A young woman, destined to slay vampires, demons and other infernal creatures, deals with her life fighting evil, with the help of her friends.A young woman, destined to slay vampires, demons and other infernal creatures, deals with her life fighting evil, with the help of her friends.A young woman, destined to slay vampires, demons and other infernal creatures, deals with her life fighting evil, with the help of her friends.
- Won 2 Primetime Emmys
- 53 wins & 136 nominations total
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Summary
Reviewers say 'Buffy the Vampire Slayer' is lauded for its rich mythology, complex characters, and powerful themes like feminism, addiction, and grief. The blend of horror, comedy, drama, and romance is highlighted. However, criticisms include inconsistent writing, unrealistic plot points, and supernatural portrayals. Some find characters unlikable or the acting subpar. Despite these issues, many appreciate its innovative storytelling, character development, and significant cultural impact.
Featured reviews
I only started to watch Buffy recently, 20 years after the first episode was aired, got to say I am very impressed. Now remember this is 2017, people are used to 1080p streaming, Blu-ray / 4K video, and HDMA sound quality, 480i, 2 channel sound and 1.33:1 screen ratio are simply not going to cut it anymore. However, in this case, despite the huge technical disadvantages, Buffy still stands out as a serious and entertaining show, one of the best of its kind. The screen-play are well written, characters well developed, dialogues are actually interesting and thought provoking, plus great acting all around. Joss Whedon is a real genius.
Due to the age of the show, I don't know if they will ever release a Blu-ray set, but I can only imagine what a tremendous joy it'd be to watch it on Blu-ray (again). Buffy really sets the standard and example for today's Hollywood, if there is show you can relate to 20 years later, then you know it is not the picture quality or special effects, but the story and acting that speak to you. Comparing this to some of modern day shows, it is clear to me that technical advances don't always improve the quality of a show.
Due to the age of the show, I don't know if they will ever release a Blu-ray set, but I can only imagine what a tremendous joy it'd be to watch it on Blu-ray (again). Buffy really sets the standard and example for today's Hollywood, if there is show you can relate to 20 years later, then you know it is not the picture quality or special effects, but the story and acting that speak to you. Comparing this to some of modern day shows, it is clear to me that technical advances don't always improve the quality of a show.
Buffy is series that was not only consistently good, but a series that grew better over time. The first season is good, but not fantastic. It was shorter because the WB was not sure if they would have a viewing base and only had 12 episodes. The second season developed the characters and you began to see the magic of the show. As the series progresses, I am astounded by the writing, directing, and acting. Joss Whedon is a genius of the camera and master of the pen, and anyone who argues with me is fooling themselves. The cast, as well as the characters, matures over time and become living, breathing people that you believe.
In short, if you are considering watching this show, I highly recommend you watch all of the first and second season before making any judgements. Frankly, this is my favorite story of all time. It transcends the TV, and beats out most books, movies, and other TV shows. This show is beautiful.
In short, if you are considering watching this show, I highly recommend you watch all of the first and second season before making any judgements. Frankly, this is my favorite story of all time. It transcends the TV, and beats out most books, movies, and other TV shows. This show is beautiful.
I absolutely loved this show! I first watched this years ago and every few years rewatch the show and each time it's such a treat. While not everything holds up, a lot of the basic themes of the show are timeless. Sarah Michelle Geller is such a talented actress.
If I'm having a bad day I can always count on Buffy to cheer me up (or, even if it's one of those cases were I just need a good cry I can always count on Buffy for that as well). It's the perfect blend of so many different qualities...it's humour, action, romance and just incredibly well written, believably flawed characters. I'm not exactly sure where all the haters came from, it's honestly seems to me that this is a case of judging a show by it's title.
There's little I can say about Buffy that won't become redundant, there is not much to find fault with. Sure it's got it's bad episodes, bad story arcs just like any show. But what kept me coming back with the razor sharp wit and characters that became like a family to me.
This is a beautifully written show and if you can make it past the goofy title, fantastic premise and (for many people) the campy first season (You'll grow to love the camp upon re-visiting it) you'll discover one of the best show's in recent memory.
There's little I can say about Buffy that won't become redundant, there is not much to find fault with. Sure it's got it's bad episodes, bad story arcs just like any show. But what kept me coming back with the razor sharp wit and characters that became like a family to me.
This is a beautifully written show and if you can make it past the goofy title, fantastic premise and (for many people) the campy first season (You'll grow to love the camp upon re-visiting it) you'll discover one of the best show's in recent memory.
People who've seen this series don't need to be told whether it's good or not, so this review is solely for the uninitiated, i.e. Someone trying to decide whether to invest the time in a seven season series. Here's what to consider.
This was rated, when originally aired, as TV-14 programming, but it is far from your typical YA drivel. It covered a full spectrum of emotional, violent, and sexual content, over its seven season arc. Ignoring the sex, and just considering the human (non-"creature") body count, I'm amazed at what the showrunners were able to get aired over the course of the series. Bottom line, there's a lot of "intense" content throughout the series, and it gets far more graphic in the latter seasons.
