Getting In (1994) User Reviews (5)

Interesting story with potiential, Terrible direction and ending

[armandocervantes-98926 · 6/10 · 11 August 2021]

I am going to be honest here seeing. Aside from the clever and talented Kristy Swanson who is sexy beyond recognition of terrible hairstyle that doesn't match the movie poster. You can the honest greatness of Stephen Mailer. The whole ensemble was amazing before we got to meet the yet world known Dave Chappelle, or television royalty Matthew Perry and Calista Flockhart.

We see a young Gabriel Higgs (played by Mailer) who trying to right by his affluent family by being a legacy at John Hopkins Medical School taking after his great grandfather down to his sentimental and overbearing father. He manages to make to the waitlist after a nervous interview, unfortunately this wouldn't sit well with the family including his rather young mother (played by Christine Baranski). He spends most of his time worrying and tending to plants as a part of his passion of ecology. With the help of his agoraphobic tech friend Ron (played by Chappelle) they manage to track down all those ahead of him on the waitlist. However things turn dark and comedic as they cross the mentality disturbed Rupert Grim (played by Andrew McCarthy). Higgs manages to cross the paths and illegally bribe the others ahead of him in a spastic way, Grim however sees the competition as inadequate and decides to kill them in comical ways as he plans to frame Gabriel. Unfortunately a less wealthy applicant named Kirby (played by Swanson) who Higgs originally intended to bribe has decided she couldn't go to Hopkins if she wanted and drops the waitlist, in this time both Kirby and Gabriel fall madly in love until she uncovers his original intentions.

The ending falls flat as Grim's attempt to kill Kirby is foiled in a unbelievable way, he jumps to suicide. Instead of showing a respectable reconciliation between the two it is revealed that Gabriel and Kirby married so she can get into Hopkins and continue the legacy by carrying on his last name, Gabriel carries on by becoming an Ecology professor and in cruel irony, Ruperts body is donated to Kirbys classroom for medical purposes. For the only other surviving conspirator, Ron was wheeled away to hospital having been collapsed by the body of Grim in the earlier scene. It is unclear what his fate was but more than likely he is never going to step outside again.

The plot is amazing the story's direction goes astray as the need for comic relief brings too much disappointment. The ending was far too in a rush and the fate of the final two victims did not get resolved for a justice. Aside from that, the abrupt marriage after ending a relationship was just annoying. If not for an original story of desperation this so called independent film could have made for television mystery series.

It's good and then it gets better

[mistaweez · 3 March 2001]

I saw this movie on TV this morning. Right from the start I noticed some big names on the credits: Christine Baranski, Matthew Perry, Dave Chappelle, and Calista Flockhart. Seeing as how these people are now all fairly major stars, I figured I should keep watching. I'm glad I did. (What's interesting is that I assumed since all these well-known actors were playing minor parts, this movie must date from the mid-80's. The picture quality seemed to agree, so now that I see IMDb said 1994, I am rather surprised. But Flockhart and Perry have INCREDIBLY small parts, as you will notice.) Anyway, the movie is about Gabriel Higgs (Stephen Mailer), whose father's family has gone to Johns Hopkins medical school for generations, and now it's Gabe's turn. (If you've read Kurt Vonnegut's short-story "The Lie", about a private boy's academy, this story will sound very familiar.) Gabriel prepares to take the MCAT to get in, but a crucial error costs him on the test, and he is put on the waiting list. His good friend, Ron (Dave Chappelle) hacks the school's computer to show that he is 6th. He then tries to get all those ahead of him to drop off. One student, Kirby Watts, becomes his love interest. Another, who reminds me of Mitch, the nerdy doctor roommate of "Patch Adams", downplays not getting in, although we later see he cared more. Gabriel doesnt tell his parents about his Wait-Listed status, hoping he can bump everyone else. Soon after he begins his quest, the people on the list start getting killed, thru various means. Gabriel becomes the obvious suspect, and the ensuing finishing scenes really make the movie. I highly recommend seeing this film. ODD NOTE: I mentioned all the kinda-big-names in this movie at the top. Later this evening I caught "The Birdcage" (another great movie) on ABC, and SURPRISE! Baranski and Flockhart also play in that (although their roles are much larger!).

Twisted Fun!

[chatykat · 7/10 · 10 August 2002]

This movie was so funny, and scary. They used the right actors for this movie, Andrew McCarthy is freakishly scary and he plays the part so well. I would highly recommend this movie to a friend who needs a good laugh. It's a perfect Comedy and Mystery movie.

