveys Old-World benevolence that pretty much dictates where this movie goes. He more than fills the shoes of the aging warrior, taking the last few steps that will make his life complete. He grants Mr. Gao a share of dignity his work here rightly deserves. Yet it is Ah Lei Gua who convinces me that she is fully in character. Whether she is bursting into tears over the shabbiness of the civil wedding, or trying to overlook her daughter-in-law's clumsiness in the kitchen, or keeping Simon at a distance when she learns his real position in her son's life, you sense an actress of the highest rank who knows intuitively the character she has been given to play.

    With May Chin who, I hear, is very popular in Taiwan, and here carries herself with porcelain elegance. Her Wei-Wei is an enigma, a woman with a penchant for handsome gay men, and the movie is content with leaving her that way. You come away as uneasy about the arrangement she struck with Simon and Wai-Tung as Mrs. Gao is, who exits weeping. When Ang Lee slows down the camera at the end, as Mr. Gao raises his arms to be inspected at the airport gate, the director in spite of himself belies the thought that the old soldier has surrendered to a new enemy--the craziness and the self-indulgence of the next generation. The plangency of that last shot remains with you for a long time.
    helpful•41
    4
    • shrine-2
    • Apr 4, 2000

    Details

    Edit
    • Release date
      • August 4, 1993 (United States)
    • Countries of origin
      • Taiwan
      • United States
    • Languages
      • Mandarin
      • English
    • Also known as
      • El banquete de bodas
    • Filming locations
      • Phoenix Ballroom, Sheraton LaGuardia East Hotel, Flushing Meadows Park, Queens, New York City, New York, USA
    • Production companies
      • Ang Lee Productions
      • Central Motion Pictures
      • Good Machine
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $1,000,000 (estimated)
    • Gross US & Canada
      • $6,933,459
    • Opening weekend US & Canada
      • $134,870
      • Aug 8, 1993
    • Gross worldwide
      • $6,933,459
    See detailed box office info on IMDbPro

    Technical specs

    Edit
    • Runtime
      1 hour 46 minutes
    • Color
      • Color
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.85 : 1

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