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  • In Moscow, the clumsy director Andy Clarke (Evan Richards) is making a slasher movie in a studio set with Russian and American cast and crew. The responsible for the makeup is the mute Billy Hughes (Marina Sudina), who is the sister of Andy's girlfriend Karen Hughes (Fay Ripley).

    One day, Billy needs to find a mask for the shot on the next day and she stays after hours in the studio set seeking out the object. However, the janitor locks her in the studio alone and Billy cannot find a way out.

    When Billy sees light in the studio, she accidentally witnesses the Russians Arkadi (Igor Volkov) and Lyosha (Sergej Karlenkov) making a porn snuff movie and brutally killing a woman. Billy succeeds to escape, but the police officers do not trust on her. Further, the powerful Russian mafia chases her believing that Billy has a diskette with evidences against the mobsters.

    I saw "Mute Witness" eighteen years ago and I loved this film. Yesterday I saw it again, now on DVD, and it still is a great film that combines thriller and horror with black humor in a plot with many twists. The director Anthony Waller masterly raises tension and relieves with black humor, startling the viewer and then making him or her laugh. Unfortunately the conclusion is a little disappointing but it is worthwhile watching this wonderful little film. My vote is eight.

    Title (Brazil): "Testemunha Muda" ("Mute Witness")
  • Waller's first feature film was this thriller, Mute witness (1995), filmed entirely in Moscow in 1993, and financed privately by himself and his co-producing partners. Some US filmers are making a cheap thriller in Moscow . Billy (Marina Zudina) is the mute make-up artist of the title who, returning to the studio for for a forgotten item is locked resulting in fateful consequences . As Billy is accidentally locked overnight in the strange studio where the movie is being made and she wanderers into the basement looking for someone to let her out. Then Billy witnesses some of the crew shooting a snuff movie with a real-life stabbing and along the way , she attempts communicate her sister Karen Hughes (Fay Ripley) . We dare you not to scream !. Nobody reduce the Silence !. She Can't Speak ! . She Can't Scream !. She Can't Beg For Mercy !. She Won't Be Silenced !. Nobody was able to silence her!

    Low- budget British thriller lensed in Moscow film studio . Anthony Waller's witty , action-packed thriller seldom lets up . He milks the Moscow locations and the heroine's isolated predicament for all they're worth , only Billy's sister attempts to understand her sign-language , while brother-in-law is too obsessed by the film he's directing to attend to anyone but himself . First-timer Waller mocks both thriller genre and film biz , sometimes relying on , rather than cliched , spoofing elements . Highlight is 25-minute long chase scene with the murderers chasing Billy in the cavernous studio . Alec Guinness makes a surprise appearance in an uncredited cameo who he shot 8 years earlier in 1985.

    The motion picture was well directed by Anthony Waller . Filming was complicated by its coincidence with Russia's October revolution, a diphtheria outbreak, -23 degree temperatures, local mafia extortion and last minute cast changes. Despite these initial difficulties, it was sold to Columbia TriStar as a completed movie, and was distributed worldwide in all major territories, and invited to 23 festivals, including the Cannes Film Festival, Courmayeur (Audience Award), Gerardmer (Audience and Grand Jury Award), Moscow (Audience Award), Birmingham (Grand Jury Award) Sundance, Toronto and Tokyo. In 1995, Waller co-founded the Amsterdam-based, Cometstone Pictures. In 1996, Cometstone's first production was An American Werewolf in Paris (1997), which Waller directed, co-wrote and executive produced. With a budget of $22 million, the movie was an entirely European co-production, sold to Hollywood Pictures in a negative pick-up deal for a Buena Vista release on Christmas Day 1997. Further projects Waller has directed are the psychological thriller, ¨The Guilty¨ (2000), and the supernatural thriller, ¨Nine Miles Down¨ (2009). As well as the dramatized Documentary "The Singularity is Near¨ and ¨Trader¨ and most recently, "The Piper" with Elizabeth Hurley. Rating : 6.5/10 . Well worth seeing .
  • This may be the most tension-filled movie I have ever seen.

