Dr. Ellie Arroway, after years of searching, finds conclusive radio proof of extraterrestrial intelligence, sending plans for a mysterious machine.Dr. Ellie Arroway, after years of searching, finds conclusive radio proof of extraterrestrial intelligence, sending plans for a mysterious machine.Dr. Ellie Arroway, after years of searching, finds conclusive radio proof of extraterrestrial intelligence, sending plans for a mysterious machine.
- Nominated for 1 Oscar
- 14 wins & 32 nominations total
Sami Chester
- Vernon
- (as SaMi Chester)
Max Martini
- Willie
- (as Maximilian Martini)
Featured reviews
This remains true for this very good adaptation of the classic book by Carl Sagan. Sagans' idea was to make science and the elite commandeering of information available to the majority, he wrote his books for a wide audience and I think the film shows this as was intended by its author.
The Film is roughly about Dr Arroway, Ellie, and how she handles being alone in a world without family or close friends. It is metaphorically able to make us all think about how isolated we as a race, and as people can feel.
Ellie, a brilliant young scientist working on the mistrusted SETI program discovers a message sent to earth from distant star system Vega. On its discovery Ellie must battle with the Military, Pentagon, and Male Dominated scientific world to keep her cards on the table and her discovery that of her team. Ellie is constantly kept in the game by he benefactor, a rich technological industrialist mogul who has a vested interest in her participation of the programme to reach this alien culture.
I don't wish to go on any further and spoil this movie as I rate it as a fantastic exploration of Science Vs Religion and the entire subsequent human spectrum in between. As a film there were several alterations from the book that I felt could have been included, for example not just one traveler but a range of them, philosophers, theologists, scientists, poets and Dr Arroway.
I have watched this film a number of times and still find it a joy to watch the fifth, eighth and tenth time. Jody foster playing a not so dissimilar to her role in Silence of the lambs (attractive, clever, young, successful woman battling in a male world) is exceptional and delivers feeling and intellect alongside an impressive script.
I would give this film an 8.5 and recommend it to anybody, but if you are a sci-fi fan and haven't seen this film then you're in for a treat.
The Film is roughly about Dr Arroway, Ellie, and how she handles being alone in a world without family or close friends. It is metaphorically able to make us all think about how isolated we as a race, and as people can feel.
Ellie, a brilliant young scientist working on the mistrusted SETI program discovers a message sent to earth from distant star system Vega. On its discovery Ellie must battle with the Military, Pentagon, and Male Dominated scientific world to keep her cards on the table and her discovery that of her team. Ellie is constantly kept in the game by he benefactor, a rich technological industrialist mogul who has a vested interest in her participation of the programme to reach this alien culture.
I don't wish to go on any further and spoil this movie as I rate it as a fantastic exploration of Science Vs Religion and the entire subsequent human spectrum in between. As a film there were several alterations from the book that I felt could have been included, for example not just one traveler but a range of them, philosophers, theologists, scientists, poets and Dr Arroway.
I have watched this film a number of times and still find it a joy to watch the fifth, eighth and tenth time. Jody foster playing a not so dissimilar to her role in Silence of the lambs (attractive, clever, young, successful woman battling in a male world) is exceptional and delivers feeling and intellect alongside an impressive script.
I would give this film an 8.5 and recommend it to anybody, but if you are a sci-fi fan and haven't seen this film then you're in for a treat.
Reading other peoples' reviews, I see a split 50/50 argument where one side loves the movie and the other hates it. I am not one bit surprised, due to the importance of the film, and I feel this is proof that Contact is one of the most powerful movies of the decade. Like the reaction from the civilians to the machine, a movie with this much heavy firepower is likely to get both loathing and praise from its viewers. I for one praise the film, for its toughness and sensitivity, symbolism and passion, and the fact that it is a rare science fiction film, a gem which was released in a time where scientific intelligence in film has become a nothing short of a joke as the wonder of the universe has been ignored and the mystery of alien life have become a neverending trail of movie villains.
The film of course centers around the science vs. religion theme, the oldest and most frightening of all school debates. Instead of taking the more independent path the book takes, the film takes the more sensitive on the science vs. religion argument throughout the film by telling us that science and religion points to the same direction (the "pursuit of truth") but are misunderstood when studying the nature of their WAY of finding the truth (science uses evidence and answers, religion uses love faith). At the end of it all, the film lets us know that if science and religion stops colliding with each other and starts to combine and compliment each other (listen to Ellie's final words in her testament) the human race might achieve things we can only dream about now.
A perfectly refreshing film, with lots to say, great acting and directing, sound and special effects. Robbed by the Academy.
The film of course centers around the science vs. religion theme, the oldest and most frightening of all school debates. Instead of taking the more independent path the book takes, the film takes the more sensitive on the science vs. religion argument throughout the film by telling us that science and religion points to the same direction (the "pursuit of truth") but are misunderstood when studying the nature of their WAY of finding the truth (science uses evidence and answers, religion uses love faith). At the end of it all, the film lets us know that if science and religion stops colliding with each other and starts to combine and compliment each other (listen to Ellie's final words in her testament) the human race might achieve things we can only dream about now.
