The movie contains too much French propaganda. The Alsatian don't feel like French, they feel like Alsatians. I live 15 miles away from Strasbourg, I have to know it. The movie starts in the year 1870 with The German-French War, but a important historical fact is missing: The Alsace was originally German from the Middle-Age up to Louis XIV, who conquered parts of this country. The citizens, villages and cities all have German names. A great actor in this series for me it's Stanislas Carre De Malberg who plays his role very well.The movie contains too much French propaganda. The Alsatian don't feel like French, they feel like Alsatians. I live 15 miles away from Strasbourg, I have to know it. The movie starts in the year 1870 with The German-French War, but a important historical fact is missing: The Alsace was originally German from the Middle-Age up to Louis XIV, who conquered parts of this country. The citizens, villages and cities all have German names. A great actor in this series for me it's Stanislas Carre De Malberg who plays his role very well.The movie contains too much French propaganda. The Alsatian don't feel like French, they feel like Alsatians. I live 15 miles away from Strasbourg, I have to know it. The movie starts in the year 1870 with The German-French War, but a important historical fact is missing: The Alsace was originally German from the Middle-Age up to Louis XIV, who conquered parts of this country. The citizens, villages and cities all have German names. A great actor in this series for me it's Stanislas Carre De Malberg who plays his role very well.The movie contains too much French propaganda. The Alsatian don't feel like French, they feel like Alsatians. I live 15 miles away from Strasbourg, I have to know it. The movie starts in the year 1870 with The German-French War, but a important historical fact is missing: The Alsace was originally German from the Middle-Age up to Louis XIV, who conquered parts of this country. The citizens, villages and cities all have German names. A great actor in this series for me it's Stanislas Carre De Malberg who plays his role very well.
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funnyb21 August 2006A fiction about the history of Alsace, beautiful land at the east of France and west of Germany. Between the Rhine river and the Vosges mountains, the two big countries have fought for decades to keep or reconquest it. Alsace was French before 1870, then was lost in a war and became Elsass and German, till 1918. Then another war gave it back its French name and belonging. In 1939, in turn, Germany occupied the land till 1945. Then France recovered it again. Each time, everything in Alsace/Elsass changed according to the last war winning country: language, laws, loyalty, despite where the hearts of Alsatians actually belonged to. Children of former French parents would be obliged to speak exclusively German, or reciprocally. Young men would be recruited against their will in the German army to fight the French army, their previous countrymen. Against this imperialism and chronic abuse from both parts, Alsatians developed a world for themselves, with a strong local identity, using their own language. By now the land has been French for more than sixty years, and passions have calmed down. However it remains special, with its wounds and painful history, but also with its wealth and beauties, and somewhat apart. Today, the capital city of Europe is located in Alsace (Strasbourg) which is a true revenge on History. The mini-series "Les deux Mathilde ou les Alsaciens" tells the story of an Alsatian family from 1870 to nowadays, and how the land changed and suffered at each war and after. It was a very difficult challenge to show this in a fiction work, and my opinion is that the final result deserves praise. If you ever go to Europe, take the time to see Alsace, you won't regret it. I have lived there for 26 years and keep it in my heart, forever.
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« Les alsaciens - ou les deux Mathilde » follows a middle-class family from the start of the Franco-Prussian war in 1870 to the end of World War II. It shows the paradoxes of switching countries and the losses suffered by families, not only by death but by splits between those who stayed and those who became refugees in France, or those naturalised Alsatians who suffered enforced repatriation. At the centre were two ladies of different generations (Grandmother and Granddaughter), both called Mathilde who resisted the changes as best they could, suffering the consequences. It gives great insight into a part of history often overlooked and shows why the Alsatians are how they are. That is to say stoically independent and making the most of the hand history has dealt them.