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  • I had very low hopes for FEAR . I'd read the synopsis in the TV guide and the plot sounded like one of those psycho killer stalker from hell thrillers that were being churned out without any thought in the mid 1990s . Considering it starred singer Marky Mark , Reese Witherspoon and William Petersen who's a rival to Eric Roberts in the straight to video / cable TV movie stakes I didn't think this was going to be up to much

    While not being a classic thriller FEAR certainly did hold my attention , probably because much of the characterisation is credible . All too often in this genre the actor or actress playing the villain really goes to town showing the audience what a bad ass they are thereby parodying the role . Mark Wahlberg as David is very restrained for the most part which makes David and credible character and his on screen chemistry with Reese Witherspoon's Nicole is believable , you can believe these two characters are genuinely in love with one another something that is all too rare in this type of movie

    I should also point out that much of the movie revolves around the interaction of Petersen's Mr Walker who is concerned about his daughter's relationship with David . You can't blame the guy for wanting what's best for his offspring and it enhances the credibility of the story . It's refreshing to have a more thoughtful approach to this type of genre because if people start turning up dead after 15 minutes then things start to get silly , so the violence is kept to a minimum until almost at the end of the movie which does suffer something of a plot hole because no one seems to have a mobile telephone at readily hand and don't tell me professional people didn't have mobile phones in 1996 . Also watch out for references to STRAW DOGS , THE SHINING and NOSFERATU at the climax

    Even if you're burned out on those 90s stalker from hell thrillers you could do worse than watch this on a wet Friday evening
  • Nice, innocent teen Nicole (Reese Witherspoon) falls for handsome, muscular, soft spoken David (Mark Wahlberg) not knowing he's a psycho who wants her--forever. Good thing she's got a nice, muscular, protective father (William Petersen).

    OK, it's no masterpiece and the plot is very familiar, but I was never bored. It's well-directed (especially a roller coaster ride), has beautiful scenery and architecture (look at the house where Witherspoon lives with her family) and a script that, if not always credible, never stops moving. The last 20 minutes really rock. A little unpleasant at times though. As for the acting--Witherspoon is OK. At times, she's totally believable--other times she's not. And she's obviously over 17. Petersen is very good playing the understanding, protective dad. A nice, understated performance. Mark Wahlberg is (surprisingly) very good as the psycho. He plays the nice guy and the evil guy very effectively. REALLY nice bod too--what a chest! But he needs some serious voice lessons--his Boston accent kept creeping in. So, a pretty good thriller. You could do worse.
  • Warning: Spoilers
    Warning: may contain some small spoilers

    It's really funny, with better marketing this film may have done better business. What I remember seeing about this film was how evil and maniacal David was going to be. You knew going into the film that he was going to do some really bad things after his facade as the good boyfriend was over. But really, the whole first half of this film has the same feeling as Pretty In Pink or Some Kind Of Wonderful.

    When I was watching how Nicole ( Witherspoon )was quickly falling for David's charm and sweetness, I was intrigued. There are some great moments in here that explore young love and my favourite scene in the film and one of my favourite scenes ever that deals with young virginal sexuality, is the roller coaster scene in the film. Everything about it was pure and honest. David ( Wahlberg ) and Nicole get into the front seat of the roller coaster and she is wearing a very short skirt. The ride begins and then the music starts. The song is Wild Horses by a group that I am not familiar with ( no, it is not the Stones ) and they begin to move. David begins to inch his hand cautiously up her skirt. Her facial expressions are perfect. She is apprehensive but excited and after a brief resistance, she lets him touch her. The roller coaster ride becomes a metaphor for how she is feeling. Nicole has now just had her first sexual experience of any kind and David has her. He knows it's only a matter of time before he will take her virginity and she knows it as well.

    On this level, the film is perfect. Exploring young love is a delicate situation but director Foley handles it with ease and he even shows the beauty of how love can make you feel. It's just too bad that the film has to take a different path at the conclusion because this could have been a great coming of age love story. I'm not saying the psycho elements to the film are terrible, I'm just saying that the innocence of the love story seems to work and fit better in here. This is a film that reminds us of what it was like to fall in love for the first time and what it was like to make love the first time. And I enjoyed it for that.