A perfectly refreshing film, with lots to say, great acting and directing, sound and special effects. Robbed by the Academy.
Ms. Foster's finest work, and the most thoughtful, scientifically accurate film since Kubrick's 2001
In my 61 years, I have seen many science fiction films. Few have exceeded my expectations as this film did. I remember seeing it in a theater (something I rarely trouble myself with these days), and finding myself at times gripping the armrests in excitement. This film builds like great stories should. However, even the best stories can collapse under the weight of a bad script, poor acting, or shoddy editing. I'm happy to say that none of these issues plagued this film. Ms. Foster delivers an extremely powerful performance and is a wonderful role model for women in science. All of the other actors also deliver memorable performances, but make no mistake, it is Ms. Foster's polished performance you will be thinking about when this film ends.
Much has been made of the last 1/4 of this film, with many viewers feeling a let down. I get that. The amazing build up and tension in the third quarter of the film is quite unexpected, but if you approach the final quarter thoughtfully, you'll see that it makes perfect scientific sense. That's rare in any science fiction film pitched to mass audiences. As such, this film makes an amazing contribution to the entire genera.
Much has been made of the last 1/4 of this film, with many viewers feeling a let down. I get that. The amazing build up and tension in the third quarter of the film is quite unexpected, but if you approach the final quarter thoughtfully, you'll see that it makes perfect scientific sense. That's rare in any science fiction film pitched to mass audiences. As such, this film makes an amazing contribution to the entire genera.
This, for me, is a masterpiece. I have enjoyed it more with each viewing.
Carl Sagan was a great man. He promoted science in the way it should be, portraying the profound mysteriousness of our universe with humility, and without dogma. In his book, the Demon-Haunted World, he quoted Einstein:
"All our science, measured against reality, is primitive and childlike -- and yet it is the most precious thing we have".
Contact conveys this simple message in a subtle yet immensely powerful way. The performances are some of the most compelling I have seen, particularly by Jodie Foster and David Morse.
Just magnificent.
Carl Sagan was a great man. He promoted science in the way it should be, portraying the profound mysteriousness of our universe with humility, and without dogma. In his book, the Demon-Haunted World, he quoted Einstein:
"All our science, measured against reality, is primitive and childlike -- and yet it is the most precious thing we have".
Contact conveys this simple message in a subtle yet immensely powerful way. The performances are some of the most compelling I have seen, particularly by Jodie Foster and David Morse.
Just magnificent.
10ada-p
So many movies out there are pure drivel. They use sex, or shock, or sex to sell two hours of something that in no way contributes to our existence; be it inspiration, knowledge or spiritual awakening.
Contact is an exceptional example of a movie that DESERVES to exist. From the spectactular beginning shot that shows us just how small we are in a world that once thought the universe was made for, and around, mankind; to its realistic conclusion that any X-Phile would expect to happen: this movie appeals to our humanity, intelligence and sense of adventure.
One of the greatest realisations that the movie will guide you to is that what we search for in outer space is actually in our own backyards. We are cut off from each other and sci-fi tries to quell our loneliness with ideas that we'll meet E.T. and wont feel so lonely in our existence. But were AREN'T alone... we have each other.
I never get tired of watching this movie, though I wish they brought out a packed special edition DVD full of behind the scene effects and the like.
Contact is an exceptional example of a movie that DESERVES to exist. From the spectactular beginning shot that shows us just how small we are in a world that once thought the universe was made for, and around, mankind; to its realistic conclusion that any X-Phile would expect to happen: this movie appeals to our humanity, intelligence and sense of adventure.
One of the greatest realisations that the movie will guide you to is that what we search for in outer space is actually in our own backyards. We are cut off from each other and sci-fi tries to quell our loneliness with ideas that we'll meet E.T. and wont feel so lonely in our existence. But were AREN'T alone... we have each other.
I never get tired of watching this movie, though I wish they brought out a packed special edition DVD full of behind the scene effects and the like.
Storyline
Did you know
- TriviaAuthor and producer Carl Sagan died during production. He was reportedly taking great care to ensure that science was accurately depicted in this movie.
- GoofsWalkie-talkies and cell phones are not allowed near a radio telescope array. They would overpower the array, making it useless.
- Crazy credits"For Carl"
- ConnectionsEdited into Zaum - Andare a parare: Lo spazio dell'orbita (2011)
- SoundtracksWho Needs Wings to Fly
Written by Dominic Frontiere and Sid Wayne
Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Contacto
- Filming locations
- Arecibo Observatory, Arecibo, Puerto Rico(large radio telescope)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $90,000,000 (estimated)
- Gross US & Canada
- $100,920,329
- Opening weekend US & Canada
- $20,584,908
- Jul 13, 1997
- Gross worldwide
- $171,120,329
- Runtime2 hours 30 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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