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  • Warning: Spoilers
    OK, it's not the Mickey of the early to mid 1930s...or is it? Best way I can describe this cartoon is "1930s fun with a late 20th century sense of humor". Mickey's been a difficult character ever since the censors stopped letting him pull on cow's udders, kick cats, and spit...and I think this cartoon manages to bring back his harmless "bad boy" side. Mickey's always been a reflection of everyman, and in this fast-paced short, he's a typical guy of the time...forgetting his girlfriend's anniversary, jumping at scatter-brained get rich quick schemes, but ultimately coming out on top. I know others have criticized his character in this short, but as a cartoonist myself who is very familiar with Mickey's filmography from "Plane Crazy" on, I thought it really quite good. My only criticisms: (1) the backgrounds: wouldn't it be great to have used the soft focus, muted with gray style of the classic 30s Disney shorts (like "the Band Concert", "Clock Cleaners", etc.? It makes the characters stand out so much better. (2) the Pace: as others have stated, the story is paced more like a Roger Rabbit short or Tex Avery than typical Disney. I'm not complaining about this, but as I felt with "Mickey's Christmas Carol" and "Prince & the Pauper" there was far too much "plot" for the film's length. Admittedly, modern audiences, used to MTV/music video editing may find this less a problem. Overall though, a good effort, and any cartoon that continues Mickey's stardom into another century and introduces him to yet another generation is a good thing.

    PS: "Julius" is Black Pete/Peg-leg Pete/Pete...the cat-ish hulk who has been Mickey's nemesis from the first cartoon...I think many folks missed this. Also, the tune Mickey whistles in the film is "Steamboat Bill" -- very cool insider touch!
  • I have come across a few criticisms over this short, but even those didn't ruin if when I finally saw it. First off, the animation was great. I love the way they did. They basically kept Minnie and Mickey's designs and freshened them up. The only thing I can complain about was the pace, since it did move a little too fast. But I think it is a great way to evolve Mickey into current trends and it'll still appeal to teenagers. Honestly, when the classic Mickeys were put out, do you think that the time was and trends were the same? I think not.

    Also, for the people that say it's too scary. I find that hard to believe. I showed this to a 7 year old, and they like it. Played three times more. I also showed it to my pops, who seemed to enjoy it and laughed at the references. So I think this was a success.

    The only reason I think some didn't enjoy it was because it came as a surprise as how dark this was. I guess some people didn't catch the commercials that were being shown on Disney channel that I saw when I was like...7 or 8. Anyway, this was a great way get put Mickey in the current time. And I see they're doing the same with "House of Mouse". They actually do have some good jokes in the show.
  • You can see and feel in every second of this cartoon that it is a pretty new Mickey Mouse cartoon. It looks and feels to fresh. Mickey (voice of Wayne Allwine) has forgotten his anniversary with Minnie (voice of Russi Taylor) and has to make up for it. By accident he promises her a trip to Hawaii that will cost him a thousand dollars. Pluto (voice of Bill Farmer) shows him an ad where he can make that kind of money. When he arrives on the location he meets a Dr. Frankenollie (voice of Frasier's Kelsey Grammer) and he becomes a test person for a brain switch. He switches brains with a big monster (voice of Jim Cummings) who falls in love with Minnie. Of course Mickey has to solve this problem.

    This short has some nice touches. We see how Mickey is playing a video game where he is Dopey and he has to fight the evil Queen from 'Snow White and the Seven Dwarfs'. Another fine touch is when Mickey shows the monster a picture of him and we see the black and white Mickey from his early cartoons. Besides those moments I didn't think this cartoon was very good. The 'Frankenstein' story is nice but that's it. Personally I think this could have been a lot better.
  • When I actually had the chance to see this bizarre cartoon, I had one immediate reaction:

    WHOA.

    It's difficult to describe my reaction to this one apart from that one word. It's usually easy to comment on things I've seen, especially since I have a rep for stating my most precise, honest feelings on any subject you'd care to hand me and making myself perfectly clear. But this is one of the rare things I've ever seen which has put me at a complete loss for words.

