Tally is supposedly in the prison with one camera, yet shots beamed live from her include shots of her camera crew holding a camera. In addition we see cutting of shots between Tally and Fernando as if there were two cameras there.
When sheltering from the thunderstorm, Warren's hair and clothes are wet unless the shot is a closeup.
When Warren first goes to Tally's apartment, he can be seen reflected in a mirror reopening the door after he had already opened it in the previous shot.
When the film was made, in 1996, the idea that a TV crew inside a prison could beam images from a 'portable' transmit unit (let alone return audio to the journalist from the TV truck), was pure imagination. Even modern-day portable units cannot break through concrete and steel - especially the amount that one would find in a prison.
Tally, said to be reporting for WFIL, holds a Channel 7
microphone. WFIL was actually Channel 6. (Note: WFIL's call letter subsequently changed to WPVI, still channel 6 in Philadelphia.)
Tally and Warren in Warren's office watching her first news report on a congressman receiving drug money from earlier that day at the waterfront.
The idea that a reporter's name can be changed (from Sally to Tally) at the last minute via a script on the teleprompter is preposterous. A seasoned anchor like Marcia would see it, assume it was a typo, and say the original name.