Vukovar Poste Restante (1994) User Reviews (7)

When the Deepest Love and Friendship Are Shattered in Another Stupid War

[claudio_carvalho · 8/10 · 2 April 2004]

In 1990, in Vulkovar, the Croatian Anna (Mirjana Jokovic) and the Serbian Toma (Boris Isakovic) get married. They had been friends since they were children and they felt in love for each other. Together with Toma`s parents, they build their own house. Anna gets pregnant, when the war begins and Toma is recruited to fight. In the beginning, the persons believe it is a minor conflict. Through the character of Anna, the drama of Croatians, Serbians and Yugoslavians during this stupid war is presented along her nine months of gestation. In the end, after many deaths and destruction, it is showed a panoramic view of the ruined city, shattered like the love of Anna and Toma. Yesterday I watched a great movie called `Harrison`s Flowers', which takes place along this war in the Balkans. I recalled I bought a couple of years ago an unknown film called `Vulkovar'. Today I have decided to see it, and I found a very impressive and unforgettable movie. This upside-down love story has a magnificent performance of Mirjana Jokovic and Boris Isakovic. It is impossible not to be touched with the drama of Anna and the people of this beautiful city nearby the Danube. A very sad anti-war movie, highly recommended for all audiences. My vote is eight.

Title (Brazil): `Vulkovar'

One of the first and best films about 1990's (ex) Yugoslavia's

[Guy33134 · 9/10 · 13 July 1999]

VUKOVAR is the only film, besides BEFORE THE RAIN, to draw you in to the events in post-1992 Yugoslavia, and make you feel them as you were there. It's a shame comments like "it's been done before and better" are often the first impression people read when researching a film. Obviously, anyone making such as a statement(in 1998!) is a johnny-come-lately fool who should think before writing such nonsense. How can it have been done before when these "better" movies were made after VUKOVAR in 1994! Wake up! VUKOVAR was one of the first few. In 1995, I saw it in Los Angeles (Santa Monica) in regular release, not in a festival, then watched it again last year on video. If video is one's only access to films, fine, but check the release date before such a broad claim from the deep province. Even after seeing a dozen features dealing with Balkan tensions and ethnic wars in the 90's (including the great, slightly earlier BEFORE THE RAIN which does not deal with Serbia/Bosnia/Croatia), VUKOVAR remains one of the most touching and realistic. AND, importantly, before VUKOVAR, "it had NOT been done before", better or worse, just not at all! VUKOVAR is great, relevant film-making.

Vukovar Poste Restante is the most awarded Serbian (ex Yugoslavian) film.

[northsteven-1 · 10/10 · 22 December 2017]

Vukovar Poste Restante is the most awarded Serbian (ex Yugoslavian) film. > Vukovar Poste Restante is everlasting story about love between two young people, Anna and Toma, - she a Croat, he a Serb - who marry on the eve of the war. Their strong love has been facing terrors, madness and absurdity of the civil war. > Film that tells, shows but does not judge. > > Vukovar Poste Restante is an independent film and the only feature film that was completely shot in 35 days at the original location during the civil war (1993). > The film has been shown at more than 45 festivals all over the world and won 16 international awards. > Ms. Barbara Boxer, US Senator from California, sent a recommendation to the President of the USA at the time, Bill Clinton, for screening the film at the White House. > Vukovar Poste Restante was invited by UN to be shown on Human Rights Day because of its strong anti-war message. > > Critics recognized... > Vukovar Poste Restante is a monumental achievement that deserves to be mentioned in the same breath as "All Quiet on the Western Front", "Apocalypse Now" and "The Killing Fields". Seattle Post-Intelligencer by William Arnold > Discovery! Vukovar Poste Restante is a master-piece" Het Volk, Belgium by J. de Ruych > This is a very powerful film with a strong message of reconciliation. Alvaro de Soto, a senior UN official > Vukovar Poste Restante will stand as on of the most powerful anti-war films ever made. Newsweek by Joan Ellis > Vukovar Poste Restante is apolitical, anti-war film. Steve Tesich, Writer, Oscar winner > Vukovar Poste Restante achieves a level of irony that places it among the best anti-war movies ever made. Washington Post by Hal Hinson > Unforgettable images... Variety by Allen Young > Remarkable achievement... The Post and Courier by Bill Thompson

Very, very powerful!

