The daily activities of an unusual prison facility and its criminal inhabitants.The daily activities of an unusual prison facility and its criminal inhabitants.The daily activities of an unusual prison facility and its criminal inhabitants.
- Nominated for 2 Primetime Emmys
- 16 wins & 56 nominations total
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Summary
Reviewers say 'Oz' is a compelling, brutal, and thought-provoking series exploring prison life's complexities. Themes like gang warfare, racial tensions, and drug dealing are central. Praised for strong character development and realistic portrayals, it offers intense storytelling. However, it faces criticism for graphic violence, unrealistic plotlines, and occasional lack of character depth. Some argue it's groundbreaking, while others find it controversial.
Featured reviews
Consistently well-written and acted, Oz is without a doubt the best thing on TV. Quality wise, it's up there with the first 4 seasons of Homicide: Life on the Street as the most compelling hour of television drama. Presenting a harsh and realistic view of prison life, Oz is a wonderful mixture of superb acting and character development; all of which rides on a nuanced and erudite core (Foucault's Panopticon is the inspiration for Em City's design...and ultimate failure). It is the only show on TV, that I can think of, that has presented characters who were intensely dislikable one moment and oddly empathetic the next. That I am repulsed by, sympathetic with, intrigued about, and involved with every character that has lived, died or survived on the show, is no small feat. Good TV exists. And, for my money, Oz is not only good TV, it is better than most films released throughout the year.
This is one of HBO's first big hits and is still one of not only HBO's best but one of the best in general! Oz will hook you from the very first episode through the finale and every episode is great!
There was nothing on and I switched on HBO and got hooked on OZ. It is like nothing I have ever seen before. The characters are real and are well acted. By the end of my first episode I was hooked. I find myself wanting to know more about each character and what makes them tick. This is a definite must see show.
10Rob1331
Oz is one of the best and most underrated shows of all-time!. It's one of the rare shows where just about every episode is great! HBO is known for having all these great shows over the years and Oz is right at the top of those great shows. It's about the inmates and guards at certain wing in a prison. It's easily the best pest prison series of all-time. You really get attached to the character and care what happens next. That's because the writing and acting is so great. I've watched it all the way through a few times now and probably will again in the best future. I wish they would try to bring this series and back or reboot it but with the same creator and writers.
OK, it's violent and bloody and vicious and cruel. It's also wildly creative, beautifully filmed, brilliantly acted (with very few exceptions) and has a great framing device. The stories are both filled with detail and minutiae, and also have overarching moral tales and "big picture" flow. At the end of almost every episode you'll probably find yourself muttering "This is SUCH a good show!"
Although it is ostensibly the story of a prison and its many prisoners, 'Oz' can be viewed as primarily the story of one man, Tobias Beecher. Beecher has committed vehicular manslaughter while driving drunk. Because Beecher is a lawyer, the court decides to make an example of him and sends him to maximum security at Oswald Penitentiary. His journey through Oz is basically the rest of the series, and it's certainly no yellow brick road he follows. Everything that you could imagine happening in a prison setting happens, and probably a lot you wouldn't imagine.
He gets assigned to "Em" City (Emerald City), an experimental unit in Oz; the goal of Em City is to try a different living environment, one that might give the prisoners a chance at changing their lives and possibly rehabilitate them. Managed by a true prison reform zealot, Tim McManus, Em City is for many prisoners the only hope in their lives. The inmates of Em City are some of the most brutal offenders in the entire penitentiary - McManus insists that these are the prisoners to try to reach. McManus also picks newer prisoners, ones that don't have life sentences, to add to the mix and to give them a shot at rehabilitation.
Every episode has a storyteller - most of the time the storyteller is Augustus Hill, shot while killing a cop and now confined to a wheelchair. Because he is unable to be physically brutal anymore, because he is more imprisoned than even his fellow prisoners, Augustus is very insightful and is used to heighten and clarify themes for the audience.
The other inmates in Em City all have their own character development and story arcs - some are impressively vibrant but brief, others last for the whole series - but ultimately the writers always return to Beecher and his story. His friends (few), his enemies (many), his family, and his relationships with the prison staff.
