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  • This is one of those films, like Only You (Marisa Tomei and Robert Downey Jnr.), that you catch by accident and are then surprised that it wasn't a bigger hit.

    This film certainly had all the right ingredients, good Hollywood stars and good actors into the bargain, an everyday setting, and a completely believable storyline.

    Its lack of success is probably down to the fact that both Christian Slater and Mary Stuart Masterson were both better known for playing much more serious or action roles and this was quite a departure for them.

    Where the film really falls down is the script, which any English student could probably have written without difficulty, but it is a credit to the two stars that such an endearing and enjoyable movie is rescued from it.

    The script simply attempts too much, with both characters having troubled pasts when it comes to relationships and so it then comes as slightly unbelievable that Slater's character suddenly finds the courage to take the lead as he does.

    Both the actors, though, give wonderful performances which really make you feel for their situation and involve you with their lives. This, mixed with some great comic moments from Pamela Segall make for a very enjoyable romantic comedy which doesn't lose its appeal with time.

    A must see for all commitment phobics!
  • Lisa (Mary Stuart Masterson) is a rising businesswoman who rarely devotes herself to anything but work and more work. This is, in part, because of events that occurred during her childhood. She has a drop-in boyfriend who doesn't really spend any quality time with her but, Lisa is certain she likes it that way. That is, until the day a gorgeous bouquet of flowers is delivered to her at the office, without a card. Lisa calls friends and work colleagues to try to determine who sent her this gift. No luck. As a last resort, she goes to the florist and begs for information about the giver. She is stunned to learn that the delivery man, Lewis (Christian Slater) is her unknown fan. Lewis tells her about his interest in her and Lisa is cautious, of course. But, over the next few weeks, Lisa and Lewis become closer. Yet, something is wrong. What could it be? This is a quietly beautiful love story. Masterson is pretty and touching as the woman who doesn't know much about love and Slater is wonderful as the florist who learns to open up his heart again, too. The rest of the cast is nice and the script, costumes, sets and production values are very good. If you are drawn to stories of romance, this one should land on your must-see list. It is a bouquet of humor, heartache, and happy endings that will have you floating on air, smiling like crazy.
  • I enjoyed this film, but only for two specific things: the acting of Masterson and Slater. Masterson is startlingly good, and Slater shows a deeper range than I previously thought. The rest of the film, though, is shallow and never fully realized. Plot elements are thin and almost unbelievable, several of the supporting actors are terrible, the music is trite and unoriginal, the cinematography is downright boring, and the dialogue falls into inanity and predictability too often. If not for the heroic performances of the lead couple, this film would be entirely forgettable. Masterson, though, is truly gifted, and digs deep to find the center of her character, and Slater reaches a bit himself for a romantic side I've never seen. I give it a 6, for the acting alone.
  • At the time that this movie was in theaters, I didn't really want to see it, so I didn't. I later rented it on one of those nights where I needed a feel good romance.

    Bed of Roses was that and a lot more. Christian Slater was amazing as a very rare male romantic, and Mary Stuart Masterson was also endearing as his love interest.

    The only downfall was the trite script, but that was more than made up for by the wonderful acting, and the beautiful idea of the story.

    It makes you really think about what love is really all about.

    For a wonderful romantic movie that gives you a reason to go out and look for that special someone, see Bed of Roses.
  • When you cast Christian Slater in a part where he sends flowers to a complete stranger you never know what you're going get. It's not like he hasn't played off balance people before. And some might consider what he does to Mary Stuart Masterson as stalking.

    But Slater and Masterson make a fetching romantic couple in Bed Of Roses as a pair of lonely people looking for something or someone to complete them as a line in another film done in late 90s said. Slater has never been this romantic before or since on the big screen. Parts like he had in Kuffs, Pump Up The Volume, and Heathers are more like what he's identified with.

    Slater in fact was once in Masterson's world, he was a runner with Goldman&Sachs who lost a wife and child in childbirth. After that he just dropped out of it all and became a florist delivery man because flowers are beautiful and everyone is happy to see him when he delivers.

    Masterson is in that world now, but all she has is work. She was a foundling who was left at the Pittsburgh airport and raised in a foster home with a man who drank considerably and its hinted he may have done other terrible things to her. She has no romantic illusions, she does have work though and the world of high finance demands her attention completely.

    Bed Of Roses is a good, but not great film. It's lack of development of supporting characters is a big weakness. Still it's the definition of a star vehicle and the stars do shine in this one.
  • Warning: Spoilers
    I bought this movie primarily because I am a sucker for a good love story and I also happen to love Jann Arden's "Insensitive." I was quite surprised to learn who the song was directed to in the film, but that's another story.

