Vincent, an "In-Valid", assumes the identity of a member of the genetic elite to pursue his goal of traveling into space with the Gattaca Aerospace Corporation. However, a week before his mi... Read allVincent, an "In-Valid", assumes the identity of a member of the genetic elite to pursue his goal of traveling into space with the Gattaca Aerospace Corporation. However, a week before his mission, a murder marks Vincent as a suspect.Vincent, an "In-Valid", assumes the identity of a member of the genetic elite to pursue his goal of traveling into space with the Gattaca Aerospace Corporation. However, a week before his mission, a murder marks Vincent as a suspect.
- Nominated for 1 Oscar
- 6 wins & 16 nominations total
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- Writer
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It was wonderful this is very amazing movie and I do wanna watch it over and over again, you can never guess what's coming up next the story was perfect I enjoyed that. I can suggest others to watch this true piece of art. & by the way I should add the actors and actress were wonderful in their roles. I prefer to say the most amazing part of the movie was the last 5 minutes of it. but I should add, one of the most beautiful dialogs of the movie that impressed me was this one " they used to sy that a child conceived in love has a greater chance of happiness".
Gattaca is written and directed by Andrew Niccol. It stars Ethan Hawke, Uma Thurman, Jude Law, Gore Vidal, Loren Dean, Xander Berkeley and Alan Arkin. Music is by Michael Nyman and cinematography by Slawomir Idziak.
It's the near future and eugenics dominate a society where children are either "valids" (reproductive through eugenics) or "in-valids" (naturally birthed with inherent genetic flaws). One such "in-valid" is Vincent Anton Freeman (Hawke), who plots an intricate scheme to assume a "valid" person's identification so as to reach his dreams of being an astronaut.
There is no gene for fate.
Biopunk future meets tech-noir in this thought provoking and intelligent piece of sci-fi. There is a decent argument to suggest that Gattaca is more style over character substance, especially given that visually Niccol's movie is stunning. It's a near future world of genetic engineering where although discrimination is illegal, perfection rules the day and the "in-valids" are passed over for high grade employment. Identity, inferiority and bigotry are fused together to offer up moral quandaries and ethical conundrums, all set to an oppressive tech-noir backdrop painted by Idziak's deft choice of colour filters. There's a striking difference between the look of the Gattaca corporation compared to the rest of the outside world, this helps to keep the thematics at work rich and potent.
As a thriller it barely raises the pulse, but this is deliberate, as is the pacing by Niccol. This is an emotionally stunted world and the ethereal atmosphere hovers continually over proceedings. There's a romance in the mix between Hawke and Thurman, which on the surface seems a token sub-plot and devoid of passion, but again this feels deliberate, lack of passion is actually the order of the day. Cast performances are well up to scratch, with Law stealing the film as a one time "valid" ironically invalidated by an incident. And while we could have done with more from top performers Arkin (as a copper attired like a classical film noir gumshoe) and Elias Koteas (as Vincent's father), it rounds out as an impressively constructed picture.
Provocative and brainy, with visual pleasures unbound, Gattaca has many attributes that reward still further on repeat viewings. 8/10
It's the near future and eugenics dominate a society where children are either "valids" (reproductive through eugenics) or "in-valids" (naturally birthed with inherent genetic flaws). One such "in-valid" is Vincent Anton Freeman (Hawke), who plots an intricate scheme to assume a "valid" person's identification so as to reach his dreams of being an astronaut.
There is no gene for fate.
Biopunk future meets tech-noir in this thought provoking and intelligent piece of sci-fi. There is a decent argument to suggest that Gattaca is more style over character substance, especially given that visually Niccol's movie is stunning. It's a near future world of genetic engineering where although discrimination is illegal, perfection rules the day and the "in-valids" are passed over for high grade employment. Identity, inferiority and bigotry are fused together to offer up moral quandaries and ethical conundrums, all set to an oppressive tech-noir backdrop painted by Idziak's deft choice of colour filters. There's a striking difference between the look of the Gattaca corporation compared to the rest of the outside world, this helps to keep the thematics at work rich and potent.