    In fact, it's so nerve-wracking, I haven't been able to watch it again after viewing it two years ago, but I will since I have the DVD. There were a couple of scenes in here that are almost too much to watch....so if you've got problems and need to "escape" for an hour-and-half this film will get your mind off anything else.

    The Russian actress Marina Zudina did a super job in facial expressions alone, which she had to do since her character in here is a mute. She plays a cute and wholesome makeup artist for a sleazy filmmaker. After the day's shooting is done and "Billie" is about to leave, she hears something. She takes a peek into the room where they were filming and discovers they are now shooting a "snuff film" and actually killing someone. Billie's eavesdropping is discovered and she runs for her life as the killers go searching for her in this big warehouse-type building.

    There are two extended scenes in which our heroine is running for her life and both of them will wear you out. The first I described above. The second scene, the climactic one, goes on too long and isn't as well done as the first. In fact, the film should have been trimmed a bit but, overall, since it's so good at keeping our attention, then it served its purpose as entertainment.
  • "Mute Witness" is a terrifying roller coaster ride, with lots of black humor thrown in to perfect balance. What makes it so totally different from the usual thriller/horror, apart from its Moscow setting, the Russians are played by real Russians actors, even the American mute woman - excellent casting idea, because she acts brilliantly. More twists to the plot than you could hope for and the main part of the nerve wrecking tension comes from suggestion or chases and less from graphic violence, which one would expect from a film of that genre and plot. Apart from Alec Guinness' guest appearance, no big names, which only makes the film more attractive. I would be surprised if "Mute Witness" hasn't got cult status by now among the fans of the genre.
  • I went into this film expecting a slasher, and while Mute Witness does take influence from said style of film-making, this is much more than just your average slash flick. There are a number of thrillers that focus on a certain disability - blindness is more common (Blind Terror, Wait Until Dark, Cat o'Nine Tails to name a handful), but the implications of having a mute lead in a thriller such as this are well portrayed, and actually integral to the plot as the fact that the lead character can't speak is often the reason why she finds herself in dangerous situations that would be easy for anyone else to get out of. Our mute witness is Billy Hughes, a make-up artist working on a horror film production at a studio in Moscow. She finds herself locked in after hours one night, and after attempting to phone her sister for help, she stumbles upon what at first appears to be the making of an illicit sex flick, but soon turns out to be a snuff movie! She tries to convince the authorities of what she's seen, but finds that no one believes her story...

    Recently Hostel made the headlines for showing snuff movie making in a foreign country, but this film did it first and actually does a better job. It's maybe not quite as nasty as Eli Roth's opus, but the gore is more effective, and since director Anthony Waller (who went on to direct one of my favourite modern thrillers with 'The Guilty') implements a good sense of humour into the proceedings, Mute Witness is both sufficiently gory and fun to watch. The director certainly has a talent for crafting suspenseful thrill rides, as this one never stands still. The plot is put into action quickly, and Waller constantly introduces plot twists which give a big helping hand to the overall entertainment value of the film. The acting isn't bad for a B-movie, with young performers Marina Zudina, Fay Ripley and Evan Richards delivering good performances. The atmosphere is gritty, and the Russian locations are suitably unfriendly, which helps the film to retain a foreboding atmosphere. Overall, Mute Witness is a much better film than you might expect it to be. The plot flows well, and the atmosphere and tension are spot on.
  • Hitchcock was a class apart, but many seem to believe that they can imitate him. Director Anthony Waller appears to have tried and, like Brian de Palma and other less famous names, fails, because he lacks the touch, the humor, that insubstantial quality that comes with genius. And a pity it is, because the idea is not bad: set in Moscow, a mute "American" girl (beautiful Martina Zudina is actually a Moscow-born Russian, so she was conveniently rendered mute so her accent would not give her away) working as a film production assistant witnesses a "snuff" crime committed in a studio lot, and she is chased for the rest of the film.