    On the level of light entertainment, this film makes a nice viewing. But when you go below the surface, there are an awful lot of problems.

    It's one thing to have a relatively short film (88 min). It's another to have a 3-month time lapse condensed to a couple of minutes and give us no clue as to how one of the 2 characters is faring until we see the resolution. There were several times in this film when there were substantial time shifts and it was interspersed in such a manner that you tend to get thrown a bit off-balance.

    *SPOILER: Additionally, this film is a bit offensive in that it uses prior child abuse merely as a plot device. It never really delves into it and keeps everything vague. Because of this Mary Stuart Masterson's character certainly comes off as alienated, but only in a surface manner. One would assume that a long-term relationship might only work for her if she initiated serious therapy. This film never addresses that. If one believes that 'love conquers all' it would probably not be an issue. But that concept isn't reality-based.

    And there are unneccesary ambiguities in this film as well. Is the issue of Masterson falling in love being met with dissatisfaction from her boss? Has she become a better worker for not being a workaholic? These office scenes are handled very poorly and become relatively superfluous.

    Performance-wise, Christian Slater does indeed come across well as an offbeat prince charming and Pamela Segall is excellent as the best friend, though she seems to be channeling Brenda Morgenstern. The biggest problem is Mary Stuart Masterson. She plays awkward and stiff well, but this role could probably have been cast better. Personally, I would have liked to have seen someone a bit plainer, such as Janeane Garafolo, in the part. It would have given Slater's motivation more depth. Could he fall in love and attempt to be a savior for a troubled woman if she wasn't especially pretty?

    At any rate, "Bed of Roses" is well worth a watch. Just so long as one enjoys it for the light entertainment it is.
  • Warning: Spoilers
    This film is from that time period when someone thought Christian Slater could be a quirky (if not slightly creepy) romantic lead. I never believed it, although he did have several good roles in such pics. But quirky and creepy don't play well for long.

    So, I was a little surprised to find myself watching this film...and liking it. Although it took a while. The first third of the film sort of meanders along with a slightly creepy Slater romancing a workaholic loner of a girl (Mary Stuart Masterson). I began to wonder if this film was going anywhere interesting...you can look at just so many flowers being delivered. Then they begin living together and she is invited to his family's home for Christmas. Can she do it? No. Christmas is a disaster. The romance is off. They go their separate ways. Will they get back together? I could see an ending where she wants to but he is already with someone new, and she realizes that once again she has lost happiness. Or, I could see the happy ending we expect.

    I thought Masterson was downright superb in her role. And, Mr. Slater surprised me, as well. In fact, the final scene -- where she expresses her need and he appears to think no, not again -- as fine a piece of acting as you're likely to see in a romantic film.

    Pamela Adlon is excellent here as the best friend. On the other hand, Josh Brolin has a pretty-much-nothing role as a sort of boyfriend of Masterson.

    So, this was a much better film than I expected (at least after the first third). If you like love stories, this is better than most.
  • I've tried to like this film, really. In watching it, all I can think is, "This guy gives me the creeps, I would have gotten a restraining order". It also calls out CODEPENDENCE in capital letters. Was this really the conversation before making the movie? "Let's make a film that puts two chronically depressed, socially inept people into a relationship which deepens their isolation and encourages them to complain about how bad their lives are!" From what I've seen in life is that the last thing on earth we find attractive in a potential mate is constant self-pity.

    The mood of the movie is distinctly 80-ish; brooding and slow. Don't get me wrong, the film has its moments, just very few of them.
  • gospelpicker23 October 2006
    Bed of Roses is easily one of the best romance movies ever. Even if the movie wasn't as good as it is, the soundtrack alone would make it worth watching. But, the movie itself is wonderful and full of warmth. Bed of Roses has the kind of story you would like to live out for yourself. True, people don't usually meet and fall in love the way Lewis and Lisa do in this movie, but isn't that the purpose of movies and music? The story and characters are as unique as they are addictive. When the movie ended, I found myself wanting more. This is one movie that will stick with you. I dare you to watch it only once.

    If you enjoyed Bed of Roses, you might also like At First Sight with Val Kilmer and Mira Sorvino.
  • The sentiments of my wife and myself are echoed well by many discerning viewers here at IMDb: Slater is great as a wonderful guy who loves people and falls in love with a girl he sees, for the first time, under 'unusual' circumstances (trying not to give anything away here). Masterson is a needy, but accomplished workaholic, who appears to have found the ideal guy. And the movie does have some nice set designs, warm family moments, and music.