Amid the worst that prison can dish out, the inmates struggle with the meaning of religion, with definitions of family, with the corruption of politics, with friendship, betrayal, and ultimately, survival. There are moments of sheer wanton destruction, unspeakable violence, shocking cruelty, and pure evil. It's prison! There is nothing glorified here; inmates do drugs to escape the horror of their realities, gangs murder each other over trivialities, inmates and guards commit rape just because they can. But how they manage to survive - and IF they manage to survive - keeps you watching.
Some key performances: The always perfect J.K. Simmons as Schillinger, the leader of the Aryans; Chris Meloni as Chris Keller (quite a different part than his character on L&O: SVU!); Lee Tergesen as Beecher; Eamonn Walker as Said, the leader of the Muslims; Dean and Scott Winters (real-life brothers) as Ryan and Cyril O'Reilly; and Kirk Acevedo as Miguel Alvarez, a member of the Latinos. But honestly, the whole cast is excellent. Even most of the "guest starring" roles - new inmates who practically have an expiration date stamped on them - are good, and at least are pretty interesting.
It's coming out on DVD in dribs and drabs - rent it, borrow it, steal it, whatever. But watch it!
Although it is ostensibly the story of a prison and its many prisoners, 'Oz' can be viewed as primarily the story of one man, Tobias Beecher. Beecher has committed vehicular manslaughter while driving drunk. Because Beecher is a lawyer, the court decides to make an example of him and sends him to maximum security at Oswald Penitentiary. His journey through Oz is basically the rest of the series, and it's certainly no yellow brick road he follows. Everything that you could imagine happening in a prison setting happens, and probably a lot you wouldn't imagine.
He gets assigned to "Em" City (Emerald City), an experimental unit in Oz; the goal of Em City is to try a different living environment, one that might give the prisoners a chance at changing their lives and possibly rehabilitate them. Managed by a true prison reform zealot, Tim McManus, Em City is for many prisoners the only hope in their lives. The inmates of Em City are some of the most brutal offenders in the entire penitentiary - McManus insists that these are the prisoners to try to reach. McManus also picks newer prisoners, ones that don't have life sentences, to add to the mix and to give them a shot at rehabilitation.
Every episode has a storyteller - most of the time the storyteller is Augustus Hill, shot while killing a cop and now confined to a wheelchair. Because he is unable to be physically brutal anymore, because he is more imprisoned than even his fellow prisoners, Augustus is very insightful and is used to heighten and clarify themes for the audience.
The other inmates in Em City all have their own character development and story arcs - some are impressively vibrant but brief, others last for the whole series - but ultimately the writers always return to Beecher and his story. His friends (few), his enemies (many), his family, and his relationships with the prison staff.
Amid the worst that prison can dish out, the inmates struggle with the meaning of religion, with definitions of family, with the corruption of politics, with friendship, betrayal, and ultimately, survival. There are moments of sheer wanton destruction, unspeakable violence, shocking cruelty, and pure evil. It's prison! There is nothing glorified here; inmates do drugs to escape the horror of their realities, gangs murder each other over trivialities, inmates and guards commit rape just because they can. But how they manage to survive - and IF they manage to survive - keeps you watching.
Some key performances: The always perfect J.K. Simmons as Schillinger, the leader of the Aryans; Chris Meloni as Chris Keller (quite a different part than his character on L&O: SVU!); Lee Tergesen as Beecher; Eamonn Walker as Said, the leader of the Muslims; Dean and Scott Winters (real-life brothers) as Ryan and Cyril O'Reilly; and Kirk Acevedo as Miguel Alvarez, a member of the Latinos. But honestly, the whole cast is excellent. Even most of the "guest starring" roles - new inmates who practically have an expiration date stamped on them - are good, and at least are pretty interesting.
It's coming out on DVD in dribs and drabs - rent it, borrow it, steal it, whatever. But watch it!
Storyline
Did you know
- TriviaSome cast members that played prisoners have noted that throughout the series if you showed up late to the set your punishment would be that your character would either die or be raped the next week.
- GoofsThroughout the series, the large black-and-white rose tattoo on the back of Miguel's hand alternates between being on his right hand and on his left.
- Quotes
[repeated line]
Agamemnon "The Mole" Busmalis: This is the best Miss Sally ever.
- ConnectionsFeatured in The 51st Annual Primetime Emmy Awards (1999)
Details
- Runtime1 hour
- Color
- Aspect ratio
- 4:3
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