As a thriller it barely raises the pulse, but this is deliberate, as is the pacing by Niccol. This is an emotionally stunted world and the ethereal atmosphere hovers continually over proceedings. There's a romance in the mix between Hawke and Thurman, which on the surface seems a token sub-plot and devoid of passion, but again this feels deliberate, lack of passion is actually the order of the day. Cast performances are well up to scratch, with Law stealing the film as a one time "valid" ironically invalidated by an incident. And while we could have done with more from top performers Arkin (as a copper attired like a classical film noir gumshoe) and Elias Koteas (as Vincent's father), it rounds out as an impressively constructed picture.
Provocative and brainy, with visual pleasures unbound, Gattaca has many attributes that reward still further on repeat viewings. 8/10
I rented this film cold at the video store -- and was very pleasantly surprised with a very well done movie. If you don't know anything else about Gattaca, the less you know, the better. Stop reading this review right now, go watch it, and come back when you're done!
It was after my first viewing of the film that several little details dawned on me:
1) The term "borrowed ladder" is a utterly-brilliantly-conceived bit of future slang that carries a *double meaning*. I'm still amazed that the producers didn't make more of this. Instead, they were content to leave this gem to be discovered by the thinking and missed by the vast masses. I was very definitely impressed.
2) As I was explaining the film to my wife, it occurred to me in mid-explanation that this is really a film that has to do with what is properly called =eugenics=; one of the things the Nazis were about. Then my mind wandered to word etymologies: I recalled that the name "Eugene" = "well born." And then I realized...
!!!
3) It's interesting the extent to which so many of the characters in the film *didn't* live up to their genetic destiny, one way or another.
4) Because I hadn't seen any previews, I had no immediate reference for where the name "Gattaca" had come from. And then I suddenly realized...
!!!
5) It wasn't until I watched the movie the second time that I caught the effects with the title sequence letters...
Now I had figured out by this time that there were likely to be other intriguing little details I've missed, so I was fascinated to read from another reviewer here about the boy Vincent falling with a toy rocket in his hand.
I wonder what else is in there?
All in all, this is a very well written, tightly woven movie. Seen cold, with no real prior knowledge of the film, it came off as a tremendous science-fiction SUSPENSE THRILLER. There were several scenes that just had me climbing the walls with tension. Fabulous job!
And I'm not the only one who thinks so. When my WIFE says she wants to see a SCIENCE FICTION movie for the SECOND TIME... well, I don't think THAT has EVER happened before!
It was after my first viewing of the film that several little details dawned on me:
1) The term "borrowed ladder" is a utterly-brilliantly-conceived bit of future slang that carries a *double meaning*. I'm still amazed that the producers didn't make more of this. Instead, they were content to leave this gem to be discovered by the thinking and missed by the vast masses. I was very definitely impressed.
2) As I was explaining the film to my wife, it occurred to me in mid-explanation that this is really a film that has to do with what is properly called =eugenics=; one of the things the Nazis were about. Then my mind wandered to word etymologies: I recalled that the name "Eugene" = "well born." And then I realized...
!!!
3) It's interesting the extent to which so many of the characters in the film *didn't* live up to their genetic destiny, one way or another.
4) Because I hadn't seen any previews, I had no immediate reference for where the name "Gattaca" had come from. And then I suddenly realized...
!!!
5) It wasn't until I watched the movie the second time that I caught the effects with the title sequence letters...
Now I had figured out by this time that there were likely to be other intriguing little details I've missed, so I was fascinated to read from another reviewer here about the boy Vincent falling with a toy rocket in his hand.
I wonder what else is in there?
All in all, this is a very well written, tightly woven movie. Seen cold, with no real prior knowledge of the film, it came off as a tremendous science-fiction SUSPENSE THRILLER. There were several scenes that just had me climbing the walls with tension. Fabulous job!