    The premise of film within a film is situated from the outset, with all manner of fake action happening with far too many props, and far too much fantasy for my liking. On positive aspect about the mute witness: there is far less shrieking than tends to be the case with movies of this type.

    The acting is generally appalling, with Evan Richards as the clumsiest geek you'll see. The Russian ensemble looks generally menacing... and yet less than convincing. Photography is competent enough, even if some stunts and action sequences require a vast amount of suspended belief, especially during the second half of the movie. Screenplay: reasonably gripping during the first half.

    The really interesting detail about this film is the Mystery Guest Star. In his memoirs entitled "MY NAME ESCAPES ME," Alec Guinness explains that he was approached by Anthony Waller to film a few scenes in the back of a car, and agreed to do so because he (Guinness) thought that it was a student film. Guinness also says that he was never offered, and never received any pay for his part, and in the above mentioned memoirs he makes it clear that he will not fall for a stunt like that again.

    So, the finest moment in the film was obtained under false pretenses, and that pretty much defines the entire project: as fake as the fake blood that pours throughout the film.

    I am giving this mediocrity a very generous 6 /10 because of Guinness, one of the finest actors ever to grace the silver screen.
  • Bannik20 December 2003
    An amazing piece of film that was well-conceived and kept me on the edge of my seat. Brilliantly orchestrated in its timing, and the comedy kicked in exactly when the tension needed a release. The acting was generally well-done (the "Director" should've asked Alec Guinness for acting lessons), and the shot selections were impressive (as in elongating the hall as Billy tries to race to the door in the studio). This movie didn't let up since the opening scene...
  • Billy Hughes, a mute makeup artist working on a slasher film being shot in Moscow, is locked in the studio after hours. While there she witnesses a brutal murder, and must first escape capture at that time, then keep from being killed before convincing authorities of what she's seen.

    Critical reception has been mostly positive and the film currently holds a rating of 80% "fresh" on Rotten Tomatoes, based upon 20 reviews. Variety gave the film a mostly positive review, remarking that while the movie can be "entirely plot-driven, neglecting to develop intriguing characterizations", its "suspense is so chilling, its narrative so disciplined and its style so pleasurable, they jointly triumph over the other deficiencies." The review from the New Yorker was more mixed and they wrote that the director's "technique is impressive; the film falls flat only when he attempts to make the frightening funny. But the plot takes some nice twists and turns, the tension builds a good head of steam, and the tawdriness never lets up." Personally, I think the film is a bit over-rated. I like what they were going for, and it almost has a giallo quality to it with a character who has seen something but can do very little about it. But it seems to be mixing horror with political thriller, and not all that well.
  • Billy Hughes is a mute young lady working for make-up on a cheap horror picture being filmed in Moscow by an American director. One night Billy gets locked in the movie studio. Later that night she hears that someone might be in the building and goes to check it out. That's when she stumbles across a woman being brutally murdered, while being filmed. After escaping the clutches of the murderers, Billy informs the authorities, only to be red-faced when the men show it was an act. Billy knows what she saw and soon her life is in turmoil again from underground figures that believe she has something of importance.

    I don't know how this heart-pounding sleeper passed me by, but I thought it was a much older flick. There's one thing though, it's got to be one of the most jarringly, and intense thrillers I've seen in quite a while. It's just a great suspense builder and mostly everything clicks into place! The first half of the feature is surprisingly gripping with taut sequences that have your heart in your throat and clouds us with an atmospherically foreboding environment of alienation. Underling this is a humorously wicked black streak. Faults do pop up in the story, as it does lose that furious grip it held so early and goofy humour (or better putter comic relief) between Fay Ripley and Evan Richard's characters is a hit and miss affair by being too forceful. In the long run, it probably could have done without. Despite some cringe moments, this aspect didn't hinder my enjoyment of it. For me, the soft ending they decided to go with just didn't feel right.

