A young woman, destined to slay vampires, demons and other infernal creatures, deals with her life fighting evil, with the help of her friends.A young woman, destined to slay vampires, demons and other infernal creatures, deals with her life fighting evil, with the help of her friends.A young woman, destined to slay vampires, demons and other infernal creatures, deals with her life fighting evil, with the help of her friends.
- Won 2 Primetime Emmys
- 53 wins & 136 nominations total
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Summary
Reviewers say 'Buffy the Vampire Slayer' is lauded for its rich mythology, complex characters, and powerful themes like feminism, addiction, and grief. The blend of horror, comedy, drama, and romance is highlighted. However, criticisms include inconsistent writing, unrealistic plot points, and supernatural portrayals. Some find characters unlikable or the acting subpar. Despite these issues, many appreciate its innovative storytelling, character development, and significant cultural impact.
Featured reviews
Does anyone else have to defend their love of this show?
I'm a 50 year old British straight man, married with a kid ....and apparently I'm not supposed to like this. According to my 18 year old son anyway.
Maybe I'm wrong.
Maybe the title of the show puts people off.
This is a stand out show.
This show has some of the most creative episodes, characters and moral dilemmas I've ever seen. The show is terrific entertainment but the craftsmanship and the way it is structured is still so very strong... and often imitated.
This show deserves to be held in much higher regard.
There hasn't been anything like Buffy since it aired, and so it lives on, and so it should.
Truly wonderful experience... although no-one believes me.... in my house anyway.
Their loss :-)
I'm a 50 year old British straight man, married with a kid ....and apparently I'm not supposed to like this. According to my 18 year old son anyway.
Maybe I'm wrong.
Maybe the title of the show puts people off.
This is a stand out show.
This show has some of the most creative episodes, characters and moral dilemmas I've ever seen. The show is terrific entertainment but the craftsmanship and the way it is structured is still so very strong... and often imitated.
This show deserves to be held in much higher regard.
There hasn't been anything like Buffy since it aired, and so it lives on, and so it should.
Truly wonderful experience... although no-one believes me.... in my house anyway.
Their loss :-)
People who've seen this series don't need to be told whether it's good or not, so this review is solely for the uninitiated, i.e. Someone trying to decide whether to invest the time in a seven season series. Here's what to consider.
This was rated, when originally aired, as TV-14 programming, but it is far from your typical YA drivel. It covered a full spectrum of emotional, violent, and sexual content, over its seven season arc. Ignoring the sex, and just considering the human (non-"creature") body count, I'm amazed at what the showrunners were able to get aired over the course of the series. Bottom line, there's a lot of "intense" content throughout the series, and it gets far more graphic in the latter seasons.
Any fantasy, supernatural, or SciFi series fails or succeeds on its "believability". I don't mean the plots, but instead, whether the characters project believability. If it "works", it will stem from a combination of well scripted episodes, but far more important, a cast that buys into, and fully "sells" (110%), their characters. BtVS had all of that in spades. Whether it is their witty banter, a plethora of deeply emotional scenes, or the larger story arcs of the seasons, and/or the overall series, as a whole, these characters are "all in", in terms of their commitment to the stories being told, within their "fantastical universe".
Throughout the series, there are always multiple (concurrent) story arcs in play. Some, especially toward the end, are even multi-seasonal. Certainly, simply because it is episodic, there is a "monster (or problem) of the week" feel, all through the series, but those stories are generally unique and interesting, and many of those play into the larger (and more important) story arcs.
In the first three seasons, the characters are in high school, and many of the plots revolve around that setting (but always with the fantasy-based twist), while the final four seasons move out into the adult world. We basically get to watch these characters grow up throughout the full series arc, and as alluded to earlier, the plots become increasingly more "raw/intense" as the series moves forward.
The most important thing is that, even from the first season, it is easy to become invested in the core suite of characters. And, when season two takes what seems to be a somewhat stable set of core characters, and turns their situation "on its head", you realize that you cannot count on anything being "stable", and consequently, can't really predict what might happen in subsequent episodes (which, obviously, is a "good thing", from a story-telling perspective).
Some of the later (especially season 5 and 6) story arcs are heart-wrenching, and easily some of the best "TV drama" that has ever been aired. Some of the episodes are also some of the creepiest that have ever been aired. The series is a constant mix of many different storytelling genres, which just happen to exist in the (fantasy-based) "Buffyverse". Unlike some series that fizzled out near their end (or simply got canceled), this series really reached its peak in its final three seasons, just continuously "upping the ante", until its epic finale. I own the series, and (roughly) every two or three years, I drag out the discs, and re-binge the whole thing, because of "Buffy withdrawal". It's always feels good to (yet again) watch it all play out, over the characters' seven year arc.
