A shy, middle-aged professor enters into a romantic but non-physical relationship with an unlucky-in-love colleague.A shy, middle-aged professor enters into a romantic but non-physical relationship with an unlucky-in-love colleague.A shy, middle-aged professor enters into a romantic but non-physical relationship with an unlucky-in-love colleague.
- Nominated for 2 Oscars
- 4 wins & 11 nominations total
Lucy Avery Brooke
- Felicia
- (as Lucy Avery Brooks)
Howard S. Herman
- Rabbi
- (as Rabbi Howard S. Herman)
Featured reviews
Love this movie because it is a how single professor found her love, which I felt so related to my life.
The surprising fact is when I want to rated it, it turned out I have rated it before! For me now it's an 8, while my previous rating was 7. I think for a movie which had released for almost 30 years ago, it's still so good.
I was curious and checked when I watch this before, because I have no idea during watching. Thankfully IMDB has history record! I found out watched it on February 2009, it's about 12 years ago and the rating getting higher 1 star 😆
The surprising fact is when I want to rated it, it turned out I have rated it before! For me now it's an 8, while my previous rating was 7. I think for a movie which had released for almost 30 years ago, it's still so good.
I was curious and checked when I watch this before, because I have no idea during watching. Thankfully IMDB has history record! I found out watched it on February 2009, it's about 12 years ago and the rating getting higher 1 star 😆
I just want to begin by saying that, yes, I am a Barbra Streisand fan. However I am not the type of fan that regards everything she does as perfect. For instance I can safely say that "Yentl", while a very good idea and a noble effort was overindulgent and in desperate need of editing. Now as far as this film is concerned I never went to see it because I was told that all it was about was some ugly Jewish girl who in order to get her man bleaches her hair and loses weight. But after a spontaneous rental I was surprised to find myself actually enjoying it. At the end I realized that it wasn't as "sexist" and "anti-woman" as I had initially believed. Instead, it took seeing the "made-up" Barbra for Jeff Bridges to realize how beautiful the "un-made" Barbra was. The film was well acted all around, and well directed by Ms. Streisand.
The mirror has two faces: Barbra Streisand and ... surprise! ... Barbra Streisand! More explicit: the funny Barbra Streisand and the divine Barbra Streisand. Well, this miraculous metamorphosis is of course kind of disgusting and I wouldn't be the first person to argue that Barbra Streisand has a tendency to fancy herself pretty much (and I myself was already able to tell so from the unnecessarily long ending of "The Prince of Tides" - a very good movie). But as annoying as it may sometimes be, this is an extremely well-done and multi-faceted movie. Let me try to tell you, why I voted "7".
It starts rather mediocre when Streisand and Jeff Bridges get to know each other, talk some silly stuff and behave like little children. From time to time it gives a number of very good lines to Lauren Bacall, who is perfect as Streisand's mother. By the time Streisand and Bridges get married you are tempted to say: "Yes, very nice, but it's crap actually, isn't it?" But you won't think of saying that in the end.
The movie is a romantic comedy - containing a couple of cliches, fine - but with a new, non-cliche structure. This is no kitsch, not at all, oh no! Instead, it's made up of very good lines and very truthful moments. These are connected in a way that makes our emotion rise but leaves us unable to tell which words, which gestures made it rise. How come? The romance doesn't develop in the way we would expect it and have seen it many times before, no, this romantic comedy goes the long way round: First there is only a small deal of attraction, then there is previously unknown disillusionment - a black hole almost - and then love enters the stage. The final romantic scene fits into romantic comedy conventions, but it also fits into the picture and Streisand and Bridges deserve it. What a wonderful movie!
Basically Barbra Streisand is a good actress, but she loves exaggerating. She is able to manage difficult scenes, but she tries to be funny where being funny can't work and sometimes she's just hopping through the scene like a twittering sparrow instead of performing the emotions required for that scene. And after her metamorphosis she's more interested in her make-up than in her character.
Lauren Bacall plays a mean, self-addicted and vain old beast with a heart and a vulnerable soul. The scene where mother and daughter talk openly in the kitchen is wonderful. Even Pierce Brosnan is better than I would have expected.
Finally, the movie shows us the great versatility of Jeff Bridges: you've never seen him so very soft before (rude as he was in "The Fabulous Baker Boys", cool in "Nadine" or smooth and evil in "Jagged Edge"). However, he is exaggerating, too: which man can act this untruthful and affected?! In the scenes from Streisand's and his marriage his character is almost eerie - may this be good or bad for the movie...