Any fantasy, supernatural, or SciFi series fails or succeeds on its "believability". I don't mean the plots, but instead, whether the characters project believability. If it "works", it will stem from a combination of well scripted episodes, but far more important, a cast that buys into, and fully "sells" (110%), their characters. BtVS had all of that in spades. Whether it is their witty banter, a plethora of deeply emotional scenes, or the larger story arcs of the seasons, and/or the overall series, as a whole, these characters are "all in", in terms of their commitment to the stories being told, within their "fantastical universe".
Throughout the series, there are always multiple (concurrent) story arcs in play. Some, especially toward the end, are even multi-seasonal. Certainly, simply because it is episodic, there is a "monster (or problem) of the week" feel, all through the series, but those stories are generally unique and interesting, and many of those play into the larger (and more important) story arcs.
In the first three seasons, the characters are in high school, and many of the plots revolve around that setting (but always with the fantasy-based twist), while the final four seasons move out into the adult world. We basically get to watch these characters grow up throughout the full series arc, and as alluded to earlier, the plots become increasingly more "raw/intense" as the series moves forward.
The most important thing is that, even from the first season, it is easy to become invested in the core suite of characters. And, when season two takes what seems to be a somewhat stable set of core characters, and turns their situation "on its head", you realize that you cannot count on anything being "stable", and consequently, can't really predict what might happen in subsequent episodes (which, obviously, is a "good thing", from a story-telling perspective).
Some of the later (especially season 5 and 6) story arcs are heart-wrenching, and easily some of the best "TV drama" that has ever been aired. Some of the episodes are also some of the creepiest that have ever been aired. The series is a constant mix of many different storytelling genres, which just happen to exist in the (fantasy-based) "Buffyverse". Unlike some series that fizzled out near their end (or simply got canceled), this series really reached its peak in its final three seasons, just continuously "upping the ante", until its epic finale. I own the series, and (roughly) every two or three years, I drag out the discs, and re-binge the whole thing, because of "Buffy withdrawal". It's always feels good to (yet again) watch it all play out, over the characters' seven year arc.
BtVS is "not perfect". There are some episodes that are (IMHO) duds ("Beer" comes to mind), and there is at least one story arc that I thought had a bit too much silliness, but "as a whole", it is easily one of the best TV series, and runs you through the full emotional gamut.
Bottom line, assuming that you "accept" a fantasy/SciFi premise in the first place (as you would with a "Star Trek", a "Fringe", or any similar series), then BtVS is truly a great series (for people of any age... and I'm "North of 60", as I write this), and I believe, well worth your time investment.
One major caution: The first two episodes of season 5 are a major "WTF moment". During its original airing, some viewers (literally) stopped watching the series after seeing those episodes, and also wrote online rants about their disappointment with what happens (avoid reading the episode synopses to avoid spoilers). Those episodes definitely DO leave you asking "WTF", but I would simply say that you MUST have faith, and "trust your tour guide" (i.e. The screenwriters), and settle in for the season 5 "ride", which, as I alluded to above, is an emotional roller coaster, with an "unexpected" season finale that sets up a similarly emotional season 6.
One final note, depending on where you obtain media, and/or from where you stream it, seasons 4-7 may or may not be wide-screen. The latter seasons were shot on 35mm, whereas the first three were shot on 16mm. Even though the entire series aired in the old (narrow) 1:1.33 (original NTSC TV) aspect ratio, and even though Joss Whedon argues that the whole series should be seen that way, I respectfully disagree. I always relish getting to Season 4, where (with my UK DVD versions) the whole series opens up, and fills up the full 16x9 (modern) wide screen. Scenes, and "people", that would have been partially "cropped" (or shifted) in the narrow format, are simply seen "in full".
So, hopefully some of the above is useful, if you are considering the series. It is definitely a unique experience.
This was rated, when originally aired, as TV-14 programming, but it is far from your typical YA drivel. It covered a full spectrum of emotional, violent, and sexual content, over its seven season arc. Ignoring the sex, and just considering the human (non-"creature") body count, I'm amazed at what the showrunners were able to get aired over the course of the series. Bottom line, there's a lot of "intense" content throughout the series, and it gets far more graphic in the latter seasons.
Any fantasy, supernatural, or SciFi series fails or succeeds on its "believability". I don't mean the plots, but instead, whether the characters project believability. If it "works", it will stem from a combination of well scripted episodes, but far more important, a cast that buys into, and fully "sells" (110%), their characters. BtVS had all of that in spades. Whether it is their witty banter, a plethora of deeply emotional scenes, or the larger story arcs of the seasons, and/or the overall series, as a whole, these characters are "all in", in terms of their commitment to the stories being told, within their "fantastical universe".