And I'm not the only one who thinks so. When my WIFE says she wants to see a SCIENCE FICTION movie for the SECOND TIME... well, I don't think THAT has EVER happened before!
This movie is incredible--yet the only ones who seemed to like it when it came out are the type whose favorite movie is "True Lies". It became critically ignored, which I can not understand at all. The themes of this movie-of superiority/inferiority, of identity, of destiny, they're all there. For those of you that haven't seen this movie, it is about a eutopian society where the highest ranks work at a space program named Gattaca. Vincent (Ethan Hawke) has wanted to work there since he was a child, but since his parents did not "pre-order" him, he was born inferior (a 99 % chance of heart failure by the age of 30, physical and mental problems, etc. ) to his "ordered" brother Antoine. Vincent has always seen something in a rival in his brother, because his brother is their dad's favorite, and he seems to have everything going for him. Vincent's job is as a janitor at Gattaca, with the hope that he will get in some day, but all the have to do is get a fingerprint of Vincent's, or a blood sample, or anything, and they know all about him, his profile, his life expectancy, etc. No one will hire Vincent because he is so liable to damage. One day, though, he hires someone to turn his identity into Eugene's, (Jude Law) an olympic-swimming, high potential winner who has everything you would need to get anywhere-except he comes back from a trip a paralyzed cripple from the waist down. So Vincent makes a deal with Eugene-Vincent gets Eugene's identity if Vincent pays the rent and gives him a companion. Everything works to plan, and Vincent borrows Eugene's fingerprints, blood samples, haircut, even urine samples. He even meets Irene (Uma Thurman) a sexy female worker at Gattaca who takes a shine to Vincent (who she thinks is Eugene). Until one day......
Gattaca is a great visual movie (it was nominated for the best art direction oscar but lost to Titanic), rides strong on very good performances by Ethan Hawke and Jude Law, and is definitely worth seeing.
Gattaca is a great visual movie (it was nominated for the best art direction oscar but lost to Titanic), rides strong on very good performances by Ethan Hawke and Jude Law, and is definitely worth seeing.
A bittersweet fairy tale that dwells on mankind's constant striving for perfection amidst the crushing cruelty of society's prejudices.
Gattaca is the perfect specimen. From it's dreamlike frames and sleek neo noir sci fi design combined with it's exquisitely moving score by Michael Laurence Nyman, this is one movie that I have fond memories of.
The main character Vincent deals with the most primal of fears. Being the unloved child. Being rejected by a lover for not up to thier standards. And being unable to achieve his own dreams due to factors outside his control.
While we get the sense that this future dystopian world has not yet started hauling "imperfect people" into the gas chambers, you get the idea that it's only going to be a matter of time. Despite the anglo saxony 1950's American dream style decor of the future, you get the feeling that all this "eugenics" craze philosophy has left the world deeply lost and unhappy.
It feels lifeless, sterile and dead. It has lost something but doesn't know what "it" is. Even in a world of "perfect people" there are always going to be winners and losers and not everyone can be first place. It's impossible.
This point is perfectly illustrated in Jerome, a eugenics child who tried to commit suicide after winning silver. I'm in the belief that Jerome's story is not an isolated incident, especially in this world. Unable to meet the impossible standards set by the world, people are unable to love themselves or others due to thier lack of perfection. What you get is a world while though outwardly progressive is ultimately worthless. No ephemeral achievement can justify a world in which parents love one child over another due to their genetics, where two brothers must constantly struggle to assert thier worth, or a talented individual is left to live an aimless life because of some genetic flaw the world deemed irredeemable. It's insanity.
The ending definitely brought tears to my eyes. Many answers are left unanswered and the main cast will never see each other again but that only adds to the film's elegance.
Gattaca is one of the greatest films ever made because it is so raw and human. I know I can never shake away that feeling of awe I had while viewing for the first time. A deeply moving film that can never be made again.
Gattaca is the perfect specimen. From it's dreamlike frames and sleek neo noir sci fi design combined with it's exquisitely moving score by Michael Laurence Nyman, this is one movie that I have fond memories of.
