The Shawshank Redemption (1994)

R   |    |  Drama


The Shawshank Redemption (1994) Poster

Two imprisoned men bond over a number of years, finding solace and eventual redemption through acts of common decency.

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9.3/10
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  • Frank Darabont and Roger Deakins in The Shawshank Redemption (1994)
  • Morgan Freeman and Tim Robbins at an event for The Shawshank Redemption (1994)
  • Tim Robbins in The Shawshank Redemption (1994)
  • Morgan Freeman and Tim Robbins in The Shawshank Redemption (1994)
  • Frank Darabont in The Shawshank Redemption (1994)
  • Morgan Freeman and Frank Darabont in The Shawshank Redemption (1994)

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'The Shawshank Redemption' Without Morgan Freeman?

The Shawshank Redemption has become a classic film - it's even IMDb's top-rated movie of all time - but did you know it almost had an entirely different cast behind those legendary bars?

Who almost starred?

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27 August 2002 | weswalker
10
| Shawshank Redeems Hollywood
Can Hollywood, usually creating things for entertainment purposes only, create art? To create something of this nature, a director must approach it in a most meticulous manner, due to the delicacy of the process. Such a daunting task requires an extremely capable artist with an undeniable managerial capacity and an acutely developed awareness of each element of art in their films, the most prominent; music, visuals, script, and acting. These elements, each equally important, must succeed independently, yet still form a harmonious union, because this mixture determines the fate of the artist's opus. Though already well known amongst his colleagues for his notable skills at writing and directing, Frank Darabont emerges with his feature film directorial debut, The Shawshank Redemption. Proving himself already a master of the craft, Darabont managed to create one of the most recognizable independent releases in the history of Hollywood. The Shawshank Redemption defines a genre, defies the odds, compels the emotions, and brings an era of artistically influential films back to Hollywood.

The story begins with the trial of a young banker, Andy Dufrense, victimized by circumstantial evidence, resulting in a conviction for the murder of his wife and her lover. After a quick conviction, Andy finds himself serving a life sentence at Shawshank prison, with no hope of parole. He exists in this prison only in appearance, keeping his mind free from the drab walls around him. His ability to do this results in the gaining of respect from his fellow inmates, but most of all from Ellis Redding. Ellis, commonly referred to as Red, finds gainful use of his entrepreneurial spirit within the drab walls of Shawshank by dealing in contraband and commodities rare to the confines of prison. Andy's demeanor and undeniable sense of hope causes Red to take a deeper look at himself, and the world around him. Andy proves to Red and the other inmates that in the conventional walls of Shawshank prison convention will find no home in his lifestyle.

By creating the film's firm foundation, the meticulously chiseled screenplay paved the way for this film's success. Frank Darabont outdoes himself with the phenomenal adaptation of Stephen King's equally noteworthy novella, Rita Hayworth and Shawshank Redemption. In this novella, King demonstrates that he can break free from the genre he dominates and still create a marvelous piece of modern literature. Though the film mirrors the novella in many ways, Darabont illustrates a focused objective of improving upon the areas where the novella came up short, resulting in one of the best book to film transitions ever.

While maintaining some of the poetic and moving dialogue of the novella, Darabont also proves that a film's score can generate a great deal of emotional response from its audience, as dialogue does. He employs the cunning Thomas Newman, son of the legendary Hollywood composer, Alfred Newman. Darabont shows recognition for the film's needs by employing Newman, who makes the gentle piano chords whisper softly to the viewer, as if a part of the scripted dialogue. Newman lends himself to individualism and tends to drive more towards the unique in the realm of score composition. His effort in Shawshank did not go unnoticed, as his score received an Oscar nomination in 1995. While unique and independent, Newman's score never once intrudes on your concentration or distracts from the film.

With work from vast array of talented scene designers, costume designers, composers, cinematographers, and various other Hollywood artists, the cast of The Shawshank Redemption had a strong foundation to work with. The marvelous cast of this film will dazzle you with some of the most convincing performances you will witness in a film. While both Tim Robbins and Morgan Freeman shine as Andy and Red, respectively, the true spectacle of acting lies within the plethora of amazing supporting actors who easily disappear into their roles. Most noticeable of these, the veteran film star James Whitmore, who portrays the elderly Brooks Hatlen. Brooks, a man incarcerated for an unmentioned crime for so long that he finds himself attached to the Shawshank and the daily life he has lead. Each of these actors show a true dedication to their art, and a focused purpose in their motivations, creating a convincing setting that never once caters to anything unbelievable.

With all of the aesthetic touches and attention to cinematic detail, the most beautiful part of the film lies within its thematic material, such as its focus on the human desires for the most abstract concepts, like hope and freedom. These themes, which concern things the human spirit undoubtedly yearns for, seem so intricately woven into the plot that it easily draws its audience in to its story. Though full of hardened criminals, your heart will go out to these men as they display the most basic of human emotions, and deliver some of the most quotable lines in a film to date. Like a great novel, this film manages to succeed at greater things than simply entertaining an audience. Darabont tells his story most masterfully, illustrating principles and inspiring his audience to think. He leaves us a poignant film with a powerful message of hope, and redemption, something we all seek.

This film manages to redeem Hollywood in the eyes of people who feared it long lost in a dark sea of clichés and predictability. Darabont shows us that artists still work in the Hollywood studios and production facilities. These artists show their capability to produce art; real art that inspires you to look at the deeper aspects of life and the world around you. The Shawshank Redemption delivers much-needed breath of fresh air for anyone who realizes the capability of film. It proves that masters of the craft still live on this earth, and still bless us with timeless masterpieces that we will never forget.

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Did You Know?

Trivia

The Shawshank prison, in the book and in the movie, was loosely based on Thomaston prison, an aging prison located in Thomaston, Maine. It closed in 2004, due to its small size and dilapidated structure.


Quotes

District Attorney: Mr. Dufresne, describe the confrontation you had with your wife the night that she was murdered.
Andy Dufresne: It was very bitter. She said she was glad I knew, that she hated all the sneaking around. And she said that she wanted a divorce in Reno.


Goofs

Federal income taxes were due on March 15th in the 1940s, not April 15th as they are today.


Crazy Credits

The man who cried and was beaten when Andy first arrived is listed and credited as "Fat Ass" -- the other inmates' nickname for him.


Alternate Versions

This film was produced independently by Castle Rock Entertainment, but distributed by Columbia Pictures, which placed their logo at the beginning of the film. After the first video release, Castle Rock began to use Warner Bros. as their distributor. This film was then later re-issued on video and DVD by Warner Bros., which replaced the Columbia Pictures logo with their own. (The 1999 WB DVD uses no studio logo before Castle Rock [A Turner Company], and has no Columbia line-art logo at the end, just 10 seconds of blank screen as the music finishes. The 2004 WB DVD and theatrical rerelease start with a very modern WB logo and an updated Castle Rock logo [A TimeWarner Company], and have the Columbia line-art logo in the crawl at the end followed by a quick, still, older WB logo. See also The American President.)


Soundtracks

Put The Blame On Mame
by
Allan Roberts and Doris Fisher
Heard on "Gilda" soundtrack

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