    The cartoon is easily the weirdest Mickey Mouse cartoon ever made, and it made me feel strange for the longest time after seeing it with my reaction of, "What on earth was THAT?!!"

    There's one thing about it which I *can* state, however; my peers in the animation industry and I have loved making jokes about this short featuring the "real" Walt Disney Mickey Mouse being turned into the Michael Eisner Mickey Mouse!
  • Hitchcoc19 October 2021
    This is one dimensional, following a thousand other similar cartoons. You could substitute any character for Mickey and pull off the same thing. Just lots low common denominator stuff with Mickey having his brain stolen and put in a giant Pete's head.
  • This short was nominated for an Academy Award when it came out and I can see why. It's hilarious, exciting and the pace is frenetic and unrelenting. There are also quite a few gags pointed at heavy-duty Disney and/or movie fans, starting with the opening shot of Mickey playing a video game. Look at what he's playing. This is not your grandfather's Mickey. The visuals are great and the gags come almost as fast as the average Tex Avery cartoon.

    This was recently released on the Disney Treasures Mickey Mouse In Living Color, Volume 2. If you haven't already got it, you probably better hurry. I doubt they'll last too long. The cost on the secondary market will be considerable. The set is great, as are the other Disney Treasures releases. This short is definitely recommended and the Disney Treasures sets cannot be more highly recommended!
  • Warning: Spoilers
    Despite being the company mascot, Mickey Mouse isn't often remembered for his short subjects outside of Steamboat Willie, The Band Concert or The Sorcerer's Apprentice. So when looking back at the infamous Runaway Brain, it's fascinating to see the Disney studio attempt to do something a bit different with the famous corporate icon. Directed by former Disney animator Chris Bailey, the film was sadly forgotten by the public due to the Mouse House refusing to acknowledge its existence due to its alleged mature content. In regards to the short on its own, I think it deserves at least another chance.

    The short centers on Mickey Mouse in a desperate attempt to buy a special anniversary gift for Minnie. Upon taking up a gig to work for a mad scientist, who is looking for a donor to switch brains with their own creature, Mickey's brain gets swapped for the monster's. Now it is understandable why Disney might be afraid to acknowledge their beloved mascot being in a crazy outlandish concept like this, but for the most part, the short is a lot more comical than frightening. The execution of the short alone feels like an action packed slapstick cartoon more so than a horror tale, although some shocking elements are reserved for the monster alone. Perhaps the trouble lies in trying to make Mickey a little more edgy by having him fend off against such an outlandish ordeal, but in doing so, Mickey ends up being worth rooting for to not only do the best for Minnie, but also rescue her from certain doom as well. Aided by the talents of Wayne Allwine, Russi Taylor, Jim Cummings and even Kelsey Grammer, this Mickey Mouse short is so real it begs to be viewed by the suspenseful type.

    On top of its hysterical content, the animation direction is arguably what led to this film getting an Oscar nomination. Animated by the now defunct Brizzi Studios in France, the film employed a lot of high strung people on the team, including acclaimed animator Andreas Deja, layout lead Jim Beihold and art director Ian Gooding, and the efforts of their talents paid off strongly. If anyone truly brought the initially intended edge meant to bring this short to life, it was easily that studio, and they went all out with dynamic staging, illuminating effects work, frightening colors and moody backgrounds. On top of John Debney's exhilarating score, these elements are what make Runaway Brain that much more intense to watch without losing any of its luster. It's a real bummer that these elements were deemed too dark for a Mickey Mouse short, especially when they also contribute to the funniest gags throughout the picture. Besides, you can't go wrong with the casting of Mickey's long time rival Pete as the monster itself.