    I do recommend seeing this film but it just seems like two movies that could have been one. But it is enjoyable and the actors in here are great. Even Mylano and Petersen as Nicole's best friend and father respectively are fun to watch. So it is a good film. But again, not to be redundant, but I liked the innocence of it better than the vigor.
  • You might recognize David McCall (Mark Wahlberg) from your high school days. He's the guy who was always in trouble, always in fights, always breaking the law. He's the one who kept most of the student body, as well as teachers, in mortal terror.

    Why? Because he was a violent, unpredictable, walking timebomb.

    FEAR presents us with an excellent example of one such super-thug. Wahlberg plays David as an explosive keg of rage.

    Enter young Nicole Walker (Reese Witherspoon), who catches David's attention. At first, while trying to woo Nicole, David seems sweet, sensitive, and understanding. Not surprisingly, the act wears thin, revealing David's true agenda: To possess and control her. He is relentless in this endeavor.

    Those who've never been exposed to a person like David might think this is all overblown, that no one like this could possibly exist. Well, speaking from direct experience, he's real and not the only one either! There are people without limits who act in these exact ways. Wahlberg is amazing here, actually making his character terrifying.

    William Peterson is very good as Nicole's protective father. This is a fantastic thriller with a satisfying finale...
  • Over the years I've caught bits and pieces of this film many times on cable and even premium movie channels. Just finally I decided to sit down and watch it all and I must say overall "Fear" is a pretty decent mind thriller. It's theme fits well with teenage love obsession and the stalker crisis. And the cast here is well known it features some of the early work for most of them before they would go on to TV fame(Brenneman, Milano, and Petersen) and movie stardom(Wahlberg and Witherspoon). Set in Seattle, Washington a teenage girl the innocent and pretty Nicole(in one of Reese's earliest roles)lives with her father Steve(William Petersen)and stepmother Laura(Amy Brenneman)and Nicole has a good loving family life yet her parents are to overprotective and she starts to give into the pressure of her peers especially from her best friend the free spirited and sleazy Margo(the hot Alyssa Milano). It's upon their partying and club going that Nicole meets a young and innocent and nice talking young man named David(Mark Wahlberg). Yet appearances and personalities can be deceiving as after David seduces Nicole and she loses her innocence and develops a false trust surely enough David begins a violent obsession with her. Her family sees it and warns her, eventually this leads to drama all concluding with violence and a hostage situation with Nicole's family that was brought on by David and his thug friends. Yet in the end Nicole will grow to learn love is blind as she faces her fear. Pretty decent thriller of the stalker mode with some early performances from what would later be big stars in both TV and film. So give it a watch some late night on cable or premium TV.
  • Fear is directed by James Foley and written by Christopher Crowe. It stars Mark Wahlberg, Reese Witherspoon, William Petesen, Alyssa Milano and Amy Brenneman. Music is by Carter Burwell and cinematography by Thomas Kloss.

    One of the number of psycho-sexual thrillers that surfaced in the 80s and 90s, Fear has the narrative hook that it involves teenagers. Witherspoon is the girl who invites drifter David McCall (Wahlberg) into her life, only to find he's as unstable as unstable can be. Director Foley and his team then produce a film that pretty much cribs from a number of other similar themed movies. All of the key scenes will be instantly familiar to genre film watchers, and unfortunately the plot twists and turns come as no surprise.

    However, in spite of the lack of originality in structure and narrative thrust, Fear is never dull, not even when Wahlberg is wistfully looking into Witherspoon's eyes like a love sick puppy. Suspense is on hand for the big finale, which unfolds with kinetic brutality, and it's also nice here to find that some thought has gone into the characterisations of those in peril. Kloss' photography around the various Seattle locales is vividly appealing, as is Burwell's music compositions, while the acting performances are all on the good side of good, with nobody harming the balance of the piece.

    A teenage Cape Fear – cum – Straw Dogs - cum – Fatal Attraction, but good with it regardless. 7/10
  • Warning: Spoilers
    The sixteen year-old teenager Nicole Walker (Reese Witherspoon) has moved to the house by the lake of her father, the architect Steve Walker (William Petersen), to live with her stepmother Laura (Amy Brenneman) and her brother Toby (Christopher Gray). Her best friends are Margo Masse (Alyssa Milano) and Gary Rohmer (Todd Caldecott) that study with her in the high school. When Nicole meets David McCall (Mark Wahlberg) in a night-club, she has a crush on and dates him. David becomes obsessed by Nicole and one day he sees her friend Gary kissing and hugging her and he hits him. Nicole breaks with him but David continues to follow her. Steve decides to investigate the young man and he finds that he is an orphan that has spent most of his life in reformatories. The hell breaks loose in Nicole's life when David kills Gary and trashes the Mustang of her father. Steve breaks in his house and destroys everything inside. Now David and his gang go to Steve's house to payback.