    But, the Script is skimpy in places, particularly at the end!! I mean, my goodness - supposing the plane in 'Casablanca' carrying Rick's long-lost love away forever had to force-land at the Airport. Wouldn't you expect another 15 minutes of story to wrap up the loose ends? lol - supposing Bogart just walks off and says 'This is the beginning of a great friendship' to his policeman friend, and leaves Ilsa staring into the fog? yikes!

    Well, we couldn't believe in this case that the film was over!! huh? did we get a defective copy of the DVD? 'Sorry - great price on this DVD, but the last chapter of the Script is on Disc 2 (not included).' Actually, it is 'sort' of a happy ending, but I think FilmMaking-101 includes the rule "Don't open up plot points you can't develop and wrap up satisfactorily".

    6/10 Guys: watch with secure marriage mate, or watch NFL instead! (--:
  • Nothing new in this hackneyed romance with characters put into unbelievable situations, speaking dialogue that borders on the ridiculous. This is an example of another movie put into production before serious script problems were solved. Don't waste your time.
  • So admits Lewis Farell (Christian Slater), a flower shop owner who sends an anonymous bouquet to the unhappy, and overworked Lisa Walker (Mary Stuart Masterson), after seeing her one night in a window...her light the only light on a darkened street.

    Lisa is a dedicated young career woman, who's alone in the world, and so has made her job the center of her sad, and lonely life.

    Lewis is a widower who lost his wife in child-birth.

    Lisa's best friend Kim (Pamela Segal) encourages the romance but Lisa is apprehensive... despite the fact that Lewis seems perfect for her.

    Lewis (not about to take no for an answer), begins sending her flowers every hour on the hour.

    The story may seem dull, but it's the unfolding of it that makes the story worth watching.

    It's a reassuring story, not demanding that we laugh or cry but rather that we enjoy it...the way you enjoy the sunset at the end of a hectic day.

    In other words, it's not a comedy (filled with preposterous situations we're supposed to think are funny).

    Nor is it a tear-jerker, designed to appeal to our emotions, so that at the end we feel sad, our hearts aching for two people who can never be together.

    Rather it's a drama without the tragedy:

    A reminder that good things CAN happen to in this world while, at the same time, keeping human frailty in mind.

    It's a warm, soothing, madly romantic movie, designed to make us feel comforted rather than exhilarated, and lovely in the soft glow it projects.

    In an era where illness, and insanity prevail, it's nice to see movie a like this.

    You can inhale it's fragrance like a gorgeous flower arrangement.

    Originally, Review #31

    Posted On: September 30, 2009.
  • SnoopyStyle8 January 2017
    Investment broker Lisa Walker (Mary Stuart Masterson) is sad. After her foster father Stanley's death, she breaks down at home. She was abandoned as a baby. Her foster mother died early on and Stanley was an uncaring drunk. Danny (Josh Brolin) is her inattentive boyfriend. Kim (Pamela Adlon) is her best and only friend. Lewis Farrell (Christian Slater) delivers flowers to her. He's a shy florist who also suffered losses. At first, he's unwilling to tell her the anonymous sender. He finally reveals that he sent the flowers after seeing her crying through her window.

    This is a sappy romance but not much of a tear jerker. It's romanticism without any pretense of being more. Masterson and Slater are an appealing photogenic couple. Most importantly, one really likes both characters because of the actors. The story is not overly dramatic. It's certainly not great cinema. However, it is romantic for those open to it.
  • I thought some of it was good, and there were some original lines that I will likely take with me and use in appropriate situations. Both Slater and Masterson are wonderful actors, but there just wasn't any chemistry between them.I was also bothered by the fact that the little girl in the play was adorable. Wasn't the whole purpose of the play supposed to be for the ugly duckling? She was not believable as a hard case. I realize that was just a detail in the story, but it's an example of the lack of follow through that the movie had in many areas. It was very sweet and romantic however, with some lines I will remember.
  • Here we go, a rating from a guy....who really hates chick flicks...but sorry guys ... this movie is tops. Mary Stuart Masterson is fabulous and the perfect cast for the role. Admittedly i've had a crush on her for years but this film is meant to give that glimmer of hope to those who think they'll never find someone. Its a romance story and being an action fan find myself in somewhat uncharted waters. The plot is basic as a love story and not meant to be taken literally... Bottom line here for you guys is...if you want to impress the wife or girlfriend or make up after a fight....watch this movie together...all with be forgiven scorpio
  • "Bed of Roses" is a light drama love story which tells of a man (Slater) who woo's a career female (Masterson) only to learn she's afraid of commitment. Yeah, it's sappy and full of Kodak moments but the two principals work well together and they can act as opposed to say, Bullock and Affleck which makes the buy-in a bit easier. Surf it, record it, and watch when you feel like a little love story with a happy ending.
  • Warning: Spoilers
    I kind of love romantic comedy's because they're easy to watch and they'll always turn out to be what you expected them to be.