    Whether Disney will ever give Runaway Brain the proper attention it has been declined for so long or not, that will all depend on its new found cult status. As people discover more about what this so-called monstrous legend is really about, they will find how harmless it truly is and should at least be talked about in future fan discussions. If you are yet to check the short out yourself, by all means give it a go and decide whether you think it deserves its buried reputation or not. Now that the famous mouse is nearing 100 years old, maybe it's time to let the film see the light of day for once.
  • My only complaint really of this otherwise excellent cartoon is that some of it was a little too rushed. That said, it is hugely enjoyable. Bizarre yes, with some quite effective freaky imagery, but also very off-the-wall in its humour. The animation is of very good standard, the colours are bold and Mickey looks better than I have seen him in quite some time.

    The music just enhances the atmosphere, often exciting, haunting, evocative and nightmarish it suits the tone of Runaway Brain wonderfully. The dialogue is memorable and the story while simple benefits from a great idea and is kept at bay right up until the end. I loved Mickey here, I always have although he can be bland sometimes when he is sidelined, but here we have a completely different side to him and while it mayn't be to everybody's tastes I liked that side to him.

    Overall, bizarre yet still excellent. 9/10 Bethany Cox
  • As the second Mickey in Color DVD collection shows, after the release of the Brave Little Tailor Mickey's screen career was on a steady slide into the toilet. Outside of his feature appearances Mickey's films were dull. It wasn't until the 1980's with Mickey's Christmas Carol and The Prince and the Pauper that the animators knew what to do with the Disney symbol.

    In 1995 they released this gem and it simply is one of the best Disney shorts ever produced. Mickey in need of money to buy a gift for Minnie gets mixed up with a mad scientist and mayhem that previously was only witnessed in Warner cartoons occurs. Its every horror movie cliche turned on its head.

    What can I say? This is funny funny stuff, that Disney, attached to some live action box office dog, so odds are you've never seen it, which is a shame because its so good that it almost single handedly makes the Price of the Mickey Mouse in Color Volume Two DVD set worth buying.

    Go track it down. Its only seven minutes long so you'll be able to watch it three or four times in a row with out feeling like you've wasted too much time.

    This is a true Disney classic.
  • Warning: Spoilers
    I really liked this short. I dare to say it's a return to form for Disney in terms of shorts. The story's about Mickey scrambling to find the money for him and Minnie's anniversary. This leads him to a mad scientist's lab where he switches brains with the doctor's son Julius. Now trapped in his new body he must race against the clock to find his old body and Minnie before Julius does. I thought this short was well done. There're a lot of Disney references I find funny such as a screenshot of Steamboat Willie being found in Mickey's wallet as well as him playing a fighting game with the 7 Dwarves in the style of Mortal Combat and Street Fighter in the beginning.

    The animation's great. This's when Disney was still using 2-D and it's still pretty good. One thing that people are split on is if it's scary or not. I personally don't think it it. Julius in Mickey's body is kind've creepy but not enough to be nightmare fuel. The scare factor's pretty minimal. When Disney tries to be scary it's usually hit-or-miss. Bottomline, this's a great short and i'd highly recommend it to Disney fans.
  • IMarriedBritneySpears15 October 2004
    1/10
    uh?
    I remember seeing this cartoon attached to, I believe, George of the Jungle. I was in my very early teens at the time, and had been a big fan of the old Mickey cartoons since I had owned several on video as a child. But this frightened me. I was 13, and frightened. The old Mickey cartoons had charm, this new thing was fast paced, way too off the wall for a Mickey cartoon, and didn't have any of the Disney Cartoon vibe you would imagine one should have if you are a fan of the old stuff. They were trying so hard to reinvent Mickey, be funny, have the kids of gags that were not typically Disney, and going for more of an adult audience and I do not think it worked AT ALL. I might watch this again one day since it is out on one of the Disney Treasures DVD sets, but it will probably frighten me again even though I'm in my 20's.
  • Warning: Spoilers
    AWESOME full fluid animation, amazing character acting, and clever writing.

