The Client

Back in 1994, I read this book and just like other John Grisham's novels, with the exception of "The Pelican Brief", once I started reading, I couldn't put it down.

Director Joel Schumacher and Screenwriter Akiva Goldsman did an excellent job keeping the movie within the storyline without doing a horrible "hatchet job" most do to novels.

In addition, there was an excellent flow to the movie. It kept moving along; There wasn't very many slow moments in it and it kept me on the edge of my seat.

The casting was great as well. I liked Susan Sarandon as Reggie Love, Brad Renfro as Mark Sway, Tommy Lee Jones was a perfect fit as the "Revered" Roy Foltrigg. Will Patton as Sergent Hardy, was an excellent sleezy and conniving officer.

When I saw Anthony LaPaglia as Barry "The Blade" Muldano, I didn't envision the greasy sleezeball he portrayed, but someone more tougher or perhaps more thuggish. But Anthony LaPaglia fit just fine.

This is a movie worth renting.

Wow, what a cast! And they all deliver the goods too. Susan Sarandon is an exceptional actress. Watch the scene in "Dead Man Walking" when she visits the family of one of the victims. She doesn't just sit quietly. She actively "listens" to them. And Tommy Lee Jones uncovers the comic side of his dashing political lawyer. Even the eleven-year-old kid gives a spot on performance, anything but cute, which is a relief. The smaller roles are equally well done although there is less to be done well. J. T. Walsh is always good. Mary-Louise Parker never makes a wrong move as the stressed-out mother. Ossie Davis is a monumental presence as the judge. Bill Macy is given only a few lines.

The script isn't bad either, especially in the first half of the film, in which the characters are being established. There are, alas, three clichés.

The bad guys LOOK like move bad guys usually look. They dress in black, have long greasy hair, are engraved with threatening jailhouse tattoos of barbed wire and things, and they never seem to enjoy themselves.

There are also two stereotypical scenes which really should have been avoided. In the first, the boy, Renfro, is trying to sneak out of a hospital. He pokes his face through a door into the reception room, where he sees his mother and two cops walking around. In the shadows he also spots the man he knows is trying to murder him. So what does he do? Does he run to his Mom and the police for protection? Certainly not. He does what aay potential murder victim would do. He dashes away from safety, down several flights of an empty stairway, followed closely by the squinter with a knife. The scene that follows is lifted straight out of "Coma," with the killer being locked in a refrigerator.

The other stereotyped situation is towards the end, when (just by the most improbable of coincidences) Sarandon and Renfro reach an empty boat house at the same time as three of the heavies. The two innocents try to avoid being discovered. There is a lot of tiptoeing around on creaky boards, a foot chase through some bushes, one of those scenes in which one person holds a gun on a second, and the second smiles and says, "You don't have the guts to pull the trigger," and walks up closer to the muzzle.

I've pointed out these weaknesses not because this is a bad movie. It's really pretty good. But the cast is so outstanding that any weakness in the story is the more highly illuminated.

See it, if only to see the range of facial expressions into which Jones is able to fashion his face.

"The Client" is an enjoyable and well executed thriller overall. While the directing, script and overall product are far from amazing and sometimes quite bland, the Oscar level performances compensate for the easily over-seeable flaws.

Perhaps the child of the title, Brad Renfro, can be annoying in parts he gives a decent enough performance nonetheless. Too bad about the drinks and drugs problem he has today. Susan Sarandon gives another terrific performance, this time as an alcoholic lawyer. Tommy Lee Jones' character doesn't have much to do with the plot but he's a welcome addition to the film, even though.

While it is easy to find fault with the film it's easier to just sit back and enjoy it. I chose the latter so I thought it was a good, if not spectacular movie overall. 6.8/10.

The premise of The Client is great. The first act sets the scene for a really tense and interesting flick. Things go downhill steadily all the way through to the final act. The film has a great cast. Susan Sarandon is excellent as is Tommy Lee Jones. It's the plot and pacing that lets it down.

We go from a believable difficult situation into more farce as with each passing minute. The thing is it happens pretty slowly so it's at about the 2/3rd point that the wheels start to come off.

Pity as the cast are brilliant.

Mark Sway (Brad Renfro) and little brother Ricky run across mob lawyer Jerome Clifford trying to commit suicide in his car. Mark tries to stop him. Jerome grubs him into the car, and confesses the location where his client Barry Muldano (Anthony LaPaglia) buried a body to the boy. Mark lies to the cops saying he didn't talk to Clifford. The cops, the FBI, and the DA Roy Foltrigg (Tommy Lee Jones) do not believe him. Mark under pressure hires lawyer Reggie Love (Susan Sarandon). Meanwhile the mob sends hit men Paul Gronke (Kim Coates).

Brad Renfro is trying real hard to be a brat. In fact, he is trying too hard. He is successful in making his character very unlikeable. Joel Schumacher is concentrating on the kid. I think it may be better to concentrate on Reggie Love. Susan Sarandon does a great job and she saves this movie. Almost everybody else is playing one stereotype or another. Tommy Lee Jones is pouring it on. Mary-Louise Parker is playing the white trash single mom. And don't get me started on the mob guys. LaPaglia may as well be a pirate. Dialing it back would help sell the tension.

Then there is the basic Grisham story. I don't buy that they wouldn't just kill the kid. It would help to not make the mob guys such stereotypes. At least then I would believe that these guys don't get a kill every other week. Then there is the Tommy Lee Jones character. He's all stick, and no carrot. Again he's too one-dimensional. Why wouldn't he offer immunity is beyond me. He's all huff and puff at every turn. That's really the big problem with almost everything in this movie. Everything is push up the 11 even if it makes no sense.