TV Movie | G | | Comedy, Family, Fantasy
Neglected by her husband during the pre-Christmas rush, Mrs. Claus takes the reindeer and sleigh out for a drive, only to end up stranded in the multicultural neighborhood of Manhattan's ... See full summary »
Establishing the 1910-1912 era was a major decision for the costuming, because Terry Hughes had also suggested the 1919-1920's to establish the period musical. The '20's meant the Flapper period in costuming. Bob Mackie determined the "teens" was a better period "skirt look" than the '20's shorter hem line which would effect Angela's appearance, hair and wardrobe. Bob Mackie's Christmas green and red costume color palette dramatically determined the set's color range. Production Designer Hub Braden was confronted with the Universal Studios New York back-lot exteriors' color condition. The previous film company using the NY Street had painted all the exteriors in fresh coats of "city slicker contemporary" whites, grays, bright paint colors. New York City research for 1910 established "a look for" the NY City streets' building facades awash with a coal dust dirty patina. Specific building facades-exteriors chosen were repainted with variations of warm values either in muted rose or mistletoe green shades, alternating with beige and the color of "reindeer tan" shades. Iron fire-escapes added to the exterior buildings for cast members to be elevated above the street level for the production value in the musical street choreographed marches and dancing patterns. Establishing a conglomeration of Irish, Italian and Jewish neighborhood celebrating the holiday spirit, strings of bare bulbs were strung across the streets. With period Street Lamps, to justify a source light for all the night filming. 1910 dictated horse drawn wagons, carts, carriages instead of vintage motorized vehicles. The December snow required more selected areas for set dressing effects, which included watered down streets from melting snow... allowing planes of water pools reflecting for camera angles. Rehearsing the group marchers for the women's suffrage liberation issues were scheduled for morning activities, with summer morning temperatures near mid-90 to 100 degrees. Progressive filming of the street sequences required much patience for both cast, crowd and dance extras, animals, crew, and production personnel. Scheduling the day and night street filming became a critical lighting factor because of temperature, the sun and shadow path angles reflected for the point of view shooting direction for the multiple - main camera, for second and third camera positions.
Mrs. Santa Claus:
I have to go now, sweetheart.
Nora Kilkenny: All right, I'll see you tomorrow.
Mrs. Santa Claus: Actually, I'm going back home.
Nora Kilkenny: But you can't go! Not yet!
Mrs. Santa Claus: Someone back home really needs me. Now, don't worry, I haven't forgotten. I still have presents for you and the other kids.
Nora Kilkenny: ...
Mrs. Santa Claus: ...
A street Santa is seen several times in a red Santa suit. Santa didn't wear a red suit until 1930 when he was used in a Coca-Cola advert.