    Doesn't follow the innocent flow of the old Mickeys, but has a great modern edge. awesome! I watch it every chance I get. its the best mickey cartoon ever made. Mickey playing Disney video games! is there anything cuter? maybe him cowering under a striped pillow ;) His innocent charm still radiates through (lobo-tomy lane haha!) Mickeys capture of the monster at the end was an unexpected hilarious addition =3 awesome for old Disney fans that grew up and still love the old characters.
  • I've got a little confession. While I love Disney movie and the shorts with Donald and Goofy, I have never understood the world's love affair with Mickey. Generally, he is a very bland character and lacks the edge and fun of the rest of the Disney gang. I'm sorry, but that's how I've always felt.

    However, when I saw RUNAWAY BRAIN, I finally saw a Mickey Mouse cartoon that I absolutely loved. Gone was the sickeningly sweet Mickey and instead this "new Mickey" was like the old one done by the folks who made Ren and Stimpy or Tex Avery!!! The art style was much more "elastic"--with lots more action and weirdness than you'd find in ten traditional Mickey shorts. The new Mickey was also part action-hero and I really liked what I saw. Plus, with a plot involving brain transplants, you know this is definitely NOT your grandpa's generation mouse!!

    A wicked sense of humor, fantastic animation and more than anything else FUN--this is the type Mickey Mouse cartoon I would like to see a lot more of in the coming years!

    By the way, if you want to see this film, get a copy of "Mickey Mouse in Color: Volume 2"--it's included in this nice collection of Mickey shorts.
  • Warning: Spoilers
    For all intents and purposes, the brilliant Mickey Mouse cartoons of the 20's and 30's are a tough act to follow. The filmmakers of the 40's and 50's couldn't do it, and even though "Mickey's Christmas Carol" and the "Prince and the Pauper" met with some success, they didn't entirely recapture the magic of those earliest shorts. So, in 1995, they decided to try again.

    Did they succeed? Not entirely. Times have changed, and they don't make cartoons quite like they used to. Perhaps the creators realized this and decided to go the darker route that most kids cartoons were taking at the time. The result was a rather twisted spin on the Mickey Mouse mythos in which their beloved star ended up as a monster. Not one of their wiser moves (Disney all but neglected the short afterward), but certainly one of their most entertaining--at least in this humble viewer's opinion.

    It stands to say that the pace does seem to go alarmingly fast upon first viewing the short, a factor that can be exceptionally jarring and is easily "Runaway Brain"'s biggest flaw. A repeat viewing is essential to getting acquainted with the pace. But after that hurdle is bypassed, a delightful romp through horror movie conventions follows as poor protagonist Mickey Mouse almost loses his girl, gets his brain switched with a monster, then has to fight the real one once the switch is reversed. The Mouse is in fine form here, spouting plenty of humorous lines, showing quite a range of hilarious facial expressions, and, ultimately, using both his care for Minnie and his cunning to win out in the end. The coloring perfectly sets a dark atmosphere and the animation was flawless as far as I could see. With the exception of the death of Dr. Frankenollie and the design of Mickey Mouse possessed by Julius, the cartoon was far more comedic than morbid, and can be enjoyed by almost all save for really small children. The short ends perfectly happily, which should satisfy more discerning critics (not to say it does, though).

    All in all, a fantastic short ruined by comparisons to older shorts (that are too different to be compared anyway), jumpy pacing, and those who are so narrow-minded as to believe that Mickey should never be portrayed as anything other than sweetness and light.
  • Not many people know this, but Runaway Brain is actually being released by Disney on DVD! It's included on the Disney Treasures Mickey in living colors volume 2 DVD box. I love the quality of the animation, which is far much better than 3 Musketeers or Mickey's House of Mouse. Although this movie isn't suitable for very young children, it will be funny for the older ones and especially adults who will adore the spoofs to other movies. The hardcore Disney fan will adore this short too, mostly because it shows Mickey in a whole different way we know him. My advice is: get the Treasures box and enjoy one of the best Mickey shorts of the past years.
  • suchenwi14 June 2009
    This is the first time I comment on a film I haven't seen.

