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Dangerous Beauty

  • 1998
  • R
  • 1h 51m
IMDb RATING
7.1/10
20K
YOUR RATING
Catherine McCormack in Dangerous Beauty (1998)
Home Video Trailer from Warner Home Video
Play trailer0:31
1 Video
87 Photos
Period DramaSteamy RomanceBiographyDramaRomance

A Venetian courtesan becomes a hero to her city, but later becomes the target of an inquisition by the Church for witchcraft.A Venetian courtesan becomes a hero to her city, but later becomes the target of an inquisition by the Church for witchcraft.A Venetian courtesan becomes a hero to her city, but later becomes the target of an inquisition by the Church for witchcraft.

  • Director
    • Marshall Herskovitz
  • Writers
    • Margaret Rosenthal
    • Jeannine Dominy
  • Stars
    • Catherine McCormack
    • Rufus Sewell
    • Oliver Platt
  • See production info at IMDbPro
  • IMDb RATING
    7.1/10
    20K
    YOUR RATING
    • Director
      • Marshall Herskovitz
    • Writers
      • Margaret Rosenthal
      • Jeannine Dominy
    • Stars
      • Catherine McCormack
      • Rufus Sewell
      • Oliver Platt
    • 139User reviews
    • 33Critic reviews
    • 51Metascore
  • See production info at IMDbPro
    • Awards
      • 2 nominations total

    Videos1

    Dangerous Beauty
    Trailer 0:31
    Dangerous Beauty

    Photos87

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    Top cast58

    Edit
    Catherine McCormack
    Catherine McCormack
    • Veronica Franco
    Rufus Sewell
    Rufus Sewell
    • Marco Venier
    Oliver Platt
    Oliver Platt
    • Maffio Venier
    Fred Ward
    Fred Ward
    • Domenico Venier
    Naomi Watts
    Naomi Watts
    • Giulia De Lezze
    Moira Kelly
    Moira Kelly
    • Beatrice Venier
    Jacqueline Bisset
    Jacqueline Bisset
    • Paola Franco
    Jeroen Krabbé
    Jeroen Krabbé
    • Pietro Venier
    Joanna Cassidy
    Joanna Cassidy
    • Laura Venier
    Melina Kanakaredes
    Melina Kanakaredes
    • Livia
    Daniel Lapaine
    Daniel Lapaine
    • Serafino Franco
    Justine Miceli
    Justine Miceli
    • Elena Franco
    Jake Weber
    Jake Weber
    • King Henry
    Simon Dutton
    Simon Dutton
    • Minister Ramberti
    Grant Russell
    Grant Russell
    • Francesco Martenengo
    Peter Eyre
    Peter Eyre
    • The Doge
    Carla Cassola
    • Caterina
    Gianni Musy
    • Joseph
    • Director
      • Marshall Herskovitz
    • Writers
      • Margaret Rosenthal
      • Jeannine Dominy
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews139

    7.120.2K
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    Featured reviews

    10Firstclassblonde

    One of the best and most passionate movies ever made

    This particular movie was lost in the shuffle somewhere but I am certainly glad I found it. Catherine McCormack (Braveheart) portrays an innocent girl, that loses in love so decides to do what she has to do just to have him any way possible. It's a very backwards Cinderella. A good girl that falls in love with a "prince" (he's from a family with a title and she's not) but will true love prevail? Rufus Sewell is to die for, the sexiest and most talented actor to come our way in years. The rest of the fine cast Oliver Platt, Moira Kelly, Naomi Watts, Fred Ward and Jacqueline Bisset are very convincing in their portrayals of these period characters. I have had every single one of my friends watch it and they all have enjoyed it as much as I have. The music is fantastic and we even get a short history lesson. With this sensational cast, the storyline that is based on actual poetry books from a Courtisan, it really is my favorite historical romance of all time. Take the time to find this rare gem and see it as soon as possible.
    ShannonAmidala

    Fantastic

    OK, let's face it, the reason I saw this was because of potential chemistry between Catherine McCormack and Rufus Sewell. I love both of them as actors, and I was psyched when I heard they were in a movie together.