    The interestingly mysterious premise was eerie to the bone and packed some unsettling goods. So multi-facet was the context and its thrills, there was something fresh to how this all plays out and the nervy jolts and unbearable tension are weaved into a range of sudden plot turns and twists. Really, they made superb use of the novel idea of this disability and to handicap the situation, by staging it in a foreign place where not too many spoke English and so we are caught up in the confusion too. The delicate Marina Zudina gives a harrowing portrayal of the American mute girl Billy. The way she able to display the erratic emotions through her eyes and actions gave it some gruff and believability. Director Anthony Waller shoots the flick in a rather stylish, well-timed and skillful manner, without loosing that grimy look that eventuates from its rigid surroundings and a powerfully airy music score persistently nags at you. The only real name to make an appearance was small cameo part by Alec Guinness. The performances by the cast were all fine, especially the nail biting turns by Oleg Yankovsky and Igor Volkov as the Russian murderers.

    This riveting feature that's mostly made up of unknowns, is way better than your average dark thriller. Highly Recommended.
  • Warning: Spoilers
    Mute Witness is a modest, yet very solid thriller that never really received the attention or good comments it deserves. The film – written and directed entirely by Anthony Waller – is a tense, action-packed thriller with black comedy aspects and horror influences. No pointless mumbo-jumbo or endless plot-twists…just straight to the point mystery. Mute Witness handles about the vicious topic of `snuff'-movies and is effectively set in Russia. *** SPOILERS *** Since the production costs are cheaper there, a US film crew temporarily moves to Russia for shooting a horror film. An old hangar is used as film location. The female make-up artist of the team accidentally gets locked up overnight and while trying to find a way out, she witnesses the recordings of an authentic snuff-movie! She's caught and tries to escape but, since she's a mute, she can't cry for help and neither can she explain what she saw to the police properly. The girl's life is in real danger now, since there's a whole hidden network behind these snuff productions and they don't want the witnesses to be alive… *** End Spoilers ***. Mute Witness contains multiple highly exiting action sequences and is rather bloody. Some of the mystery clues are effectively kept secret till the very end. Regarding the similar topic, I'd say it's definitely better than the more famous `8 mm', directed by Joel Schumacher and starring Nicolas Cage. The acting in Mute Witness isn't great, but the leading actress (who's Russian herself) looks really cute. Sir Alec Guinness makes a special appearance, too. And a very cool one, I may say. Surely recommended with guaranteed fun and scares.
  • At first this movie really had my full attention. I'm not saying this was an original movie, like I had never seen before, but it sure had something to offer that really appealed to me. It's a pity that it all went wrong in the second half of the movie.

    Billy Hughes is a mute make-up artist who works on an American slasher movie that's being shot in Moscow. One fine evening she witnesses the making of a snuff movie in the studio where her crew works. Now she has to try to escape from the murderers (Russian people who work in her film crew), to stay alive and to convince the authorities that the murder that she witnessed is real.

    I like to watch good thrillers and I'm a fan of European movies, because most of the time they pay more attention to the character development and the story. Even though this movie sometimes reminds me of a Hitchcock movie and even though it has a European cast and director, it can't convince me all that much. It has some good potential, but somehow they have messed it up and made it look like a mediocre Hollywood movie. The story is quite original, the locations are nice, but it is the acting that doesn't always do the trick. I'm not saying the actors are bad, but they aren't great either. I guess there are people who really love this movie, but I'm certainly not one of them. I give it a 5/10.
  • Wow, that is literally one of THE very best Thrillers I've seen in quite a while, and it was made nearly 30 years ago!

    First and foremost, the QUALITY is by far better than what you see in run of the mill Thrillers. In my lowly and wretched opinion, I feel that the director is frigg'n brilliant! From the very first few minutes, between the cinematography, the close-ups, the editing, and the expert use of sound, you can easily tell that this guy is truly very gifted.

    Across the board, everything is of very high caliber. The acting, writing, the story, the pacing, and especially the suspense. This guy completely nailed it in every way possible. The main actress was superb, especially not being able to say a word. The director guy was a tad hammy, but overall, man, the bad guys are SERIOUS bad guys!