    "Fear" is a good movie, with great story and performances. I saw this movie for the first time in the late 90's on VHS and last Friday I saw it again on DVD, and the plot seems to be more realistic in the present days of violence and fear in many worldwide cities. This is also a great opportunity to see Reese Witherspoon very young and cute, and Mark Wahlberg perfect performing a manipulative psychopath. My vote is seven.

    Title (Brazil): "Medo" ("Fear")
  • I mean it's ok but so dated and not in a good way. The acting is laughable in many places apart from the step mum and dad but definitely not worth the high rating on here. Easy to watch and it's fine but a 5 is all it deserves
  • The story behind the film "Fear" is nothing new. Obsessive love leading to dangerous fatal attraction. But I'm not ashamed to say that I really enjoyed watching this movie. To be sure, there were the typical cliches (did anyone not know that the security guard was SO dead!). However, the action in the film keeps things moving along at a steady pace, and the tension builds towards the reasonably satisfying climax. Performances by the lead characters were generally quite good. I found Mark Wahlbergs character to be quite convincing and quite menacing, though I agree he would certainly benefit from some speech coaching. The two young female leads, Reese Witherspoon and Alyssa Milano, did a good job playing the victims, and certainly add value to the film for their attractiveness alone. The standout performance for me was that of William L. Petersen as the father. Most of his actions/reactions rang true to me. Was "Fear" a great movie? Not really. Was it a good, satisfying and ultimately entertaining way to spend 97 minutes? Yes indeed. Even my wife stayed awake till the end, and that's worth an 8/10 alone.
  • Warning: Spoilers
    "Fear" is a teen thriller with no intentions others than entertain the audience and show good looking teen stars like Mark Wahlberg, Reese Whiterspoon, and the always lovely Alyssa Milano. This is not a good movie by any means but it has positive things to underline. First, Wahlberg and Whiterspoon can act and their performances are the best thing about the movie. Milano is a delight to watch even that she's not very required in the movie but still shines in the few minutes she appears. Second and best of all; "Fear" goes directly to the point and makes it very easy to watch.

    *SPOILERS* There's nothing much to comment about "Fear" except for some infamous scenes like the dog's head, the drilling in the hand, and the three sex scenes.

    There are some Slasher elements a la Scream in this movie that in the time were very effective (stabbing, dog's head cut off, minimal gore, and a psycho killer) and worked very well in order to create a tense atmosphere. The ending is quite predictable and expected. The actors they chose perform surprisingly good. If the plot is not very interesting then the least you can expect is to feel some sympathy for the characters. Whiterspoon is tender and beautiful and you totally believe her when she has different feelings for her boyfriend. Wahlberg delivers a good performance as a crazed angry boyfriend. Come on, everybody feels anger jealous acts... this is exactly where I think that "Fear" succeeds. The movie is directed to a teenager audience that immediately feels similarities in their personal life with the events of it. The movie works in that aspect and there's no question about it.

    Watch it with minimal expectations and you will be surprised maybe a little.

    6/10
  • In 1996, James Foley directed a movie called "Fear." If there is any irony to be found in that title, it may very well be in that Mr. Foley would have had reason to be concerned about his career after making this mindless, overproduced piece of garbage. Five years earlier, now-famous Reese Witherspoon made her debut in a wonderful movie called "The Man in the Moon." In both that film and this one, she played a teenager troubled by her crush on a boy. Except in that much-superior film, it was because her crush was three years older than her and he was smitten by her sister. In this film, it's because he's a sex-addicted psychopath who won't leave her be.

    "Fear" could be described as an adolescent version of "Fatal Attraction." But there is a difference. Up until its last ten minutes, "Fatal Attraction" was a splendid thriller as well as an insightful one. It had a sharp, shrewd knowledge about marital affairs. Hence why Glenn Close still claims to this day that her performance stopped several men from cheating on their wives. That movie did lose its mind in its big climactic ending, but "Fear" is a movie born without a mind. And if you thought the ending to "Fatal Attraction" was ludicrous, wait until you get a load of what happens here.