The main character Vincent deals with the most primal of fears. Being the unloved child. Being rejected by a lover for not up to thier standards. And being unable to achieve his own dreams due to factors outside his control.
While we get the sense that this future dystopian world has not yet started hauling "imperfect people" into the gas chambers, you get the idea that it's only going to be a matter of time. Despite the anglo saxony 1950's American dream style decor of the future, you get the feeling that all this "eugenics" craze philosophy has left the world deeply lost and unhappy.
It feels lifeless, sterile and dead. It has lost something but doesn't know what "it" is. Even in a world of "perfect people" there are always going to be winners and losers and not everyone can be first place. It's impossible.
This point is perfectly illustrated in Jerome, a eugenics child who tried to commit suicide after winning silver. I'm in the belief that Jerome's story is not an isolated incident, especially in this world. Unable to meet the impossible standards set by the world, people are unable to love themselves or others due to thier lack of perfection. What you get is a world while though outwardly progressive is ultimately worthless. No ephemeral achievement can justify a world in which parents love one child over another due to their genetics, where two brothers must constantly struggle to assert thier worth, or a talented individual is left to live an aimless life because of some genetic flaw the world deemed irredeemable. It's insanity.
The ending definitely brought tears to my eyes. Many answers are left unanswered and the main cast will never see each other again but that only adds to the film's elegance.
Gattaca is one of the greatest films ever made because it is so raw and human. I know I can never shake away that feeling of awe I had while viewing for the first time. A deeply moving film that can never be made again.
Storyline
Did you know
- TriviaUma Thurman and Ethan Hawke became a couple during the filming of this movie. The two later married in 1998, and had two children, but divorced in 2005.
- GoofsWhen Vincent is confessing to Irene, he tells her he doesn't have 20 or 30 years, his heart is already 10,000 beats overdue. In an average male this would only be about 2 1/2 hours, not several years as the story suggests.
- Crazy creditsAll instances of the letters A, C, G, and T (representing the four nucleotides of DNA -- see trivia entry) are emphasized in almost all names of people and companies credited in the film. These letters appear in a different typeface from the rest of the name; also, in the opening credits they appear onscreen a little before the rest of the name, while in the closing credits they appear in blue instead of white.
- Alternate versionsThe DVD contains deleted footage not included in the the theatrical release:
- The original version of the "Eight Day Center" scene. Here the doctor offers Vincent's parents the possibility to further enhance the future Anton, charging $5,000. This is refused by both of them.
- A briefing about the upcoming mission done by Director Josef. He is interrupted by Irene who tells him that the investigators wish to start their testing on all members of Gattaca.
- Detective Hugo exposes Anton to be Vincent's brother.
- Caesar tells Vincent to put the books away and accept his life.
- Shortly before Vincent leaves for Titan, he visits Caesar and gives him a telescope.
- A short sequence which shows some famous people who may had not been born if science had decrypted the human DNA sooner: Abraham Lincoln (Marfan's Syndrome), Emily Dickinson (Manic Depression), Vincent van Gogh (Epilepsy), Albert Einstein (Dyslexia), John F. Kennedy (Addison's Disease), Rita Hayworth (Alzheimer's Disease), Ray Charles (Primary Glaucoma), Stephen Hawking (Amyotrophic Lateral Sclerosis), and Jackie Joyner (Asthma). The last sentence is: "Of course, the other birth that may never have taken place is your own."
- Also included is an outtake where Dr. Lamar drinks one of the "urine" samples.
- SoundtracksNuages
Music by Django Reinhardt
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Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Gattaca: Experimento genético
- Filming locations
- Marin County Civic Center, San Rafael, California, USA(Gattaca headquarters, Designed by Frank Lloyd Wright)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $36,000,000 (estimated)
- Gross US & Canada
- $12,532,777
- Opening weekend US & Canada
- $4,320,202
- Oct 26, 1997
- Gross worldwide
- $12,533,963
- Runtime1 hour 46 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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