BtVS is "not perfect". There are some episodes that are (IMHO) duds ("Beer" comes to mind), and there is at least one story arc that I thought had a bit too much silliness, but "as a whole", it is easily one of the best TV series, and runs you through the full emotional gamut.
Bottom line, assuming that you "accept" a fantasy/SciFi premise in the first place (as you would with a "Star Trek", a "Fringe", or any similar series), then BtVS is truly a great series (for people of any age... and I'm "North of 60", as I write this), and I believe, well worth your time investment.
One major caution: The first two episodes of season 5 are a major "WTF moment". During its original airing, some viewers (literally) stopped watching the series after seeing those episodes, and also wrote online rants about their disappointment with what happens (avoid reading the episode synopses to avoid spoilers). Those episodes definitely DO leave you asking "WTF", but I would simply say that you MUST have faith, and "trust your tour guide" (i.e. The screenwriters), and settle in for the season 5 "ride", which, as I alluded to above, is an emotional roller coaster, with an "unexpected" season finale that sets up a similarly emotional season 6.
One final note, depending on where you obtain media, and/or from where you stream it, seasons 4-7 may or may not be wide-screen. The latter seasons were shot on 35mm, whereas the first three were shot on 16mm. Even though the entire series aired in the old (narrow) 1:1.33 (original NTSC TV) aspect ratio, and even though Joss Whedon argues that the whole series should be seen that way, I respectfully disagree. I always relish getting to Season 4, where (with my UK DVD versions) the whole series opens up, and fills up the full 16x9 (modern) wide screen. Scenes, and "people", that would have been partially "cropped" (or shifted) in the narrow format, are simply seen "in full".
So, hopefully some of the above is useful, if you are considering the series. It is definitely a unique experience.
This was rated, when originally aired, as TV-14 programming, but it is far from your typical YA drivel. It covered a full spectrum of emotional, violent, and sexual content, over its seven season arc. Ignoring the sex, and just considering the human (non-"creature") body count, I'm amazed at what the showrunners were able to get aired over the course of the series. Bottom line, there's a lot of "intense" content throughout the series, and it gets far more graphic in the latter seasons.
Any fantasy, supernatural, or SciFi series fails or succeeds on its "believability". I don't mean the plots, but instead, whether the characters project believability. If it "works", it will stem from a combination of well scripted episodes, but far more important, a cast that buys into, and fully "sells" (110%), their characters. BtVS had all of that in spades. Whether it is their witty banter, a plethora of deeply emotional scenes, or the larger story arcs of the seasons, and/or the overall series, as a whole, these characters are "all in", in terms of their commitment to the stories being told, within their "fantastical universe".
Throughout the series, there are always multiple (concurrent) story arcs in play. Some, especially toward the end, are even multi-seasonal. Certainly, simply because it is episodic, there is a "monster (or problem) of the week" feel, all through the series, but those stories are generally unique and interesting, and many of those play into the larger (and more important) story arcs.
In the first three seasons, the characters are in high school, and many of the plots revolve around that setting (but always with the fantasy-based twist), while the final four seasons move out into the adult world. We basically get to watch these characters grow up throughout the full series arc, and as alluded to earlier, the plots become increasingly more "raw/intense" as the series moves forward.
The most important thing is that, even from the first season, it is easy to become invested in the core suite of characters. And, when season two takes what seems to be a somewhat stable set of core characters, and turns their situation "on its head", you realize that you cannot count on anything being "stable", and consequently, can't really predict what might happen in subsequent episodes (which, obviously, is a "good thing", from a story-telling perspective).
Some of the later (especially season 5 and 6) story arcs are heart-wrenching, and easily some of the best "TV drama" that has ever been aired. Some of the episodes are also some of the creepiest that have ever been aired. The series is a constant mix of many different storytelling genres, which just happen to exist in the (fantasy-based) "Buffyverse". Unlike some series that fizzled out near their end (or simply got canceled), this series really reached its peak in its final three seasons, just continuously "upping the ante", until its epic finale. I own the series, and (roughly) every two or three years, I drag out the discs, and re-binge the whole thing, because of "Buffy withdrawal". It's always feels good to (yet again) watch it all play out, over the characters' seven year arc.