    Then I looked at the plot, and was intrigued. I'd seen a movie similar to this, Moulin Rouge. Hmm, would it be as good as that? Would it be a let down? Looking at the title and the cover, I wasn't expecting too much. Soft porn, maybe? Eh, probably. But I rented it anyways, simply because I was in the mood for a period piece, and Rufus Sewell is easy on the eyes. :)

    The movie ended up becoming one of my absolute favorites. It is sumptuously filmed, gorgeous, like staring at a beautiful painting for hours. Every piece of colors and cinematography is top notch. The acting between Sewell and McCormack is amazing, astounding. I fell in love with their romance. The film hasn't left me long after I saw it. The score is brilliant. George Fenton is an emotional genius. If you want to hear more of his stuff just check out Ever After, starring Dougray Scott and Drew Barrymore. :)

    I really want to buy this movie. It works so well, and it is just really, really good. It's a movie to be felt, not explained. If you love intriguing plot lines, romance, and period pieces, then I highly recommend you check this out. :)
    10Aleatha

    An excellent adaptation of a scholarly work

    For me the power of this movie rests in its faithfulness to Margaret Rosenthal's book the Honest Courtesan; which is a well-researched look at Veronica Franco's life and the plight of Venetian women in the 16th century. Dangerous Beauty, while making certain assumptions and taking some literary license, was a talented translation of Rosenthal's careful research into a captivating film. Many of the witty remarks and social commentary come directly from 16th century documents. Surprisingly the most unbelievable aspect of the movie (her escape from the Inquisition and support from prominent Venetian nobles) is historical fact. While the details are unknown and the movie is certainly more romatically dramatic than I would imagine the actual historical event, it was very true to the spirit and feel supported by the evidence we have.

    Venetian women, and indeed most medieval women, were in an unenviable position as second class citizens. Veronica Franco's struggle to find an acceptable position in society as a woman of good family but poor, is representative of the moral and societal conflicts of her time. Courtesans were not respected but they were accepted as a necessary evil. Their income was even taxable! In a society where female chastity was considered sacrosanct if she were to marry and a marriage bed was no less for sale than a courtesan's, women's choices were limited indeed. Franco's impassioned cry in the movie "I did what was necessary to survive!" is no less true were it not a verbatim report of her defense. As a penniless girl her options were limited to scullery work, the nunnery or prostitution. Her distinction was that, while she chose to sell her body, she never chose to be dominated by her profession or those who sought her out. In publishing her book of poetry and personal letters, she redefined herself as a woman first and a courtesan second. Using her wit to defend herself in the public arena she skillfully manipulated accepted literary mores of the day to show her mastery of the literary as well as political implications of her position.

    Her greatest detractors were courtiers, such as Maffio Venier, who competed with courtesans for the money bestowed by wealthy patrons. As she says in the movie, they must both sing for their suppers. The problem is that while she is willing to accept they are equal in their need of patronage, he is unwilling to be outdone by a woman. His misogynistic works of poetry were directed toward Franco and other courtesans with the intent of parading his own virtue by damning theirs. The greatest irony is that Maffio was ultimately killed by a sexual disease while Franco died of causes unrelated to her sexual practices.

    While there are those who might see this movie as an acceptance of prostitution, I believe they are missing the true story behind the sexual facade which they are focusing on. Franco's life was one of courage and honesty. She made choices that we may not understand, but we do not live in her world. And she accepted both the privilege and the degradation that her position brought her. This movie is a powerful tribute to one who sought more in life than mere existence and who faced her trials with the courage of her convictions, whether or not we or others share those convictions is immaterial.
    BB-15

    A Feast of Beauty, Charm & Wit

    While there have been several recent films about courageous women of the past whether true or imaginary, Dangerous Beauty, a quality effort with individuality, is a welcome addition to this group.