    This movie had the same 'contents' as all romantic movies do. Two people meet each other in a way people will never meet. She's hard to get, but he is so romantic, she falls for him. They turn out to be perfect for each other, but she's not telling something important. They fight. They get back together. They live happily ever after. But it turned out to be quite different than all the other movies at the same time. Actually, I think the storyline is really boring. It's just not complete. They both have difficult backgrounds, but those story's are just 'put in to the movie', without expanding them. It's like pieces of a puzzle which are put in the right order, but they're not actually put together.

    So, its kind of a boring story, but it really intrigued me at the same time. I think it's because of the actors, like people in other reviews have said. They make the boring characters alive. And maybe it's because they talk really little, in my opinion. And their faces tell the story. So I actually loved watching this movie, just in a whole different way than I expected at first.

    Maybe you don't understand what I mean, but then you have to watch the movie. Just don't expect a regular romantic comedy.
  • I have no idea why there are so many good reviews. This movie was predictable, slow, bad story line, cringy acting, zero chemistry, boring script, beyond disappointing. The acting was forced, predictable & not even remotely convincing. I love Christian Slater but this movie did him no favors. Without going deep, I hated this movie & it was all I could do to watch it to the predictable & boring end. The only good thing was the theme song.
  • Warning: Spoilers
    This is a chick's film. And I am most emphatically not a chick but I love it. Men can be romantic, too. Provided there is something about the romantic story which is as intelligent and beguiling as this story is.

    The performances of Mary Stuart Masterson and Christian Slater are master studies in delicacy and hesitancy, arising out of their characters' tragic backstories and the exigencies of the romantic plot generated by their lonely background. This is the dance of love at its most delicate, hesitant, subtle and intricate. The whole film is shot through with a Ravelian delicacy of music and mood, and indeed the music of Michael Convertino (along with some well chosen ballads) is a major reason for the film's delicate beauty and atmosphere, superbly combined with the excellent photography. New York has never looked so much like a city for lovers! Pamela Adlon's character is so interesting and attractive in herself that it is a crying shame she was not given her own film with her own fine romance.

    The story and characterisation has been more than adequately conveyed in the reviews to date. I would simply like to emphasise that the romance is sweet without being sickly, particularly because of the edginess to the story at times which counterpoints the lyrical moments. With performance, script, music and photography in perfect sync this is a film whose afterglow lingers long in the memory of your true romantic. A minor masterpiece. Would there were more like it.
  • didiermustntdie22 February 2010
    let's value it.

    entertainment: a trashy script which has been typed by unintelligent people in front of typewriters a thousand times.. pathetic acting that is thwarted by the story...OK production value, including good set/location and gorgeous girl.. -rating 4/10

    social message: the movie has no social message. it's thought free... .but if I pretend I were 10, and my IQ were 70. I feel the message is:don't be afraid to love? -rating 0/10

    objectionable things: nothing special, just the mild Jewish hedonic and arrogant attitude that is presented by the writer/director. generally speaking, good , nothing degenerate -8/10

    overall rating is 4/10
  • This is a movie for those of you who have given up on the magic of love at first sight. Along with a beautiful picture score, this movie wakes up the giddy teenager that is inside us all. I mean how many of us can say that we were romanced on a garden rooftop in New York City? The character Louis is so mysteriously deep, it is often impossible not to fall in love with him along with Mary Stuart Masterson. This is one of my all time favorite love stories that I like to watch to wake up my inner feelings. The original motion picture score is also among my collection of music. Very inspiring!
  • tonithetiger-1442231 January 2024
    Warning: Spoilers
    I loved this movie when I was a teenager. Watching it as an adult, all I could say was yikes.

    They meet under sketchy circumstances at best. He is way too intense right out the gate, pursuing her relentlessly. When she tells him she isn't ready for any kind of relationship, he trauma dumps on her to try to make her feel sorry for him . It works. She finally tells him about her own past trauma, so he understands that this is a lot for her and asks him to not push her. Naturally ramps it up to 11 and takes her to a huge family function with every single person in his family. She was freaking out before they got there and was VISIBLY uncomfortable the entire time. So naturally, he purposes in front of everyone, putting her on the spot. Then blames her for being scared when she literally told him a very valid reason of why that would be only the night before. And the worst part is that the movie plays it off like SHE'S the bad guy and has to beg HIM for forgiveness. Which he only does (seemingly) reluctantly. Yikes...