    One of the core faults of the picture is lack of a demanding villain. I've had mixed feelings about Mark Wahlberg before, but this could be his worst performance. As the stalking boyfriend with a household of hoods, he's about as frightening as the stone lions in front of a library. There are two sides to Mr. Wahlberg's performance, one worse than the other. When his character goes psychotic at the end, it's just limp ham-acting. But he's worse at the beginning, when he's pretending to be a nice guy just by speaking softly and hanging his eyelids as if he had insomnia. But I guess Mr. Wahlberg, who can act when given a worthy screenplay, cannot be fully blamed here. For I doubt this material could have been handled well by any actor, young or old. Because I was not the least bit intimidated or frightened by him, I saw no reason why Miss Witherspoon, or her parents or friends, would be, either.

    However, the worst sin the movie commits is insincerity. It is tackling a very topical and relevant collection of subject matter: underage sex, early-age affection, the tough times between parents and children at that crucial age of sixteen. But instead of offering insight about these tough times--that everyone of us can relate to in one way or another--it just pushes those opportunities aside in favor of over-the-top exploitation. Take, for example, the denouement of the picture. Instead of going for a plausible conclusion, the movie goes into a cheesy monster-on-the-loose formula, which very well have been a parody of "Night of the Living Dead." This is the sort of film where four teenage boys have been granted special powers like second lives and super-human strength. They apparently also become master electricians and know more about architecture than the designer of a maximum security system. How do they acquire this vast array of skills? By doing drugs, raping high school girls, and playing lots of pool. I don't buy it.

    The movie is so unconsciously bad that it is always racing ahead of itself. Even a scene such as a jogger running through some woods (not chased by a bad guy, by the way) is accompanied by whooshing camera motions and a soundtrack so noisy that it would make the world's most obnoxious rock band ask for a little quiet time. I suppose if there was any good intentions from the makers of the movie, it would have been along the lines of Larry Clark's "Kids" released a year before. But whereas that film had a purpose, "Fear" just pretends to have a purpose.
  • Warning: Spoilers
    This movie is visually strong, suspenseful and extremely entertaining but the way in which it depicts family tensions is its greatest achievement. A teenage girl's relationship with a young man from the wrong side of the tracks soon sparks off numerous problems that are down to her father's over-protective instincts and the girl's natural rebelliousness but the dramatic possibilities are then heightened even further due to the specific dynamics that exist within the girl's reconstituted family.

    Nicole Walker (Reese Witherspoon) is the naïve 16-year-old who, after previously living with her mother, moves into her father's suburban home in Seattle. Steven's (William Petersen) an overworked architect who lives with his second wife Laura (Amy Brenneman) and her young son Toby (Christopher Gray). When Nicole and her high school classmate Margo Masse (Alyssa Milano) go to a local rave, Nicole meets David McCall (Mark Wahlberg) and is instantly attracted to him. He's exceptionally polite, softly spoken and seems very gentle and considerate. David instantly makes a positive impression on Laura and Toby when he visits their home but Steven instinctively takes a dislike to him. This naturally creates a rift between him and Nicole and makes her even more determined to continue the relationship.

    Things suddenly change one day when David sees Nicole hugging her school friend Gary (Todd Caldecott) and is overcome with jealousy and rage. In a sudden and violent outburst, he brutally attacks Gary and roughly pushes Nicole to the ground. After the attack, Nicole is left with a black eye and immediately stops seeing David. This incident reinforces Steven's negative feelings towards David but it isn't long before Nicole surprisingly rekindles the relationship. Steven is incensed and angrily forbids David from seeing his daughter again. David, however, is totally obsessed with Nicole and as his fury grows, the revenge he takes on the Walker family becomes progressively more violent until his actions eventually lead to a terrifying conclusion.

    The ways in which conflict grows between the generations is shown very effectively in this drama because, whilst it's natural for parents to want to protect their children from pain, exploitation or bad experiences, it's also entirely natural for teenagers to want to explore life in the way that their instincts dictate and not be given advice which they just regard as being interfering by parents who want to spoil their fun. The tensions in the Walker family are also complicated by the step-parents' desire to be accepted by their adopted children and also the uncertainty that children can feel about a parent's new spouse.

