When Redfoot flicks his cigarette into the face of McManus, it was originally intended to hit his chest, so McManus' reaction is actually Stephen Baldwin's real unscripted reaction, which Bryan Singer decided to keep in the movie.

Christopher McQuarrie had previously worked for a detective agency, and this influenced the depiction of criminals and law enforcement officials in the script.

The line-up scene was scripted as a serious scene, but after a full day of filming takes where the actors couldn't keep a straight face, director Bryan Singer decided to use the funniest takes. A making-of documentary shows Singer becoming furious at the actors for the constant cracking-up. In an interview (on the Special Edition DVD), Kevin Pollak states that the hilarity came about when Benicio Del Toro "farted, like 12 takes in a row." Del Toro himself said "somebody" farted, but no one knew who.

Benicio Del Toro's bizarre dialect in the film was reportedly so unintelligible that during one scene, Stephen Baldwin actually forgot his cue due to being unable to understand what Del Toro had said.

The part of Verbal Kint was always intended for actor Kevin Spacey.

The idea for this movie started only with the concept of a movie poster of five men in a lineup.

The character of Fenster was named after the German for window, and originally conceived as the oldest man of the group, a more seasoned veteran. Benicio Del Toro was originally asked to audition for the role of McManus. Del Toro asked to audition for the role of Fenster, telling director Bryan Singer that he had an "idea" for the part. The unintelligible way that Fenster spoke was Del Toro's idea, and Singer decided to go with it. In one scene, Hockney says, in response to Fenster, "What did he just say?" That was Kevin Pollak the actor speaking, not his character; he actually did not understand what Fenster said. The cop's (Christopher McQuarrie) reaction to Fenster in the line-up ("In English please") was unscripted and unrehearsed, as was Fenster's rather strong reaction.

All the actors were encouraged to ad lib perplexed reactions to Benicio Del Toro's oddball vocal stylings.

Kevin Spacey met with doctors and experts on cerebral palsy to discuss how it might affect his characterization.

Shot on a budget of $6 million over a period of 35 days.

Christopher McQuarrie's inspiration for the character of Keyser Soze was a real-life murderer by the name of John List, who murdered his family and then disappeared for 17 years.

Verbal Kint says, "The greatest trick the devil ever pulled was convincing the world he did not exist." This quote from the French poet Charles Baudelaire also appears in End of Days (1999), also featuring Gabriel Byrne and Kevin Pollak.

All the actors worked for less than their usual fees.

The stolen emeralds were real gemstones, lent to the production.

Kevin Spacey had been so impressed with Bryan Singer's first film, Public Access (1993), that he told him he wanted to be in his next film when he met the young director, after a screening at the 1993 Sundance Film Festival.

Benicio Del Toro was cast at the suggestion of Kevin Spacey. His part was originally written for someone like Harry Dean Stanton.

In a poll on IMDb, the movie was voted as having the best plot twist, beating out The Sixth Sense (1999), The Crying Game (1992), and Witness for the Prosecution (1957).

Ranked #10 on the American Film Institute's list of the 10 greatest films in the genre "Mystery," in June 2008.

All of the characters' names stem from the staff members of the law firm and the detective agency that Christopher McQuarrie worked at when he was young.

The title came from a famous line from Casablanca (1942): "Round up the usual suspects".

Originally, Keyser Soze was supposed to have the name Keyser Sume, named after Christopher McQuarrie's old boss. He allowed his old boss to read the script, and decided he did not want to be associated with an inherently evil villain, so requested a change be made.

As Fenster and Hockney enter the garage shortly before the jewelry heist, Hockney can be heard telling a joke about a "chick" in the backseat of a car that is "totally naked." The punchline of this joke can be heard later on in the film in Hungarian, told by two Hungarians leaving a building by the docks, before the climactic finish at the boat.