    This is by far one of THE very best Suspense/Thrillers I've ever seen, extremely well made and effective, and I've never even heard of this director. I will most definitely have to check to see what he has done since. Like I say, Hitchcock would be very proud indeed.

    MOST HIGHLY Recommended!
  • lee_a_scott3 September 2006
    I was loaned this film on DVD by a friend, and would advise anyone else of the warning he gave me: don't be put off by the first ten minutes. After that, the film offers laughs and scares in pretty much equal measure, and throws in Obi-Wan Kenobi for kicks (but the soothing voice of the Jedi Master does come off as incongruous). Overall, I enjoyed the movie, but felt that it was not sure what it wanted to be, as it never committed to horror or comedy, but in flirting wholeheartedly with both, didn't seem to be a horror-comedy either. There was enough mileage in there for a highly effective thriller, but losing the comedy (wait for the devastation of Billy's apartment!) would also seem a shame, so I guess sticking with the schizophrenia works.
  • Mute Witness begins strongly with a simple but intense set-up that has a mute American make-up girl accidentally getting locked in the decrepit Russian film studio in which she is working on a US film being directed by her brother-in-law. While trying to find her way out she inadvertently witnesses the filming of a snuff movie and subsequently finds herself hunted through the deserted studio's dimly-lit corridors. All of this is well paced and filmed – the murder scene, like Hitchcock's famous shower scene, cleverly uses the viewer's imagination to provide the gory details – and the film manages to create an increasingly claustrophobic atmosphere as the heroine's avenues of escape are systematically reduced.

    Unfortunately, it can't sustain this level of tension for long, and once the plot is opened out things start to unravel. For some unfathomable reason, writer/director Anthony Waller decides to introduce a 'comedy' element in the guise of the heroine's film director brother-in-law, and the whole thing nearly falls apart completely as he and his wife (the heroine's sister) are given increasingly larger amounts of screen time.

    The story grows a little confused as it widens from a lady-in-peril thriller to more of a conspiracy plot involving a shadowy figure called The Reaper (Alec Guinness in a cameo he filmed about nine years before the rest of the film was shot!) and police complicity in the snuff trade, and by its climax, Waller has thrown in so many twists and red herrings to try and disguise some glaring plot holes that you're left deflated by thinking about what could have been.. Waller was obviously trying to deliver a Hitchcock homage, but this is all the evidence you need that aiming for Hitch on your debut effort is aiming way too high.
  • ** 1/2 out of ****

    For the better part of an hour, Mute Witness is a first-rate thriller. So good, in fact, it was quickly becoming one of my genre favorites. Good premise, great direction, mostly terrific acting, smart writing, this one had it all. That is until just a bit past the one-hour mark, when the film suddenly makes a mind-boggling idiotic decision to change the tone and approach of the material, and it all devolves into a cheesy mess that left a sour taste in my mouth. This is the perfect example of a would-be great film that's merely recommendable thanks to an awful finish.

    Billy Hughes (Marina Zudina) is the make-up artist for a cheesy slasher flick being filmed in Russia. A quick intro shows us that she may be mute, but she's pretty good at her job, which she may have also gotten because her sister is married to the director. After shooting for the day is wrapped up, Billy stays behind and is accidentally locked inside the soundstage. Waiting for help to arrive, she stumbles upon two of the film's crew members shooting a porno film, which quickly becomes a snuff piece.

    After a fairly amusing opening scene and an effective set-up of the characters, Mute Witness kicks into full throttle quickly. Immediately after Billy witnesses the murder, we get one of the more suspenseful extended setpieces I've ever seen. These fifteen minutes consist of Billy creeping around the soundstage, desperately trying to avoid those crew members she just witnessed. It's a genuine breathtaking, edge-of-the-seat sequence, quite possibly the movie's highlight.