    Not that I didn't want to. I bought the Disney Treasures/Mickey in Color 2 DVD set, official edition (not some bootleg) here in Germany. I watched Leonard Maltin announce it in his intro, including a second of snippet.. I watched all 5 hours of the DVDs, bonuses and all.. tried all the menus for hidden Easter eggs.. no luck.

    As I've met possible censorship on another Treasures DVD just some days ago (Der Fuehrer's Face was missing from Chronological Donald 2 - possibly because displaying swastikas is illegal in today's Germany), I suspect a somewhat similar reason here.. not law, but viewer clearance. The whole Disney cartoons are cleared for age 0 and up. Now if a DVD contains just one item with a higher limit (6/12/16/18), it must display that clearance for the whole bundle.. I suspect that marketing considerations led the German distributor to self-censor and remove Runaway Brain, even though announced by Maltin. I'm really frustrated.

    Update, July 11, 2011: Now I've watched the film, on YouTube. A nice combination of modern-day dynamics in cartoons with many 1930s themes: the ancient looks of Mickey and Minnie, the King-Kong, mad scientist, brain transplantation themes and so on... very likable! I was surprised that it was produced in France, but hey, that's globalisation...

    So I'm softening my above point on censorship, too. It certainly exists, but given the Net, there just as certainly are ways around it. By the way: some weeks ago, I also located The Fuehrer's Face on archive.org.
  • Warning: Spoilers
    "Runaway Brain" is an animated 7-minute short film from 20 years ago and as it features world's most famous mouse it is obviously a Walt Disney movie. And a fairly successful one at that as it managed an Oscar nomination many decades after the mouse's glory days. Still I was not too impressed. The Frankenstein and King Kong references were not enough to make up for the lack of a great story or really funny moments. It lost the Oscar to Nick Park, but his film there is also maybe my least favorite "Wallace & Gromit" picture. Must have been a weak year in terms of animated shorts. One of the weakest Mickey Mouse short films I have seen in a while, which is pretty disappointing as the writer and director have both been prolific in animation at that point already. Not recommended.
  • "Runaway Brain" was an attempt (or so the Disney studio announced before its release) to recapture the spirit of the earlier Mickey Mouse cartoons - not the series involving the dull suburbanite which fizzled out with "The Simple Things" in 1953, but the lively everymouse of the 1930s. But here's what they forgot: the banal Mickey Mouse cartoons c.1940-1953 were ALSO an attempt to recapture the spirit of the earlier Mickey Mouse cartoons. And THAT was an attempt made by the very same animators, writers etc. who had worked on the originals not long before. (The original directors, admittedly, had mostly either left the studio or gone on to work on features. The director of the later Mickeys was usually Charles Nichols, who HADN'T been responsible for the earlier ones, which makes him an easy target for blame - but some of his Mouseless cartoons, like "The Legend of Coyote Rock" and "Wonder Dog", show that he was a formidable talent, if not by the standards of his day, then certainly by the standards of ours.) If THESE people couldn't resurrect Mickey Mouse, what made Chris Bailey, with no prior credits at all (at least according to the IMDb), think that HE'D be able to?

    The truth is that the charm of Mickey's earlier cartoons, while undeniable, is highly elusive. In one of his last great triumphs, the Oscar-winning "Brave Little Tailor" (1938), Mickey battles a giant, in a climax that ISN'T played for laughs, even though it has some comic touches. Ditto "Runaway Brain". But the danger of the earlier cartoon is real; the danger here is completely fake. The Gothic mad science of "The Mad Doctor" (1933) or "The Worm Turns" (1937) was not violated by the inclusion of a giant cartoonish rodent; here, no particular atmospheric effect even gets a chance to establish itself. The sometimes over-deliberate pacing of the earlier cartoons somehow failed to hurt them in the least. Here, the overly zippy pacing is fatal. What's wrong with "Runaway Brain"? In a sense, EVERYTHING. It's a complete failure.