BtVS is "not perfect". There are some episodes that are (IMHO) duds ("Beer" comes to mind), and there is at least one story arc that I thought had a bit too much silliness, but "as a whole", it is easily one of the best TV series, and runs you through the full emotional gamut.
Bottom line, assuming that you "accept" a fantasy/SciFi premise in the first place (as you would with a "Star Trek", a "Fringe", or any similar series), then BtVS is truly a great series (for people of any age... and I'm "North of 60", as I write this), and I believe, well worth your time investment.
One major caution: The first two episodes of season 5 are a major "WTF moment". During its original airing, some viewers (literally) stopped watching the series after seeing those episodes, and also wrote online rants about their disappointment with what happens (avoid reading the episode synopses to avoid spoilers). Those episodes definitely DO leave you asking "WTF", but I would simply say that you MUST have faith, and "trust your tour guide" (i.e. The screenwriters), and settle in for the season 5 "ride", which, as I alluded to above, is an emotional roller coaster, with an "unexpected" season finale that sets up a similarly emotional season 6.
One final note, depending on where you obtain media, and/or from where you stream it, seasons 4-7 may or may not be wide-screen. The latter seasons were shot on 35mm, whereas the first three were shot on 16mm. Even though the entire series aired in the old (narrow) 1:1.33 (original NTSC TV) aspect ratio, and even though Joss Whedon argues that the whole series should be seen that way, I respectfully disagree. I always relish getting to Season 4, where (with my UK DVD versions) the whole series opens up, and fills up the full 16x9 (modern) wide screen. Scenes, and "people", that would have been partially "cropped" (or shifted) in the narrow format, are simply seen "in full".
So, hopefully some of the above is useful, if you are considering the series. It is definitely a unique experience.
I absolutely loved this show! I first watched this years ago and every few years rewatch the show and each time it's such a treat. While not everything holds up, a lot of the basic themes of the show are timeless. Sarah Michelle Geller is such a talented actress.
10alcalde
It is so hard to believe it's been so long since this wonderful program first graced our television sets. Even harder to believe that I didn't get hooked until the fifth season.
I knew of it's existence, of course, but I thought what a lot of people did. "Buffy? C'mon... Buffy?!? The...VAMPIRE slayer??". So I discounted it until I was flipping around many, many channels of garbage and stopped on either Spike (the channel) or FX and paused because it was the most interesting thing on.
The episode was Listening to Fear, and although I thought it was a bit hokey, I was intrigued and began to watch regularly. The series was still airing new episodes at the time and even though I wanted to watch those, I wanted to have the entire experience before the finale. As I moved through season five, they aired the final episode and it took all my will not to watch.
Cable television did what cable television does, so at the end of the fifth season, they wrapped and began airing from episode one. I was hooked. No... that's not quite right. You get hooked on "things". Buffy was not... is not "a thing". This "mere" television show and it's wondrous cast of constantly developing characters were real. Honest. They were family, as many have said before.
I miss them all terribly, even though I still see or hear them it's not the same. I watched Repo: The Genetic Opera and I saw Giles. I watched Scooby Doo and saw Buffy. How I Met Your Mother? Willow.
Honestly, this wasn't just a good or even great show. It was an important show. The genius flowed down from Joss and permeated the beings of everyone who worked on the program. As much as I would love to see them all in character once more, I hope it never happens, because magic only happens once and even Joss could not top what he's already gifted the world with.
All I can say is, to Joss all the way down to "Best Boy" or the catering service, thank you for the best years television has ever seen. You should all be proud.
I knew of it's existence, of course, but I thought what a lot of people did. "Buffy? C'mon... Buffy?!? The...VAMPIRE slayer??". So I discounted it until I was flipping around many, many channels of garbage and stopped on either Spike (the channel) or FX and paused because it was the most interesting thing on.
The episode was Listening to Fear, and although I thought it was a bit hokey, I was intrigued and began to watch regularly. The series was still airing new episodes at the time and even though I wanted to watch those, I wanted to have the entire experience before the finale. As I moved through season five, they aired the final episode and it took all my will not to watch.
Cable television did what cable television does, so at the end of the fifth season, they wrapped and began airing from episode one. I was hooked. No... that's not quite right. You get hooked on "things". Buffy was not... is not "a thing". This "mere" television show and it's wondrous cast of constantly developing characters were real. Honest. They were family, as many have said before.