It starts rather mediocre when Streisand and Jeff Bridges get to know each other, talk some silly stuff and behave like little children. From time to time it gives a number of very good lines to Lauren Bacall, who is perfect as Streisand's mother. By the time Streisand and Bridges get married you are tempted to say: "Yes, very nice, but it's crap actually, isn't it?" But you won't think of saying that in the end.
The movie is a romantic comedy - containing a couple of cliches, fine - but with a new, non-cliche structure. This is no kitsch, not at all, oh no! Instead, it's made up of very good lines and very truthful moments. These are connected in a way that makes our emotion rise but leaves us unable to tell which words, which gestures made it rise. How come? The romance doesn't develop in the way we would expect it and have seen it many times before, no, this romantic comedy goes the long way round: First there is only a small deal of attraction, then there is previously unknown disillusionment - a black hole almost - and then love enters the stage. The final romantic scene fits into romantic comedy conventions, but it also fits into the picture and Streisand and Bridges deserve it. What a wonderful movie!
Basically Barbra Streisand is a good actress, but she loves exaggerating. She is able to manage difficult scenes, but she tries to be funny where being funny can't work and sometimes she's just hopping through the scene like a twittering sparrow instead of performing the emotions required for that scene. And after her metamorphosis she's more interested in her make-up than in her character.
Lauren Bacall plays a mean, self-addicted and vain old beast with a heart and a vulnerable soul. The scene where mother and daughter talk openly in the kitchen is wonderful. Even Pierce Brosnan is better than I would have expected.
Finally, the movie shows us the great versatility of Jeff Bridges: you've never seen him so very soft before (rude as he was in "The Fabulous Baker Boys", cool in "Nadine" or smooth and evil in "Jagged Edge"). However, he is exaggerating, too: which man can act this untruthful and affected?! In the scenes from Streisand's and his marriage his character is almost eerie - may this be good or bad for the movie...
OK. If you accept this movie for what it is, it's actually pretty entertaining. It's a Cinderella story for middle-aged folks. I won't recap the film. That's not my job. I'm here only to give you my impressions on the watchability and impact of this movie. If you love Barbra Streisand (and I do) and you love Jeff Bridges (and I do), you will love this romantic comedy. Both are at their funny, witty, comedic best in this film. Mimi Rogers is gorgeous as Bab's sister. (Oddly, Netflix has her mistakenly identified as Fran Drescher on its website.) Lauren Bacall is stunningly beautiful - still. Overall, the film has a lot of heart. What I love about Streisand is that she knows her weaknesses and her strengths, and plays both up to much effect in this film, which she directed and, I believe, co-wrote. This is a quintessential "chick flick," the kind you enjoy on a raining Sunday night with a big bowl of popcorn. If you are in just the right mood for a film that shamelessly exploits your feelings about romance, this one is it. Enjoy.
THE MIRROR HAS TWO FACES **** There are close to no gentlemen callers who are waiting to romance professor Rose Morgan (Barbra Streisand), so she's learning to settle for a life with no man by her side. To her surprise, she is eventually pursued by a Math teacher (Jeff Brydges) who seeks a platonic marital relationship. Needlessly appreciative of the fact that any man - much less an attractive man - wants her, she becomes frustrated with the lack of intimacy between them as they draw together and eventually wed. The role-playing between Streisand and her antagonistic mother (Lauren Becall) adds intensity to the story. A fine work by Streisand.
Storyline
Did you know
- TriviaDudley Moore was originally cast in the role that went to George Segal. He was fired by Barbra Streisand for not remembering his lines. These were the first symptoms of Progressive Supranuclear Palsy, a brain disorder that would later kill Moore. Conversely, in the earlier 10 (1979), Segal was replaced by Moore.
- GoofsCamera operator visible when Rose rejects Alex.
- Quotes
Gregory Larkin: But I love the old Rose! The one with no makeup and baggy clothes who loves 'the perfect bite'! She eats carrots now, isn't that tragic?
- ConnectionsFeatured in HBO First Look: The Mirror Has Two Faces (1996)
- SoundtracksI Finally Found Someone
Performed by Barbra Streisand and Bryan Adams
Written by Barbra Streisand, Marvin Hamlisch, Mutt Lange (as R.J. Lange) and Bryan Adams
Produced by David Foster
Bryan Adams appears courtesy of A&M Records, Inc.
- How long is The Mirror Has Two Faces?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Chiếc gương có hai mặt
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $42,000,000 (estimated)
- Gross US & Canada
- $41,083,864
- Opening weekend US & Canada
- $12,210,868
- Nov 17, 1996
- Gross worldwide
- $41,083,864
- Runtime2 hours 6 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content