    But the fun's not over. A little over halfway through the picture, we get another great stalk-and-slash sequence inside Billy's apartment. You even get to see cutie Marina Zudina fully nude, in some of the more gratuitous bits of flesh baring I've seen in a while (she has a great-looking butt), not that I'm really complaining. Zudina is probably the best thing about the film, she's not only extremely cute, but also smart and likable, a quick thinker who evades her attackers not because she's physically stronger or faster, but because she's smarter.

    (spoilers) While I figured the film couldn't possibly keep the momentum up, I wasn't expecting such a sharp turn of events, either. The film suddenly goes from edgy thriller to a cheesy spy film, packed with silly and predictable double-crosses and plot twists. The simplicity and stark atmosphere of the first hour is gone. The number of villains is bloated from two scary individuals to what is apparently the entire Russian mafia.

    The introduction of the undercover cop robs the movie of its key strength. The fun of the plot was watching Billy outthink and outsmart her attackers by herself. Bringing this guy into the mix shoves her into almost a supporting role and virtually reduces her to a mere sidekick/damsel in distress.

    Possibly worst of all is the decision to place Billy's sister and her husband into the thick of the action. I don't think I've ever seen such an extreme case of two characters who I initially liked that come to annoy me so much by the climax. These two are made into bumbling fools, they've basically become the film's comic relief. Attempts at humor include them accidentally killing the bad guys, dropping bullets in crucial situations, and generally acting as clumsy as possible but still somehow not getting themselves killed in the process.

    Director Anthony Waller had such a firm handle of the movie's pace and tone that I find it hard to believe he'd suddenly undo all his solid work in an instant. But the film's downward spiral is entirely his fault, the man wrote and directed the picture. He should have just stuck with what worked. But the first 2/3's are so much fun, it's worth recommending to thriller fans.
  • japa14 June 2001
    I have noticed that quite many people consider this film to be scary. Well, I guess they haven't seen a lot of scary films. This is an ok thriller, but nothing spectacular. I have to admit that the scene in the beginning where the murderers are chasing Billy is quite thrilling, but scary? No. And from that moment on, the films loses its edge. After that chase it comes somewhat an ordinary thriller with no great surprises. But it's not a bad film, you can watch it once at least. And the actress who plays Billy, the lead character, is pretty cute.

    I gave it an 6/10.
  • I rented "Mute Witness" based on a lot of overly positive reviews I'd read praising its craftsmanship and suspense. After seeing it, do I believe it's on par with, say, Hitchcock's "Frenzy"? Not at all. Is it a passable way to kill 90 minutes? Sure, and to its credit, it is much better than a lot of the dreck lining video shelves...but it is also just frustratingly average. Writer/director Anthony Waller builds an effective setpiece early on (reminiscent of the 'museum scene' in "Dressed to Kill"), where Billy (Maria Sudina), a mute makeup artist on a low-budget movie, witnesses what appears to be a snuff film, and proceeds to get chased through the building by the perpetrators, always keeping one move ahead. This is very complex and well-done, but sadly, it's the high point of "Mute Witness." After that, the film becomes a labyrinth of plot twists that even the director can't keep track of (though you'll be one step ahead of each), made all the more confusing because of some very, VERY thick Russian accents (oftentimes I couldn't tell if it was Russian or just very broken English the characters were speaking--subtitles please!), and two American filmmakers who bring an awkward sitcom quality to the proceedings. I like movies that don't deliver what is expected, but I dislike it when movies emphasize style over character, which "Mute Witness" does seemingly every five minutes in the last act--Waller has apparently watched too many Dario Argento films. Despite its flaws, "Mute Witness" is an okay film, buoyed by a fantastic lead performance from Maria Sudina, who is more expressive and charismatic than most Hollywood starlets.

    5.5/10
  • Warning: Spoilers
    A couple of years before SCREAM spoofed the slasher/horror genre with savvy, self-conscious young things knowing every trick in the book of what to do and not to do in a precarious situation, a little movie produced in Russia hit the theatres without any grandiose pretensions.