I miss them all terribly, even though I still see or hear them it's not the same. I watched Repo: The Genetic Opera and I saw Giles. I watched Scooby Doo and saw Buffy. How I Met Your Mother? Willow.
Honestly, this wasn't just a good or even great show. It was an important show. The genius flowed down from Joss and permeated the beings of everyone who worked on the program. As much as I would love to see them all in character once more, I hope it never happens, because magic only happens once and even Joss could not top what he's already gifted the world with.
All I can say is, to Joss all the way down to "Best Boy" or the catering service, thank you for the best years television has ever seen. You should all be proud.
Buffy is one of, if not THE, best dramatic series ever made. People that have never seen the show, or have only seen one episode of it, would probably laugh at that statement. But having seen all 7 seasons of this brilliant series, I feel quite confident in my opinion.
No other show touches on the major issues of humanity this show does: immortality and it's pros and cons, the power of love and friendship, the inner strength we all have within us, and the ability to appreciate life and learn to laugh at the things that get you down. There are moments of happiness, drama, tears, and moments that make you rediscover who you are, and Buffy deals with all of them. Every episode is layered with meanings and insights into humanity, all in some show about a girl who slays vampires.
Seeing these characters change and grow over the course of the episodes is a gift. Unlike other shows, the characters on Buffy are never the same from season to season. The events of the show change them and mold them into new people all the time, that's how good the writing is.
No episode is boring, in all 144 hours of the series there is something worth watching. Some episodes are truly brilliant pieces of television, especially the gems directed by series creator Joss Whedon such as Becoming, The Wish, Hush, The Body, and The Gift. These are some of the best hours of television ever produced.
The writing is spectacular, perfectly capable of balancing comedy, drama, and horror in every episode.
This is so much more than a show about a girl who slays vampires. It can change the way you react to events in your life and the way you view things. It's that good.
No other show touches on the major issues of humanity this show does: immortality and it's pros and cons, the power of love and friendship, the inner strength we all have within us, and the ability to appreciate life and learn to laugh at the things that get you down. There are moments of happiness, drama, tears, and moments that make you rediscover who you are, and Buffy deals with all of them. Every episode is layered with meanings and insights into humanity, all in some show about a girl who slays vampires.
Seeing these characters change and grow over the course of the episodes is a gift. Unlike other shows, the characters on Buffy are never the same from season to season. The events of the show change them and mold them into new people all the time, that's how good the writing is.
No episode is boring, in all 144 hours of the series there is something worth watching. Some episodes are truly brilliant pieces of television, especially the gems directed by series creator Joss Whedon such as Becoming, The Wish, Hush, The Body, and The Gift. These are some of the best hours of television ever produced.
The writing is spectacular, perfectly capable of balancing comedy, drama, and horror in every episode.
This is so much more than a show about a girl who slays vampires. It can change the way you react to events in your life and the way you view things. It's that good.
Did you know
- TriviaSpike's trademark coat cost $2,000 from a top fashion store. It was then run over repeatedly by a truck to give it that distressed look.
- GoofsIn nearly every episode presented in widescreen, there is crew/equipment visible and/or revealing mistakes. This is because the series was originally shot for 4:3 frame and these issues would not have been visible as the show was originally intended to be presented. As such, one should take much of the goofs reported on episodes as being conditional on applying only to the widescreen alternate version.
- Quotes
Rupert Giles: In every generation there is a Chosen One. She alone will stand against the vampires, the demons and the forces of darkness. She is the Slayer.
- Crazy creditsThe sequence with the Mutant Enemy mascot, the little monster that goes "Grr Argh" at the end of all episodes, was changed for a total of six episodes: in "Becoming Part Two" (#2.22) it said, 'Oh, I need a hug." in "Amends" (#3.10) it wore a Santa hat and bells were jingling. in "Graduation Day Part Two" (#3.22) it wore a graduation cap. in "Once More With Feeling" (#6.07) it sang its "Grr Argh." in "Storyteller" (#7.16) it sang, "We are as gods." in "Chosen" (#7.22) it looked out at the viewers instead of looking straight-forward.
- Alternate versionsIn the French and Spanish dubs of the series, Xander's name is changed to Alex.
- ConnectionsEdited into Angel: Unaired Pilot (2003)
- SoundtracksBuffy the Vampire Slayer Theme
Performed by Nerf Herder
Details
- Runtime44 minutes
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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