The role of Kujan was initially written with Chazz Palminteri in mind. However, when he proved unavailable, the role was offered to Christopher Walken, Clark Gregg, Robert De Niro and Al Pacino, the latter being rather interested in playing the part. Pacino later decided against it, as he had just played a cop in Heat (1995). When Chazz Palminteri finally became available, it was only for a week. Clark Gregg ended up playing the part of Dr. Walters.

The film was promoted by a teaser campaign with the tagline, "Who is Keyzer Soze?"

Gabriel Byrne originally turned down the film, not believing that the filmmakers could pull it off. He was convinced after a sit-down meeting with Christopher McQuarrie and Bryan Singer, impressed by their enthusiasm and vision. As the start date approached, Byrne backed out. He was undergoing personal issues at the time and was unable to leave Los Angeles. Consequently, Singer reshuffled the schedule so that the entire film could be made in the L.A. area over a period of five weeks, all to accommodate his lead actor.

In the "making of" documentary, both Stephen Baldwin and Kevin Pollak acknowledge that their long-standing feud with each other began on the set of this film. Though neither actor directly states what caused their animosity towards each other, Pollak does mention that Baldwin, in an attempt to stay in character as MacManus, would go around acting tough and sometimes bully the other actors. Baldwin does admit that he was bullying towards Pollak on film (their numerous "stand off" confrontations with each other on screen).

Kevin Spacey had to read the script twice when he first received it, to make sure he fully understood it.

Bryan Singer described the film as Double Indemnity (1944) meets Rashomon (1950), and said that it was made "so you can go back and see all sorts of things you didn't realize were there the first time. You can get it a second time in a way you never could have the first time around." He also compared the film's structure to Citizen Kane (1941) (which also contained an interrogator and a subject who is telling a story) and the criminal caper The Anderson Tapes (1971).

Neither Bryan Singer nor Christopher McQuarrie realized that the film's famous line, "The greatest trick the Devil ever pulled was convincing the world he didn't exist," was actually a quote from French poet Baudelaire.

The nurse behind the counter is played by director Bryan Singer's mother.

In the original script, the opening scene was longer, featuring a subplot of Keaton planting a bomb on the ship. It was shot but later left on the cutting floor. Part of it remained with Keaton asking Keyzer, "What time is it?" Because of the last minute change, all shots of the exploding ship were shot in director Bryan Singer's backyard.

Christopher McQuarrie wrote nine drafts of the screenplay over a period of five months.

Kevin Spacey was initially interested in playing either Keaton or Kujan.

Michael Biehn was asked to audition for the role of McManus, but he passed on the offer because he found the script too confusing. The role went to Stephen Baldwin, who was the second choice. Biehn later admitted that he had made a huge mistake.

Christopher McQuarrie reputedly got the idea for the film whilst standing in a cinema line-up.

In the scene where Mr. Kobayashi's bodyguards are shot in the elevator, a match cut shows McManus above the lift doors. This shot of Stephen Baldwin was filmed outside in the car park as a pick-up.

In a number of languages, "Keyser" is homonymous with "emperor."

Stephen Baldwin was wary about joining the production, as he was tired of taking part in independent films that turned out to be merely exploitative.

Verbal Kint tells Kujan, "The greatest trick the Devil ever pulled was convincing the world he didn't exist." McQuarrie paraphrased the line, which was originally written as "The finest trick of the devil is to persuade you that he does not exist" by French poet Charles Baudelaire.

Jeff Bridges, Johnny Cash, Chris Cornell, Tommy Lee Jones, Charlie Sheen, James Spader and Christopher Walken were all offered the part of Redfoot, the L.A. fence.

Throughout the movie, "fuck" and its derivatives are used 98 times.

In one of his most infamous reviews, Roger Ebert gave thumbs down to the movie, giving one and a half stars.

In December 2017, amid a flood of sexual misconduct allegations against Kevin Spacey, Gabriel Byrne said that, at one point during shooting, production was shut down for two days because Spacey made unwanted sexual advances toward a younger actor. On June 2018, Kevin Pollak claimed that the person in question was actually the then-boyfriend of director Bryan Singer.