    Reese Witherspoon does a great job of portraying the mixture of naivety and growing maturity that's typical of a 16-year-old and Mark Wahlberg is particularly good in the scenes that require him to express his anger. William Petersen provides the other standout performance as the father who's left frazzled by being overworked, having to contend with his concerns about his daughter and trying to cope with his wife's unreasonable attitude to his work commitments. Overall, this is a movie which provides some pertinent observations on family life in the 1990s in a story that's perfectly paced and delivered in a style that's never dull.
  • Warning: Spoilers
    Referred to by its own producer, Brian Grazer, as a "Fatal Attraction" for teens, this slick thriller holds no surprises but is still reasonably good visceral entertainment. Reese Witherspoon plays Nicole, a Typical Teen with an Overprotective Dad, Steve (William Petersen). Nicole chances to meet a hunky stranger named David (Mark Wahlberg, in one of his earliest starring gigs) and they enter into a passionate relationship, only for Nicole to realize that every suspicion that her dad has about her boyfriend is correct: the guy's a brutal, controlling thug. And he naturally doesn't take kindly to being dumped. Simply put, this is the kind of cretin who simply won't be denied what he wants. And he'll kill anybody to get it. "Fear" does benefit from very capable direction by James Foley ("Glengarry Glen Ross"), and impressive widescreen photography. This story does move along quite well without getting bogged down in any sort of filler. It's also quite sexy, to boot: Nicole and David have some steamy couplings along the way. The action gravitates right toward the kind of final showdown that we know from the start is going to be inevitable. As it happens, Steve foolishly gives Davids' equally seedy goon friends all the motivation they need to launch an assault on the family home. The movie is certainly well cast and all of the performances are effective. Also among the actors are Alyssa Milano as Witherspoons' friend and Amy Brenneman as the dads' new lady friend. Witherspoon is appealing and Wahlberg is convincing as the lovestruck antagonist. Overall this works pretty well at manipulating its audience and getting them all cranked up. The big finale is reasonably exciting and has some brutal moments. While this might not be innovative stuff in any way, it does do its job, and delivers the expected thrills. Seven out of 10.
  • Fear? Oh dear, I really don't know where to start with this awfully dull "thriller". I managed to sit through all of it but for a fairly short film it dragged on and on for what seemed like an eternity and the only thing that I was really fearful of was that I might fall asleep with the TV on and waste money on my parents' electricity bill.

    With a thriller you are supposed to build up tension throughout the film and then release it all in a nail biting climax that leaves you gasping for breath and on the edge of your seat. It's a fairly simple idea, but Fear manages to botch it up royally.

    You are introduced to a fairly tedious rich family, apparently facing all sorts of problems, and then after about quarter of an hour of mindless bitching the daughter meets supposedly the perfect boyfriend. As the guy says himself "if something seems too good to be true it probably isn't", meaning that he is obviously going to be a psycho. So much time is spent on them being "loving" together it doesn't really add anything to the plot except for making you want to throw up. One particular scene on a roller-coaster was particularly distasteful and quite disturbing for entirely the wrong reasons.

    The premise isn't actually that bad, they probably could have squeezed a decent movie out of it if they had really tried but they decide to ignore subtly and hit you in the face with the obvious. They could have let the boyfriend slowly display his psychotic side, flashing the audience hints that the girl doesn't notice, so our fear for her grows the more and more the relationship goes on. The more she doesn't know he's bloody mental and the more we do, the more we care. Instead they decide that he is going to display his mentalness right in front of her face by going ape-**** and attacking one of her buddies, all because the poor dude gave her a hug.

    After this the plot just gets more ludicrous and keeps going round in circles but somehow manages to get to a really promising climax. Just when I thought the film might just be able to redeem itself, the director manages to mess up the ending as well. Brilliant.

    There isn't really coherent message to the film and the acting from everybody is well below par. The entire film plays out as an endurance contest for how many clichés you can handle before you are forced to turn the TV off.
  • Movie like this either reach out and pull you in or they don't. Fear pulled me in. I rented this movie about a week after Halloween of 1996 and put it in my VCR not sure what to expect. 2 hours later I ejected the movie from the VCR feeling somewhat dazed and overwhelmed. Fear isn't a classic. But it works well. It is scary, violent gory and well made. The reason it works so well is because it was made by people who knew what they were doing. The whole stalker style of movies is full of uninspired trash that sounds like it was made for the USA network.