    In order to create GOOD new Mickey Mouse cartoons, Disney will have to set up a semi-autonomous short subjects unit and force it to churn out, say, twelve cartoons a year, of whatever kind strikes the animators' fancy, and hope against hope that in some years' time there will emerge a heroic cartoon director who feels strong enough to tackle the Mouse. Such a short cartoons unit would of course make a guaranteed, substantial loss, EVERY year, and I don't blame Disney for baulking at the idea. But it's the only way.
  • waynel-5976529 November 2023
    I like to think I'm Mickey's biggest fan. Which is certainly a title that many people would like to claim, though honestly that title will belong to Janet Esteves who has more than once broke her record of the world's largest Mickey Mouse collection, and as I far I know it's still growing. But never the less, I love Mickey Mouse thanks to the various shows and movies I've seen of him growing up(I'm still waiting for Disney to put House of Mouse on Disney+). I then started looking into Mickey's rich history of his film career and being the mascot for Disney as a whole. Many of his projects are still very much beloved to this day, but there's one short in particular that Disney has been very quiet about, and that is Runaway Brain.

    Released in 1995, premiering along side A Kid in King Arthur's Court and a Goofy Movie internationally. Runaway Brain tells the story of Mickey Mouse who needs to get a ton of money in time for him and Minnie's anniversary. He looks at the newspaper and finds an ad for a mindless day's work at a lab, only to find that he's an unwilling test subject in a brain transplant with a monster. And once the monster's brain is in Mickey's body and finds out about Minnie, Mickey in the monster's body has to stop him.

    That's pretty much the premise, and it's a very fun one at that. Parodying Frankenstein and referencing The Exorcist of all things, it's a lot of fun and also very dark for a Mickey short which is a refreshing change of pace I feel. As the stakes are higher so the suspense is greater. And the overall aesthetic is rather dark and kind of gloomy like that of a horror film. Its Mickey's darkest short though it's still light and fun, but still creepy as when Mickey and the monster switch brains, the lab blows up, and when Mickey in the monster's body taps the professor on the shoulder, the professor turns to dust. And the thought of what the monster will do too Minnie is scary to think about.

    With all that I said it's no surprise that Disney has since been hush hush about this short. As it doesn't align with the image Disney wants for Mickey, though I would argue that a little darkness here and there shouldn't be off limits, as I feel people young and old will still love Mickey regardless of this short. And what's wrong with a little creepiness? If anything, it will make more people like Mickey thanks to the darkness of the short and Mickey's design with the monster brain is both creepy and cute. I can definitely see this short having merchandise made of it and sold at Hot Topic. And Mickey's personality is still very much in tact, he's still a brave, heroic yet flawed mouse that we all love. And I for one really enjoy seeing Mickey being portrayed as just a regular person which Disney hasn't portrayed him as much these days as he's mainly a host for toddlers now, with the exception of the new Mickey shorts of course.

    And like anything with Mickey, there's Easter eggs of Disney's catalogue, with Mickey playing a Snow White fighting game(with a Bambi inspired first person shooter suggested during production believe it or not), a photo of Mickey steering Steamboat Willie in his wallet, a cameo of Zazu from The Lion King. And also for old school Disney fans, the scientist's name is Frankenollie, combining the names of Frank Thomas and Ollie Johnston, two of Disney's Nine Old Men, the men who help shaped Disney animation and animation in general to what we know of today.

    I think it's really a shame Disney's not too fond of this short. It's not on Disney+(and neither is House of Mouse or Mickey Mouse Works for that matter), and there's only two at home releases for it, one being the out of print Walt Disney Treasures: Mickey Mouse in Living Color Vol. 2, and Walt Disney Animation Studios Short Films on DVD and Blu-Ray, and the only way to see this short on this release, is through the digital code included with each new copy.