An Oddly Memorable Movie

[hardcorejrh · 10/10 · 21 May 2000]

I watched this film in August of 1999 on Comedy Central. They usually show really horrible movies in the morning, but this one stood out. It wasn't one of their cheesy movies from the 80's they show. It wasn't one that had no known faces. It featured the funny guy from Friends (Perry), a funny comic (Chappelle), a bombshell (Swanson), and the star of Ally McBeal (Flockheart). Not to mention Andrew McCarthy, who plays a great diabolical character. I have only seen this movie twice (I wish I could find a video store that had it, but sadly I can't.). The story flows smoothly and the murder scenes made me shiver, but they were awesome! Not bad for a movie based in 1993.

How difficult that can be sometimes

[robert-temple-1 · 8/10 · 14 September 2010]

This is an early effort of director Doug Liman, who has since hit the big time as director of THE BOURNE IDENTITY (2002). The film is extraordinarily whimsical, full of jokes and spoofs, but all set within the context of an absorbing tale of ruthless competition amongst young people trying to get into Johns Hopkins Medical School, and the extent to which human greed and ambition will cause anyone, even students, to do anything to get what they want. The lead character is called Gabriel Higgs. He is very engagingly and charmingly played by Stephen Mailer. He is the son of rich, oppressive parents, and has a father with a Napoleon complex who bullies him relentlessly (terrifyingly played by Len Cariou). Gabriel has been preceded by four generations of men (all portrayed by large and impressive oil portraits on the walls of the family drawing room, in a substantial and richly-furnished house, where the camera makes sure we see the chandelier) who were all distinguished men of medicine. All went to Johns Hopkins, including the father. Gabriel is instructed that he must attend the same famous medical school as his forebears, carrying on 'the family tradition' as the fifth generation. Gabriel is really interested in botany but has been bullied into thinking he must become a medical doctor. He has applied only to Johns Hopkins and nowhere else, since there is no other place as far as his father is concerned. As he sits his entrance exam, Gabriel makes a slip and misses a line in the multiple choice questions, giving the correct answers but in the wrong lines. Then he is ordered to close his exam booklet and put his pencil down just he discovers this, so that he is unable to correct the erroneous entries. The exam process and the dictatorial woman in charge are well parodied, for this film is full of such satire against 'the system', suggesting that Liman has a congenial streak of anarchy in his character, or perhaps the writers Posner and Lewin do. The result of all this is that Gabriel is not admitted to the medical school, but is instead put on a waiting list for admission in case of vacancies, along with five other people. He dare not admit the truth to his parents, or rather when he tries over a glass of celebratory champagne to tell them, they laugh at his quaint joke and he lacks the courage to correct them, as he has never challenged his overbearing father before (who is so controlling that he criticises Gabriel if he is even five minutes late for dinner). This sets in train a series of events involving bribery, corruption, blackmail, and eventually murder. No, Gabriel doesn't try to kill anybody, but another one of the candidates on the waiting list does, and Gabriel is set up as the suspect, since he has been trying to pay them money to drop off the list in his favour. The plot gets very complicated and the story goes way over the top, but it does so in a mode of black humour which works. The comedic effects in this film are largely successful, and that is not easy to pull off in a complex tale of intrigue and murder. Such efforts can often fall flat. The funniest performance in the film is by Dave Chappelle, who plays Gabriel's computer nerd friend, Ron. He suffers from agoraphobia, which is the fear of open spaces, and at one crucial juncture in the story where his help is required outside of the computer room where he spends all his time, the hysterically funny scenes ensue where he says: 'You want me to go OUT?' and his computer nerd friends all look horrified as he edges towards the door and express their hope that he is not going OUT! This joke against the nerds works very well. When Chapelle hams it up by clinging to stair rails and walls with his eyes bulging in apprehension at being OUT, it is all the more effective because Chapelle is a natural born comedian and can get away with it. The girls in this film are all portrayed as ruthless, tough, and vicious, even the one played by Kristy Swanson who in between being horrid to Gabriel also falls in love with him. There are no sweetie-pies here. Boys watch out! Andrew McCarthy excels as a sinister, indeed psychopathic, chess genius who will do anything to 'get in'. And so the film unfolds, successfully combining tense mystery and suspense with satire and comedy. It does not have a contemporary feel to it anymore, because students and audiences have changed so rapidly, and it seems to be aimed at the same type of viewers who loved PAPER CHASE (1973 and 1978-82). It is well worth rescuing, but appears never to have been put onto DVD, being available only in NTSC video format.