    This movie was MUTE WITNESS. Starring a cast of unknowns (except an extremely brief cameo by Sir Alec Guiness whose scenes were purportedly filmed eight years prior to the actual filming of this movie), it told the story of a mute make-up artist, Billie, who is working on a film on location in Russia produced and directed by her sister's boyfriend Andy. She is unaware that the set has closed when she goes to retrieve her belongings and inadvertently stumbles onto a porn shoot that becomes extremely bloody. Overcome with horror she alerts the murderers of her presence, a chase ensues, and finally she is rescued by Andy who take her home as they alert the police. The trouble is... there is no body, no evidence that anything of the sort took place. Even so, a mysterious inspector seems to be on Billie's side of the story....

    And to say more would be criminal. MUTE WITNESS is the kind of film that demands a scrutiny of viewing similar to the most intricate, clever thriller because as much as it is a convoluted thriller, it's one that pays its dues to movies like WAIT UNTIL DARK and the best of Hitchcock in its choice of camera cuts, deadpan humor, Americans reacting in foreign countries where they are powerless, and nail-biting suspense until it seems something must snap. Even if the story does become a little too implausible due to the fact that the story arc suddenly becomes the focus of an even greater conspiracy, the film succeeds in not trying to trick the audience with cheap shots (for example the sudden appearance of a person on camera accompanied by a crashing swell of violins) but with the fear of the unknown and that death is only a shadow away. Very smart.
  • Warning: Spoilers
    If you enjoy suspense this movie has it. The fact that Marina Zudina portrays a mute adds to her haplessness and increases the suspense. Alec Guiness's appearance was nice, but didn't really add to the movie. I'm not sure if Evan Richard's part as Andy Clarke was an attempt to add a little humor or if he was supposed to just be a bumbling idiot. I thought the cinematography was excellent. This added not just to the quality of the production but to the suspense as well. The bathtub seen with the water droplets in slow motion was wonderful. Also the scene where the knife comes down and then it switches to Andy Clarke cutting an extremely rare piece of meat was very well done. I would call it overall good entertainment
  • An intense thriller about a mute movie make-up artist who witnesses a snuff film being made when she is working late in the studio one night. After she tries to get away from the murder scene, she realizes she is in for more than she bargained for when the entire mafia is out to kill her for being a witness. This movie leaves you on the edge of your seat.
  • Warning: Spoilers
    The first half of the Mute Witness was really understandable and thrilling- it made sense. The start of the movie, which takes us into a studio where a murder is being rehearsed, is really shot well. Then, we are introduced to a mute make-up artist, her sister and her sister's husband, who is the director of the film. It has quirky moments in the beginning, which is actually funny and witty, and you know that these things must be occurring during a film's shooting. Side-actors thinking they are the prime actors and trying to lengthen the screen to show their presence to the audience, even though their role is miserly, many a times, happens in cinemas. So you could relate the plot. Then, at night, the mute lady, is mistakenly locked at the studio- what could she do, she couldn't shout as she was dumb. She calls her sister, then witnesses a murder taking place in the studio by two of the people working in the film and decides to fled. The murderers search for her and find her when her sister and her husband arrive at the spot and she explains to them with gestures and hand movements about the murder. But no one except her sister pays any heed to her as the accused have eradicated all their evidence. Then, we are shown that the accused are working for someone who tells them to kill the witness. They attack her at her house but she outwits them and while her sister, worried, and her husband arrive at her place.

    Till here, the story is perfectly clear. I loved everyone's acting and found their performances strong. The way they show the lady being murdered is quiet brutal and intense, though not scary in my opinion. The way they show the mute girl escaping is shot really well. The camera effects, the sudden silence, the heavy breathing, all are taken in such a way that the audience is glued to the film. There is some dark humor in this film but in the first hour only, it gels with the film pretty well. The agitated sister, who is so worried about her sister, gives a power-packed performance, while her husband, who takes the matter lightly, too, gives a real good role. As the film is shot in Russia, many of the people speak in foreign language, but you can cope up with them because there is a translator in the beginning and well, you can understand. The scene where the girl is lying in the tub is taken pretty well, in slow-motion and I loved the camera-effects, the 'plopping' of the water. Really strong.