    Fear stands heads and shoulders above that (And to some extent above the original Fatal Attraction). It's not afraid to push, to pull us inside, to scare us and give us a good conclusion at the end, one that movies of this type always mess up.

    ***
  • Warning: Spoilers
    Fear appears to be a decent enough thriller; at least up through the first hour. We have a great cast who all play seemingly interesting characters, and that bodes well for the rest of the film. As the action plays out, however, things seem to jump the tracks of credibility. That's a shame since this could have been a really good little film.

    The story centers around a 16 yr old girl named Nicole (Witherspoon), who seems to have a lot going for her. Unfortunately, she like so many other young ladies, falls under the spell of a "bad boy" named David (Wahlberg). We the audience can tell from the start that David and his buddies are at the very least shady, and at the very worst homicidal maniacs. Nicole realizes this too after a while. But in defiance of her father (Petersen) she sticks with David a little too long. By the time she's ready to dump him, David is totally obsessed with Nicole, and will stop at nothing to be with her. By the film's final 15 minutes, David and his band of cronies have laid siege to Nicole's house and are terrorizing her entire family.

    The film starts out great. We the audience meet characters we care about, and things play out somewhat realistically. The cast is really awesome. Many of the principal performers would go on to much bigger things over the years. Witherspoon and Alyssa Milano are gorgeous, and Mark Wahlberg shows some talent in his first major film role. William Petersen is great in anything he does, and his performance here is no exception. The film falls apart in the final minutes, though. Characterization and logic are thrown out the window as the film relies too heavily on violence and mayhem to sort things out. There are a couple really ridiculous scenes toward the end. In one of them, Wahlberg snaps the neck of one of Witherspoon's friends while he's walking home from school. This is silly enough, but it's also poorly filmed and not at all convincing. In another scene, we see Wahlberg repeatedly punch himself in the chest to make it look like Petersen has beaten him up. It just looks stupid as he's pounding away at himself and trying to look tough.

    I don't know. Go ahead and try this one. It could have been better but it's not a total loss.

    6 of 10 stars.

    The Hound.
  • Fear is not a film that will leave you feeling like you just watched something special, but it is a film that you will walk away from feeling like you didn't waste your time. If you take it for what it is, it's actually quite entertaining.

    It's a 1990's teen thriller that involves a jealous boyfriend, a naive daughter, and a distraught father trying to protect this family the only ways he knows how.

    It's not a perfect movie by any stretch of the imagination, but I've always found it enjoyable to watch. The great cast really helped bring the characters to life, and the end was always very memorable. If you've never seen Fear, I would recommend giving it a watch.
  • Warning: Spoilers
    The movie is predictable in it's plot, but unique enough in it's execution (until it's final scene) that you want to keep watching. This combination makes it a movie you can watch more than once without losing interest.

    The cast was great, although Reese Witherspoon does over act her emotions on occasion, and Mark Whalburg slips in and out of his accent. Alyssa Malano isn't bad either, although she brings nothing new to a typically scripted character.