    With that being said though the monster(who's named Julius) appeared as a secret boss in Kingdom Hearts 3D: Dream Drop Destiny. And I have read that Runaway Brain has had some influence on the Epic Mickey games so Disney isn't acting like Runaway Brain doesn't exist. But I wish more people knew about this short as I feel a lot of people will really dig it.

    It's probably Mickey's best short in my eyes, and that's a bold statement as there's tons of fantastic Mickey shorts out there like The Brave Little Tailor, and while I love that short, the fact that Runaway Brain took a chance and dared to be different with the darker story and vibe without losing Mickey's trademark charm, and the fact Disney has sealed it away from most people's eyes has made me deem Runaway Brain as Mickey's best short to date.

    Give it a watch if you have the chance:)
  • dominoz5626 September 2006
    I agree with the above review that it is not only in poor taste for Disney. But I too was frightened by the harsh imagery and evil mickey, Disney can do much, much better. I understand why it was pulled from circulation for a number of years.

    I agree with the above review that it is not only in poor taste for Disney. But I too was frightened by the harsh imagery and evil mickey, Disney can do much, much better. I understand why it was pulled from circulation for a number of years.

    But I too was frightened by the harsh imagery and evil mickey, Disney can do much, much better. I understand why it was pulled from circulation for a number of years.
  • Warning: Spoilers
    . . . screams a hyperventilating Minnie, ecstatic that her long-time abusive partner's raunchy rodent body is seemingly about to be torn and rent into shreds by Mickey's own RUNAWAY BRAIN. If this animated short actually had concluded the Dizzy vermin franchise, it certainly would merit a higher rating. However, as with so many other Dizzy films, BRAIN proves to be another example of an egregious bait-and-switch fraud, crushing viewer expectations. Before Steamboat can be mutilated, the brain-switch is implausibly undone, leaving him none the worse for the experience. Frankenstein's monster should sue Dizzy for slander.
  • "Runaway Brain" haphazardly parodies the Frankenstein story. A video-game-playing Mickey Mouse needs a job to pay for an anniversary trip to Hawaii with his doe Minnie, so he goes to Lobotomy Lane for a day's work with Dr. Frankollie. Get It? Well, Mickey doesn't. The ape doctor switches brains between Mickey and a giant ape named Julius. This is a common plot in many Frankenstein films, except the doctor usually doesn't switch both brains and, instead, leaves a corpse after transferring the brain to his monster. It's also odd that the doctor's laboratory looks more like the final set from "Brazil" (1985) than anything I've seen in a Frankenstein film, and I've seen near 50 of them now since re-reading Mary Shelley's novel.

    The ape-stuff and mind-body alterations remind me more of Dr. Jekyll and Mr. Hyde than Frankenstein, what with Mickey's body pursuing Minnie like--well, actually, literally as--a lustful ape. The King Kong reference is even more obvious. I wonder if the miniature golf (or should I say, "Minnie golf?" No, I shouldn't have.) newspaper advertisement, with its picture of a windmill was an intentional reference to the use of a windmill in the 1931 "Frankenstein." Maybe not. There is a picture referencing "Steamboat Willie" (1928), though. Back then, Mickey was a hard-working steamboat pilot, part of the talkie revolution while parodying a Buster Keaton silent film; now, he's a caricature of a modern slacker who can't focus long enough to do one parody justice before running to the next. The years have not been kind. "Runaway Brain" isn't especially clever with its allusions, but, at least, it's short.
  • I have always preferred Warner Bros. cartoons to those of Disney, and the obnoxious "Runaway Brain" is a perfect example why. I saw it shown right before Diane Keaton's "Unstrung Heroes" (about a boy in 1962 Los Angeles embracing his heritage after reconnecting with his blacklisted uncles while his mother has cancer). I doubt that the cartoon could appeal to anyone over the age of nine. It's nothing but a pointless cash grab. Disney has made some perceptive movies in the last few years - Wreck-It Ralph, Frozen, Coco - but these Mickey Mouse shorts are like a power drill in the brain. Avoid it.