    But after that, we are introduced to a person who is from the police and rescues the girl. Then, there is a mish-mash where the story turns way too stupid and confusing that I was perplexed at the end, not with the story at all. The 'Reaper' thing was all c**p and the film became more sleazy. The sister and the husband's role became quite unnecessary and stupid as from a powerful role, their role turn absolutely stupid, and they were more kept as the funny guys. The mute-girl too became childish and a side-kick while the police-man became the hero of the film all of a sudden. I reckon that there would have been different script writers for the first and the second part, because after about an hour, the film became the complete opposite. Its reputation tumbled down and that's the main reason I am giving it a six out of ten. THe first have surely deserved an eight.
  • gridoon8 April 2001
    Judging from this, his first feature, Anthony Waller seems to be a gifted director but a mediocre screenwriter. His directing is fast-moving and efficient, and he achieves a few astonishing shots (for example, a scene with water drops). But his poor script betrays him. At first, it's just repetitive, recycling the same situation over and over again; as it progresses it gets worse. Near the end, when a "brilliant" plan is constructed for the heroine's salvation, it gets implausible and downright dumb. At least the vulnerable heroine in this movie, well-played by Marina Sudina, shows an amount of pluckiness that is quite unusual for this type of thriller. (**)
  • I couldn't stop watching this movie, though it was far past my bedtime.

    Comparisons to Hitchcock are deserved -- this thing really plays with you. It walks a wonderful line between real, immediate suspense and a dark, distancing humor. Like many of Hitch's heroes, our doe-eyed mute witness has innocently stumbled into something truly horrific -- and we are taken on quite a ride with her, at turns identifying totally and feeling her fear, at turns watching in thrilling suspense as she is placed further in jeopardy.

    The filmmakers have put in a lot of tender care in working this out. Right from the opening shots, they engage and challenge you to determine what is real and what is fabrication; who is to be trusted and who is a monster. The plot twists and turns unpredictably. Suspense is created with a combination of carefully chosen camerawork, imagery, music -- but most simply THE EYES of the characters, which sends raw fear right into you.

    A warning: there is some frighteningly real gore, as well as some nudity. The horror scenes are done in an emotional way that make them far more scary and disturbing than in any teenage-slasher pic.

    And a teen-slasher pic it AIN'T. The characters are quirky and feel like real people, for one thing -- a couple (including the heroine) you may even find endearing as I did. There will be no mistake you're watching a movie made for grown-ups. I mean, Alec Guinness is in it, briefly, and you know he didn't NEED the work!

    Pop this in the VCR some night when you can't sleep. . . and don't want to, yet.
  • Warning: Spoilers
    I enjoyed the acting in this movie. Except for the sister. She reminded me of Janice on Friends. I could never quite believe she was anything but obnoxious.

    My main problems with the movie were the anticlimatic ending and the execution scene with the sister and brother-in-law. The guy falling out of the exploding car? Maybe if his hand had been blown off and he ran to the mute for help and she kissed him and rushed him to a hospital, maybe then I could have gone for the ending. I think somebody needed to die in the execution scene. Mainly the brother-in-law. He was such a pain in the ass anyway. Or maybe the sister needed to accidentally kill the guy who saved the mute. I could have even bought into the brother-in-law killing the hero and the ending being the two sisters being put in snuff films.

    It is worth watching again and as I always say, it is much easier to be a reviewer instead of an author.
  • That's what I'm going to call this movie, Too Many Feints. By the end I didn't believe a single "death", which, needless to say, took a lot of the tension out of it. A lot. This is the story of a mute special effects/makeup artist on the set of a movie being made in Russia. She stays late to work on some doo-dad or other and, lo, she inadvertently witnesses the making of a snuff movie. The race is on.
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