    The 4 is for nostalgia. I remember that teenage girl who thought the Christian Slater character was indeed prince charming and how sweet the movie was. That sweet summer child. Lol.
  • This movie definitely stands as one of the most romantic films I've ever seen! I loved the very basis on which the movie was based - presenting a bouquet of flowers is such a day to day affair but how beautifully this little ritual was transformed into a touching love story between two people who need soul mates. There's Lisa, the busy VP of a company, an orphan who has had an unhappy childhood with her foster father but whose death at the start of the movie leaves her with a deep sense of shock and loss and there's Lewis, a florist, living in his own floral world, with a huge family but someone who is no stranger to loss himself, having lost his wife. These two people from considerably different backgrounds are destined to meet and fall in love...

    Christian Slater's character is every girl's living dream! Lewis as a man is perfect, make Chritian Slater play him and it seldom gets better than that! ;) This was the first movie with Mary Stuart Masterson that I saw and I was sold! The woman is excellent! I saw films like 'Fried Green Tomatoes' and 'Digging to China' later just for her! I don't agree with what one more viewer over here has written - that MSM is just not the kind of girl a guy like Christian Slater would fall for. Making Lisa too beautiful would have lessened the human-ness of her character I think... Lisa, that way, is moderate in all ways, beautiful in a class of her own, not the most romantic person and with a past which makes her a trifle cautious about love, since she herself has received it in grudging doses...

    Analysis apart, see this movie for an hour and a half of "unadulterated" romance... With a beautiful music score(Scarlet's 'Independent love song', Sarah McLachlan's 'Ice Cream' and Michael Convertino's ethereal music!) I have the OST of this film and it's one of the best I've heard! The dialogues - "..nothing like a finicky agapanthus..", "..it must have been some mistake in the floral world.." - are quite witty! If not ANYthing, just watch to have a peek at Lewis's dream-like terrace "garden"! Sigh! If all guys had such gardens on their terraces, all the girls would be bowled over like Lisa is and the ozone layer for once wouldn't be depleting! ;) Those are highly unromantic thoughts to occur while writing about love and romance in full bloom (pun intended..!)

    But all said and done, this film is definitely for the romantic at heart! Those who're not, are perhaps likely to dismiss it as rosy mush! I liked it because the film had substance. 'Bed of Roses' wouldn't fall into the Romantic Comedy genre, 'cos a comedy it certainly isn't. And thank god for that! There are unfortunately very few rom-coms that are mercifully devoid of the same formulaic dialogue, contrived plot-settings and characters...in fact most are disappointingly mediocre('Notting Hill' is one classic example...) 'Bed of Roses' is just a romantic movie - it doesn't have comedy elements that are inserted in films more often as ploys to rope in a wider audience than for the need of them in the story per se...anyone who dismisses 'Bed of Roses' because of its lack of comedy or because they think it's a "chick-flick" - too bad! You're missing out on a good film!
  • Being "forever single"(not because I'm commitment phobic, but because most women don't give me the time of day), I naturally turn my nose up at watching romance movies, but I like to think it's because a lot of them have nothing real at the center. The YOU'VE GOT MAIL's of this world are just interested in cheap sentiment, and as the line from the movie goes, I detest cheap sentiment. But for the most part, there's nothing cheap about this likable movie. It's about two people who have been hurt, one recently(Lewis - Christian Slater), who was career driven until he lost his wife, and now owns a flower shop), one early on (Lisa - Mary Stuart Masterson), the investment banker who hides a past of being abused by her foster father) who are brought together(Lewis sees Lisa crying and the next day sends her flowers), and we truly wonder if this can work, unlike movies where we're just manipulated into thinking that way.

    The character of Lewis is perhaps a little weak. Or maybe it's because Christian Slater, who I like, seems at times like he's repeating himself from UNTAMED HEART (which I loved). But some of his actions seem to be overdoing it, and some of his dialogue is over the top. On the other hand, Lisa is perfectly drawn. This is not the stereotypical career-driven "bitch," but a complex woman who, understandably, is afraid to show her emotional scars, and would naturally be drawn to someone like Josh Brolin's character, who is the "romantic equivalent of a night-light." And Masterson doesn't play it in an obvious way, either, but gradually and subtly. Why isn't she a bigger star? I also liked the use of Jann Arden's "Insensitive" here too.
  • Do you know the tingle you got in your stomach when you got your 1st kiss. Well that is the feeling you get watching this movie. It is so sad but good sad and so romantic. When I watch it and i do all the time i always cry. Slater and that girl did an excellent job and they look so good together. If u like her acting rent Benny & Joon (Jonny Depp is in there too) another excellent movie
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