Reality Bites

Any film striving to chart the up-to-the-minute details of twenty-something life in 1994 was bound to feel a tad outdated the second that 1995 had found its cultural niche. And true, 'Reality Bites' was clearly trying so hard to be hip and with the times that there are points when its characters can seem very distant now (there can't be too many people today who'd consider dancing around a gas station like an unrestrained idiot to be a fitting definition of coolness – nowadays viewers will probably be more inclined to identify with the clerk looking on with bemusement in that scene). Nonetheless, the uncertainties that come with entering adulthood and establishing a steady independent life of your own in the real world will always be relevant issues to young people no matter what the era, so any flick that deals with them has a fair chance of striking a chord with such an audience (being a young twenty-something myself, they're certainly hot on my own mind). Sadly, they never amount to much more here than the backdrop for a familiar love triangle yarn, albeit the familiar love triangle yarn as you've never seen it before. Our lead girl still gets torn between two guys, each from a different rung on the social ladder, only this time round it's actually the down-to-earth businessman making a healthy living for himself (Michael) who's an amiable mass of benevolence, and the laid-back young musician struggling to make ends meet (Troy) who acts like an offhand, self-righteous bully for much of his screen time. That the film still expects our sympathies to lie in the usual places regardless and root for Troy simply because he's the underdog is just the slightest bit galling (let's ignore the fact that Leliana, the lucky heroine who has the honour of choosing between them, is something of a whiny, irresponsible brat herself). Perhaps the only thing more fatal than choosing to go with such a wearisome and predictable formula is using characters that don't even comfortably fit it.

Fortunately, 'Reality Bites' does have a number of small redeeming qualities which come along at just the right moments and may make us intermittently forget that this is all going to be part of something very hollow and routine overall. It's stylish, well-crafted and reasonably entertaining, if you can forgive the occasional patch of cringe-inducing dialogue ("I'm a non-practicing Jew" "Hey, I'm a non-practicing virgin" – dear lord), and Ben Stiller adds life and flair from whichever side of the camera he's on. His debut direction feels surprisingly accomplished, panning the various scenes from a selection of imaginative angles and connecting them together very smoothly, while his character is easily the most likable and understandable of the bunch (too bad he wasn't meant to be). John Mahoney (better known for his role as Martin Crane in the popular sitcom 'Frasier') has a memorable cameo as a disgruntled TV show host, the soundtrack is filled with lots of little audio treats, and the people in the prop department have certainly provided us with plenty of interesting things to look at – it's actually quite fun to watch if you keep your eye out for all the novelty memorabilia that these characters have hoarded; in addition to Michael's beloved Dr Zaius figurine, a Garfield-shaped telephone and a metal 'Charlie's Angels' lunch-box, among others, have made it to the set.

But what really hurts 'Reality Bites' in the end, other than the hackneyed storyline, is just how much depth and substance the protagonists are sorely lacking. Considering that it revolves around a recently-graduated girl determined to demonstrate that she and her friends are more than just shallow Generation X-ers, devoid of any desires that extend beyond having sex and eating pizza, it doesn't exactly do a great deal to convince us otherwise. Most of their time is seemingly devoted to nothing more ambitious than messing around and having spats with each other, while the more serious material, including a subplot which sees Leliana's best friend Vickie awaiting the results of a test for HIV, is downplayed so considerably that you never get the impression that any of them are terribly concerned. The back-stories we hear about rough childhoods of divorced or neglectful parents are equally perfunctory, and the sad fact that Troy's dad is currently dying from prostate cancer is treated very incidentally by the film as a whole - what little is made of it feels more like an emotional blackmail designed to make us feel sympathy for the pretentious Troy than an actual aspect of his character.

It gives us something good every now and then, but overall 'Reality Bites' just isn't strong or satisfying enough to qualify as a coming of age classic (don't even think about comparing it to 'the Graduate', or even 'Risky Business'). While it may go on being fondly-remembered by those who experienced it at the time, on the whole this one feels like it's been rather grounded in 1994, and left with only real claim to fame – and that's that it famously beat 'Pulp Fiction' to the rights to have 'My Sharona' on its soundtrack. With hindsight, it was probably 'Pulp Fiction' who had the last laugh.

Grade: B-

Reality Bites is a movie I can currently relate with, as I have been recently suffering through post-college trauma. The movie has such a relatable premise, but I feel it could have been just a little better. But watching the movie provided me with the feeling that I am not alone in this ordeal. The movie was written pretty well and this is Ben Stiller's directorial debut, so a movie like this is not a bad way to begin a directing career.

Stiller's film is about a TV production assistant named Lelaina who is creating a documentary about post-grad life with her three friends: Troy who is a philosophical unemployed slacker, Vicki who is the manager of Gap, and Sammy who is trying to find his sexuality. When she meets Michael, an executive at an MTV-like studio, there is a chance her documentary can now go public.

The film is reasonably acted. Winona Ryder does a pretty good job as Lelaina, even if she seems a little whiny. I liked Ethan Hawke's character as his philosophy reminded of his character in the Before Sunrise series. Ben Stiller had a limited role, but he did a solid job. I also like Steve Zahn as the man trying to find out who he is.

Overall, Reality Bites is a decent movie because mainly it has a theme that people my age can relate to. The path to show this theme may not work as effective, but the movie was still mostly entertaining. I will say that the documentary shots got a little annoying at times, but the narrative itself is quite good.

My Grade: B

I first saw this movie when it came out in the theaters and I was a teenager myself, and I remember feeling a just a little shortchanged and even dirty, like I'd been manipulated in a way. I did enjoy it, but the reasons for enjoying it do not hold up today. Watching it again has been fun because looking at it through adult eyes, I am having fun seeing how easy it is to spot the dated qualities and outmoded philosophies that, as one reviewer said, were pretty much defunct by 2000, or maybe even by 1995-6.

