Se7en (1995)

R   |    |  Crime, Drama, Mystery


Se7en (1995) Poster

Two detectives, a rookie and a veteran, hunt a serial killer who uses the seven deadly sins as his motives.


8.6/10
1,405,659

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Cast & Crew

Top Billed Cast



Director:

David Fincher

Writer:

Andrew Kevin Walker

Reviews & Commentary

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User Reviews


13 August 1999 | jpevoto
Somerset's World
Seldom does a film elucidate the culpability of our culture,of our society, in the mayhem and madness we often find in everyday life. According to Se7en, our culture is drifting through darkness. The mouthpiece for this thematic undercurrent is Somerset, a literate man who also happens to be a detective, a man who can read a clue ("This isn't going to be a happy ending") or Dante's Inferno with equal aplomb. He even provides the film's final thematic statement with a quote from Hemingway. His quirkiness, perhaps the outgrowth of a brilliant mind, is no worse than that of any prophet or seer of old, those harbingers of Biblical insight whom others always find kooky and offbeat. He is not well loved for his cynical, pessimistic outlook (such that his consuming motivation is to retire and get out of town). However, by the end it becomes clear that it is Somerset who sees our dark world with the prophet's particular clarity. (It is left to his partner Mills to find this out the hard way).

Working on us to reinforce this world as Somerset sees it is the film's astounding mise-en-scene, a disturbing film-noir setting developed by director David Fincher and cinematographer Darius Khondji. Flashlights barely illuminate the slimy walls of the roach-infested tenement of one victim and the dark bedroom of another. Rain pours down in buckets. Bird's-eye-view shots of downtown (the city is never named- a generic, everyman's kind of place) show dingy, sooty rooftops and grimy streets. Only the film's closing scene is in bright sunlight, which by then only serves as ironic counterpoint to what we see happening.

This is Somerset's vision; both inhabited and described by him. He finds a surprising fellow traveler in, not his partner, but the elusive killer John Doe. Doe shares the vision and provides an unsettling echo to the rumblings and teachings of Somerset. If one looks at life through the Somerset lens, one must admit that John Doe has a valid point. He and Somerset have arrived at the same conclusion, the difference between them being how they have responded. (Somerset longs to escape to some otherworldly realm in the country. Doe has taken action.)

Though gripping and fast moving, this is not an action film. It holds our interest through the workings of horror and mystery: a stark, film-noir detective piece. Except for one tense pursuit through halls and alleys in pouring rain, as well as the bit of ending action, there is surprisingly little violence. We see each murder, save two, after the fact, as a crime scene. This only makes the final act that much more suspenseful.

This is a very tight film. Elements within: dialogue, actions, lighting, setting, all of these tend to reinforce one another to paint a solid picture. It is a perverse logic that makes the final and seventh sin complete perfectly the circle of events begun with the first.

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Did You Know?

Trivia

An edited-out sequence near the beginning had Somerset looking over the country house into which he's planning on moving. He uses his switchblade to cut loose a rose on a fragment of silk wallpaper and carries it with him throughout the movie. The rose falls out of his jacket as he is taking off his gun, before eating with the Mills family. (This touch was edited out, too. Both sequences are in the supplementary section of the Criterion LaserDisc.) The rose is briefly visible in the opening scene, sitting atop a handkerchief on Somerset's dresser.


Quotes

Detective Taylor: Neighbors heard them screaming at each other, like for two hours, and it was nothing new. Then they heard the gun go off, both barrels. Crime of passion.
William Somerset: Yeah, just look at all the passion on that wall.


Goofs

Uneven dispersal of rainfall on the windows of the car.


Crazy Credits

SPOILER: Kevin Spacey's name is not included in the opening titles to keep the John Doe intrigue going. To compensate, he is listed twice in the closing credits: once before the credits start rolling and once in the rolling credits in order of appearance.


Alternate Versions

In the US version, Tracy Mills (Gwyneth Paltrow) calls her husband at the office and asks to speak to Detective Somerset (Morgan Freeman). We see them talking on the phone but only hear what Detective Mills (Brad Pitt) and Somerset say. When Somerset hangs up, he explains to Mills that his wife has invited him over for dinner. In the Italian version Tracy's dialogue has been dubbed over the soundtrack, letting the audience hear her talking on the phone and making the invitation, thus rendering Somerset's later explanation somewhat redundant.


Soundtracks

Now's the Time
Performed by
Charlie Parker
Written by Charlie Parker
Courtesy of Blue Note Records / A Division of Capitol Records, Inc.
By Arrangement with CEMA Special Markets

Storyline

Plot Summary


Synopsis (WARNING: Spoilers)


Genres

Crime | Drama | Mystery | Thriller

Box Office

Budget:

$33,000,000 (estimated)

Opening Weekend USA:

$13,949,807 24 September 1995

Gross USA:

$100,125,643

Cumulative Worldwide Gross:

$327,333,559

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