Jo struggles for independence and sometimes clashes with her beloved mother and sisters Meg, Amy and Beth. She also contends with their cranky Aunt March, their impulsive neighbor Laurie and... Read allJo struggles for independence and sometimes clashes with her beloved mother and sisters Meg, Amy and Beth. She also contends with their cranky Aunt March, their impulsive neighbor Laurie and kindly linguistics professor Friedrich Bhaer.Jo struggles for independence and sometimes clashes with her beloved mother and sisters Meg, Amy and Beth. She also contends with their cranky Aunt March, their impulsive neighbor Laurie and kindly linguistics professor Friedrich Bhaer.
- Nominated for 3 Oscars
- 6 wins & 19 nominations total
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaWinona Ryder introduced Christian Bale to his future wife Sibi Blazic on the set of this film. At the time she worked as Ryder's personal assistant.
- GoofsWhen Amy discovers that Jo will be her teacher, she sulks twice. However, this is in keeping with Amy's character - if no one noticed her sulking the first time, she would most likely do it again.
- Quotes
Laurie: I have loved you since the moment I clapped eyes on you. What could be more reasonable than to marry you?
Jo March: We'd kill each other.
Laurie: Nonsense!
Jo March: Neither of us can keep our temper-...
Laurie: I can, unless provoked.
Jo March: We're both stupidly stubborn, especially you. We'd only quarrel!
Laurie: I wouldn't!
Jo March: You can't even propose without quarreling.
- Crazy credits19th-century-style portraits of the sisters are seen under the early part of the credits.
- SoundtracksLeila! Dieu Puissant
No.9 "Act II of the Pearl Fishers"
Music by Georges Bizet (uncredited)
Lyrics by Eugène Cormon (uncredited) and Michel Carré (uncredited)
Performed by Barbara Hendricks and John Aler with L'Orchestre National du Capitole de Toulouse (as Orchestre du Capitole de Toulouse)
Conducted by Michel Plasson
Courtesy of EMI Classics, under license from CEMA Special Markets
There are a few subtle touches in this film that I sometimes find a bit jarring, such as when Marmee is talking with John Brooke in front of Meg and mentions her disagreement with the idea of women wearing restrictive corsets, but that is really the only bit that I don't feel is quite right, and it is there to demonstrate Marmee's liberal attitude.
I love the way the characters interact, although there perhaps isn't enough demonstration of why Laurie and old Mr. Laurence disagree. Jo and Amy act just like real sisters - they fight and provoke each other into arguments and disputes, and generally have a chance to make little digs at the other. Meg is the pretty - but yet also virtuous - one, and clearly the most socially at ease with the upper classes of the time, for instance reminding Jo "Don't shake hands with people. It isn't the thing any more", and in the end - although she has to wait for a period of time that would seem endless today before marrying the man she loves - she opts for a poorer but obviously happier life. It would be very easy to simply say that Beth is not given anything dramatic or interesting to do, but that is the whole point of her character. She watches those around her do great and exciting things, and there is a sense that she herself is happy with that. Susan Sarandon's Marmee clearly holds this family together - the ideal mother figure, she is comforting, incredibly wise (I wonder if anyone has ever met anyone with all the wisdom she seems to have) and always on hand to encourage her girls in their quest to do as they please.
The male characters are also interesting. John Brooke is stable and compassionate and sensible. Laurie (also known as Teddy just occasionally) can be quite an intense figure and I was amazed to find that Christian Bale was only about twenty when this film was released. It is as interesting to see the changes his personality goes through as it is to see those the girls go through. The Professor is a slightly unorthodox character and yet he complements Jo perfectly.
I have watched this film many, many times now (so many, in fact, that I have sometimes been known to say the lines along with the characters as they say them) and I know I will watch it many more times in the future. It might perhaps be a bit of a holiday film but it's certainly worth watching for the feel-good factor it generates.
- IridescentTranquility
- Oct 7, 2005
- Permalink
Details
- Release date
- Country of origin
- Languages
- Also known as
- Mujercitas
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $18,000,000 (estimated)
- Gross US & Canada
- $50,083,616
- Opening weekend US & Canada
- $2,411,247
- Dec 25, 1994
- Gross worldwide
- $50,085,123