At the age of eleven, little Faith trusts a Ouija board to give her the name of the man destined to love and cherish her, her soul-mate, her Charming Prince, her alpha-male and omega. A few years later, she goes to a fortune teller and the name pops up again, this time, there can't be any coincidence. I saw the film almost twenty years ago and I never forgot the mysterious and unreachable 'Damon Bradley' less a name than a powerful MacGuffin on which Norman Jewison hang countless gags but also some surprisingly powerful moments that would have been remembered a little more if 1994 wasn't such an exceptional year for films.
But let's get back to that Damon Bradley guy, a Keyser Soze of rom-com, whoever he is, the name plays almost like a ticket for Faith' heart, which would be silly if it wasn't played with such tenderness and let's drop the word, romantic way. And there's just something about Marisa Tomei's childish smile and innocent idealism that is immune to cynical comments, when she smiles, we want to pinch her cheeks, when she cries, we just want to hug her. She's too cute for words and when we see her for the first time and when we see her for the first time, as a young teacher about to marry a podiatrist, the film makes it clear that a Damon Bradley, he isn't and happy, she is but it's not all fireworks and moonlights. But while she's trying her wedding dress with her friend Kate (Bonnie Hunt), a mysterious caller announces that he won't come to the wedding, guess his name?
The temptation is too big to resist, Faith has the name and of all the places to have an appointment, it had to be Venice. Faith is convinced that destiny is on march, she takes her first plane to Venice, looking for Damon Bradley, surely destiny won't defeat her this time. Again, the film contains one of the craziest premises at first stance but who ever said romantic comedies had to be dependent on logic or common sense, as long as the players convey enough sympathy and charm to make us for long for the inevitable and definite kiss. But it will be a long way to that kiss and it will be paved by many encounters, and not the least being a cute American played by Robert Downey Jr. Downey, the perfect co-player with Tomei, cute and quirky, you can't believe these two guys aren't meant for each other, especially since he says he's Damon Bradley.
We know it can be true or false but the trick of romantic comedies is that they rely on the unpredictability of both humor and emotions, but humor is something that appeals to the intellect, more than emotions. As a viewer, we're torn between the childishness of Faith who wants everything to happen according to what she believes in and the moments where her faith is shaken and she seems more entrapped than exhilarated in her 'idealistic' persona, the same premise can either be a source of gags or sadness. In other words, the film is funny and makes you think, not that it has any sophisticated pretension or make any statement but it powerfully distorts this notion of 'destiny' and our obsession with finding 'signs' everywhere.
Not all the gags and sad moments work the same, there's also a subplot involving Kate's relationship with her husband and a little affair she has with an Italian played by Joaquim de Almeida, and a nice role for Billy Zane before he was that bastard from "Titanic", but "Only You" is another occasion to marvel at the Italian landscape and its propensity to awake the most intense feelings. The film doesn't make a nod, it is a beautiful tribute to "Roman Holiday" and offers a nice twist on the iconic hand-biting scene and also the Cinderella moment where Audrey Hepburn loses her show. "Only You" resuscitates the charm of these old Hollywood romantic comedies where a clever and sensitive script played the part of destiny and all we had to do was to succumb to the charm of a leading couple, coming from the director "Moonstruck", I'm not surprised.
In the end, it's not much about Damon Bradley, we all have a Damon Bradley, a mark in the treasure map of our life, a goal that define and determine us, but maybe real destiny is whatever happens to us when we're seeking this, and maybe it'll lead to more valuable treasures. "Only You" is a real little treat to savor as if you were tasting nipples from Venice, it's light and tasty, and if it hasn't the perfect plot or story it has at least the perfect casting and the perfect setting, that's enough.