[anticurous · 10/10 · 2 May 2020]

The film is a true masterpiece that has sparked controversy, because of nationalism and pride which are very important in the Balkans. First of all, the movie goes from the perspective of two young people (A Serb man and a Croatian woman) who lived peacefully and very much in love in the city of Vukovar (it lays on the Danube right on the border of Serbia and Croatia) and the two have nothing but love and respect towards each others nations. As the Croatian War of Independence arises, they are split apart. It shows the casualties of wars and how young lives are destroyed because of manipulative politicians and ultra-nationalistic minorities that have a huge impact on the entire society. Yet, the beauty of this movie lays in the details: 1. The love for your homeland (the girl Ana, played by Mirjana Jokovic, refuses to flee Vukovar even though she is pregnant and can easily get hurt) 2. Ana's parents, who are open-minded people who have always gotten along nicely with Serbs (they are Croats) slowly begin to became aggressive and hateful towards Serbia as the sound of bombings and shootings intensifies in the background. 3. They never accused Serbs, nor Croats. That is a very important detail, as that's what differs a war movie and an anti-war movie. They show rape, killings and horrific things done by soldiers and para-military movements never specifying on what side are they fighting. 4. The use of Bajaga's song ''Budjenje ranog proleca'' (The awakening of early spring) is used brilliantly as the camera films a destroyed city. 5. My favorite scene is at the end when Ana and Tomo look at each other from two different buses and the crossroad sign Zagreb (capital of Croatia) and Belgrade (capital of Serbia) is shown alongside the destroyed water tower of Vukovar. All in all, I strongly recommend to everyone. Especially to people who think that Serbs and Croats alongside other ex Yugoslav nations are flesh eating monsters to watch a realistic story of two ordinary people who's youth and love is shuttered because of a war only profitable politicians wanted!

Torn

[RachelLone · 10 March 2004]

Toma (Boris Isakovic), a Serb, and Ana (Mirjana Jokovic), a Croat, are two childhood friends who fall in love with each other. With their families' help, they build a house of their own and later they get married. Outside their wedding limousine there are demonstration groups from three sides: the Serbs, the Croats and the Yugoslavs, which mark the uncertainty foreshadowing their future. Soon afterwards, Toma is drafted. After a while, Ana and her parents have to vacate the house. As the war intensifies, buildings are bombarded, neighbours are shot dead, and eventually, so are Ana's parents. The ones who are alive have no food to last. The town of Vukovar has become a smoking ruins. The heavily pregnant Ana, along with her friend, are brutalised by a mob...when Toma finally returns to Ana, it is too late...

'Vukovar poste restante' genuinely depicts the war that took place in ex-Yugoslavia in the early 1990s and as one reviewer said, the film's portrayal is realistic.

Asked Ana's friend: 'Will your baby be a Serb? A Croat? Or a Yugoslav?'

Excellent Propaganda... too bad its all a lie!

[buiger · 1/10 · 1 November 2013]

Unfortunately, I have to say that after having read the article on this movie by James Berardinelli (a film critic I usually admire) I felt sick to my stomach. His article only goes to show how influential and far reaching well planned and executed state propaganda can be, and how misleading one can result in being when ignorant of historical facts.

First of all, Mr. Berardinelli should learn that Vukovar is not a town in Bosnia, but the 4th or 5th biggest city of Croatia, and that the happenings depicted in this movie are not part of the Bosnian war (which was started much later), but have transpired in 1991 at the very beginning of the Serbian war against Croatia, a country that had just been born and did not possess a military at the time, as a matter of fact did not possess any armed forces whatsoever other that the local police. So much as far as the bare facts are concerned. Bearing this in mind, the viewer will immediately see that most of the happenings depicted in this movie could not have happened, and if they had read up on this issue from any unbiased source, they would know that Vukovar was nothing less than a massacre of civilian population perpetrated by the then (still) Yugoslav army and Serb paramilitary forces.

As far as the movie is concerned, notwithstanding all of the above and the fact that it is essentially a lie, I did not even see any 'technically' appealing issues. I found everything to be way below par; the acting, the direction, the screenplay, cinematography, sound... Nothing was good. But somehow, the propaganda achieved it's goal; a bunch of western 'do-gooders' hailed a massacre and shed tears for the perpetrators rather than the victims. Well done!

Disappointing because it's been done before and done better

[Fang-6 · 1/10 · 21 November 1998]

This film left me cold. It lacks the intelligence and style of the "Before the Rain" and the ferocity of "Pretty Village Pretty Flame." While the acting was good, the characters somehow never really move you the way they should. They remain two-dimensional. There are young lovers, the good soldier, the evil paras, etc. , but none of them have any complexity despite being in a complex situation. The editing seemed rather meandering and the pace surprisingly slow for a story set in a city that came under constant, violent siege. Some reviews cited this as an unbiased, anti-war film. For those familiar with the situation, there's an obvious political slant, and some infamous events were left out. Considering the fact that this is a Serbian film made while war still raged in Bosnia and Serbs had become international pariahs, the sympathetic treatment of Serbs isn't surprising. The surprise is that it's done subtly. As an anti-war film, it's more successful, but still lacks the force of classics like " All Quiet on the Western Front" or "Gallipoli."