Throughout the series, there are always multiple (concurrent) story arcs in play. Some, especially toward the end, are even multi-seasonal. Certainly, simply because it is episodic, there is a "monster (or problem) of the week" feel, all through the series, but those stories are generally unique and interesting, and many of those play into the larger (and more important) story arcs.
In the first three seasons, the characters are in high school, and many of the plots revolve around that setting (but always with the fantasy-based twist), while the final four seasons move out into the adult world. We basically get to watch these characters grow up throughout the full series arc, and as alluded to earlier, the plots become increasingly more "raw/intense" as the series moves forward.
The most important thing is that, even from the first season, it is easy to become invested in the core suite of characters. And, when season two takes what seems to be a somewhat stable set of core characters, and turns their situation "on its head", you realize that you cannot count on anything being "stable", and consequently, can't really predict what might happen in subsequent episodes (which, obviously, is a "good thing", from a story-telling perspective).
Some of the later (especially season 5 and 6) story arcs are heart-wrenching, and easily some of the best "TV drama" that has ever been aired. Some of the episodes are also some of the creepiest that have ever been aired. The series is a constant mix of many different storytelling genres, which just happen to exist in the (fantasy-based) "Buffyverse". Unlike some series that fizzled out near their end (or simply got canceled), this series really reached its peak in its final three seasons, just continuously "upping the ante", until its epic finale. I own the series, and (roughly) every two or three years, I drag out the discs, and re-binge the whole thing, because of "Buffy withdrawal". It's always feels good to (yet again) watch it all play out, over the characters' seven year arc.
BtVS is "not perfect". There are some episodes that are (IMHO) duds ("Beer" comes to mind), and there is at least one story arc that I thought had a bit too much silliness, but "as a whole", it is easily one of the best TV series, and runs you through the full emotional gamut.
Bottom line, assuming that you "accept" a fantasy/SciFi premise in the first place (as you would with a "Star Trek", a "Fringe", or any similar series), then BtVS is truly a great series (for people of any age... and I'm "North of 60", as I write this), and I believe, well worth your time investment.
One major caution: The first two episodes of season 5 are a major "WTF moment". During its original airing, some viewers (literally) stopped watching the series after seeing those episodes, and also wrote online rants about their disappointment with what happens (avoid reading the episode synopses to avoid spoilers). Those episodes definitely DO leave you asking "WTF", but I would simply say that you MUST have faith, and "trust your tour guide" (i.e. The screenwriters), and settle in for the season 5 "ride", which, as I alluded to above, is an emotional roller coaster, with an "unexpected" season finale that sets up a similarly emotional season 6.
One final note, depending on where you obtain media, and/or from where you stream it, seasons 4-7 may or may not be wide-screen. The latter seasons were shot on 35mm, whereas the first three were shot on 16mm. Even though the entire series aired in the old (narrow) 1:1.33 (original NTSC TV) aspect ratio, and even though Joss Whedon argues that the whole series should be seen that way, I respectfully disagree. I always relish getting to Season 4, where (with my UK DVD versions) the whole series opens up, and fills up the full 16x9 (modern) wide screen. Scenes, and "people", that would have been partially "cropped" (or shifted) in the narrow format, are simply seen "in full".
So, hopefully some of the above is useful, if you are considering the series. It is definitely a unique experience.
Deadly Dolls and Terrifying Toys
Deadly Dolls and Terrifying Toys
From a simple wind-up monkey to the high-tech terrors of M3GAN, these disturbing playthings left us with nightmares.
Storyline
Did you know
- TriviaSpike's trademark coat cost $2,000 from a top fashion store. It was then run over repeatedly by a truck to give it that distressed look.
- GoofsIn nearly every episode presented in widescreen, there is crew/equipment visible and/or revealing mistakes. This is because the series was originally shot for 4:3 frame and these issues would not have been visible as the show was originally intended to be presented. As such, one should take much of the goofs reported on episodes as being conditional on applying only to the widescreen alternate version.
- Quotes
Rupert Giles: In every generation there is a Chosen One. She alone will stand against the vampires, the demons and the forces of darkness. She is the Slayer.
- Crazy creditsThe sequence with the Mutant Enemy mascot, the little monster that goes "Grr Argh" at the end of all episodes, was changed for a total of six episodes: in "Becoming Part Two" (#2.22) it said, 'Oh, I need a hug." in "Amends" (#3.10) it wore a Santa hat and bells were jingling. in "Graduation Day Part Two" (#3.22) it wore a graduation cap. in "Once More With Feeling" (#6.07) it sang its "Grr Argh." in "Storyteller" (#7.16) it sang, "We are as gods." in "Chosen" (#7.22) it looked out at the viewers instead of looking straight-forward.
- Alternate versionsIn the French and Spanish dubs of the series, Xander's name is changed to Alex.
- ConnectionsEdited into Angel: Unaired Pilot (2003)
- SoundtracksBuffy the Vampire Slayer Theme
Performed by Nerf Herder
Details
- Runtime44 minutes
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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