Writer Christopher McQuarrie chose the name Keyser Soze from an English-to-Turkish dictionary.

The film cast includes three Oscar winners and two Oscar nominees: Kevin Spacey, Benicio Del Toro and Christopher McQuarrie (winners), and Chazz Palminteri and Pete Postlethwaite (nominees).

The Japanese characters on the outside of the meeting room where Kobayashi is talking with Edie Finneran and others say "Kobayashi" and "bengoshi" (attorney); the ones in reverse on the window read "seikou" (success), "chikara" (strength), and "zaisan" (assets).

Bryan Singer spent an 18-hour day shooting the underground parking garage robbery. According to Gabriel Byrne, by the next day Singer still did not have all of the footage that he wanted, and refused to stop filming in spite of the bonding company's threat to shut down the production.

Bryan Singer wanted the music for the boat heist to resemble Pyotr Ilyich Tchaikovsky's Piano Concerto No. 1. The ending's music was based on a k.d. lang song.

Included among the "1001 Movies You Must See Before You Die," edited by Steven Schneider.

The film is included on the film critic Roger Ebert's "Most Hated" list.

In march 2019, series 2 episode 3 of the Channel Four (UK) series "Derry Girls" had a running gag on "The Usual Suspects" as the series was set in the 1990s when "The Usual Suspects" was still being showing in cinemas in Northern Ireland. Including a running gag and reveal of the identity of Kayser using a clear physical description of which character played them.

In the scene where Mr. Kobayashi's bodyguards are shot in the elevator, McManus is wearing a disguise that resembles Bruce Lee's disguise in Fist of Fury (1972).

Ghostface Killah sampled Verbal Kint's lines, "The greatest trick the Devil ever pulled was convincing the world he didn't exist" and "And like that, he's gone," for his 1996 song "The Soul Controller."

Ghostface Killah also sampled the exchange between McManus and Keaton about the discovery that there is no cocaine on board the ship for the track "Assassination Day" from his 1996 album "Iron Man".

The man who hands Redfoot the briefcase for the payoff is wearing an OD green army jacket with a yellow 1st Cavalry Division shoulder patch. The same jacket reappears worn by the shot gun wielding thug in the corridor of the boat killed by McManus.

Co-stars Stephen Baldwin and Gabriel Byrne share the same birthday, May 12th.

Giancarlo Esposito goes on to play a low key, inconspicuous drug lord/crime boss who regularly talks to and easily dupes law enforcement in Breaking Bad (2008).

Kevin Spacey and Gabriel Byrne have both been in productions of Long Day's Journey into Night. Spacey was in a British-American production in 1987, and Bryne was in the 2015 Broadway revival of the play.

In 2001, an episode of the BBC Two nostalgic documentary series "I Love 1995" had a feature on "The Usual Suspects", with some of the cast, and discussion of the plot, and the famous identity question of "Who is Keyser Söze?". The episode formed part of the 30 episode antholgy series trilogy "I love the 1970s", "I love the 1980s", and "I love the 1990s", each episode focusing on events from each year.

Although this was a commercial and critical hit, famed film critic Roger Ebert hated this movie. He only gave it a half-star: "Once again, my comprehension began to slip, and finally I wrote down: 'To the degree that I do understand, I don't care.' It was, however, somewhat reassuring at the end of the movie to discover that I had, after all, understood everything I was intended to understand. It was just that there was less to understand than the movie at first suggests." It should also be noted this is one of the many classic that Kevin Spacey would star in when he was still on the A-List in Hollywood. At this point he was one of the most critically acclaimed actors in Hollywood. Now he is considered to be an (alleged) sex offender; and is a pariah in Hollywood.

The scene where the men meet to discuss the heist was filmed at the Korean Friendship Bell (see filming locations), in the same park as a scene in National Security (2003).

