The Usual Suspects (1995)

R   |    |  Crime, Mystery, Thriller


The Usual Suspects (1995) Poster

A sole survivor tells of the twisty events leading up to a horrific gun battle on a boat, which began when five criminals met at a seemingly random police lineup.

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8.6/10
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  • Stephen Baldwin and Kevin Pollak in The Usual Suspects (1995)
  • Bryan Singer in The Usual Suspects (1995)
  • Kevin Spacey and Stephen Baldwin in The Usual Suspects (1995)
  • Kevin Spacey and Gabriel Byrne in The Usual Suspects (1995)
  • Pete Postlethwaite in The Usual Suspects (1995)
  • Kevin Spacey in The Usual Suspects (1995)

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User Reviews


16 February 2003 | tjowen
Better than the sum of its parts
The Usual Suspects is two movies in one. Enjoyable the first time you watch it, even more enjoyable the second time round. The first viewing asks questions that are answered in an `I could kick myself' moment in the final few minutes, and the second viewing is interesting because when you know the answers, the film becomes that much clearer. It requires a certain amount of commitment, though. Be warned, if you stop concentrating for a moment then the remaining running time of the movie will be spent trying to figure out how what you missed has lead to what you are now watching.

It concerns the story of five felons brought in by the police for a line-up and how those same felons reluctantly end up working for the mysterious and ghost-like Keyser Soze: a legend among the criminal fraternity, a man who no-one has seen and lived, a man so dangerous that he is thought to be the devil himself.you get the idea. The plot is rather intricate so I shan't bother to explain it here but it does rather make me think that Christopher McQuarrie, the writer, kept going to the office in the morning with yet another complexity to add that he thought up the night before. That's not to say it doesn't work, far from it, but it does leave you reeling from the sheer amount of information and names thrown at you from the offset.

Gabriel Byrne is good, but not flawless, as the tortured Dean Keaton who is torn between his career as a criminal and his forlorn attempt at trying to go straight, but his relationship with uptown lawyer Edie Finneran (Suzy Amis) is badly explored and I never felt it gave motive enough for his actions throughout the movie. Kevin Spacey is wonderful as the crippled Roger 'Verbal' Kint and is effective with the results both cunning and tragic. The real star of the movie, however, is a strangely accented Pete Postlethwaite as Kobayashi, supposedly Keyser Soze's right-hand man. He effortlessly plays a character of terrible coolness and poker-faced efficiency leading the dance that the rest of the characters must follow.

Director Bryan Singer has done well to bring such a momentous and involved screenplay to life and any gripes I may have cannot detract from the fact that the film, as a whole, is much better than the sum of its parts.

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Did You Know?

Trivia

The writer can be seen as the police officer at the very end of the film, on the left hand side of the frame as Chazz Palminteri looks for Verbal Kint. He is visibly seen laughing at the camera, in a nod and wink gesture to the audience who got bamboozled.


Quotes

Keyser Soze: How you doing Keaton?
Keaton: I can't feel my legs... Keyser.


Goofs

The robbery of New York's Finest Taxi service is a 5-man job, done with four vans, two of which have passengers not in the driver's seat. The van in front is driven by Keaton with Verbal holding the gun when the back door opens. The van behind rear-ends the car and gunmen hold guns on the cops from the driver's side of the van on the right and the passenger side of the van on the left. Who is driving the van on the left? Three guys (Fenster, McManus, Hockney) are doing four jobs (driver rear, driver left, passenger left, driver right). It's possible Hockney (in the left van) threw it into park and quickly slid over to the passenger window. But this is Verbal's version of the story, not necessarily what actually happened. It is quite possibly his mistake, not spotted by Kujan, rather than a mistake by the filmmakers.


Crazy Credits

The editor, John Ottman, edited the movie on film. He felt that all the editing done electronically at the time was horrible because all the good editors were still working on film (which is much more difficult). Because of this he thought about putting "Edited on a piece of s*** Steenbeck" at the end of the credits, but instead settled for the more subtle line "Edited on film." Tim Robbins was directing 'Dead Man Walking' at the time and heard about John's idea, which sparked that film's credit ending of "This film was edited on old machines."


Alternate Versions

When Redfoot hits McMannus with his cigarette, there is a reaction shot of Verbal looking surprised and scared. In the Special Edition it is changed to a reaction shot of Fenster.


Soundtracks

Le sons et les parfums tournent dans l'air du soir
Performed by
Jon Kull
Music by Claude Debussy

Storyline

Plot Summary


Synopsis (WARNING: Spoilers)


Genres

Crime | Mystery | Thriller

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