    There was ample opportunity to give this movie more depth and originality, but it seems the writers went for a familiar story line without giving it the time and thought it deserves. The biggest plot misses for me were; 1. Nobody has a cell phone. Although at the time the movie was made (1996) cell phones weren't what they are today, given that they have been available most people since the 1980's it doesn't make sense that a businessman like Steven, who seems to work around the clock, wouldn't have one 2. When Nicole is looking in through the window and catches David and Margot about to have sex, it is very clear that it is against Margot's will.In fact, it is a very unsafe situation she is in, yet Nicole leaves, only making the decision not to be with David anymore. She doesn't try stop it from happening, or get her friend help, or check on her after. I lost respect for the character after this, as essentially what she witnessed was her best friend's rape, yet she couldn't see past her own hurt feelings. It would have been a more powerful "break up scene" had she helped Margot and confronted David. 3. Later in the movie, Nicole confronts Margot about what happened with David, and Margot says she was forced into it (which Nicole saw first hand). Rather than Nicole not being able to see or be there for her friend because of her own trauma, or being angry at Margot for not warning her about the type of man David was, she was actually upset about the fact that Margot had sex with David at all. In fact, she reacted as though this was an affair Margot had happily participated in, and not the sexual assault that it was. I was disappointed at the approach the writers took, and felt more sympathy for Margot than Nicole, feeling Nicole was the bad friend in that scenario. Again, I felt It would have been a more powerful storyline to have this shared bad experience with David strengthen the girls' bond - especially given Margot's presence in Nicole's house anyway for the final scene. 4. On a similar note, as Margot was with David's friend and presumably at the house regularly (enough to be comfortably having sex with the friend in a crowded living room), surely she would have witnessed the dark side of David that Nicole clearly knew nothing about? 5. During the final scene, Laura tells Steven the house cannot be broken into and he should know this as he designed it himself. She then lists the numerous reinforcements he put in place to secure it. Given how much thought he obviously put into the security of the house, and that he does this for a living, why would he overlook something as simple as a security gate at the bottom of the stairs? On the off chance intruders get in, the family can hide safely upstairs and at the very least buy themselves some time. 6. In the same regard, why not have an emergency back up telephone line - or a handheld transceiver perhaps - to the guard house? Or a safe with a gun? 7. After what David did to the car, and the fear over Nicole's safety, and Steven trashing David's house knowing there would be retaliation, why didn't Nicole at least carry pepper spray with her? And why wasn't the security guard informed of the situation, given they had even informed the school? 8. Margot arrives and shortly after the house is attacked. Didn't she see them following her? And if they arrived before her and hid, why not barge in when the door was opened to let her in? 9. Gary is beaten to death in the woods near after school. By that same evening Margot is at Nicole's house to inform her of his murder. It seems implausible that this would be enough time for his body to be discovered and the crime scene investigated enough for Margot to know that not only has he died, but how he was murdered. The movie doesn't depict any close relationship between them that the family would call her, and if they did call why not call Nicole, his best friend, first? And they couldn't have heard from the school, as it happened after school hours.

    Although these are my burning questions, I was able to look past them and enioy the movie nonetheless. I've actually watched it more than once and would happily watch it again. I would recommend it to anyone who can enjoy a movie that is what it is, pure entertainment without trying to be anything more.
  • That pretty well sums it up about this "rich-girl-meets-handsome-hoodlum" suspense thriller. It all follows the usual steps of an innocent teenage girl falling into the attraction of a questionable beefcake who manages to charm her friends and family except, of course, for her father.

    Mark Wahlberg radiates a perfect "wolf-in-sheep's-clothing" performance as the mysterious hunk who strongly displays sincerity and love towards Reese Witherspoon's Nicole. Considering that this was one of his earliest acting jobs at the beginning of his movie star career, he clearly showed he had what it takes to chew up the scenery. Most notably when he starts acting unhinged and obsessed halfway through the film.

    This is by far though just an average romance/ psycho thriller with the usual formula of a remote wooded home under siege by a ruthless bloodthirsty gang. That's what it pretty well boils down to after Nicole finds out what a sickening heel the man of her dreams turns out to be.

    This is indeed an entertaining and erotic thriller with plenty of suspense to spare, but as far as quality goes, it's just basically average fare and doesn't really offer too many major surprises. It just builds itself up into a helpless scenario, but turns to easy solutions for the conflict the victims are raging against the villains.

    Mark Wahlberg is indeed an Adonis in this and Reese Witherspoon is beautiful as the lovesick heroine, but two gorgeous people aren't enough to elevate this psychotic chiller into higher quality work. It delivers on edge-of-your-seat excitement, but only to a certain extent. It does nothing to rank this higher than other fatal attraction types of flicks where romance turns into a bloodthirsty gore-fest after someone gets jilted and wants sweet revenge. This could have been better.
  • Excellent early film for both Mark Wahlberg and Reese Witherspoon. William Peterson was wonderful as the father, James Foley directed a great chilling experience with nice romance mashed in! Not your average thriller, boils your spine with edginess and genuine emotions; would only recommend to someone who doesn't mind having their mind radiated. I love this movie!
  • While often imitated its never been equalled Fear is the ultimate home invasion movie, a star studded cast battle against the odds, the pace of the film moves along really nicely only to fall down at one point. Wahlberg and Weatherspoon outdo themselves as convincing polar opposites bought together only to be ripped asunder.