Stephen Baldwin and Gabriel Byrne previously appeared in A Simple Twist of Fate (1994), though they didn't share any scenes in that movie.

Gabriel Byrne as Satan and Kevin Pollak would later work together again in End of Days (1999), starring Arnold Schwarzenegger.

Chazz Palminteri and Stephen Baldwin would later work together again in Scar City (1998).

There are three references to Pulp Fiction (1994) They are as follows Peter Greene Was Zed and appears here as Redfoot Verbal is referred to as "The Gimp" There are two occurrences where someone looks into a briefcase. When Kobayashi gives the crew a briefcase to the crew in their initial meeting, and when Hockney looks into the case in the back of the van during the burning of the boat.

Although by 2019 the identity and plot twist of Keyser Söze's identity had passed into common general knowledge, and become shorthand for a certain plot element, many people still hadn't seem the film. In fact, one tv series, set in 1995, which used "The Usual Suspects" as a major plot device and running gag had episode in march 2019 which gave a major spoiler to the ending of the film. However, the film can still be watched if the viewer does know the plot twist as it still works as a study of the "villian" hiding in plain sight.

Kevin Spacey and Stephen Baldwin later appeared in Fred Claus (2007).

The young Kaiser Söze in the flashback scenes has very long hair. Not just a ponytail, but almost down to his waist. This was probably not a conscious decision by the filmmakers, since the actor playing young Söze was chosen because of the way he couldn't keep his arms straight, and it can be assumed that nobody really cared about his hair. However, Turkish people notoriously hate men with long hair. They have more or less accepted long haired men in the big cities, but in the eastern parts a man with long hair can hardly take a walk on the street without getting dissed at, or perhaps even beaten, even today. There were even documented cases in the 70's where judges would consider it a mitigating circumstance if a victim of violence had long hair (meaning that he was asking for it) and give lighter sentences to the attackers. There were cases where famous musicians and artists would routinely face abuse or physical violence from regular people or even the police, because they had long hair. Especially in the 70's or 80's (when the flashback scene is supposed to take place) a man with hair as long as Söze could not exist without attracting unwanted attention from everyone in Turkey, especially the police. Thus he would stand out like sore thumb, couldn't have run an illegal business, probably couldn't even get out of his house. A minor cultural point perhaps (understandably missed by the filmmakers) but to make a comparison: it would be the equivalent of a flamboyant drag queen drug lord in Iran.

Kevin Pollak played a Hungarian mob boss in The Whole Ten Yards (2004). Many of the main characters (they were on the ship that got blown up), were Hungarian mobsters.

Christopher McQuarrie: The writer can be seen as the police officer at the very end of the film, on the left hand side of the frame as Chazz Palminteri looks for Verbal Kint. He is visibly seen laughing at the camera, in a nod and wink gesture to the audience who got bamboozled.

Watch closely near the end, when Keaton is shot and Verbal hides behind the pile of ropes. As Verbal runs to the ropes he passes behind a stack of tires and does not emerge, but the pan quickly continues to the ropes. Bryan Singer told Kevin Spacey to stop behind the tires so Verbal isn't actually seen hiding behind the ropes, because "There's no one there. There was never anyone behind the ropes."

In an interview on The Colbert Report (2005), Kevin Spacey revealed that Bryan Singer managed to convince every one of the major actors that they were Keyser Soze. When first screened for the company of actors, Gabriel Byrne was so stunned when he found that he wasn't Keyser Soze that he stormed off into the parking lot and argued with Singer for a half hour.

When he won the Academy Award for Best Supporting Actor, Kevin Spacey famously said "Well, whoever Keyzer Soze is, I can tell you he's gonna get gloriously drunk tonight."

