Add a Review

  • Carol Burnett is book publisher Vivian Levinson Goldstein, the wife of Ezra (George Segal), and whose drug addict daughter Ellen (Jill Teed) has abandoned her son, 7 year old David (Eric Lloyd). Vivian is said to have carried on an affair with Ezra for 25 years whilst married to Ellen's father, so the appearance of David naturally disturbs the time Ezra thought he and Vivian would finally have together.

    Burnett presents Vivian as a humorless woman, a gangster's moll who conceals her passion. At a party she wears a back-less black dress, which leads to Ezra kissing her back, and Vivian playfully putting one of her earrings on his ear. She and Segal play off each other beautifully, their subtle reactions and looks a brilliant demonstration of understatement. When it is heard that someone has died, Ezra holds Vivian from behind as she sobs, and Burnett listens painfully as Ellen tells her a story of her husband's reaction when Vivian finally left the family.

    The teleplay by Robbyn Burger presents Ellen as a shadowy figure, the doomed addict who returns to claim David. Vivian tells Ellen she is more like her than she would want to admit, and the parallel reinforces how Vivian too abandoned Ellen as child, in favour of illicit love with Ezra. The relationship between Ezra and Vivian has deteriorated since they have married and been `legitimised', and it is David's influence that brings the couple to realise how they care for each other.

    Director Lee Grant uses Day of the Triffids on Ellen's TV, and de-sentiments David so that he is never painfully cute or bratty, though the music score of Marvin Hamlisch veers close in the montage of David's 8th birthday party. Vivian's damning answering machine message is repeated when she visits Ellen's apartment, but thankfully Vivian angrily messing Ellen's collection of drugs isn't made too much of. Segal is particularly funny in his reading of a love letter he finds written by Vivian to Alfred (Malcolm McDowell), a writer whose memoirs she is editing.
  • Warning: Spoilers
    With a daughter who is a drug addict pretty much abandoning her child, book publisher Carol Burnett finds her already screwed up life a bit worse. Will being forced to take in her grandson open up the emotionally closed Burnett whose marriage to the shady George Segal is already in shambles? This isn't bad girl Carol in comedic form; in fact, she's a rather bitchy, cold character, one not easy to like.

    Yes, as she begins to tug open those heartstrings as she welcomes her grandson into her heart, she shows signs of what this character has been oppressing. Segal and the overly cute kid hit it off too, and perhaps it's the presence of this angelic who will close old wounds with mother and daughter and fix the marriage from hell with Segal whom Burnett's character was running around with when her first husband was dying. This is a plot straight out of "As the Stomach Turns" minus the laughs.

    I think with the right material, Carol Burnett can be an excellent dramatic actress. Just check out "Friendly Fire" for proof of that. This sadly missed the mark because of a maudlin script, depressing and pathetic characters, mostly unlikable, and missing that certain special element that makes you want to care about these characters. Malcolm McDowall adds more drama as an alcoholic writer whom Burnett enables. Eric Lloyd is tolerable in small doses as the squealing kid. Only Margaret Sophie Stein gets any sympathy as the big hearted landlady of Burnett's character who offers her a sympathetic ear along with some bobka. I give Burnett credit for trying something unique, but I wish she had waited for a better script.
  • jewelch5 May 2021
    I will Recommend Seasons of the Heart Carol Burnett did such a good job in it James Welch Henderson Arkansas 5/4/2021.