And it's not like I was some profound kid who had all this insight how mass media sells these ideas to young people...I bought into the whole "Seattle grunge" thing lock, stock and barrel, I thought guys with stringy unwashed hair and bad attitudes were totally hot, I wore crocheted vests, mood rings, and colored sunglasses with the best of them. So me thinking that something did not ring true must have been because it is pretty obvious that this movie is in essence a failure.

1. The characters-The movie works really hard to make Troy be the better option for Leilana. For teenagers, he was totally sexy to watch on screen and totally swoon worthy, but his utterly obnoxious attitude, his rudeness to Ben Stiller's character, and his bullying just came off as unpleasant at the least, and his philosophy for not working are textbook definitions of a narcissist. Hearing some of his pseudo intellectual discussions are painful and embarrassing, because it is clear that the movie feels that young Gen X'ers embrace and admire such outlooks unequivocally and at face value. And kids were supposed to identify with this person? What an inconsiderate person, to stand up Leilana's father for the job interview and lead her to blame herself, and to embarrass women around him for being attracted to him. Any good friend and countless therapists would advise against having him as a boyfriend. The sad few seconds devoted to his dying father are not enough to redeem him or "understand" him.

Bottom line, if Ethan Hawke was supposed to make this person somewhat sympathetic, he failed, or if he truly was supposed to be this unlikable, then good work.

Leilana did come off as sympathetic and overall was well played by Winona, and her beauty is the one of the few things in this movie with true staying power. Her character does some pretty awful things, though. When her boss rudely rebuffs her video ideas, she humiliates him on air. When her friend offers her a job, she snaps at her. Instead of swallowing her pride and working at the gap for a bit, she resorts to the embarrassing "gas card" scene, which we are supposed to think is cute and rebellious. It is totally unconvincing that a "valedictorian" would ever be so irresponsible and immature, even if she had fallen on bad times.

As for the other two, they are both well acted and likable, but seem to be added on simply to achieve a gritty "90's" edge, like HIV testing and coming out to your parents. Neither subplot is developed enough to give this movie the edge it craves. Both are attractive and funny, and Vicky especially projects a friendliness, sympathy, and is cute as hell in those throwback clothes.

2. The Michael stuff really is a failure. Ben Stiller did a good job acting in this movie and came across as warm and real, but this movie is his work too. I guess a simple plot device would have been to make him more arrogant from the get-go so that he could seem like the "bad guy" but that would have been cheap. Either way, the movie does seem like it's trying to convince you that he either "betrays" Leilana or "doesn't understand her" the way Troy does, and it doesn't work. Those two had a positive chemistry and seemed to complement each other as characters. To make this a true coming of age and growing up story, Leilana should have either chosen Michael, who emphasizes growing up, taking responsibility for your actions, and change for the better, or decided to be on her own for a while to become a more mature person.

3. The biggest failure of this movie, and in my opinion, the most dangerous, is how it elevates Troy's attitude as the noble one above all, as if being narcissistic and self-involved are desirable. Being that he is the hot guy of the movie and that the other characters seem to respond so positively to him, a young teenager is left with the message that this is the "new" way to be and that Michael's responsible and kind persona are "hypocritical" or "selling out." Leaving the theater back in '94, I was enjoying myself thinking about the romance between two good looking and stylish characters, but I couldn't really get into that part as much as I should have. Since I also really wanted to be cool and up to date, I was wondering if I should be acting or living like any of these characters, living in a flat with a guy who mooches off me, sleeping around with strangers, dancing at the gas station, etc. The movies have a lot more influence on young people than one thinks.

In my gut, I felt two things: a-My parents would be horrified if I brought friends like that around and more frighteningly, b-I secretly would agree with them.

I really enjoyed this movie. Looking back in hindsight, I can see the selfishness of the characters, and I have read the complaints about this, but isn't that kind of the whole point of the movie? It's about people talking about not "selling out" while at the same time they ARE "selling out" in many different ways. They (the characters in the movie) are all consumers who satirize the very idea of "consumerism" but refuse to "stoop down to the level" of getting menial jobs to try and pay the bills. The movie defines for me how education isn't everything and from my own experience I have learned that sometimes the "great dream" (of being a writer, artist, musician, etc.) just doesn't pay the bills and in order to make decent money one may have to go into a field that is not originally their first choice as a means of employment. I remember being young and wistful, with dreams of being an artist, only to have to "settle" for an office job to make ends meet.

The movie does express what life was like for me at the time. I was a naive student with dreams of producing great artistic work, but who learned that what is taught in college as "reality" is not really reality at all. College students are fed with lofty artistic statements and philosophies and are taught to analyze endless aspects of society, ideals, etc., and are taught that "knowledge and education are power" but are not taught that credibility and respect are things which must be earned and that very few people actually start out at the top of the career ladder.

Overall, this continues to be one of my favorite films and I appreciate the myriad of messages that it sends, though they may, at times, be contradictory.

This movie is the 90's in all of it's 90 minutes, so if you're nostalgic then look no further. The film tells a familiar coming of age story: high school graduates become adults and figure out their futures aren't that bright. Every generation is passed on the world from their parents and they have to deal with it and the fact that they may even become their parents. This is that story in it's all it's angsty 90's glory and the film does it with some fair humor. Winona Ryder,Ben Stiller, Ethan Hawke, and Steve Zahn are your main players but a number of cameos are made from other 90's mainstays such as David Spade and Andy Dick. While the movie does risk becoming too campy at times, for the most part this is a dry and fairly sober look at what it meant to be a young adult trying to survive at that time.