In the commentary track, it is mentioned that Benicio Del Toro chose to make Fenster's dialogue unintelligible because Fenster's only real purpose was to die as an example to the other characters, "so it doesn't matter what he says". Kevin Pollak jokingly laments that Del Toro is such a skilled actor that he took what was meant to be nothing but a throw-away character and "stole every scene he was in!"

In the climactic gunfight at the pier, every shot shown as an apparent POV shot from Keyser Soze's perspective is directly preceded by "Verbal Kint" (Kevin Spacey) being on screen.

Actor Gabriel Byrne, when asked at a film festival, "Who is Keyser Soze?" replied, "During shooting and until watching the film tonight, I thought I was!"

During the bedside interrogation of the Hungarian survivor of the fire, the interpreter mistranslates a key word. The Hungarian uses the word "pasas" (pronounced "pash-aash") which the interpreter (who speaks Hungarian with a strong American accent and is therefore not native) translated as "we were picking up a 'package'". "Pasas" is actually Hungarian slang for a "guy". Only another Hungarian could have picked up on it, and as a result, no one in the movie did, hence the police's investigation of the non-existent cocaine delivery as the motive for the fire, which allowed Verbal the time he needed to go free.

Verbal Kint is the only one not shown getting arrested for the line up at the beginning of the movie.

In the movie, Kevin Spacey's character explains that his nickname is "Verbal" because he talks too much. In the DVD commentary, Bryan Singer points out that the nickname is a clue, since Keyser Soze is said to have a Turkish mother and a German father. According to Singer, in a mix of German and Turkish, "Keyser Soze" can be roughly translated as "King Blabbermouth."

During the climactic montage, for two frames, about a tenth of a second, Verbal is shown dressed as the person who shoots Keaton at the beginning of the film, confirming he's Keyser Soze.

In the opening sequence, when the unknown gunman urinates on the flame, it is gelatinous & lumpy. At the start of the interrogation by Kujan, Kint asks for coffee and notes that when he gets dehydrated, his urine becomes very thick and lumpy.

When Verbal borrows Dave Kujan's lighter for his cigarette, he uses his right hand to light it (since his left arm is crippled). However, he can't make the lighter work and it slips from his hand. At the end, it is revealed that Verbal is actually left-handed and that his left hand works perfectly (Keyser Söze is also shown to be left-handed in the flashback scenes).

Five actors played the part of Keyser Soze: Gabriel Byrne's and Kevin Spacey's faces are shown as Keyser Soze. In the flashback sequence, Keyser Soze is played by a man with long hair that obscures his face--this was one of the grips, chosen because he was unable to straighten his elbows, giving him a surreal, powerful look. Composer/editor John Ottman provided Keyser Soze's hand lighting a cigarette; and Bryan Singer played the close up of Keyser's feet.

The coat and hat of Keyser Soze can be seen hanging in Arturo Marquez's room.

Jeff Rabin serves coffee for Dave Kujan and Verbal Kint, Verbal starts talking about Guatemala. Then Dave Kujan asks Verbal Kint, "Now, what happened after the line-up?". After that we see Verbal Kint focusing on the bottom side of the cup Dave Kujan has been holding.

The writer Christopher McQuarrie sat down during his lunch break at the solicitors office where he worked and made up the plot to the film from a notice board. The board was made by Quartet, a company based in Skokie, Illinois, the same make as is in the film.

In the movie, it is foreshadowed that Hockney stole the gun parts from the truck. A famous quote from agent Kujan is that 'you know what I learned the first day on the job? How to spot a murderer. Say you pin three guys for the same murder. Whoever's sleeping is your man. You see you're guilty, you get caught, so you can have some rest'. When the usual suspects are first seen in their cell, he is seen having a nap.

When Keaton is handing out the folders Kobayashi gave them, they are handed out in the order the characters die. First Fenster, then Hockney, next McManus, Keaton, and finally Verbal.