    This film is where its at.
  • hall8955 January 2007
    2/10
    Trash
    Well this is about as bad as movies get. Nothing to see here, move along. If you must know the threadbare plot follows 16-year old Nicole Walker, played by Reese Witherspoon. Sure is a long way from this garbage to an Academy Award for Miss Witherspoon. But I digress. Anyhow, young Nicole falls in love with seemingly sweet, nice, perfectly charming David McCall, played by Mark Wahlberg who somehow managed to salvage an acting career after appearing in this movie and thus was spared a lifetime of "Whatever happened to that Marky Mark guy" questions. Of course if David is as seemingly wonderful as he initially seems this movie would have a different title. As it is, David soon reveals himself to be a murderous lunatic and everybody does not in fact live happily ever after.

    So what's wrong with this movie you ask? In a nutshell, everything. The script is terrible, with some of the most god-awful dialogue ever heard. The characters are all clichéd, pulled straight out of so many similar and infinitely better movies that had come before. This film has nothing new to offer, it's just a painfully bad rehash. It's meant to be suspenseful and shocking. In fact it's just laughable. Nothing here is believable, the whole thing is over to the top to the point of stupidity. Don't even get me started on why Nicole's completely ordinary family lives in a home with more security features than Fort Knox. It's downright ludicrous, an artificial attempt to make the climax of the film more dramatic. Unfortunately by the film's climax you'll be stifling yawns. If you haven't already given up and turned the thing off. You get the sense everyone involved with this movie would like to forget it ever happened. If you ever are unlucky enough to have to sit through it you'll wish you could forget it too.
  • jomyers201015 October 2014
    I have titled this review 'Revisited' as I have seen this movie before, a long while ago, but I have still seen it before. It really is a little gem of a film. The storyline is good, the acting is good and even the 'thriller' aspect of the film makes you feel a bit freaked out. There is a romance aspect, but its not too mushy.

    Excellent acting from both Mark Wahlberg and Reese Witherspoon. Both so young in this film, and also still acting today. I could easily say that Fear features possibly one of the best performances from the pair of them. Wahlberg's ability to play a psychopath so easily, and convincingly is amazing. Witherspoon's naivety as a sixteen year old girl, was also incredibly outstanding. Both Wahlberg and Witherspoon are household names now, that almost everyone had heard of, yet in this film they were both new and unknown. Excellent way to pave a career guys.
  • In this semi-erotic thriller targeting teens and overprotective parents, there's an alluring ambiguity to the passionate relationship that smooth-talking bad boy Mark Wahlberg and semi-rebellious suburb girl Reese Witherspoon strike up after meeting in a bar. Witherspoon is refreshingly natural and Wahlberg's performance is so close to convincing, even authentic, that when things slowly start shifting over from a depiction of real kids to a box-ticking of genre-conventions, we're more disappointed on behalf of the relationship between them than surprised by the script's downfall. After all, the picture never promised us anything else, even if some of us might have expected director James Foley (Glengarry Glen Ross) to handle it all in a more subtle and elegant manner. William Petersen gives an effortful performance as Witherspoon's father, and their affectionate, clashing father/daughter relationship will most definitely ring true with current and former parents of teens.
  • Warning: Spoilers
    This movie is way too predictable to be able to be enjoyed. You can see everything coming a mile away. Isn't that the antithesis of what a suspense film should be? Shouldn't I be surprised when something happens? After all, isn't suspense just a feeling you get when you're not sure what's about to happen? If so, it would seem the word and the movie are a contradiction in terms.

    The acting is pretty stale as far as I'm concerned. Reese Witherspoon plays the pretty idiot. She doesn't really have that much to say in this movie, even though she's basically the main character. As far as Mark Wahlberg is concerned...Man, oh man, is he a terrible actor or what? I seriously don't see what other people like about him. I think this movie would've been better than it was had they been able to find a better actor to play Wahlberg's character. What was it I didn't like about Wahlberg's performance? Well, for starters...His "good guy" persona was way too transparent. You'd have to be a complete moron to not know this guy was a fake. The pickup lines he was feeding Reese were being put on so thick I about wanted to hurl...Why do girls buy this kind of crap? Meanwhile, his "bad guy" wasn't very intimidating as far as I'm concerned. If I would've been Reese's dad, I would've opened a can of a whoop-ass on Mr. Marky Mark here.

    Overall, this movie is a "by the numbers" suspense flick. Nothing new. No surprises. No suspense. I'd recommend passing it up. This is just a stupid movie and a big waste of time.
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