    A story of some historical sweep, wit and romance, we are first drenched in the sunlight and beauty of Venice. As the film builds I was impressed by the talent, charm and strength of the hero, Veronica Franco, poet and courtesan.

    Through two amazing events she saves Venice twice first by getting help to defend itself from invasion and later by standing up for its spirit of independence. Intertwined with this is a touching romance made bitter sweet by the pressures of arranged marriages, the terrible limitations upon women and the twisted power of envy.

    This film works on many levels, the photography and music are top notch as are the settings and costumes. The acting is fine including the main roles played by Catherine McCormack and Rufus Sewell. (Just don't expect Blanchette and Joseph Fienes.)

    If you like historical dramas with romance, intrigue and lovely scenery then I strongly recommend Dangerous Beauty.
    nz man

    Brilliant - Bravo! Last 10 minutes is superb.

    Four of us (aged 40 - 50) saw this on video and thoroughly enjoyed it. The speeches at the end provide us with the finest acting and script that is available.

    The film is a bit slow in the beginning, but don't give up because this is one incredible piece of dramatic art.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      The Veronica Franco depicted in the film was a real person. She was born in 1546 and died in 1591, at the age of forty-five. She was the most famous courtesan in Italy, but she was also famous for her satire and for her poetry.
    • Goofs
      The books shown in the movie are printed on paper that is too thin and too white for 16th century. Also, the typeface is too small. Until 1843 paper was made exclusively from rags and this resulted in paper having large fibers and rough surface. Printing ink smeared on the fibers and so printers had to use large typefaces (equivalent to modern 16-18 points at least). White color of paper required and still requires copious use of sulfuric acid that was not available before industrial revolution too. It was not until late 19th century then modern quality paper, such as the one shown in the movie, was developed.
    • Quotes

      Veronica Franco: I confess that as a young girl I loved a man who would not marry me for want of a dowry. I confess I had a mother who taught me a different way of life, one I resisted at first but learned to embrace. I confess I became a courtesan, traded yearning for power, welcomed many rather than be owned by one... I confess I embraced a whore's freedom over a wife's obedience... I confess I find more ecstacy in passion than in prayer. Such passion is prayer. I confess - I confess I pray still to feel the touch of my lover's lips, his hands upon me, his arms enfolding me... . Such surrender has been mine. I confess I hunger still to be filled and enflamed. To melt into the dream of us, beyond this troubled place, to where we are not even ourselves. To know that always, always, this is mine... If this had not been mine - if I had lived any other way - a child to her husband's whim, my soul hardened from lack of touch and lack of love. I confess such endless days and nights would be a punishment far greater than you could ever mete out... You, all of you, you who hunger so for what I give but cannot bear to see that kind of power in a woman. You call God's greatest gift: our selves, our yearning, our need to love - you call it filth and sin and heresy... I repent there was no other way open to me. I do not repent my life.

    • Connections
      Featured in Siskel & Ebert: Palmetto/Senseless/Dangerous Beauty/Mrs. Dalloway/Nil by Mouth/Live Flesh (1998)
    • Soundtracks
      Ungaresca e saltarello
      in "Artificio Scientia La Selena"

      Composed by Giorgio Mainiero

      Per S. Naria Della Pace

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    FAQ19

    • How long is Dangerous Beauty?Powered by Alexa

    Details

    Edit
    • Release date
      • February 20, 1998 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Amor prohibido
    • Filming locations
      • Rome, Lazio, Italy
    • Production companies
      • New Regency Productions
      • Arnon Milchan Productions
      • The Bedford Falls Company
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $8,000,000 (estimated)
    • Gross US & Canada
      • $4,553,271
    • Opening weekend US & Canada
      • $105,989
      • Feb 22, 1998
    • Gross worldwide
      • $4,553,271
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 51 minutes
    • Color
      • Color
    • Sound mix
      • Dolby Digital
    • Aspect ratio
      • 2.35 : 1

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