According to Bryan Singer in the DVD commentary, when he was trying to get Gabriel Byrne to put on the hat and coat and pretend to be Keyser Soze, Byrne kept resisting and kept demanding to know why Singer wanted him to dress up as Keyser. Singer says that he finally blurted out to Byrne "It's because I'm a big Miller's Crossing fan!" Byrne starred in Miller's Crossing (1990) which features thematic imagery of Byrne in a hat and overcoat and a scene of Byrne's hat flying away. Furthermore, when Verbal is thinking back on his time with Keaton towards the end of the film, there is a shot of Keaton answering the door at Edie's apartment. This echoes a similar shot from the film.

The original script contained a scene where Redfoot's bullet-ridden corpse is found embedded in the windshield of a car.

When being questioned about the truck hijacking in Queens, Hockney states "I'm gonna have your fuckin' badge, cocksucker". Though the identity of the hijacker remains a mystery for a chunk of the film, Hockney uses the same insult towards the police officer as he does towards the truck driver when he hijacks it.

In the scene where Kujan interrogates Verbal, you can see Verbal using his supposedly limp left arm to deflect Kujan's sudden physical engagement with him.

In an interview on the DVD release of the movie, Benicio Del Toro admitted that he made his character sounds almost indecipherable - primarily because he knew the role of Fenster was such a throw-away role, his only purpose "was to die." He admits to telling Singer, "It really doesn't matter what I say so I can go really far out with this and really make it incomprehensible." Even Kevin Pollak's line from the lock-up scene ("What the fuck did he just say?") was ad-libbed.

The suspects are brought in for a line up because a truck of guns was hijacked. In the line up, the suspects are given a phrase to speak that includes the word "cocksucker." In the interrogations that follow, only one character, Hockney (Kevin Pollak), uses the word "cocksucker." It is revealed in the conversation with Kobayashi (Pete Postlethwaite) that Hockney was responsible for the hijacking that caused the suspects to be brought in initially.

Composer/editor John Ottman provided the breathing voice at the foreground from a shot behind the ropes, and also the gloved hands in the shot of Keyzer dropping the cigarette on the floor. Keyzer's foot stomping the cigarette was Director Bryan Singer's foot.

Clues pointing to Keyser Söze's identity are given in the character's name. Söze resembles the Turkish word sözel, meaning "verbal". The name "Keyser" which resembles the pronunciation of the German word "Kaiser" meaning emperor or king. The name Kint also resembles the word "King".

Body count: 17

Before production of the film took place, Bryan Singer, Christopher McQuarrie and Kevin Spacey agreed that Verbal Kint will be Keyser Soze

Kobayashi Porcelain is not a real company. But places like Amazon sell products with that logo, including mugs.

Kevin Spacey confirmed at a Turkish film festival, his character in this film was Turkish, further enhancing the notion that Verbal Kint was Keyser Soze all along

Another major part of the plot twist that would throw off many of the audience as to the true identity of Keyser Söze is that Keyser Söze is shown to be left-handed, and nearly all of the other characters are shown, or at least presumed to be right-handed. This hand plot twist was also missed by left-handed viewers, who may notice other left-handed actors.

Verbal says "He's supposed to be Turkish" about Keyser Soze. In the final scene of the film, as he is picked up by Kobayashi, he doesn't hold his cigarette between his index finger and middle finger, like most smokers do. Instead, he holds it between his index finger and thumb. This is very common in the middle and eastern regions of Turkey.

Keyser Söze and Verbal Kint contain the exact same number of letters - name by name.

The partners in crime as presented at the ending, Kevin Spacey and Pete Postlethwaite also appeared in The Shipping News (2001). However, their roles were reversed: Spacey works under Postlethwaite's command while in The Usual Suspects (1995), Spacey is Postlethwaite's boss.

Another set of hidden in plain sight clues as to the identity of Keyser Söze is that nearly every time his name is mentioned, the next immediate edit is a shot is of Verbal. The end boat sequence also corresponds to this editing choice.

Kevin Spacey and Kayser Soze have the same initial letters